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Movie Actresses 10 Mar 2017
Movie Actresses 10 Mar 2017 251-2017-07 This article is about my favorite movie actresses of all time. Movie critics and most people will not agree with my picks. However, my criteria is quite simple - the actress must have made at least three movies I have seen and liked and would watch again if they happened to come on the TV movie channel when I’m in the mood to see a good show. I’m going to pick my Top 20 Actresses. I could not decide on a header so you can pick the one you like best. Faye Dunaway Sharon Stone Liz Taylor #1 Faye Dunaway Born: Dorothy Faye Dunaway on January 14, 1941 (age 76) in Bascom, Florida Alma mater: Boston University Years active: 1962–present (Appeared in 81 movies) Spouse(s): Peter Wolf (m. 1974–79) Terry O'Neill (m. 1983–87) Children: Liam O'Neill (b. 1980) Facts: The daughter of Grace April, and John MacDowell Dunaway, a career officer in the United States Army. She is of Scots-Irish, English, and German descent. She spent her childhood traveling throughout the United States and Europe. Bonnie and Clyde (1967) with Warren Beatty. In the middle of the Great Depression, Clyde Barrow (Warren Beatty) and Bonnie Parker (Faye Dunaway) meet when Clyde tries to steal Bonnie's mother's car. Bonnie, who is bored by her job as a waitress, is intrigued by Clyde, and decides to take up with him and become his partner in crime. Three Days of the Condor (1975) with Robert Redford. -
The Films of Raoul Walsh, Part 1
Contents Screen Valentines: Great Movie Romances Screen Valentines: Great Movie Romances .......... 2 February 7–March 20 Vivien Leigh 100th ......................................... 4 30th Anniversary! 60th Anniversary! Burt Lancaster, Part 1 ...................................... 5 In time for Valentine's Day, and continuing into March, 70mm Print! JOURNEY TO ITALY [Viaggio In Italia] Play Ball! Hollywood and the AFI Silver offers a selection of great movie romances from STARMAN Fri, Feb 21, 7:15; Sat, Feb 22, 1:00; Wed, Feb 26, 9:15 across the decades, from 1930s screwball comedy to Fri, Mar 7, 9:45; Wed, Mar 12, 9:15 British couple Ingrid Bergman and George Sanders see their American Pastime ........................................... 8 the quirky rom-coms of today. This year’s lineup is bigger Jeff Bridges earned a Best Actor Oscar nomination for his portrayal of an Courtesy of RKO Pictures strained marriage come undone on a trip to Naples to dispose Action! The Films of Raoul Walsh, Part 1 .......... 10 than ever, including a trio of screwball comedies from alien from outer space who adopts the human form of Karen Allen’s recently of Sanders’ deceased uncle’s estate. But after threatening each Courtesy of Hollywood Pictures the magical movie year of 1939, celebrating their 75th Raoul Peck Retrospective ............................... 12 deceased husband in this beguiling, romantic sci-fi from genre innovator John other with divorce and separating for most of the trip, the two anniversaries this year. Carpenter. His starship shot down by U.S. air defenses over Wisconsin, are surprised to find their union rekindled and their spirits moved Festival of New Spanish Cinema .................... -
213 Nothing Like the South: Aurora Greenway – a Belle
NOTHING LIKE THE SOUTH: AURORA GREENWAY – A BELLE IN EXILE Anca Peiu University of Bucharest Larry McMurtry’s Terms of Endearment has been better known as a 1983 successful silver-screen story than as a 1975 best-selling novel, rather as a multiplereceiver of Academy Awards than as a most accomplished book by a prolific author and Pulitzer Prize winner. My return to it is justified by some recently read essays – neither on the film, nor on the book – but on the Belle and the South (indeed, an archetypal coupling somehow echoing Beauty and the Beast ). As for my title here – it oscillates between two Shakesperean sonnets: Sonnet 130 and Sonnet 3. Both poems appeal particularly to the sense of sight ; they are versions of that type of painting (also