The Gods of Earliest Creation
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Glaciers in Xinjiang, China: Past Changes and Current Status
water Article Glaciers in Xinjiang, China: Past Changes and Current Status Puyu Wang 1,2,3,*, Zhongqin Li 1,3,4, Hongliang Li 1,2, Zhengyong Zhang 3, Liping Xu 3 and Xiaoying Yue 1 1 State Key Laboratory of Cryosphere Science/Tianshan Glaciological Station, Northwest Institute of Eco-Environment and Resources, Chinese Academy of Sciences, Lanzhou 730000, China; [email protected] (Z.L.); [email protected] (H.L.); [email protected] (X.Y.) 2 University of Chinese Academy of Sciences, Beijing 100049, China 3 College of Sciences, Shihezi University, Shihezi 832000, China; [email protected] (Z.Z.); [email protected] (L.X.) 4 College of Geography and Environment Sciences, Northwest Normal University, Lanzhou 730070, China * Correspondence: [email protected] Received: 18 June 2020; Accepted: 11 August 2020; Published: 24 August 2020 Abstract: The Xinjiang Uyghur Autonomous Region of China is the largest arid region in Central Asia, and is heavily dependent on glacier melt in high mountains for water supplies. In this paper, glacier and climate changes in Xinjiang during the past decades were comprehensively discussed based on glacier inventory data, individual monitored glacier observations, recent publications, as well as meteorological records. The results show that glaciers have been in continuous mass loss and dimensional shrinkage since the 1960s, although there are spatial differences between mountains and sub-regions, and the significant temperature increase is the dominant controlling factor of glacier change. The mass loss of monitored glaciers in the Tien Shan has accelerated since the late 1990s, but has a slight slowing after 2010. Remote sensing results also show a more negative mass balance in the 2000s and mass loss slowing in the latest decade (2010s) in most regions. -
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International Conference on Arts, Design and Contemporary Education (ICADCE 2016) Ancient Emaki "Genesis" Exploration and Practice of Emaki Art Expression Tong Zhang Digital Media and Design Arts College Beijing University of Posts and Telecommunications Beijing, China 100876 Abstract—The ancient myths and legends with distinctive generation creators such as A Gen, sheep and others, and a Chinese characteristics, refers to myths and legends from dedicated serial picture book magazine "Paint Heart", Chinese Xia Dynasty until ancient times, it carries the origin of "STORY" appears, the delicate picture and vivid story make Chinese culture and it is the foundation of the Chinese nation, it Chinese picture book also developing rapidly and has formed a influence the formation and its characteristics of the national national reading faction craze for outstanding picture books. spirit to a large extent. The study explore and practice the art expression which combines ancient culture with full visual 1) Picture book traced back to ancient Chinese Emaki: impact Emaki form, learn traditional Chinese painting China has experienced a few stages include ancient Emaki, techniques and design elements, and strive to make a perfect illustrated book in Republican period and modern picture performance for the magnificent majestic ancient myth with a books. "Picture book", although the term originated in Japan, long Emaki. It provides a fresh visual experience to the readers and promotes the Chinese traditional culture, with a certain but early traceable picture books is in China. In Heian research value. Kamakura Period Japanese brought Buddhist scriptures (Variable graph), Emaki (Lotus Sutra) and other religious Keywords—ancient myths; Emaki form; Chinese element Scriptures as picture books back to Japan, until the end of Middle Ages Emaki had developed into Nara picture books. -
Transmission of Han Pictorial Motifs Into the Western Periphery: Fuxi and Nüwa in the Wei-Jin Mural Tombs in the Hexi Corridor*8
