Maceo Parker Discography LOSSLESS MP3 19692012
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Titre Construit 1Er Responsable Série Edith Piaf
Titre construit 1er responsable Série Edith Piaf (1963-2003) (20) : Volume 20 : Carnegie Hall 1956-1957 Piaf, Edith Edith Piaf (1963-2003) / Edith Piaf [Emi Music] Edith Piaf (1963-2003) (19) : Volume 19 : Carnegie Hall 1956 Piaf, Edith Edith Piaf (1963-2003) / Edith Piaf [Emi Music] Edith Piaf (1963-2003) (18) : Volume 18 Piaf, Edith Edith Piaf (1963-2003) / Edith Piaf [Emi Music] Edith Piaf (1963-2003) (17) : Volume 17 Piaf, Edith Edith Piaf (1963-2003) / Edith Piaf [Emi Music] Léo chante Ferré (16) : Léo chante l'espoir Ferré, Léo (1916 - 1993) Léo chante Ferré / Léo Ferré [Universal Music S.A.] Edith Piaf (1963-2003) (16) : Volume 16 Piaf, Edith Edith Piaf (1963-2003) / Edith Piaf [Emi Music] Intégrale 1965-1995 (16) : Disque 16 Sardou, Michel Intégrale 1965-1995 / Michel Sardou [Universal Music France S.a] Léo chante Ferré (15) : Léo chante Et ... basta ! Ferré, Léo (1916 - 1993) Léo chante Ferré / Léo Ferré [Universal Music S.A.] Edith Piaf (1963-2003) (15) : Volume 15 Piaf, Edith Edith Piaf (1963-2003) / Edith Piaf [Emi Music] L'Intégrale (15) : Les Marquises Brel, Jacques L'Intégrale / Jacques Brel [Universal Music France S.a] Intégrale 1965-1995 (15) : Disque 15 Sardou, Michel Intégrale 1965-1995 / Michel Sardou [Universal Music France S.a] L'Intégrale studio de Claude Nougaro (14) : Embarquement immédiat Nougaro, Claude L'Intégrale studio de Claude Nougaro / Claude Nougaro [Mercury France] Intégrale 1965-1995 (14) : Disque 14 Sardou, Michel Intégrale 1965-1995 / Michel Sardou [Universal Music France S.a] Edith Piaf (1963-2003) -
Musicmetadatastyleguide V2.1.Pdf
This publication is a work product of the Music Business Association’s Digital Operations & Metadata Workgroup co-chaired by INgrooves’s Chris Read and Amazon’s Jill Chapman. Representatives from the following companies contributed to the project: 7digital, Amazon, Apple, BandPage, Beggars Group, BMI, Compass Records, Concord Music Group, Consolidated Independent, County Analytics, CV America, Dart Music, DDEX, Disney Music Group, Dubset Media, Entertainment Intelligence, Epitaph, Google, Harry Fox, IFPI, IMMF, Indie Squared Entertainment, IndieHitMaker, Isolation Network, Kindred, Kobalt Music, La Cupula Music, Loudr, LyricFind, MediaNet, Microsoft, Neurotic Media, NueMeta, ole - International / Majorly Indie, OpenAura, The Orchard, Ranger Computers, Rdio, The Recording Academy, Redeye Distribution, Revelator, Rhapsody, RIAA, Rightscom, SESAC, Songspace, Songtrust, Sony DADC, Sony Music Entertainment, SoundExchange, Spotify, SSA Music, TouchTunes, TropiSounds, Universal Music Group, University of Miami, Vara Entertainment Group, Warner Music Group, West10 Entertainment, Wind-up Records, Xbox Music PROJECT MANAGER: Robby Towns, Director of Digital Strategy & Community for Music Biz and Founder of NestaMusic. KEY CONTRIBUTORS: Chris McMurtry, Jake Handy (Dart Music), Paul Jessop (County Analytics) GRAPHIC DESIGN: AudienceNet Share your feedback as well as recommendations for this and future versions of the guide at the following link: https://docs.google.com/document/d/1wCPZdYAdRvijiVrxuejTetX4LJ750ekWH 30AyRqotrM/edit?usp=sharing User -
Chance Program
