Linekong Interactive Group Co., Ltd. 藍港互動集團有限公司
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Eng and the Entertainment Film in the People's Republic of China
CLCWeb: Comparative Literature and Culture ISSN 1481-4374 Purdue University Press ©Purdue University Volume 15 (2013) Issue 2 Article 14 Eng and the Entertainment Film in the People's Republic of China Munib Rezaie Georgia State University Follow this and additional works at: https://docs.lib.purdue.edu/clcweb Part of the American Studies Commons, Comparative Literature Commons, Education Commons, European Languages and Societies Commons, Feminist, Gender, and Sexuality Studies Commons, Other Arts and Humanities Commons, Other Film and Media Studies Commons, Reading and Language Commons, Rhetoric and Composition Commons, Social and Behavioral Sciences Commons, Television Commons, and the Theatre and Performance Studies Commons Dedicated to the dissemination of scholarly and professional information, Purdue University Press selects, develops, and distributes quality resources in several key subject areas for which its parent university is famous, including business, technology, health, veterinary medicine, and other selected disciplines in the humanities and sciences. CLCWeb: Comparative Literature and Culture, the peer-reviewed, full-text, and open-access learned journal in the humanities and social sciences, publishes new scholarship following tenets of the discipline of comparative literature and the field of cultural studies designated as "comparative cultural studies." Publications in the journal are indexed in the Annual Bibliography of English Language and Literature (Chadwyck-Healey), the Arts and Humanities Citation Index (Thomson Reuters ISI), the Humanities Index (Wilson), Humanities International Complete (EBSCO), the International Bibliography of the Modern Language Association of America, and Scopus (Elsevier). The journal is affiliated with the Purdue University Press monograph series of Books in Comparative Cultural Studies. Contact: <[email protected]> Recommended Citation Rezaie, Munib. -
Waiting Alone (2004) Was His First Feature Film
搞笑网 Waiting Alone 独自等待 Dúzì děngdài Dayyan Eng 伍仕贤 (Wu Shixian), 2004 107 min Stars: Xia Yu 厦雨, Li Bingbing 李冰冰, Gong Beibi 龚蓓苾 Best First Feature (Beijing FF), Official Selection (Tokyo International FF; Thessaloniki IFF; Hawaii IFF). Best Actor (Beijing FF). Set among Beijing’s affluent and energetic youth culture, this exuberant romantic comedy follows a young man in his mid-20s, a partner in an antique shop and aspiring writer, who finds himself smitten by a young actress who seems to be the woman of his dreams, but is giving him ambiguous signals about her feelings toward him. At the same time he remains deaf to the potential of his ‘buddy’ relationship with the sister of his best guy friend. As he attempts to win over his dream woman, he battles with his own (often adolescent) insecurities, reels from the consequences of his own ineptness, and follows (or not) the advice of his close circle of friends. What might at first appear to be just another boy-gets-girl plot is saved by some unexpected (but credible) twists and turns in the story line, the completely engaging performance of Xia Yu in the lead role, and an entirely satisfying but unconventional ending. Made for millennials by one of their own—a ‘cross-cultural kid’ without nationalistic or political baggage—director Dayyan Eng rides the wave of China’s official embrace of cinema as pure entertainment. As of 2017, Waiting Alone remained the highest rated romantic comedy by Chinese audiences and critics, and a continuing favorite of Chinese millennials (八零后 Balinghou). -