DOI: 10.4312/as.2019.7.2.47-86 47 Transmission of Han Pictorial Motifs into the Western Periphery: Fuxi and Nüwa in the Wei-Jin Mural Tombs in the Hexi Corridor*8 ∗∗ Nataša VAMPELJ SUHADOLNIK 9 Abstract This paper examines the ways in which Fuxi and Nüwa were depicted inside the mu- ral tombs of the Wei-Jin dynasties along the Hexi Corridor as compared to their Han counterparts from the Central Plains. Pursuing typological, stylistic, and iconographic approaches, it investigates how the western periphery inherited the knowledge of the divine pair and further discusses the transition of the iconographic and stylistic design of both deities from the Han (206 BCE–220 CE) to the Wei and Western Jin dynasties (220–316). Furthermore, examining the origins of the migrants on the basis of historical records, it also attempts to discuss the possible regional connections and migration from different parts of the Chinese central territory to the western periphery. On the basis of these approaches, it reveals that the depiction of Fuxi and Nüwa in Gansu area was modelled on the Shandong regional pattern and further evolved into a unique pattern formed by an iconographic conglomeration of all attributes and other physical characteristics. Accordingly, the Shandong region style not only spread to surrounding areas in the central Chinese territory but even to the more remote border regions, where it became the model for funerary art motifs. Key Words: Fuxi, Nüwa, the sun, the moon, a try square, a pair of compasses, Han Dynasty, Wei-Jin period, Shandong, migration Prenos slikovnih motivov na zahodno periferijo: Fuxi in Nüwa v grobnicah s poslikavo iz obdobja Wei Jin na območju prehoda Hexi Izvleček Pričujoči prispevek v primerjalni perspektivi obravnava upodobitev Fuxija in Nüwe v grobnicah s poslikavo iz časa dinastij Wei in Zahodni Jin (220–316) iz province Gansu * The author acknowledges the financial support of the Slovenian Research Agency (ARRS) in the framework of the research core funding Asian languages and Cultures (P6-0243). -
The Heritage of Non-Theistic Belief in China
The Heritage of Non-theistic Belief in China Joseph A. Adler Kenyon College Presented to the international conference, "Toward a Reasonable World: The Heritage of Western Humanism, Skepticism, and Freethought" (San Diego, September 2011) Naturalism and humanism have long histories in China, side-by-side with a long history of theistic belief. In this paper I will first sketch the early naturalistic and humanistic traditions in Chinese thought. I will then focus on the synthesis of these perspectives in Neo-Confucian religious thought. I will argue that these forms of non-theistic belief should be considered aspects of Chinese religion, not a separate realm of philosophy. Confucianism, in other words, is a fully religious humanism, not a "secular humanism." The religion of China has traditionally been characterized as having three major strands, the "three religions" (literally "three teachings" or san jiao) of Confucianism, Daoism, and Buddhism. Buddhism, of course, originated in India in the 5th century BCE and first began to take root in China in the 1st century CE, so in terms of early Chinese thought it is something of a latecomer. Confucianism and Daoism began to take shape between the 5th and 3rd centuries BCE. But these traditions developed in the context of Chinese "popular religion" (also called folk religion or local religion), which may be considered a fourth strand of Chinese religion. And until the early 20th century there was yet a fifth: state religion, or the "state cult," which had close relations very early with both Daoism and Confucianism, but after the 2nd century BCE became associated primarily (but loosely) with Confucianism. -
Scalable Person Re-Identification
Scalable Person Re-identification: A Benchmark Liang Zheng†‡∗, Liyue Shen†∗, Lu Tian†∗, Shengjin Wang†, Jingdong Wang§, Qi Tian‡ †Tsinghua University §Microsoft Research ‡University of Texas at San Antonio Abstract eras; each identity has one image under each camera, so the number of queries and relevant images is very limited. Fur- This paper contributes a new high quality dataset for thermore, in most datasets, pedestrians are well-aligned by person re-identification, named “Market-1501”. General- hand-drawn bboxes (bboxes). But in reality, when pedes- ly, current datasets: 1) are limited in scale; 2) consist of trian detectors are used, the detected persons may undergo hand-drawn bboxes, which are unavailable under realistic misalignment or part missing (Fig. 1). On the other hand, settings; 3) have only one ground truth and one query im- pedestrian detectors, while producing true positive bbox- age for each identity (close environment). To tackle these es, also yield false alarms caused by complex background problems, the proposed Market-1501 dataset is featured in or occlusion (Fig. 1). These distractors may exert non- three aspects. First, it contains over 32,000 annotated b- ignorable influence on recognition accuracy. As a result, boxes, plus a distractor set of over 500K images, making current methods may be biased toward ideal settings and it the largest person re-id dataset to date. Second, im- their effectiveness may be impaired once the ideal dataset ages in Market-1501 dataset are produced using the De- meets reality. To address this problem, it is important to formable Part Model (DPM) as pedestrian detector. -