Thank you for attending this very special edition of ‘Alumni Shares: Stories From the Park’ panel series. Not only will you have front row seat to the first time these talented ladies from Prince’s New Power Generation band have converged together publicly, you’ll be a part of healing. 100% of todays event proceeds will benefit New Power Generation keyboardist, Chance Howard, who zigzagged the world playing keyboards alongside Prince for nearly 100 sold out shows and has been a working musician most of his life. He is now, however, recovering from a very serious car accident that resulted in 12 broken ribs, a severed aorta and a severely damaged spine. While Chance is recovering in a rehabilitation facility, learning how to walk again, your donations to the GoFundMe his bandmate and friend Candy Dulfer created, as well as your well wishes and participation here today have served to lighten his spirits and financial burden in these tough days. We thank you. PRN Alumni Foundation was founded by former Prince employees with the mission to continue the quiet generosity of their global superstar boss. We support our colleagues in times of crisis, kids music/tech and art programs as well as food sustainability and confidence programs. Just as Prince did. Learn more about us at PRNAlumni.org Cora Dunham began her musical journey at Kashmere High School under senior William Portis and at church under Mamie L. Johnson. She played in the marching and concert bands and by the 11th grade, moved on to play the drum set. After graduating as valedictorian, Cora received her Bachelor of Science Degree at Howard University. -
Pd Soul Power D
Mediendossier trigon-film SOUL POWER von Jeffrey Levy-Hinte, USA/Congo VERLEIH: trigon-film Limmatauweg 9 5408 Ennetbaden Tel: 056 430 12 30 Fax: 056 430 12 31 [email protected] www.trigon-film.org MEDIENKONTAKT Tel: 056 430 12 35 [email protected] BILDMATERIAL www.trigon-film.org MITWIRKENDE Regie: Jeffrey Levy-Hinte Kamera: Paul Goldsmith Kevin Keating Albert Maysles Roderick Young Montage: David Smith Produzenten: David Sonenberg, Leon Gast Produzenten Musikfestival Hugh Masekela, Stewart Levine Dauer: 93 Minuten Sprache/UT: Englisch/Französisch/d/f MUSIKER/ IN DER REIHENFOLGE IHRES ERSCHEINENS “Godfather of Soul” James Brown J.B.’s Bandleader & Trombonist Fred Wesley J.B.’s Saxophonist Maceo Parker Festival / Fight Promoter Don King “The Greatest” Muhammad Ali Concert Lighting Director Bill McManus Festival Coordinator Alan Pariser Festival Promoter Stewart Levine Festival Promoter Lloyd Price Investor Representative Keith Bradshaw The Spinners Henry Fambrough Billy Henderson Pervis Jackson Bobbie Smith Philippé Wynne “King of the Blues” B.B. King Singer/Songwriter Bill Withers Fania All-Stars Guitarist Yomo Toro “La Reina de la Salsa” Celia Cruz Fania All-Stairs Bandleader & Flautist Johnny Pacheco Trio Madjesi Mario Matadidi Mabele Loko Massengo "Djeskain" Saak "Sinatra" Sakoul, Festival Promoter Hugh Masakela Author & Editor George Plimpton Photographer Lynn Goldsmith Black Nationalist Stokely Carmichael a.k.a. “Kwame Ture” Ali’s Cornerman Drew “Bundini” Brown J.B.’s Singer and Bassist “Sweet" Charles Sherrell J.B.’s Dancers — “The Paybacks” David Butts Lola Love Saxophonist Manu Dibango Music Festival Emcee Lukuku OK Jazz Lead Singer François “Franco” Luambo Makiadi Singer Miriam Makeba Spinners and Sister Sledge Manager Buddy Allen Sister Sledge Debbie Sledge Joni Sledge Kathy Sledge Kim Sledge The Crusaders Kent Leon Brinkley Larry Carlton Wilton Felder Wayne Henderson Stix Hooper Joe Sample Fania All-Stars Conga Player Ray Barretto Fania All Stars Timbali Player Nicky Marrero Conga Musician Danny “Big Black” Ray Orchestre Afrisa Intern. -
