Independent Auditors' Report

Total Page:16

File Type:pdf, Size:1020Kb

Independent Auditors' Report TRANSFORMING EROS INTERNATIONAL MEDIA LIMITED Annual Report 2012-13 INDIAN ENTERTAINMENT From the analogue era to the digital age. From television to premium television. From VHS to Blu-ray. Eros International Media Limited is leading the transformation of Indian filmed entertainment globally. What’s Inside? Corporate Overview Statutory Reports Sustained Leadership 2 Management Discussion and Analysis 22 Executive Vice-Chairman and Managing Directors’ Report 32 Director’s Message 4 Corporate Governance 36 Key Strengths & Strategy 6 Multiple Distribution Channels 8 EROS-HBO Collaboration - A Game Changer 10 Financial Statements New Markets, Global Audiences 12 Content Pipeline 14 Standalone Financials 49-84 Key Performance Indicators 16 Independent Auditors’ Report 49 Corporate Social Responsibility 18 Balance Sheet 54 Awards and Accolades 19 Statement of Profit and Loss 55 Board of Directors 20 Cash Flow Statement 56 Notes 58 Consolidated Financials 85-112 Independent Auditors’ Report 85 Balance Sheet 86 Statement of Profit and Loss 87 Cash Flow Statement 88 Notes 90 Notice 113-115 FORWARD-LOOKING StatementS In this Annual Report, we have disclosed forward-looking information to enable investors to comprehend our prospects and take investment decisions. This report and other statements - written and oral – that we periodically make, contain forward-looking statements that set out anticipated results based on the management’s plans and assumptions. We have tried wherever possible, to identify such statements by using words such as ‘anticipate’, ‘estimate’, ‘expects’, ‘projects’, ‘intends’, ‘plans’, ‘believes’, and words of similar substance in connection with any discussion of future performance. We cannot guarantee that these forward-looking statements will be realised, although we believe we have been prudent in assumptions. The achievements of results are subject to risks, uncertainties, and even inaccurate assumptions. Should known or unknown risks or uncertainties materialise, or should underlying assumptions prove inaccurate, actual results could vary materially from those anticipated, estimated, or projected. Readers should keep this in mind. We undertake no obligation to publicly update any forward-looking statements, whether as a result of new information, future events or otherwise. Revenue % grew from ` 9,631.8 Million 11.54 to ` 10,743.5 Million PBT (Profit Before Tax) % grew from ` 2,122.5 Million 2.24 to ` 2,170.0 Million PAT (Profit After Tax, after minority) % grew from ` 1,478.4 Million 4.53 to ` 1,545.3 Million EPS (Earnings Per Share) 4.02% grew from ` 16.16 to ` 16.81 2 Eros International Media Limited Transforming Indian Entertainment Sustained Leadership films films 1,100+ films 231 77 released over last three released in financial Library fiscal years year 2012-13 Delivering success at the Indian box office 3 4 2 * * * CY CY CY of the Top 10 Grossing2010 of the Top 10 Grossing2011 of the Top 10 Grossing2012 Hindi Films in CY 2010 Hindi Films in CY 2011 Hindi Films in CY 2012 Golmaal 3 Ra.One Housefull 2 Housefull Ready Son of Sardar Anjaana Zindagi Na Anjaani Milegi Dobara Rockstar CY indicates calendar year | Source: * www.boxofficeindia.com www.erosintl.com 3 Corporate Overview Sustained Leadership Annual Report 2012-13 4 Eros International Media Limited Transforming Indian Entertainment Executive Vice-Chairman and Managing Director’s Message Our vision is to build on our market leadership position within the filmed entertainment arena and expand within the rapidly growing Indian Media & Entertainment sector by capitalising on our library, distribution network and strong balance sheet. Sunil Lulla Executive Vice-Chairman and Managing Director 5 Corporate Overview Executive Vice-Chairman and Managing Director’s Message 10,743.5 1,545.3 2,262.2 Revenue Profit After Tax EBIT (` in million) (` in million) (` in million) DEAR SHAREHOLDERS, We are really excited about our The face of Indian entertainment is transforming at a rapid pace, accelerated by multiple distribution channels and an collaboration with HBO Asia to foray ever evolving audience. into premium television in India. Despite slow economic