Mythical Image of “Queen Mother of the West” and Metaphysical Concept of Chinese Jade Worship in Classic of Mountains and Seas
IOSR Journal Of Humanities And Social Science (IOSR-JHSS) Volume 21, Issue11, Ver. 6 (Nov. 2016) PP 39-46 e-ISSN: 2279-0837, p-ISSN: 2279-0845. www.iosrjournals.org Mythical Image of “Queen Mother of the West” and Metaphysical Concept of Chinese Jade Worship in Classic of Mountains and Seas Juan Wu1 (School of Foreign Language,Beijing Institute of Technology, China) Abstract: This paper focuses on the mythological image, the Queen Mother of the West in Classic of Mountains and Seas, to explore the hiding history and mental reality behind the fantastic literary images, to unveil the origin of jade worship, which plays an significant role in the 8000-year-old history of Eastern Asian jade culture, to elucidate the genetic mechanism of the jade worship budded in the Shang and Zhou dynasties, so that we can have an overview of the tremendous influence it has on Chinese civilization, and illustrate its psychological role in molding the national jade worship and promoting the economic value of jade business. Key words: Mythical Image, Mythological Concept, Jade Worship, Classic of Mountains and Seas I. WHITE JADE RING AND QUEEN MOTHER OF THE WEST As for the foundation and succession myths of early Chinese dynasties, Allan holds that “Ancient Chinese literature contains few myths in the traditional sense of stories of the supernatural but much history” (Allan, 1981: ix) and “history, as it appears in the major texts from the classical period of early China (fifth-first centuries B.C.),has come to function like myth” (Allan, 1981: 10). While “the problem of myth for Western philosophers is a problem of interpreting the meaning of myths and the phenomenon of myth-making” as Allan remarks, “the problem of myth for the sinologist is one of finding any myths to interpret and of explaining why there are so few.” (Allen, 1991: 19) To decode why white jade enjoys a prominent position in the Chinese culture, the underlying conceptual structure and unique culture genes should be investigated. -
The Daoist Tradition Also Available from Bloomsbury
The Daoist Tradition Also available from Bloomsbury Chinese Religion, Xinzhong Yao and Yanxia Zhao Confucius: A Guide for the Perplexed, Yong Huang The Daoist Tradition An Introduction LOUIS KOMJATHY Bloomsbury Academic An imprint of Bloomsbury Publishing Plc 50 Bedford Square 175 Fifth Avenue London New York WC1B 3DP NY 10010 UK USA www.bloomsbury.com First published 2013 © Louis Komjathy, 2013 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. Louis Komjathy has asserted his right under the Copyright, Designs and Patents Act, 1988, to be identified as Author of this work. No responsibility for loss caused to any individual or organization acting on or refraining from action as a result of the material in this publication can be accepted by Bloomsbury Academic or the author. Permissions Cover: Kate Townsend Ch. 10: Chart 10: Livia Kohn Ch. 11: Chart 11: Harold Roth Ch. 13: Fig. 20: Michael Saso Ch. 15: Fig. 22: Wu’s Healing Art Ch. 16: Fig. 25: British Taoist Association British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. ISBN: 9781472508942 Library of Congress Cataloging-in-Publication Data Komjathy, Louis, 1971- The Daoist tradition : an introduction / Louis Komjathy. pages cm Includes bibliographical references and index. ISBN 978-1-4411-1669-7 (hardback) -- ISBN 978-1-4411-6873-3 (pbk.) -- ISBN 978-1-4411-9645-3 (epub) 1. -
Divine Simplicity and the Chinese Translation of Theos*