fiction) known as a portrait of a lady – who stays the lady even if she defies any canon of lady-likelihood – both as Shakespeare’s (image of the) lover and as McMurtry’s Southern Belle – from My mistress’ eyes are nothing like the sun… Thou art thy mother’s glass, and she in thee Calls back the lovely April of her prime; So thou through windows of thine age shalt see, Despight of wrinkles, this thy golden time… The latter quote opens Larry McMurtry’s novel, as a necessary motto. It evokes a specific traditional relationship: mother-daughter, by the classic symbol of the mirror . It could send us – via Larry McMurtry’s novel – to Katherine Henninger’s astute study of the impact of photography on the Visual Legacies of the South: Picture a southern woman . -
ATINER's Conference Paper Series HUM2014-0814
ATINER CONFERENCE PAPER SERIES No: HUM2014-0814 Athens Institute for Education and Research ATINER ATINER's Conference Paper Series HUM2014-0814 Iconic Bodies/Exotic Pinups: The Mystique of Rita Hayworth and Zarah Leander Galina Bakhtiarova Associate Professor Western Connecticut State University USA 1 ATINER CONFERENCE PAPER SERIES No: HUM2014-0814 Athens Institute for Education and Research 8 Valaoritou Street, Kolonaki, 10671 Athens, Greece Tel: + 30 210 3634210 Fax: + 30 210 3634209 Email: [email protected] URL: www.atiner.gr URL Conference Papers Series: www.atiner.gr/papers.htm Printed in Athens, Greece by the Athens Institute for Education and Research. All rights reserved. Reproduction is allowed for non-commercial purposes if the source is fully acknowledged. ISSN 2241-2891 22/1/2014 2 ATINER CONFERENCE PAPER SERIES No: HUM2014-0814 An Introduction to ATINER's Conference Paper Series ATINER started to publish this conference papers series in 2012. It includes only the papers submitted for publication after they were presented at one of the conferences organized by our Institute every year. The papers published in the series have not been refereed and are published as they were submitted by the author. The series serves two purposes. First, we want to disseminate the information as fast as possible. Second, by doing so, the authors can receive comments useful to revise their papers before they are considered for publication in one of ATINER's books, following our standard procedures of a blind review. Dr. Gregory T. Papanikos President Athens Institute for Education and Research 3 ATINER CONFERENCE PAPER SERIES No: HUM2014-0814 This paper should be cited as follows: Bakhtiarova, G. -
None of This Would Have Ever Happened If You Had Just Given an Oscar to Jennifer Lopez
NONE OF THIS WOULD HAVE EVER HAPPENED IF YOU HAD JUST GIVEN AN OSCAR TO JENNIFER LOPEZ By Tony Meneses Characters: Hugo Omar Nigel Elijah Yosef (all gay men of color in their 30’s/40’s) Setting: The last recorded Oscar party in gay history Time: February 9th, 2020 Wine. Charcuterie. Fresh fruit that no one’s eating. YOSEF. 1970? ELIJAH. ... Maggie Smith. NIGEL. Good one. YOSEF. 1991. ELIJAH Kathy Bates. HUGO. Also great. YOSEF. 1965! ELIJAH. Julie Andrews. NIGEL. (To Hugo.) Too easy. YOSEF 19... 46? ELIJAH. Joan fucking Crawford. NIGEL. HUGO. Oh my god! Yes ma-ma! NIGEL. That might actually be my favorite one. Mildred Pierce, can’t beat that. HUGO. What! Over Vivien Leigh, Ingrid Bergman, MERYL!?! 1 NIGEL. I stand by my decree. ELIJAH. Give me Elizabeth Taylor any day! YOSEF. 2002? In an instant it all goes quiet. NIGEL. ... What did you just say? YOSEF. 2002. Who won Best Actress in 2002? HUGO. Girl. Are you kidding? NIGEL. Oh god. She’s not. YOSEF. I’m not the biggest awards show gay, I’m sorry. HUGO. Who invited him again? ELIJAH. (Very serious.) 2002. That’s what you’re asking, Yosef? Two thousand, and two? YOSEF. Yes? ELIJAH. ... Halle Berry. Halle Berry won the Oscar that year. YOSEF. Oh. Isn’t that a good thing? We love Halle Berry. Don’t we? NIGEL. What kind of a question is that! 2 HUGO. You’re going to have to leave. ELIJAH. Halle Berry was—and remains to this day—the only woman of color to ever win the Academy Award for Best Actress. -
