The Use of Native Hawaiian Plants by Landscape Architects in Hawaii
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History of Hula the Origins of Hula Are Contained in Many Legends. One Story Describes the Adventures of Hi'iaka, Who Danced To
History of Hula The origins of hula are contained in many legends. One story describes the adventures of Hi'iaka, who danced to appease her fiery sister, the volcano goddess Pele and there she created Hula. This Hi'iaka story provides the basic foundation for many present-day dances. As late as the early twentieth century, ritual and prayer surrounded all aspects of hula training and practice. Teachers and students were dedicated to Laka, goddess of the hula, and appropriate offerings were made regularly. In ancient Hawaii, a time when a written language did not exist, hula and its chants played an important role in keeping history, genealogy, mythology and culture alive. With each movement – a hand gesture, step of foot, swaying of hips – a story would unfold. Through the hula, the Native Hawaiians were connected with their land and their gods. The hula was danced for protocol and social enjoyment. The songs and chants of the hula preserved Hawaii’s history and culture. When the missionaries arrived and brought Christianity, Queen Ka’ahumanu converted and deemed Hula a pagan ritual, banning it in 1830 and for many years with both Ōlelo Hawaiʻi, Hawaiian language, and Hula being suppressed or banned, the knowledge, tradition and culture of Hawai’i suffered greatly. It wasn’t until King David Kalakaua came to the throne in 1874 that Hawaiian cultural traditions were restored. Public performances of hula flourished and by the early 1900s, the hula had evolved and adapted to fit the desires of tourists and global expectations. With tourism, cabaret acts, Hollywood and the King himself, Elvis, Hula experienced a great transition to the Hula that many people imagine today. -
'Ala'alahua, Mahoe
Plants ʹAlaʹalahua, mahoe Alectryon macrococcus var. auwahiensis SPECIES STATUS: Federally Listed as Endangered Genetic Safety Net Species IUCN Red List Ranking ‐ CR B2ab(i,ii,iii,iv,v) Hawai‘i Natural Heritage Ranking ‐ Critically Imperiled (G1T1) Endemism ‐ Maui Kim and Forest Starr, USGS Critical Habitat ‐ Designated SPECIES INFORMATION: Alectryon macrococcus of the soapberry family (Sapindaceae) is a tree up to 36 ft (11 m) tall with reddish brown branches. The leaves are usually 8 to 22 in (20 to 55 cm) long, typically with two to five pairs of egg‐shaped, slightly asymmetrical leaflets. Glossy and smooth above, the leaves have a conspicuous netted pattern of veins. A dense covering of rust‐colored hairs persists on the lower surfaces of mature leaves of A. macrococcus var. auwahiensis, whereas the mature leaves of A. macrococcus var. macrococcus lack hairs or are only slightly hairy. In both varieties, the flowers, which may be either bisexual or male, are borne in branched clusters up to l2 in (30 cm) long and lack petals. The fruit of this tree provided food for the early Hawaiians, as both the seed and the scarlet‐colored, fleshy aril around it have mild but slightly sweet flavors. The two varieties recognized for this species are Federally Listed as Endangered. The first, variety macrococcus, is found on four Hawaiian islands. The second, discussed here, is variety auwahiensis, found only on the island of Maui, and is much rarer. DISTRIBUTION: A. macrococcus var. auwahiensis is found only on the island of Maui, on the south slope of the volcano Haleakalā, at elevations of 1,017 and 3,562 m (1,168 and 3,337 ft). -
"National List of Vascular Plant Species That Occur in Wetlands: 1996 National Summary."