progress, the Indian Media and Entertainment industry grew by 12.60% to ` 821 billion China, Taiwan, Korea, Romania, Malaysia, Myanmar, Nigeria in 2012. The sector has further impetus in the form of and other countries. In these markets, our films were dubbed digitisation, growing regional media, increasing box office or subtitled in local languages to extend the reach of Indian and ticket prices together with rapidly evolving new media films beyond expatriate Indians. We will continue to promote businesses. our content in the Southeast Asia and other growth markets, along with other countries to unlock our content value in The Indian film industry’s revenues grew by 21% as new geographies. compared to the previous year. Of this, domestic theatricals increased by 23.69% compared to ` 85.1 billion in 2012 Our better performance during the year reflected in our vis-à-vis ` 68.8 billion in 2011. This was primarily due to numbers. Our consolidated income grew from ` 9,631.8 increase in the number of screens, rise in ticket prices and million in 2011-12 to ` 10,743.5 million in 2012-13, rising content suitable to both urban and rural audiences. by 11.5% year on year. The rise in revenues is on account of healthy movie mix, along with pre-selling of television and At Eros, some of the major releases during 2012-13 include music rights. The EBIT increased from ` 2,256.9 million ‘Housefull 2’, ‘Cocktail’, ‘Son of Sardar’, ‘Khiladi 786’ and in 2011-12 to ` 2,262.2 million in 2012-13. The net profit ‘Teri Meri Kahani’. Of these, two of our films (‘Housefull 2’ after tax escalated from ` 1,478.4 million in 2011-12 to and ‘Son of Sardar’) have been among the Top Ten grossing ` 1,545.3 million in 2012-13. films for the year 2012. We also released some low budget films with differentiated concepts like ‘Vicky Donor’ and Our business performance and priorities have never ‘English Vinglish’. These films have not only been critically diluted our focus from our social responsibilities. We are acclaimed and won awards, but have also enjoyed great committed to enhance our social relevance through the commercial success. Some of our notable Tamil high profile Lulla Foundation. It has developed linkage with Pratham, releases include ‘Thuppaki’, ‘Maatraan’ and ‘Kadal’. Our India’s largest education-focused NGO and set up two Eros diverse portfolio of films including Hindi, Tamil and other Excellence projects. These projects serve 100 villages in regional language films sits at the heart of our business the Tapi district in Gujarat and another 100 villages in the model of monetising new films in conjunction with our Sindhudurg district in Maharashtra. The projects benefit valuable library across multiple distribution channels. 8,000 young children by training their parents and their teachers on providing additional educational support and During the year, we announced a landmark collaboration guidance. The Foundation also funds training for 500 rural with HBO Asia to launch two new premium television volunteers, who dedicate their time and effort to the schools channels that will be completely advertising free and in return for extra educational training in IT and English showcase the best of Bollywood and Hollywood content. language skills. The channels HBO Defined and HBO Hits were launched on Dish and Airtel DTH platforms in India and expected The Company continues to enjoy a robust balance sheet to launch on other DTH and digital cable platform during and generate strong cash flows from operations and during the year. This deal marks the foray of Eros into premium the year we were pleased to announce a maiden Interim television and signifies the value of our content library. Dividend. The strategy is to introduce a new window for premium television between theatrical and free satellite television. We I would like to thank all our stakeholders for their continued will continue to monetise our 1,100+ content library and support and belief in Eros and our ability to capitalise new films through television licensing to broadcasters such on future opportunities to maintain our leadership in the as Zee TV, Star TV, Viacom, Sony and others. rapidly growing Indian media and entertainment sector. We will continue to entertain viewers with a