New Sound 54, II/2019 Article received on August 25th 2019 Article accepted on November 28th 2019 UDC: 785.11 78.071.1 Каломирис М. Giorgos Sakallieros* Aristotle University of Th essaloniki School of Music Studies THE SYMPHONIC CONCERTO FOR PIANO AND ORCHESTRA (1935) BY MANOLIS KALOMIRIS: REAFFIRMING THE NATIONAL-IDEAL TOPOS THROUGH THE (OLD) WESTERN CANON1 Abstract: Manolis Kalomiris’s Symphonic Concerto for piano and orchestra (1935) consolidates the virtuosic piano performance and the complexity of romantic sym- phonic texture with the appearance of authentic Greek folk material, its westernized treatments, and symbolic self-references arising from the Greek National School prin- ciples. The work is critically examined through historical and analytical perspectives, aiming at a better understanding of the composer’s aspirations expressing the indige- nous artistic, cultural and political circumstances of the period when it was completed. Examples of the relative Greek and international “concertante” repertoire, from the late 19th to the mid-20th century, are also taken into comparative consideration. Keywords: Greek art music, piano concerto typology, modality, folk song, texture, variation, fugue, national identity, self-referential portrayal. Th e cultivation of instrumental solo concerto was sporadic in Greek art mu- sic during the fi rst half of the 20th century, either in or beyond nationalistic * Author contact information:
[email protected] 1 An initial version of this paper, in Greek, was presented at the musicological sympo- sium “Manolis Kalomiris and the Greek National School of Music” as part of the 14th Hellenic Music Festival (Hellēnikes Mousikes Giortes), Music Library of Greece, Athens, 1-2 June 2018.