TOBY OLIVER ACS CINEMATOGRAPHY Agent • Edwina Stuart, HLA Management Ph +61 2 9549 3000 Mobile Ph
SEP 2012 TOBY OLIVER ACS CINEMATOGRAPHY Agent • Edwina Stuart, HLA Management ph +61 2 9549 3000 Mobile ph. • +61 (0) 418 271 931 Web • http://www.tobyoliver.com Email • [email protected] IMDB page • http://www.imdb.com/name/nm0002947 FEATURES 33 POSTCARDS (Aust/China) Mei Mei Productions, Hengdian World Studios (China), Screen NSW 2011 prod: Lesley Stevens, Penny Carl dir/prod: Pauline Chan RED MX Digital 4K, 97mins Cast: Guy Pearce, Claudia Karvan, Zhu Lin, Lincoln Lewis Official Australian/Chinese Co-Production. Released widely in China Sept 2011 Sydney Film Festival 2011, Winner CRC Award Shanghai International Film Festival 2011, Winner Rising Star Award Singapore International Film Festival 2011 Melbourne International Film Festival 2011 BENEATH HILL 60 Paramount/Transmission, The Silence Productions, Screen Australia 2010 prod: Bill Leimbach, David Roach dir: Jeremy Sims Super 35mm 3-perf, 110mins Cast: Brendan Cowell, Gyton Grantley, Steve LeMarquand, Anthony Hayes, Aden Young Australian cinema release in April 2010 Winner Sloan Prize Hamptons Film Festival USA 2010 Winner Best Film, Best Director, Best Actor Savannah Film Festival USA 2010 NOMINATED for 12 AFI Awards 2010, incl Best Cinematography & Best Film WINNER GOLD AWARD for Cinematography 2010 ACS Awards NSW CANE TOADS THE CONQUEST 3D Discovery, Fern St Films, Participant Media, dir/prod: Mark Lewis 2010 (Documentary feature) Prep and Northern Territory block Digital Stereoscopic 3D, 90mins Co-DOP: Kathryn Milliss (QLD block), Paul Nicola (NSW & Studio) Silicon Imaging -
Lanterne Rosse in Laguna Il Cinema Cinese Alla Mostra Internazionale D’Arte Cinematografica Di Venezia
Corso di Laurea magistrale ( ordinamento ex D.M. 270/2004 ) in Lingue e istituzioni economiche e giuridiche dell’Asia e dell’Africa Mediterranea Tesi di Laurea Lanterne rosse in laguna Il cinema cinese alla Mostra internazionale d’arte cinematografica di Venezia Relatore Ch.ma Prof.ssa Elena Pollacchi Correlatore Ch. Prof. Federico Alberto Greselin Laureando Francesca Cabrini Matricola 828270 Anno Accademico 2013 / 2014 INDICE 前言前言前言 3 Avvertenze 7 Introduzione 9 Capitolo primo: Dagli anni Cinquanta agli anni Novanta 12 1.1 I primi film cinesi alla Mostra internazionale d’arte cinematografica di Venezia 12 1.2 Anni turbolenti: 1962 – 1972 20 1.3 “Una motivazione maligna, ignobili sotterfugi” 25 1.4 La Mostra torna all’antico splendore 27 1.5 Nuove onde da Hong Kong e Taiwan 31 1.6 Gli ultimi anni Ottanta 36 Capitolo secondo: Dagli anni Novanta ad oggi 45 2.1 I primi anni Novanta: premesse 45 2.2 Le prime edizioni degli anni Novanta 47 2.3 Tre Cine sulla rotta per Venezia 52 2.4 Passaggi di testimone 56 2.5 La Mostra al volgere del secolo 62 2.6 Gli anni Duemila 70 2.7 L’era Müller 76 2.8 Edizioni recenti 87 1 Capitolo terzo: Un’analisi e una prospettiva 90 3.1 Premesse storiche 90 3.2 Il primato veneziano 94 3.3 Il festival come sistema alternativo autonomo 96 3.4 Il ruolo della censura 101 3.5 Film da festival 103 3.6 I festival come oggetto di ricerca 106 Conclusioni 114 Appendice 116 Bibliografia 133 2 前言前言前言 我的毕业论文是关于中国电影,尤其是那些参加威尼斯国际电影节的华语电影。这篇 文章的目的是分析威尼斯电影节的历史,理解电影节与中国电影的关系, 以便了解为 什么威尼斯对华语电影的传播那么重要。 水城的国际电影节是世界上最早的电影节,被誉为“国际电影节之父”。它是 -
Toby Oliver Acs Cinematography