Shoulder and Elbow Upenn-Princess Grace Traveling Fellowship Chad Myeroff, MD
Shoulder and Elbow UPenn-Princess Grace Traveling Fellowship Chad Myeroff, MD The relationship between Monaco and Philadelphia dates Regional differences in treatment algorithms were back to the marriage of our own Grace Kelly to Rainier, Prince consistent throughout the traveling fellowship. Monaco sits of Monaco. She was revered by the citizens of Monaco. After in a geographical hotbed of shoulder excellence with regional her traumatic death, there was a re-prioritization of resources thought leaders scattered in its vicinity, including Lorent in Monaco. While climate change remains the prime Lafosse (Annecy, France), Giles Walsh (Lyon, France) and initiative, healthcare was boosted to a close second. Starting Pascal Boileau (Nice, France). Leveraging these opportunities, in cardiology, and now orthopaedic surgery, The University Dr. Lascar and I traveled to Nice where we joined Dr. Boileau of Pennsylvania became a natural partner in the pursuit of for a day of complex shoulder reconstructions, including excellent care for the citizens of Monaco. a bio-reverse shoulder arthroplasty which Dr. Boileau has Relationships then forged among our orthopaedic developed and championed in the literature. Following a day chairman (Dr. Scott Levin), our shoulder and elbow service of learning, Dr. Lascar hosted a debriefing dinner at his favorite (Dr. David Glaser and Dr. Russell Huffman) and Tristan Lascar, restaurant overlooking the Mediterranean coastline. Chief of Orthopaedics at Princess Grace Hospital. In an effort After a brief respite, I traveled to the small town of to increase academic collaboration, a traveling fellowship was Montbrison, where I visited a small rural hospital. Here, I teamed spawned. As the shoulder and elbow fellow at Penn, and with up with Dr. -
Power and Paranoia
Power and Paranoia: The Literature and Culture of the American Forties Course instructor: PD Dr. Stefan Brandt Ruhr-Universität Bochum Winter term 2009/10 Bibliography (selection) “A Life Round Table on the Pursuit of Happiness” (1948) Life 12 July: 95-113. Allen, Donald M., ed. The New American Poetry, 1945-1960. New York: Grove Press, 1960. “Anatomic Bomb: Starlet Linda Christians brings the new atomic age to Hollywood” (1945) Life 3 Sept.: 53. Asimov, Isaac. “Robbie.” [Originally published as “Strange Playfellow” in 1940]. In: I, Robot. New York: Gnome Press, 1950. 17-40. ---. “Runaround.” [1942]. In: I, Robot, 41-62. Auden, W.H. The Age of Anxiety: A Baroque Eclogue. New York: Random House, 1947. Auster, Albert, and Leonard Quart. American Film and Society Since 1945. London and Basingstoke: Macmillan, 1984. Balio, Tino. The American Film Industry. Madison: University of Wisconsin Press, 1976. Barson, Michael, and Steven Heller. Red Scared: The Commie Menace in Propaganda and Popular Culture. San Francisco: Chronicle Books, 2001. Behlmer, Rudy, ed. Inside Warner Brothers 1935-1951. New York: Viking, 1985. Belfrage, Cedric. The American Inquisition: 1945-1960. Indianapolis and New York: Bobbs-Merrill, 1973. Berman, Greta, and Jeffrey Wechsler. Realism and Realities: The Other Side of American Painting, 1940-1960. An Exhibition and Catalogue. New Brunswick, N.J.: Rutgers Univ. Art Gallery, State Univ. of New Jersey, 1981. Birdwell, Michael E. Celluloid Soldiers: The Warner Bros. Campaign Against Nazism. New York: New York University Press, 1999. Boddy, William. “Building the World’s Largest Advertising Medium: CBS and Tele- vision, 1940-60.” In: Balio, ed., Hollywood in the Age of Television, 1990. -
The Hollywood Reporter November 2015