Wherever They Play, Boney Fields and the Bone's Project Leave Behind Them a Lasting Impression. Like a High Energy Gunpowder T
© Matthieu FAURE – Brenda TURNNIDGE Wherever they play, Boney Fields and The Bone’s Project leave behind them a lasting impression. Like a high energy gunpowder trail, dispensing a cross of blues and funk which unites and rallies the masses in a heavenly musical communion. Fronted by the dynamic, trumpet player, singer/songwriter Boney Fields, the combo has gained a bigger and bigger following. The bowler-hatted musician has come a long way since founding his own band, ten years ago. If he comes from Chicago Blues, he has expanded the contours with an iron willed determination. A lover of soul, groove, jazz, Boney Fields knows, as do certain other musicians of his generation, that the life of blues exists through constant evolution and rejuvenation. With humility and conviction, he follows his own path finding his own originality on the way. A man resolutely of his time, yet also immersed in the heritage of his musical forefathers, Boney Fields proves that the blues still has some great days ahead of it. Romain GROSMAN (Vibrations – Jazz News – Les Inrocks …) CHANGING FOR THE FUTURE BIOGRAPHY Boney Fields hails from the Chicago ghetto, where he was born at the end of the fifties. In his family, some played blues, others gospel. He studied jazz at In 1999 he produced « Hard Work » his college choosing the trumpet, « cause I first self produced album. An loved Louis Armstrong » he recalls. atmosphere « Blaxploitation » soul-blues Amongst his favourite artists : James horns : the musician wrote most of the Brown, Tina Turner and Otis Redding. tracks. Soon after, he started hanging out in the On 2003’s « Red Wolf » released under blues clubs in the « Windy City ». -
The Moving Power of Parliament Funkadelic
Funk Is Its Own Reward: The Moving Power of Parliament Funkadelic An Honors Thesis by Vladimir Gutkovich Contents Introduction: Make my Funk the P-Funk! 3 I. The Birth and Rise of the P-Funk Empire: A Discography Synopsis 11 II. Everything is on the ONE: The Music of the Funk Mob 22 1. Musical Beginnings: “Free Your Mind, And Your Ass Will Follow” 24 2. Everything is on the ONE! 28 3. Controlled Chaos: P-Funk’s Anti-Formula 33 4. Funk as a Way of Life 35 III. Funkentelechy: The P-Funk Vision 38 1. Funk Used to Be a Bad Word 39 2. The Politics of P-Funk 41 i. P-Funk Vs. American Wrongs 41 ii. P-Funk and Black America 44 iii. One Nation Under a Groove 47 3. Transcefunkadentalism: The Church of Funk 50 iv. The Dogma of P-Funk 50 v. Funk is its Own Reward: The Prescriptive Philosophy of P-Funk 53 IV. Parliament Funkadelic Live: No Ordinary Funk Show 60 1. Learning to Play LIVE 63 2. Larger than Life: Costumes, Characters and Charisma 64 3. Visualizing the Myth: Props at P-Funk Shows 66 4. P-Funk and Dancing: Salvation by Way of (Communal) Booty-Shaking 68 V. “Mothership Connection” Live 72 Conclusion: “Ain’t No Party Like a P-Funk Party, ‘Cause a P-Funk Party Don’t Stop!” 82 1 1. George Clinton and P-Funk’s