Intro 1996 National List of Vascular Plant Species That Occur in Wetlands The Fish and Wildlife Service has prepared a National List of Vascular Plant Species That Occur in Wetlands: 1996 National Summary (1996 National List). The 1996 National List is a draft revision of the National List of Plant Species That Occur in Wetlands: 1988 National Summary (Reed 1988) (1988 National List). The 1996 National List is provided to encourage additional public review and comments on the draft regional wetland indicator assignments. The 1996 National List reflects a significant amount of new information that has become available since 1988 on the wetland affinity of vascular plants. This new information has resulted from the extensive use of the 1988 National List in the field by individuals involved in wetland and other resource inventories, wetland identification and delineation, and wetland research. Interim Regional Interagency Review Panel (Regional Panel) changes in indicator status as well as additions and deletions to the 1988 National List were documented in Regional supplements. The National List was originally developed as an appendix to the Classification of Wetlands and Deepwater Habitats of the United States (Cowardin et al.1979) to aid in the consistent application of this classification system for wetlands in the field.. The 1996 National List also was developed to aid in determining the presence of hydrophytic vegetation in the Clean Water Act Section 404 wetland regulatory program and in the implementation of the swampbuster provisions of the Food Security Act. While not required by law or regulation, the Fish and Wildlife Service is making the 1996 National List available for review and comment. -
(Rattus Spp. and Mus Musculus) in The
CHAPTER SIX: CONCLUSIONS Aaron B. Shiels Department of Botany University of Hawaii at Manoa 3190 Maile Way Honolulu, HI. 96822 173 Along with humans, introduced rats (Rattus rattus, R. norvegicus, and R. exulans) and mice (Mus musculus) are among the most invasive and widely distributed mammals on the planet; they occur on more than 80% of the world‘s islands groups (Atkinson 1985; Towns 2009). By incorporating modern technology, such as aerial broadcast of rodenticides, the number of islands where invasive rodents can be successfully removed has recently increased (Howald et al. 2007). However, successful rat and mouse eradication on relatively large (> 5000 ha) or human-inhabited islands such as the main Hawaiian Islands rarely occurs (Howald et al. 2007) despite large sums of money and research efforts annually to combat invasive rodent problems (see Chapter 1 section ―Rat history in Hawaii‖; Tobin et al. 1990). Therefore, it is highly unlikely that invasive rats and mice will be eradicated from relatively large, human-occupied islands such as Oahu in the near or distant future (Howald et al. 2007); and accepting this may be a first step towards increasing the likelihood of native species conservation in archipelagos like Hawaii where introduced rodents have established. Determining which invasive rodent species are present at a given site is important because the risks that some rodent species pose to particular (prey) species and/or habitats differ from those posed by other rodent species. Two sympatric species cannot occupy the same niche indefinitely, in a stable environment (Gause 1934), which may partly explain why some rodent species may not occur where others are present (Harper 2006). -
Patterns in the Art of Samoan Siapo
The art of Samoan Siapo By Paul Tauiliili EDCS 606 with Dr. Don Rubinstein Dr. Sandy Dawson Dr. Neil Pateman Dr. Joe Zilliox Source: (Neich & Pendagrast 1997) 1 Table of Contents Introduction: Cultural Significance 3 Methodology How did you conduct your research 7 Interview questions used 9 Difficulties encountered 10 Is research complete 10 Description What is siapo? 