multi-pronged In addition, Eros Now, our on-demand online entertainment approach, while creating value for all stakeholders. service was launched in August 2012, and is beginning to generate interest from potential subscribers. Warm regards, On the global stage, our parent company, Eros International Sunil Lulla Plc distributed our films across new markets like Japan, Executive Vice-Chairman and Managing Director Annual Report 2012-13 6 Eros International Media Limited Transforming Indian Entertainment Key Strengths & Strategy A global leader in Indian filmed entertainment Extensive content library of Indian films & music Strong relationships with leading talent for compelling co-production film slate Unlocking value from new distribution channels such as HBO and ErosNow www.erosintl.com 7 Corporate Overview Key Strengths & Strategy Extensive global distribution spanning multiple markets and languages High growth domestic media and entertainment market with structural upside De-risking investment by portfolio approach to content slate combined with strong pre-sales Annual Report 2012-13 8 Eros
Recommended publications
  • Assets.Kpmg › Content › Dam › Kpmg › Pdf › 2012 › 05 › Report-2012.Pdf
    Digitization of theatr Digital DawnSmar Tablets tphones Online applications The metamorphosis kingSmar Mobile payments or tphones Digital monetizationbegins Smartphones Digital cable FICCI-KPMG es Indian MeNicdia anhed E nconttertainmentent Tablets Social netw Mobile advertisingTablets HighIndus tdefinitionry Report 2012 E-books Tablets Smartphones Expansion of tier 2 and 3 cities 3D exhibition Digital cable Portals Home Video Pay TV Portals Online applications Social networkingDigitization of theatres Vernacular content Mobile advertising Mobile payments Console gaming Viral Digitization of theatres Tablets Mobile gaming marketing Growing sequels Digital cable Social networking Niche content Digital Rights Management Digital cable Regionalisation Advergaming DTH Mobile gamingSmartphones High definition Advergaming Mobile payments 3D exhibition Digital cable Smartphones Tablets Home Video Expansion of tier 2 and 3 cities Vernacular content Portals Mobile advertising Social networking Mobile advertising Social networking Tablets Digital cable Online applicationsDTH Tablets Growing sequels Micropayment Pay TV Niche content Portals Mobile payments Digital cable Console gaming Digital monetization DigitizationDTH Mobile gaming Smartphones E-books Smartphones Expansion of tier 2 and 3 cities Mobile advertising Mobile gaming Pay TV Digitization of theatres Mobile gamingDTHConsole gaming E-books Mobile advertising RegionalisationTablets Online applications Digital cable E-books Regionalisation Home Video Console gaming Pay TVOnline applications
    [Show full text]
  • Page-00005.Pdf
    Voice Entertainment presents the latest in entertainment news, occasional i lm reviews, interviews with i lm personalities and Friday, January 5, 2018 www.WeeklyVoice.com Section B SRK’s Twitter Following gossip from the Bollywood i lm industry - the second largest Crosses 32 Million i lm industry in the world. One page is also devoted to news MUMBAI: Shah Rukh Khan’s social media on Twitter has ex- tended to 32 million. Shah Rukh on Tuesday tweet- ed: “Naye saal ki sabko shubh from Hollywood. In addition to entertainment news, Voice kamnayein. Sab raho khush aur aabaad aur 32 million ke liye bahut bahut dhanyawaad. Waah Hindi main likha toh kuch kavi sa hogaya. (Good wishes to all for Entertainment also incorporates occasional pages on Health, the New Year. Please stay happy and thank you for the 32 million. Written in Hindi, so became like a poet.)” The 52-year-old superstar, who has a following of 32.2 million, Technology and Travel, a popular Numerology/Astrology page is right behind megastar Amitabh Bachchan, who has a Twitter following of 32.4 million. Shah Rukh is Bollywood’s top Khan with the most number of follow- ers on Twitter -- Salman has 29.9 and a Matrimonials section. million and Aamir has 22.6 mil- lion.Shah Rukh is an avid user of digital platforms uses social media to update fans and follow- ers about his life and projects. On the fi rst day of the New Year on Monday, he unveiled the title and teaser of his upcoming fi lm with Aanand L Rai.