Cultural and Religious Studies, July 2018, Vol. 6, No. 7, 430-440 doi: 10.17265/2328-2177/2018.07.008 D DAVID PUBLISHING Divine Simplicity and the Chinese Translation of Theos* Pu RongJian Shandong University, Jinan, China Realism is the rational foundation for the translation of the Bible. To translate Theos in Chinese, the distinct terms 神, 上帝, and 天主 co-exist and they can be assessed by divine simplicity rationally and spiritually. One of the most difficult problems in Medieval philosophy, divine simplicity is caused by reason serving faith. Reconciling Aristotelian metaphysics with the ultimate object of faith, Aquinas defines that God is being itself and therefore he builds an ontological foundation for Christian theology and perfects divine simplicity. Related concretely with divine simplicity is the simplicity of Theos, so this paper argues that 神 is the best Chinese translation of Theos to reflect both the truth and the gospel. Keywords: Theos, Chinese, translation, simplicity Introduction Accurate Biblical translation requires a best possible agreement with the original revelation of God in Hebrew and Greek, and thus reason is needed.1 Realism, a rational theory originated by Plato (428-348 BC), believes a concept expressed in a certain language like Greek is only a symbol for or pointer to its correspondingly ultimate object which is the truest, such as the relation between a bed and the form of bed which exists eternally before the first bed was made by a carpenter. In the Chinese Union Bible, which has been the most influential translation among Chinese Protestants since its first publication in 1919, Theos2 is translated as 神 (Shen) or 上帝 (ShangDi) in its respective versions; while the Catholic Bible uses 天主 (TianZhu) instead. -
Oriental Mythology Free Encyclopedia
FREE ORIENTAL MYTHOLOGY PDF Joseph Campbell | 576 pages | 01 Sep 2011 | Souvenir Press Ltd | 9780285640566 | English | London, United Kingdom Chinese mythology - Wikipedia Salvation churches and sects :. Confucian churches and sects:. Chinese mythology includes many varied myths from regional and Oriental Mythology traditions. Chinese mythology is far from monolithic, Oriental Mythology being an integrated system, even among just Han people. Chinese mythology is encountered in the traditions of Oriental Mythology classes of people, geographic regions, historical periods including the present, and from various ethnic groups. China is the home of many mythological traditions, including that of Han Chinese and their Oriental Mythology predecessors, as well as Tibetan mythologyTurkic Oriental MythologyKorean mythologyJapanese mythology and many others. However, the study of Chinese mythology tends to focus upon material in Chinese language. Much of the mythology involves exciting stories full of fantastic people and beings, the use of magical powers, often taking place in an exotic mythological place or time. Like many mythologies, Chinese Oriental Mythology has in the past been believed to be, at least in part, a factual recording of history. Many Oriental Mythology involve the creation and cosmology of the universe and its deities and inhabitants. Some mythology involves creation myths, the origin of things, people and culture. Some Oriental Mythology the origin of the Chinese state. Some myths present a chronology of prehistoric times, many of these involve a culture hero who taught people how to build houses, or cook, or write, or was the ancestor of an ethnic group or dynastic family. Mythology is intimately related to ritual. Many myths are oral associations with ritual acts, such as dances, ceremonies, and sacrifices. -
Chinese Religion and the Challenge of Modernity in Malaysia and Singapore: Syncretism, Hybridisation and Transfi Guration1
Asian Journal of Social Science 37 (2009) 107–137 www.brill.nl/ajss Chinese Religion and the Challenge of Modernity in Malaysia and Singapore: Syncretism, Hybridisation and Transfi guration1 Daniel P.S. Goh National University of Singapore Abstract Th e past fi fty years have seen continuing anthropological interest in the changes in religious beliefs and practices among the Chinese in Malaysia and Singapore under conditions of rapid modernisation. Anthropologists have used the syncretic model to explain these changes, arguing that practitioners of Chinese “folk” religion have adapted to urbanisation, capitalist growth, nation-state formation, and literacy to preserve their spiritualist worldview, but the religion has also experienced “rationalisation” in response to the challenge of modernity. Th is article proposes an alternative approach that questions the dichotomous imagination of spiritualist Chinese