Careers Since the 1980’s 82 2. Parliament Funkadelic and Hip-Hop 86 3. Rising Above it All: P-Funk and Trancing 90 Appendix A: A Partial Discography of Parliament, Funkadelic, George Clinton, and the P-Funk All-Stars 95 Works Cited 98 Albums Cited 101 Appendix B: Vladimir Gutkovich’s Thesis Recital 103 2 Introduction: Make My Funk the P-Funk! “While most critics want to put the holy trinity [Beatles, Stones, Zeppelin] on a pedestal, with the world domination of hip-hop culture and the large role that P-Funk has played in the sound of hip-hop music, I dare say that P-Funk’s impact can be felt much more strongly thirty years later than of those three bands. -
New Release Guide
ada–music.com @ada_music NEW RELEASE GUIDE June 26 July 3 ORDERS DUE MAY 22 ORDERS DUE MAY 29 2020 ISSUE 14 June 26 ORDERS DUE MAY 22 "4,*/("-&9"/%3*")"7&&"3/&%"1-"$&".0/(5)&.045453&".&% %08/-0"%&% 8"5$)&% "/% "-50(&5)&3-*45&/&%50#"/%4*/"(&/&3"5*0/ $0.#*/*/(5)&*//07"5*0/0'.0%&3/30$,8*5) 5)&53"%*5*0/"-"55*56%&0'5)&$6-563&n453"*-#-";&34 • 2.2M SPOTIFY MONTHLY LISTENERS W/ 615M STREAMS • OVER 1M COMBINED SALES WORLDWIDE W/ 815K US SCANS • 1.5 BILLION COMBINED STREAMS ARTIST : ASKING ALEXANDRIA • ASKING ALEXANDRIA (SELF-TITLED, 2017), DEBUTED AT #1 ON BOTH ROCK AND HARD ROCK BILLBOARD CHARTS TITLE : LIKE A HOUSE ON FIRE • 580M YOUTUBE STREAMS W/ 308K SUBSCRIBERS CATALOG # : SUM1312 UPC : 810016762126 BOX LOT : 30 GENRE : ROCK / METAL MSRP : $11.98 • 50K+ SPINS AND 250M+ RADIO AUDIENCE (TO-DATE, COMBINED) HOMETOWN : UNITED KINGDOM • EIGHT CONSECUTIVE TOP 20 CHARTING RADIO SINGLES (ACTIVE ROCK), W/ FOUR PEAKING IN TOP 10 "MOVING ON" #5 "ALONE IN A ROOM" #7 "HERE I AM" #9 SPOTIFY PLAYLISTS : "VULTURES" #9 ROCK THIS!, BEAST MODE, VIRAL HITS, ACOUSTIC ROCK, ROCKED, "INTO"IN THE FIRE" #12 ADRENALINE WORKOUT, NEW CORE, ALL NEW ROCK, ETC. "I WON'T GIVE IN" #14 "BREAK DOWN THE WALLS" #16 TOUR HISTORY : SHINEDOWNSHINEDOWN, PAPA ROACH, BREAKING BENJAMIN, AVENGED "THE DEATH OF ME" #18 SEVENFOLD, BULLET FOR MY VALENTINE, SLIPKNOT, BLACK VEIL TRACKLISTING BRIDES, ETC. HOUSE ON FIRE THEY DON’T WANT WHAT WE WANT (AND THEY DON’T CARE) DOWN TO HELL • “LIKE A HOUSE ON FIRE” AVAILABLE ON CD, VINYL AND DIGITAL ANTISOCIALIST • TERRESTRIAL/SPECIALTY RADIO CAMPAIGNS -
Download Press
A SONY PICTURES CLASSICS RELEASE AN ANTIDOTE FILMS PRODUCTION A JEFFREY LEVY-HINTE FILM SOUL POWER Directed by Jeffrey Levy-Hinte Produced by David Sonenberg Leon Gast Originally Conceived by Stewart Levine Music Festival Producers Hugh Masekela Stewart Levine Edited by David Smith Featuring James Brown Bill Withers B.B. King The Spinners Celia Cruz and the Fania All-Stars Mohammad Ali Don King Stewart Levine …and many more Running Time: 93 Minutes East Coast Publicity West Coast Publicity Distributor IHOP Public Relations Block-Korenbrot PR Sony Pictures Classics Jeff Hill Melody Korenbrot Carmelo Pirrone Jessica Uzzan Rebecca Fisher Leila Guenancia 853 7th Ave, 3C 110 S. Fairfax Ave, #310 550 Madison Ave New York, NY 10019 Los Angeles, CA 90036 New York, NY 10022 Tel : 212-265-4373 Tel : 323-634-7001 Tel : 212-833-8833 SYNOPSIS In 1974, the most celebrated American R&B acts of the time came together with the most renowned musical groups in Africa for a 12-hour, three-night long concert held in Kinshasa, Zaire. The dream-child of Hugh Masekela and Stewart Levine, this music festival became a reality when they convinced boxing promoter Don King to combine the event with “The Rumble in the Jungle,” the epic fight between Muhammad Ali and George Foreman, previously chronicled in the Academy Award-winning documentary WHEN WE WERE KINGS. SOUL POWER is a verité documentary about this legendary music festival (dubbed “Zaire ‘74”), and it depicts the experiences and performances of such musical luminaries as James Brown, BB King, Bill Withers, Celia Cruz, among a host of others. -