Reese Witherspoon (right) with makeup artist Molly R. Stern Photographed by Miller Mobley on Nov. 5 at Studio 1342 in Los Angeles “ A few years ago, I was like, ‘I don’t like these lines on my face,’ and Molly goes, ‘Um, those are smile lines. Don’t feel bad about that,’ ” says Witherspoon. “She makes me feel better about how I look and how I’m changing and makes me feel like aging is beautiful.” Styling by Carol McColgin On Witherspoon: Dries Van Noten top. On Stern: m.r.s. top. Beauty in the eye of the beholder? No, today, beauty is in the eye of the Internet. This, 2015, was the year that beauty went fully social, when A-listers valued their looks according to their “likes” and one Instagram post could connect with millions of followers. Case in point: the Ali MacGraw-esque look created for Kendall Jenner (THR beauty moment No. 9) by hairstylist Jen Atkin. Jenner, 20, landed an Estee Lauder con- tract based partly on her social-media popularity (40.9 million followers on Instagram, 13.3 million on Twitter) as brands slavishly chase the Snapchat generation. Other social-media slam- dunks? Lupita Nyong’o’s fluffy donut bun at the Cannes Film Festival by hairstylist Vernon Francois (No. 2) garnered its own hashtag (“They're calling it a #fronut,” the actress said on Instagram. “I like that”); THR cover star Taraji P. Henson’s diva dyna- mism on Fox’s Empire (No. 1) spawns thousands of YouTube tutorials on how to look like Cookie Lyon; and Cara Delevingne’s 22.2 million Instagram followers just might have something do with high-end brow products flying off the shelves. -
Bomb Blast Kills Lebanese President-Elect Monaco's Princess
(Enmwrttort Baily damjma Vol. LXXXV1 NO. 6 The University of Connecticut Wednesday. September 15, 1982 Gemayel to have begun term Sept. 23- Bomb blast kills Lebanese President-elect Fifty others reported dead or injured in the explosion BEIRUT, Lebanon (AP) — Bashir Gemayel, the 34-year old president-elect of Lebanon, was killed Tuesday in a bomb blast at an office of his Phalangist Party in Christian east Beirutrepresen- tatives. He had survived two other attempts on his life. There was no claim of responsibility for the blast, which munitions experts said was caused by an estimated 400 pounds of explosives. Government radio said eight people were dead and 50 others were either killed or wounded. Lebanese Prime Minister Shafik Wazzan called the bomb blast "a criminal act" and said he would delay the reopening of the last crossing point between east and west Beirut that remains closed. Gemayel campaigned on a platform of a "strong and united Lebanon" and promised upon election Aug. 23 to purge his divided country of all foreign armies. Most Sunni Moslem legislators boycotted the uncontested parliamentary elections that gave Gemayel the presidency. Moslem leftists expressed fears a Gemayel government would bring reprisals for the 1975-1976 civil war, which pitted Christians against an alliance of Moslem leftists and Palestinian guerril- las. Gemayel's top aides said there would be o retribution for the bloody civil strife but many Moslems remained unconvinced. On the day he was elected, Gemayel vowed to represent "all Lebanon" and said he sought "to achieve unity among all Lebanese." Bashir Gemayel had said he would be the Wests strongest ally in the Arab world, and he also was expected to seek close ties with Israel, which has supported his right-wing Phalange militia since the civil war. -
Princess Grace Foundation-U
Princess Grace Foundation-USA Announces 2008 Awards Winners for Th... http://www.marketwatch.com/news/story/princess-grace-foundation-usa-... More Enter Symbol(s) or Keyword(s) SEARCH Welcome, please sign in. My Portfolio • Community • VSE • Alerts Learn more about the next step beyond mutual funds FRONT PAGE NEWS & COMMENTARY Columnists First Take Special Reports Blogs Podcasts Industry News Economy & Politics Newsletters Election 2008 LATEST NEWS Princess Grace Foundation-USA Announces 2008 Awards Winners for Theater, Dance & Film Rose Bond and Alec Hammond Receive Princess Grace Statue Awards Last update: 10:17 a.m. EDT July 30, 2008 NEW YORK, July 30, 2008 /PRNewswire via COMTEX/ -- The Board of Trustees of the Princess Grace Foundation-USA and its Chairman, Hon. John F. Lehman, announced today the recipients of 2008 Princess Grace Awards. The Awards for theater, dance/choreography and film continue the legacy of Grace Kelly, Princess of Monaco, who