reli- gion and rationalist modernity assumed by the syncretic model. Using ethnographic, archival and secondary materials, I discuss two processes of change — the transfi guration of forms brought about by mediation in new cultural fl ows, and the hybridisation of meanings brought about by contact between diff erent cultural systems — in the cases of the Confucianist reform movement, spirit mediumship, Dejiao associations, state-sponsored Chingay parades, reform Taoism, and Charismatic Christianity. Th ese represent both changes internal to Chinese religion and those that extend beyond to reanimate modernity in Malaysia and Singapore. I argue that existential anxiety connects both processes as the consequence of hybridisation and the driving force for transfi guration. Keywords hybridity, modernity, syncretism, Chinese religion, Singapore, Malaysia Th e Question of Syncretic Chinese Religion Syncretic popular religion in Oriental societies has long intrigued Western scholars because of its striking diff erence with the theological religions of sacred books. -
The Chinese Face of Jesus Christ
MONUMENTA SERICA MONOGRAPH SERIES _________________________________L/3b________________________________ The Chinese Face of Jesus Christ Volume 3b Edited by ROMAN MALEK, S.V.D. Jointly published by Institut Monumenta Serica and China-Zentrum Sankt Augustin Sumptibus Societatis Verbi Divini (S.V.D.) Die Deutsche Bibliothek – CIP Cataloguing-in-Publication-Data A catalogue record for this publication is available from Die Deutsche Bibliothek. For further information, see: http://dnb.ddb.de Sankt Augustin – Nettetal 2007 Copy editors: KATHARINA FEITH, BARBARA HOSTER, ROMAN MALEK Cover and layout: ROMAN MALEK Printed by: DRUCKEREI FRANZ SCHMITT, Siegburg Copyright: INSTITUT MONUMENTA SERICA Arnold-Janssen-Str. 20 53757 Sankt Augustin, Germany Fax: +49-2241-237486 E-mail: [email protected] www.monumenta-serica.de Distribution: STEYLER VERLAG Postfach 2460, 41311 Nettetal, Germany Fax: +49-2157-120222 E-mail: [email protected] www.monumenta-serica.de ISBN 978-3-8050-0542-5 ISSN 0179-261X JESUS IN CHINESE POPULAR SECTS PHILIP CLART Contents 1. Introduction..................................... .................. 1315 2. Jesus in the Daoyuan............................................ 1316 3. Jesus in the Yiguandao.......................................... 1320 a. Jesus in the Early History of the Sect..................... 1320 b. Post-War Developments..................................... 1325 4. Conclusion........................................................ 1331 Bibliography.......................................................... -
Cenozoic Deformation of the Tarim Plate and the Implications for Mountain Building in the Tibetan Plateau and the Tian Shan
TECTONICS, VOL. 21, NO. 6, 1059, doi:10.1029/2001TC001300, 2002 Cenozoic deformation of the Tarim plate and the implications for mountain building in the Tibetan Plateau and the Tian Shan Youqing Yang and Mian Liu Department of Geological Sciences, University of Missouri, Columbia, Missouri, USA Received 11 May 2001; revised 14 March 2002; accepted 8 June 2002; published 17 December 2002. [1] The Tarim basin in NW China developed as a the geology and tectonics of the Himalayan-Tibetan orogen complex foreland basin in the Cenozoic in association [Dewey and Burke, 1973; Molnar and Tapponnier, 1975; with mountain building in the Tibetan Plateau to the Allegre et al., 1984; Armijo et al., 1986; Burchfiel et al., south and the Tian Shan orogen to the north. We 1992; Harrison et al., 1992; Avouac and Tapponnier, 1993; reconstructed the Cenozoic deformation history of the Nelson et al., 1996; England and Molnar, 1997; Larson et Tarim basement by backstripping the sedimentary al., 1999; Yin and Harrison, 2000]. However, some funda- mental questions, such as how stress has propagated across rocks. Two-dimensional and three-dimensional finite the collisional zone and how strain was partitioned between element models are then used to simulate the flexural crustal thickening and lateral extruding of the lithosphere, deformation of the Tarim basement in response to the remain controversial. One end-member model, approximat- sedimentary loads and additional tectonic loads ing the Eurasia continent as a viscous thin sheet indented by associated with overthrusting of the surrounding the rigid Indian plate [e.g., England and McKenzie, 1982; mountain belts.