    [Show full text]
  • Promising Signs Ahead Media & Entertainment in South India
    Promising signs ahead Media & Entertainment in South India Media & Entertainment Business Conclave – Chennai October 2012 Contents Message from FICCI ............................................................................................................................................................... 3 Message from Deloitte Touche Tohmatsu India Pvt. Ltd. (Deloitte) ......................................................................................... 4 Message from Deloitte Touche Tohmatsu India Pvt Ltd (Deloitte)........................................................................................... 5 1. Introduction .................................................................................................................................................................... 6 2. Film .............................................................................................................................................................................. 11 3. Television .................................................................................................................................................................... 30 4. Print ............................................................................................................................................................................. 51 5. Radio ........................................................................................................................................................................... 64 6. Direct tax -
    [Show full text]
  • Akshay Kumar
    Akshay Kumar Topic relevant selected content from the highest rated wiki entries, typeset, printed and shipped. Combine the advantages of up-to-date and in-depth knowledge with the convenience of printed books. A portion of the proceeds of each book will be donated to the Wikimedia Foundation to support their mis- sion: to empower and engage people around the world to collect and develop educational content under a free license or in the public domain, and to disseminate it effectively and globally. The content within this book was generated collaboratively by volunteers. Please be advised that nothing found here has necessarily been reviewed by people with the expertise required to provide you with complete, accu- rate or reliable information. Some information in this book maybe misleading or simply wrong. The publisher does not guarantee the validity of the information found here. If you need specific advice (for example, medi- cal, legal, financial, or risk management) please seek a professional who is licensed or knowledgeable in that area. Sources, licenses and contributors of the articles and images are listed in the section entitled “References”. Parts of the books may be licensed under the GNU Free Documentation License. A copy of this license is included in the section entitled “GNU Free Documentation License” All used third-party trademarks belong to their respective owners. Contents Articles Akshay Kumar 1 List of awards and nominations received by Akshay Kumar 8 Saugandh 13 Dancer (1991 film) 14 Mr Bond 15 Khiladi 16 Deedar (1992 film) 19 Ashaant 20 Dil Ki Baazi 21 Kayda Kanoon 22 Waqt Hamara Hai 23 Sainik 24 Elaan (1994 film) 25 Yeh Dillagi 26 Jai Kishen 29 Mohra 30 Main Khiladi Tu Anari 34 Ikke Pe Ikka 36 Amanaat 37 Suhaag (1994 film) 38 Nazar Ke Samne 40 Zakhmi Dil (1994 film) 41 Zaalim 42 Hum Hain Bemisaal 43 Paandav 44 Maidan-E-Jung 45 Sabse Bada Khiladi 46 Tu Chor Main Sipahi 48 Khiladiyon Ka Khiladi 49 Sapoot 51 Lahu Ke Do Rang (1997 film) 52 Insaaf (film) 53 Daava 55 Tarazu 57 Mr.