anonymously helped emerging artists pursue their goals throughout Her lifetime. The Princess Grace Foundation-USA, a public charity, was formed after the death of Princess Grace in 1982. They award scholarships, apprenticeships, and fellowships to assist artists with career development. The Foundation cultivates a diverse group of nearly 500 artists to date who continue to advance the spectrum of performing arts with innovative, cutting-edge, vibrant theater, dance, film, playwriting and design. Among some notable Princess Grace Awards recipients in Theater are 2008 Tony Award winner for Best Direction of a Play, Anna D. Shapiro; Pulitzer and Tony Award winning playwright Tony Kushner and Academy Award winner Eric Simonson. Film recipients include Stephen Hillenburg, creator of SpongeBob SquarePants; Eric Darnell, director of Madagascar 1 and 2 and Antz and Greg Mottola, director of Superbad. -
Hitchcock Great Anxiety
a remadeVanity Fair collection design layout by Coritha Guyala table of contents dial m for murder 03 rear window 04 marnie 05 rebecca 06 strangers on a train 07 vertigo 08 to catch a thief 09 lifeboat 10 the birds 11 north by northwest 12 psycho 13 dial for 03 MMURDER 1954 Charlize Theron. Photograph by Norman Jean Roy. The scene in which Charles Alexander Swann (Dawson) attempts to strangle Margot Mary Wendice (Kelly), only to be himself stabbed with a pair of scis- sors, caused Hitchcock great anxiety. Although the entire film was shot in just 36 days, this single scene required a full week of rehearsals and multiple takes to get the choreography and timing right. The original still: Anthony Dawson and Grace Kelly. © Warner Brothers. 04 Rea R 1954 Windo Scarlett Johansson and Javier Bardem. W Photograph by Norman Jean Roy. The film has been called a superb commentary on watching films, on loneliness, and on obsession, as well as a sharp critique of the male psyche. But at its essence, Rear Window is a paean to old-fashioned snooping. “Sure he’s a snooper, but aren’t we all?” said Hitchcock. “I’ll bet you that nine out of ten people, if they see a woman across the courtyard undressing for bed, or even a man puttering around in his room, will stay and look; no one turns away and says, ‘It’s none of my business.’ ” The original still: Grace Kelly and James Stewart. Paramount/Neal Peters Collection. 05 1964 Marnie Naomi Watts. Photograph by Julian Broad. -
Gilda's Gowns Rachel Ann Wise
AWE (A Woman’s Experience) Volume 1 Article 10 1-1-2013 Gilda's Gowns Rachel Ann Wise Follow this and additional works at: https://scholarsarchive.byu.edu/awe Part of the Film and Media Studies Commons, Fine Arts Commons, and the Women's Studies Commons Recommended Citation Wise, Rachel Ann (2013) "Gilda's Gowns," AWE (A Woman’s Experience): Vol. 1 , Article 10. Available at: https://scholarsarchive.byu.edu/awe/vol1/iss1/10 This Article is brought to you for free and open access by the All Journals at BYU ScholarsArchive. It has been accepted for inclusion in AWE (A Woman’s Experience) by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Gilda's Gowns Fashioning the Femme Fatale in Film Noir Rachel Anne Wise The 1940s brought the rise of a cynical, nihilistic film form in America, stereo typically characterized by its hardboiled detective crime plot starring a dominat ing female adorned in a black slinky dress with a pistol in her purse, seducing men and masterminding plots of cruelty and greed. This genre, film noir, grew out of the ashes of post-WWII America, lasting through the 19 50s and satisfying the growing market for pessimistic and violent thrillers. 1 Film noir has generated much scholarship since its mid-century inception, particularly for feminists, with the landmark publication of Laura Mulvey's 197 5 "Visual Pleasure and Narrative Cinema," an article that analyzed the male gaze, explicit voyeuristic elements, and inherent misogyny within the genre. Using a Freudian and Lacanian lens, she claimed that the femme fatale character, or "fatal woman," symbolized the ominous threat of castration.