TOBY OLIVER ACS JAN 2014 ! CINEMATOGRAPHY! ! USA • Mike Rubi, United Talent Agency ph +1 310 860 3727 Australia • Edwina Stuart, HLA Management ph +61 2 9549 3000 Cell • +1 323 304 7330 Web • http://www.tobyoliver.com Email • [email protected] IMDB page • http://www.imdb.com/name/nm0002947 !FEATURES WOLF CREEK 2 True Crime Australia, Village Roadshow, Screen Australia 2013 prod: Barbara Gibbs, Helen Leake dir/prod: Greg Mclean ARRI ALEXA Anamorphic, 100mins Cast: John Jarratt, Ryan Corr !(Action Thriller/Horror) Venice Film Festival 2013 33 POSTCARDS (Aust/China) Mei Mei Productions, Hengdian World Studios (China), Screen NSW 2011 prod: Lesley Stevens, Penny Carl dir/prod: Pauline Chan RED MX 4K, 97mins Cast: Guy Pearce, Claudia Karvan, Zhu Lin, Lincoln Lewis (Cross-cultural Family Drama) Official Australian/Chinese Co-Production. Released in China Sept 2011, USA April 2013 Sydney Film Festival 2011, Winner CRC Award Shanghai International Film Festival 2011, Winner Rising Star Award Singapore International Film Festival 2011 WINNER BRONZE AWARD for Cinematography 2012 ACS Awards NSW BENEATH HILL 60 Paramount/Transmission, The Silence Productions, Screen Australia 2010 prod: Bill Leimbach, David Roach dir: Jeremy Sims Super 35mm 3-perf, 110mins Cast: Brendan Cowell, Steve LeMarquand, Anthony Hayes, Aden Young (War Action Drama) Australian cinema release in April 2010 Winner Sloan Prize Hamptons Film Festival USA 2010 Winner Best Film, Best Director, Best Actor Savannah Film Festival USA 2010 NOMINATED for 12 AFI Awards 2010, incl Best -
2016 Interim Report 年中期報告
Linekong Interactive Group Co., Ltd. 藍港互動集團有限公司 2016 Interim Report 2016 年中期報告 2016 INTERIM REPORT 2016 年中期報告 (Incorporated in the Cayman Islands with limited liability) Stock Code : 2016 Interim Report | Linekong Interactive Group Co., Ltd. 1 CHARACTERISTICS OF THE GROWTH ENTERPRISE MARKET (“GEM”) OF THE STOCK EXCHANGE OF HONG KONG LIMITED (THE “STOCK EXCHANGE”) GEM has been positioned as a market designed to accommodate companies to which a higher investment risk may be attached than other companies listed on the Stock Exchange. Prospective investors should be aware of the potential risks of investing in such companies and should make the decision to invest only after due and careful consideration. The greater risk profile and other characteristics of GEM mean that it is a market more suited to professional and other sophisticated investors. Given the emerging nature of companies listed on GEM, there is a risk that securities traded on GEM may be more susceptible to high market volatility than securities traded on the Main Board of the Stock Exchange and no assurance is given that there will be a liquid market in the securities traded on GEM. Hong Kong Exchanges and Clearing Limited and the Stock Exchange take no responsibility for the contents of this report, make no representation as to its accuracy or completeness and expressly disclaim any liability whatsoever for any loss howsoever arising from or in reliance upon the whole or any part of the contents of this report. This report, for which the directors (the “Directors”) of Linekong Interactive Group Co., Ltd. (“the Company” or “we”) collectively and individually accept full responsibility, includes particulars given in compliance with the Rules Governing the Listing of Securities on the Growth Enterprise Market of The Stock Exchange of Hong Kong Limited (the “GEM Listing Rules”) for the purpose of giving information with regard to the Company.