    [Show full text]
  • Top 100 Hindi Comedy Movies of All Time
    Top 100 Hindi Comedy Movies Of All Time 1. 3 Idiots 51. Half Ticket 2. Ajab Prem Ki Ghajab 52. Haseena Man Jayegi Kahaani 53. Hera Pheri 3. All the Best 54. Hero No 4. Andaaj Apna Apna 55. Hey Baby 5. Angoor 56. Housefull/Housefull 2 6. Atithi Tum Kab Jaoge? 57. Hum Hai Kamal Ke 7. Auntie No 58. Hungama 8. Baaiton Baation mein 59. Ishq 9. Baap Numbri Beta Dus 60. Jaane Bhi Do Yaaro Numbri 61. Jab We Met 10. Bade Miyan Chote Miyan 62. Jodi No 11. Badshah 63. Jolly LLB 12. Barfi! 64. Judwa 13. Bawarchi 65. Khatha Meetha (New) 14. Bhagam Bhaag 66. Khatha Meetha (Old) 15. Bheja Fry 67. Khichadi: The Movie 16. Bhool Bhulaiya 68. Khiladi 17. Bhoothnaath/Bhoothnath 69. Khoobsurat (1980) Returns 70. Khosla Ka Ghosla 18. Biwi No 71. Kisi se Na Kehna 19. Bluffmaster 72. Kya Kool Hai Hum/Kya 20. Bol Radha Bol Super Cool Hai Hum 21. Bombay to Goa 73. Lage Raho Munna Bhai 22. Bombay to Goa (New) 74. Malamaal Weekly 23. Bunty aur Babli 75. Masti/Grand Masti 24. Chachi 420 76. Mr 25. Chalti ka Naam gaadi 77. Mujse Shadi Karoge (1958) 78. Munna Bhai MBBS 26. Chameli Ki Shaadi 79. Namak Halal 27. Chashme Budoor (1981) 80. Namastey London 28. Chillar Party 81. Naram garam 29. Chitchor 82. OMG! Oh My God 30. Choti Si Baat 83. Oye Lucky! Lucky Oye! 31. Chup Chup Ke 84. Padosan 32. Chupke Chupke 85. Partner 33. Coolie No 86. Phir Hera Pheri 34. Dabanng 87.
    [Show full text]
  • Form 20-F Eros International
    SECURITIES AND EXCHANGE COMMISSION WASHINGTON, DC 20549 FORM 20-F ☐ REGISTRATION STATEMENT PURSUANT TO SECTION 12(b) OR 12(g) OF THE SECURITIES EXCHANGE ACT OF 1934 OR ☑ ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended March 31, 2019 OR ☐ TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 OR ☐ SHELL COMPANY REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 Commission file number 001-36176 EROS INTERNATIONAL PLC (Exact name of Registrant as specified in its charter) Not Applicable (Translation of Registrant’s name into English) Isle of Man (Jurisdiction of incorporation or organization) 550 County Avenue Secaucus, New Jersey 07094 Tel: +1(201) 558 9001 (Address of principal executive offices) Oliver Webster IQ EQ (Isle of Man) Limited First Names House Victoria Road Douglas, IM2 4DF Isle of Man Tel: (44) 1624 630 630 Email: [email protected] (Name, Telephone, E-mail and/or Facsimile number and Address of Company Contact Person) Securities registered or to be registered pursuant to Section 12(b) of the Act. Trading Title of each class Symbol(s) Name of each exchange on which registered A ordinary share, par value GBP 0.30 per share EROS The New York Stock Exchange Securities registered or to be registered pursuant to Section 12(g) of the Act. None (Title of Class) Securities for which there is a reporting obligation pursuant to Section 15(d) of the Act None (Title of Class) Indicate the number of outstanding shares of each of the issuer’s classes of capital or common stock as of the close of the period covered by the annual report.
    [Show full text]
  • Gender Bias Without Borders: an Investigation of Female Characters in Popular Films Across 11 Countries Seejane.Org Geena Davis Institute on Gender in Media Page 3
    Geena Davis Institute on Gender in Media Gender Bias GENDER BIAS WITHOUTWithout BordersBORDERS An Investigation of Female Characters in Popular Films Across 11 Countries AN INVESTIGATION OF FEMALE CHARACTERS IN POPULAR FILMS ACROSS 11 COUNTRIES Dr. Stacy L. Smith, Marc Choueiti, & Dr. Katherine Pieper with assistance from Yu-Ting Liu & Christine Song Media, Diversity, & Social Change Initiative University of Southern California Annenberg School for Communication & Journalism 3502 Watt Way, Suite 223 Los Angeles, CA 90089 [email protected] confidential working document = do not cite, quote, or reference. SeeJane.org Geena Davis Institute on Gender in Media Page 2 Women the world over face stark disparities in health, finance, education, politics, and other arenas. Persistent gender inequality may threaten economic growth and/or social progress.1 At the most micro level, discrimination impedes girls and women from achieving their individual hopes and dreams. Through its Millennium Development Goals, the United Nations has championed an increase in equality for women and girls across different sectors by 2015.2 Despite a push to promote females worldwide, one example of where progress remains stagnant is the U.S. film industry. Research reveals that the percentage of female speaking characters in top-grossing movies has not meaningfully changed in roughly a half of a century.3 Further, women are often stereotyped and sexualized when they are depicted in popular content. Occupationally, our previous research shows that few women hold positions of power and importance on screen. While Hollywood is quick to capitalize on new audiences and opportunities abroad, the industry is slow to progress in creating compelling and complex roles for females.