11 How is siapo designed 16 SIAPO ELEI 16 Elei process 18 Identifying imprints and patterns 20 Sequences of Imprints 23 Imprints used as standard of measurement Length and width 25 Surface area 27 Congruency 28 Balance defined 30 SIAPO MAMANU 31 Mamanu process 32 Mamanu or motifs 34 Symmetry classifications 36 Horizontal and vertical symmetry 37 Translations 41 180 degree rotation 44 Conclusion 45 References 46 2 Introduction This paper is focused on describing the rich art of siapo making in Samoa and the mathematical concepts derived from its designs and production. It begins with a historical look at siapo in the Samoan culture and the methods used to conduct this research. It is followed by a detailed description of how Samoan siapo is processed from raw bark to finished work of art and the differences between two distinct types of Samoan siapo: a) siapo elei and b) siapo mamanu. And finally it focuses on exploring the mathematics involved in the art of Samoan siapo. Cultural Significance Siapo is a Samoan word for tapa or bark cloth that has been painted or imprinted with various design motifs. Although Samoan siapo can be distinctly recognized as a pure art form that flourishes in Samoa its origins can be traced to eastern Asia (Neich & Pendagrast, 1997). -
Polyvocal Tongan Barkcloths: Contemporary Ngatu and Nomenclature at the Museum of New Zealand Te Papa Tongarewa
Tuhinga 24: 85–104 Copyright © Te Papa Museum of New Zealand (2013) Polyvocal Tongan barkcloths: contemporary ngatu and nomenclature at the Museum of New Zealand Te Papa Tongarewa Billie Lythberg Mira Szászy Research Centre for Mäori and Pacific Economic Development, University of Auckland, Auckland, New Zealand ([email protected]) ABSTRACT: The Museum of New Zealand Te Papa Tongarewa (Te Papa) collects and exhibits Tongan barkcloth (ngatu) to illustrate curatorial narratives about Pacific peoples in New Zealand. I discuss the materiality and provenances of five ngatu at Te Papa, their trajectories into the museum’s Pacific Cultures collection and, where relevant, how they have been exhibited. I consider the role of Tongan curators and communities in determining how, when and which ngatu will enter the collection, and how Tongan identity will be imaged by the objects. The paper concludes with a close examination of contemporary descriptive and evaluative nomenclature for ngatu made with synthetic materials, including examples at Te Papa. KEYWORDS: Te Papa, Pacific Cultures collection, ngatu, barkcloths, Tonga, New Zealand, nomenclature. Introduction values by Polynesians, the ways in which Polynesian and Western popular culture have melded, and also the The Pacific Cultures collection at the Museum of New possibilities presented by these transactions (Refiti 1996: Zealand Te Papa Tongarewa (Te Papa) includes Tongan bark- 124).1 As well as being a literal descriptor of the multiple cloths (ngatu) representative of material and technological and overlapping Tongan systems of nomenclature for innovation, significant historical events, and the confluence contempo rary ngatu (see Table 1), the term polyvocal encom- of seemingly divergent Tongan and museological politics passes the many voices employed to talk about bark- of prestige. -
List 01 Hawaiian Names 01 Plants
V\.{). 3 v BOTANICAL BULLETIN NO.2 JUNE. 1913 TERRITORY OF HAWAII BOARD OF AGRICULTURE AND FORESTRY List 01 Hawaiian Names 01 Plants BY JOSEPH F. ROCK Consulting Botanist, Board of Agriculture and Forestry HONOLULU: HAWAIIAN GAZETTE CO., LTD. 1913 ALPHABETICAL LIST OF HAWAIIAN NAMES OF PLANTS. The following list of Hawaiian plant-names has been compiled from various sources. Hillebrand in his valuable Flora of the Hawaiian Islands has given many Hawaiian names, especially of the more common species; these are incorporated in this list with a few corrections. Nearly all Hawaiian plant-names found in this list and not in Hillebrand's Flora were secured from Mr. Francis Gay of the Island of Kauai, an old resident in this Terri tory and well acquainted with its plants from a layman's stand point. It was the writer's privilege to camp with Mr. Gay in the mountains of Kauai collecting botanical material; for almost every species he could give the native name, which he had se cured in the early days from old and reliable natives. Mr. Gay had made spatter prints of many of the native plants in a large record book with their names and uses, as well as their symbolic meaning when occurring in mele (songs) or olioli (chants), at tached to them. For all this information the writer is indebted mainly to Mr. Francis Gay and also to Mr. Augustus F. Knudsen of the same Island. The writer also secured Hawaiian names from old na tives and Kahunas (priests) in the various islands of the group. -
