1990-0609 Casey's Top 40

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1990-0609 Casey's Top 40 Promo Spots For June 9, 1990 - Casey Kasem 01:35 40 - Kiss This Thing Goodbye - Del Amitri 05:11 39 - The Club At The End Of The Street - Elton John 03:57 38 - Always And Forever - Whistle 03:26 RD - Lean On Me - Club Nouveau 06:29 37 - When I Dream Of You - Tommy Page 04:20 36 - What It Takes - Aerosmith 05:31 35 - I Wanna Be Rich - Calloway 03:26 34 - Nicety - Michel'le 05:40 33 - Cradle Of Love - Billy Idol 05:37 32 - Hold On - En Vogue 03:55 31 - The Humpty Dance - Digital Underground 04:36 30 - Love Is - Alannah Myles 06:32 29 - When I'm Back On My Feet Again - Michael Bolton 04:02 28 - Rub You The Right Way - Johnny Gill 05:18 27 - This Old Heart Of Mine - Rod Stewart & Ronald Isley 03:58 RD - This One's For The Children - New Kids On The Block 06:11 26 - Dare To Fall In Love - Brent Bourgeois 03:46 25 - Notice Me - Nikki 05:27 24 - Girls Nite Out - Tyler Collins 03:47 23 - Deadbeat Club - B-52's 06:59 22 - Your Baby Never Looked Good In Blue - Expose 03:46 21 - Ooh La La (I Can't Get Over You) - Perfect Gentlemen 04:10 20 - Enjoy The Silence - Depeche Mode 06:26 19 - Sittin' In The Lap Of Luxury - Louie Louie 03:49 18 - I'll See You In My Dreams - Giant 05:20 17 - Nothing Compares 2 U - Sinead O'Connor 04:44 16 - Turtle Power - Partners In Kryme 07:15 15 - She Ain't Worth It - Glenn Medeiros & Bobby Brown 04:26 14 - Sending All My Love - Linear 03:41 RD - Don't Want To Lose You - Gloria Estefan 07:34 13 - Ready Or Not - After 7 04:00 12 - I'll Be Your Shelter - Taylor Dayne 03:55 SR - Musical Instruments - Glass Harmonica - Casey Kasem 01:56 11 - Baby, It's Tonight - Jude Cole 04:37 10 - Step By Step - New Kids On The Block 03:46 9 - Children Of The Night - Richard Marx 05:31 8 - Do You Remember - Phil Collins 04:19 7 - Poison - Bell Biv DeVoe 07:08 6 - All I Wanna Do Is Make Love To You - Heart 04:27 5 - It Must Have Been Love - Roxette 05:07 4 - Hold On - Wilson Phillips 03:23 3 - You Can't Touch This - M.C. Hammer 06:24 2 - Alright - Janet Jackson 04:18 1 - Vogue - Madonna 08:24 .

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Jay-Z: in Tha’ Mix
ASC 1138--JAY-Z: IN THA’ MIX JAY-Z: IN THA’ MIX CREDIT HOURS Leta Hendricks [email protected] Tel: 614-688-7478 Classroom – Room 150A Thompson Library Class Meeting – Fridays – 1:30 – 2:18 p.m. January 11 – April 19, 2013 Office Hours – Tuesday – 9:00 – 11:00 a.m. and by appointment WEB Site – Twitter – Second Life- Hip Hop Underground http://slurl.com/secondlife/Cybrary%20City%20II/77/198/8 SYLLABUS COURSE DESCRIPTION JAY-Z is an entrepreneurial phenomenon of the last the twenty years. This seminar examines JAY-Z from different perspectives as an artist and as a businessman. The seminar will discuss perspectives and beliefs about rap music and popular culture. JAY-Z is currently one of the most influential iconic figures of Global Pop Culture. His music embodies the quintessentially “African American” genre of music, we will study his musical roots, trace the development of his career and connect JAY-Z with his culture. An analysis of his business empire will include his drug-marked youth, musical achievements, and urban-informed business savvy. The Seminar will discuss his lyrics and their meanings which reveal JAY-Z’s art and life. JAY-Z heavily borrows from American musical and literary traditions through an examination of select recordings, autobiography, film, essays and criticism, this Seminar will provide students the opportunity to discover the significance of JAY-Z’s contributions to lyric writing, popular music, and beyond. The following resources will facilitate students learning development by using multiple content formats. DJ Hero will engage students through gameplay, simulating DJ turntablism (mixing styles and techniques) connecting gaming activities to assignments, discussions, and projects on JAY-Z and current Rap artists.
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qwertyuiopasdfghjklzxcvbnmqwertyui opasdfghjklzxcvbnmqwertyuiopasdfgh jklzxcvbnmqwertyuiopasdfghjklzxcvb nmqwertyuiopasdfghjklzxcvbnmqwer The United Eras of Hip-Hop tyuiopasdfghjklzxcvbnmqwertyuiopas Examining the perception of hip-hop over the last quarter century dfghjklzxcvbnmqwertyuiopasdfghjklzx 5/1/2009 cvbnmqwertyuiopasdfghjklzxcvbnmqLawrence Murray wertyuiopasdfghjklzxc vbnmqwertyuio pasdfghjklzxcvbnmqwertyuiopasdfghj klzxcvbnmqwertyuiopasdfghjklzxcvbn mqwertyuiopasdfghjklzxcvbnmqwerty uiopasdfghjklzxcvbnmqwertyuiopasdf ghjklzxcvbnmqwertyuiopasdfghjklzxc vbnmqwertyuiopasdfghjklzxcvbnmrty uiopasdfghjklzxcvbnmqwertyuiopasdf ghjklzxcvbnmqwertyuiopasdfghjklzxc vbnmqwertyuiopasdfghjklzxcvbnmqw The United Eras of Hip-Hop ACKNOWLEDGMENTS There are so many people I need to acknowledge. Dr. Kelton Edmonds was my advisor for this project and I appreciate him helping me to study hip- hop. Dr. Susan Jasko was my advisor at California University of Pennsylvania since 2005 and encouraged me to stay in the Honors Program. Dr. Drew McGukin had the initiative to bring me to the Honors Program in the first place. I wanted to acknowledge everybody in the Honors Department (Dr. Ed Chute, Dr. Erin Mountz, Mrs. Kim Orslene, and Dr. Don Lawson). Doing a Red Hot Chili Peppers project in 2008 for Mr. Max Gonano was also very important. I would be remiss if I left out the encouragement of my family and my friends, who kept assuring me things would work out when I was never certain. Hip-Hop: 2009 Page 1 The United Eras of Hip-Hop TABLE OF CONTENTS ACKNOWLEDGMENTS
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