    [Show full text]
  • Adult Movies the Dark Knight VR FIC DAR Adult Limitless VR FIC LIM
    Adult movies The dark knight VR FIC DAR Adult Limitless VR FIC LIM Adult Anonymous VR FIC ANO Adult Big miracle VR FIC BIG Adult Being Flynn VR FIC BEI Adult The cabin in the woods VR FIC CAB Adult ET (Extra Terrestrial) VR FIC ET Adult Extremely loud & incredibly close VR FIC EXT Adult Exam VR FIC EXA Adult Ghost town VR FIC GHO Adult Ironclad VR FIC IRO Adult John Carter VR FIC JOH Adult The Lincoln lawyer VR FIC LIN Adult The lady VR FIC LAD Adult Life as we know it VR FIC LIF Adult Miral VR FIC MIR Adult Men in Black VR FIC MEN Adult Men in Black II VR FIC MEN Adult The mummy VR FIC MUM Adult Salmon fishing in the Yemen VR FIC SAL Adult Twilight zone the movie VR FIC TWI Adult The woman in black VR FIC WOM Adult We need to talk about Kevin VR FIC WE Adult Furry vengeance VR FIC FUR Adult The hunger games VR FIC HUN Adult Avengers VR FIC AVE Adult The dark knight rises VR FIC DAR Adult Wuthering heights VR FIC WUT Adult Taken 2 VR FIC TAK Adult Argo VR FIC ARG Adult The way back VR FIC WAY Adult Trouble with the curve VR FIC TRO Adult Avengers VR FIC AVE Adult American Gangster VR FIC AME Adult Bully VR FIC BUL Adult Albert Nobbs VR FIC ALB Adult Beasts of the southern wild VR FIC BEA Adult Shirin Farhad VR FIC SHI Adult Talaash the answer lies within VR FIC CAR Adult Bedtime Stories VR FIC BED Adult Bewitched VR FIC BEW Adult The dictator VR FIC DIC Adult Life of Pi VR FIC LIF Adult The Hobbit : An Unexpected Journey VR FIC HOB Adult The Best Exotic Marigold Hotel VR FIC HOB Adult Anna Karenina VR FIC ANA Adult Rabbit Hole VR FIC RAB
    [Show full text]
  • The Past; Preparing for the Future
    Vol. 5 No. 08 New York August 2020 Sanya Madalsa Malhotra Sharma breakout Angel face with talent a spunky spirit Janhvi Priyanka Kapoor Abhishek chopra Jonas Navigating troubled Desi girl turns Bollywood Bachchan global icon Learning thefrom past Volume 5 - August 2020 Inside Copyright 2020 Bollywood Insider 50 Dhaval Roy Deepali Singh 56 18 www.instagram.com/BollywoodInsiderNY/ Scoops 12 SRK’s plastic act 40 leaves fans curious “I had a deeper connection with Kangana’s grading Exclusives Sushant” system returns to bite 50 Sanjana Sanghi 64 her Learning from past; preparing for future 06 Abhishek Bachchan “I feel like a newcomer” 56 Sushmita Sen From desi girl to a truly global icon 12 Priyanka Chopra Jonas Perspective Angel face with spunky spirit happy 18 Madalsa Sharma 32 Patriotic Films independence day “I couldn’t talk in front of Vidya Balan” 26 Sanya Malhotra 62 Actors on OTT 15TH AUGUST The