Quantitative Genetic Variation in Declining Plant Populations
Quantitative genetic variation in declining plant populations Ellmer, Maarten 2009 Link to publication Citation for published version (APA): Ellmer, M. (2009). Quantitative genetic variation in declining plant populations. Total number of authors: 1 General rights Unless other specific re-use rights are stated the following general rights apply: Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Read more about Creative commons licenses: https://creativecommons.org/licenses/ Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. LUND UNIVERSITY PO Box 117 221 00 Lund +46 46-222 00 00 QUANTITATIVE GENETIC VARIATION IN DECLINING PLANT POPULATIONS Quantitative genetic variation in declining plant populations Maarten Ellmer ACADEMIC DISSERTATION For the degree of Doctor of Philosophy in Plant Ecology and Systematics, to be publicly defended on October 2nd at 10.00 a.m. in Blå Hallen at the Department of Ecology, Ecology Building, Sölvegatan 37, Lund, by permission of the Faculty of Sciences at the University of Lund. -
THE STATUS of the MAUNA KEA SILVERSWORD Gerald D. Carr And
34 THE STATUS OF THE MAUNA KEA SILVERSWORD Gerald D. Carr and Alain Meyrat Department of Botany University of Hawaii 3190 Maile Way Honolulu, Hawaii 96822 The Mauna Kea silversword was first brought to the attention of the scientific community through the efforts of Scottish botanist James M~crae. Macrae ascended Mauna Kea from Laupahoehoe in 1825 and at a point near the summit, after walking three miles over sandy pulverized lava, noted, "The last mile was destitute of vegetation except one plant of the Syginesia tribe, in growth much like a Yucca, with sharp pointed silver cou1oured leaves and green upright spike of three or four feet producing pendulous branches with br9wn flowers, truly superb, and almost worth the journey of coming here to s~e it on purpose" (Wilson 1922, p. 54). Specimens of t;hese 'truly superb' plants reached De Candolle and in 1836 were christened Argyroxiphium sandwicense DC. Early in 1834, David Douglas ascended Mauna Kea and observed the same species, specimens of which reached W. J. Hooker and were initially given the name Argyrophyton douglasii Hook. (1837a.), but Hooker very soon a.ccepted De Candolle's earlier name for the taxon (Hooker 1837b). ,The species was again collected on Mauna Kea by Charles Pickering in 1841 as part of the U. S. South Pacific Exploring Expedition (cf. Pickering 1876, Keck 1936). Pickering also collected material he presumed to belong to the Same taxon on Haleakala, Maui, but this was considered distinct by Asa Gray and was named Argyroxiphium macrocephalum (cf. Gray 1852, Pickering 1876). Both Pickering and Douglas observed Argyroxiphium on Mauna Loa and Mauna Kea, Hawai'i and considered them to be the same taxon (Pickering 1876, Wilson 1922). -
Pennisetum Setaceum) on Water Availability and Productivity of Canopy Trees Within a Tropical Dry Forest in Hawaii
Functional Ecology 2008, 22, 1008–1017 doi: 10.1111/j.1365-2435.2008.01471.x TheBlackwell Publishing Ltd impact of an invasive African bunchgrass (Pennisetum setaceum) on water availability and productivity of canopy trees within a tropical dry forest in Hawaii S. Cordell1* and D. R. Sandquist2 1Institute of Pacific Islands Forestry, USDA Forest Service, Hilo, HI, USA; and 2Department of Biological Science, California State University, Fullerton, CA, USA Summary 1. Tropical dry forests are among the Earth’s most threatened ecosystems. On the Island of Hawaii the African bunchgrass Pennisetum setaceum (fountain grass) dominates the understorey of the few remaining fragments of native dry forests and is contributing to the degradation of this once diverse ecosystem. In this study, we examined the impacts of Pennisetum on water use and productivity of the dominant native canopy tree, Diospyros sandwicensis. 