privileged one 41 44 Janhvi Kapoor PREVIOUS ISSUES FOR ADVERTISEMENT July June May (516) 680-8037 [email protected] CLICK For FREE Subscription Bollywood Insider August 2020 LOWER YOUR PROPERTY TAXES Our fee 40 35%; others charge 50% NO REDUCTION NO FEE A. SINGH, Hicksville sign up for 2021 Serving Homeowners in Nassau County Varinder K Bhalla PropertyTax Former Commissioner, Nassau County ReductionGuru Assessment Review Commission CALL or whatsApp [email protected] 3 Patriotic Fervor Of Bollywood Stars iti Sunshine Bhalla, a young TV host in Williams during 2008 to 2011. In 2012, Shah New York, anchored India Independence Rukh Khan, Anushka Sharma and Sanjay Dutt R Day celebrations which were televised appeared on her show and shared their patriotic in India and 23 countries in Europe.
    [Show full text]
  • He and His Mom Preserved a 1969 Moon Landing Newspaper. a Half Century Later, He Unwrapped It for the First Time
    Community Community Doha British A bronze School (DBS) statue of P6students P16 Apollo 11 achieve astronauts unveiled at excellent results the new Moon Tree in IB diploma Garden at Kennedy examinations. Space Center. Wednesday, July 24, 2019 Dhul-Qa’da 21, 1440 AH Doha today: 330 - 380 PIECE OF HISTORY: The label can be seen on the preserved original Monday, July 21, 1969 historic edition of the Chicago Daily News front page story on the moon landing, which was opened at the Chicago Tribune newspaper off ice, on Friday, July 19, 2019. Glen Williams, the owner, was 15 years old when he and his mother Edna Williams followed the preservation instructions on the newspaper’s edition and stored it away for 50 years. COVER STORY Surprise package He and his mom preserved a 1969 moon landing newspaper. A half century later, he unwrapped it for the first time. P4-5 HOLLYWOOD BOLLYWOOD ‘Nobody is perfect’: Co-stars Jacqueline launches spring to Huff man’s defence. YouTube channel. Page 14 Page 15 2 GULF TIMES Wednesday, July 24, 2019 COMMUNITY ROUND & ABOUT PRAYER TIME Fajr 3.29am Shorooq (sunrise) 4.58am Zuhr (noon) 11.42am Asr (afternoon) 3.08pm Maghreb (sunset) 6.26pm Isha (night) 7.56pm USEFUL NUMBERS Emergency 999 Worldwide Emergency Number 112 The Kid Garrett (Ethan Hawke), on the hunt for the infamous outlaw Kahramaa – Electricity and Water 991 DIRECTION: Vincent DOnofrio Billy the Kid (Dane DeHaan). Rio fi nds himself increasingly Local Directory 180 CAST: Chris Pratt, Leila George, Ethan Hawke, Dane entwined in the lives of these two legendary fi gures as the cat International Calls Enquires 150 DeHaan, Jake Schur and mouse game of Billy the Kid’s fi nal year of life plays out.