2. Over a 3-year period, measurements were made on tree growth rates, and physiological and morphological responses of the most common dry forest native tree, D. sandwicensis, growing with an understorey dominated by Pennisetum, and on trees growing in plots maintained free of grasses. 3. Analysis of stable oxygen isotope ratios indicated that trees growing in the absence of Pennisetum used a higher proportion of water from shallow soil sources. They also sustained higher mid-day water potentials, especially during drier periods. At the leaf level, no significant differences were found in gas exchange measurements between Diospyros trees growing with or without Pennisetum. However, trees growing without Pennisetum had 30% lower leaf mass per unit area and 40% higher diameter growth than trees growing with Pennisetum. -
La Lei Hulu Study Guide.Indd
1906 Centennial Season 2006 05/06 Study Guide Na Lei Hulu I Ka Wekiu Friday, March 17, 2006, at 11:00 a.m. Zellerbach Hall SchoolTime Welcome March 3, 2006 Dear Educator and Students, Welcome to SchoolTime! On Friday, March 17, 2006, at 11:00 a.m., you will attend the SchoolTime performance by the dance company Na Lei Hulu I Ka Wekiu at Zellerbach Hall on the UC Berkeley campus. This San Francisco-based dance company thrills audiences with its blend of traditional and contemporary Hawaiian dance, honoring tradition while bringing hula into the modern realm. Na Lei Hulu I Ka Wekiu features a wonderful variety of hula dances from traditional to contemporary. This study guide will prepare your students for their fi eld trip to Zellerbach Hall. Your students can actively participate at the performance by: • OBSERVING how the dancers use their bodies • LISTENING to the songs and instruments that accompany the dances • THINKING ABOUT how culture is expressed through dance • REFLECTING on their experience in the theater We look forward to seeing you at Zellerbach Hall! Sincerely, Laura Abrams Rachel Davidman Director Education Programs Administrator Education & Community Programs About Cal Performances and SchoolTime The mission of Cal Performances is to inspire, nurture and sustain a lifelong appreciation for the performing arts. Cal Performances, the performing arts presenter of the University of California, Berkeley, fulfi lls this mission by presenting, producing and commissioning outstanding artists, both renowned and emerging, to serve the University and the broader public through performances and education and community programs. In 2005/06 Cal Performances celebrates 100 years on the UC Berkeley Campus. -
Plant Press, Vol. 18, No. 3
Special Symposium Issue continues on page 12 Department of Botany & the U.S. National Herbarium The Plant Press New Series - Vol. 18 - No. 3 July-September 2015 Botany Profile Seed-Free and Loving It: Symposium Celebrates Pteridology By Gary A. Krupnick ern and lycophyte biology was tee Chair, NMNH) presented the 13th José of this plant group. the focus of the 13th Smithsonian Cuatrecasas Medal in Tropical Botany Moran also spoke about the differ- FBotanical Symposium, held 1–4 to Paulo Günter Windisch (see related ences between pteridophytes and seed June 2015 at the National Museum of story on page 12). This prestigious award plants in aspects of biogeography (ferns Natural History (NMNH) and United is presented annually to a scholar who comprise a higher percentage of the States Botanic Garden (USBG) in has contributed total vascular Washington, DC. Also marking the 12th significantly to flora on islands Symposium of the International Orga- advancing the compared to nization of Plant Biosystematists, and field of tropical continents), titled, “Next Generation Pteridology: An botany. Windisch, hybridization International Conference on Lycophyte a retired profes- and polyploidy & Fern Research,” the meeting featured sor from the Universidade Federal do Rio (ferns have higher rates), and anatomy a plenary session on 1 June, plus three Grande do Sul, was commended for his (some ferns have tree-like growth using additional days of focused scientific talks, extensive contributions to the systematics, root mantle or have internal reinforce- workshops, a poster session, a reception, biogeography, and evolution of neotro- ment by sclerenchyma instead of lateral a dinner, and a field trip.