    [Show full text]
  • Eppo Varuvaro
    Eppo VaruvarO Ragam: Jonpuri (20th Mela Natabhairavi Janyam) ARO: S R2 M1 P D1 N2 S || AVA: S N2 D1 P M1 G2 R2 S || Talam: Adi Composer: Gopalakrishna Bharati Version: Ram Kaushik Lyrics/Meanings courtesy: rasikas.org (http://www.rasikas.org/forums/viewtopic.php?t=2704) Pallavi: eppOvaruvArO-enthan kalithIra-eppOvaruvArO Anupallavi: appar mudal mUvarum ALuDai aDigaLum seppiya tillai cidambara dEvan caraNam 1 n-aRparuvam van-thu n-Athanaith thEdum kaRpanaikaL muRRak kAtchi than-thAn caraNam 2 aRpasuka vAzvil Anan-tham koNdEn poRpathaththaik kaaNEn ponnampalavANan caraNam 3 bAlakirushNan pORRip paNin-thidumIsan mElE kAthal koNdEn veLippadakkANEn Meaning: (R Shankar, rasikas.org: http://www.rasikas.org/forums/viewtopic.php?t=2704) eppo = when varuvArO = will he come endan = my kali = karma tIra = completed/removed When will He come to relieve me of my worldly burdens? starting with appar, sambhandar, sundarar and mANikkavAcagar (ALuDai aDigaL) spoke highly of the Lord of tillai (cidambaram)…. Seppiya = the famous (the one who is talked about so much) tillai cidambara = (of) cidambaram dEvan = the god of, the lord of The anupallavi gives the name and address of the person who is awaited in the pallavi: He is none other than the famous Lord of tillai or cidambaram (cit+ambaram = the theater of one's consciousness, as well as the physical place)...Lord naTana sabESa/naTarAjA... nar paruvam = a good time vandu = when (the time) arrived nAthanai tEDum = when I search (tEDum) for my Lord (nAthan) kaRpanaikaL = my imagination/beyond my wildest imagination muRRa = literally means maturing, but here, I think it refers to the limit (of imagination) kATSi tandAn = He gave (tandAn) me a vison (kATSi) of himself As I searched for him at the appropriate time, and when my imagination had run riot and reached it's limits, He revealed himself to me.
    [Show full text]
  • Exposure to On-Screen Tobacco in Movies Among Ontario Youth, 2004-2013
    Exposure to On-Screen Tobacco in Movies Among Ontario Youth, 2004-2013 1434 Top-grossing Movies Released in the Domestic Market (Canada and US), 2004-2013, in Alphabetic Order by Year Movie Title (Alpha Order) OFRB MPAA Tobacco Ontario, OFRB Detail OFRB Detail OFRB Rating Rating Incidents In-Theatre Observation Observation Content Bold = tobacco incidents at at Bracket Tobacco "Tobacco "Illustrated" Advisory Shaded = lower rating in Ontario Releasea Releasea (TUTD)b Impressionsc Use" d "Tobacco Use" 2004 13 Going on 30 PG PG-13 1-9 1,722,000 50 First Dates PG PG-13 0 0 After the Sunset PG PG-13 10-29 2,959,000 Against the Ropes 14A PG-13 30-49 1,229,000 Agent Cody Banks 2: Destination London G PG 10-29 1,569,000 Alamo, The PG PG-13 10-29 3,029,000 Alexander 14A R 0 0 Alfie 14A R 50+ 14,074,000 Alien vs. Predator PG PG-13 0 0 Along Came Polly PG PG-13 0 0 Anacondas: The Hunt for the Blood Orchid PG PG-13 1-9 387,000 Anchorman PG PG-13 50+ 53,243,000 Around the World in 80 Days PG PG 10-29 2,212,000 Aviator, The 14A PG-13 50+ 65,960,000 Barbershop 2: Back in Business PG PG-13 30-49 12,771,000 Big Fish PG PG-13 1-9 1,628,000 Blade: Trinity 18A R 10-29 7,726,000 Bourne Supremacy, The PG PG-13 1-9 5,408,000 Breakin' All the Rules PG PG-13 10-29 1,235,000 Bridget Jones: The Edge of Reason 14A R 50+ 21,736,000 Butterfly Effect, The 14A R 50+ 24,794,000 Calendar Girls PG PG-13 1-9 1,715,000 Catch that Kid G PG 0 0 Ontario Tobacco Research Unit 1 Exposure to On-Screen Tobacco in Movies Among Ontario Youth, 2004-2013 Movie Title (Alpha Order) OFRB
    [Show full text]