Maceo Parker | Biography
MACEO PARKER | BIOGRAPHY MACEO PARKER MACEO PARKER: his name is synonymous with Funky Music, his pedigree impeccable; his band: the tightest little funk orchestra on earth. It's fairly common knowledge that Maceo has played with each and every leader of funk, his start with James Brown, which Maceo describes as «like being at University»; jumping aboard the Mothership with George Clinton; and his ongoing part in Prince's tours. He's the living, breathing pulse which connects the history of Funk in one golden thread. The cipher which unravels dance music down to its core. «Everything's coming up Maceo,» concluded DownBeat Magazine in a 1991 article at the beginning of Maceo Parker's solo career. At the time Maceo was a remembered by aficionados of funk music as sideman; appreciated mainly by those in the know. For the last two decades Maceo Parker has been enjoying a blistering solo career, building a new funk empire; one that is both fresh and stylistically diverse. He navigates deftly between James Brown's 1960's soul and George Clinton's 1970's freaky funk while exploring mellower jazz and the grooves of hip-hop. His collaborations over the years have included Ray Charles, Ani Difranco, James Taylor, De La Soul, Dave Matthews Band and the Red Hot Chilli Peppers. His timeless sound has garnered him a fresh young fan base. It is almost impossible to separate which came first, Maceo or the funk. The amazing P-funk Parker has been at it with his legendary sound for time that dates back to the 1960's. -
How Copyright Affected the Musical Style and Critical Reception of Sample-Based Hip-Hop
Journal of Popular Music Studies, Volume 26, Issue 2–3, Pages 295–320 How Copyright Affected the Musical Style and Critical Reception of Sample-Based Hip-Hop Amanda Sewell In the Write In 1991, the first lawsuit regarding sample-based hip hop, Grand Upright Music Ltd. v. Warner Brothers Records, was decided in court, and this decision forever changed how artists and their record labels approached sample-based hip hop. Although several lawsuits had been filed before 1991, all of those were settled out of court. There was no established legal precedent until this particular case. After 1991, artists changed how they sampled, largely out of fear of copyright infringement lawsuits. Hip-hop artists adapted and modified their musical language to accommodate the reduced availability of samples. Considering the music of five hip-hop groups, all of whom released sample-based music before and after 1991, I have developed a typology to quantify how the sample-based music of the Beastie Boys, De La Soul, Public Enemy, Salt ’n’ Pepa, and A Tribe Called Quest changed after 1991. The typology, which is a classification system for every individual sample in a sample-based hip-hop track, is a concrete language for discussing the structural components in sample-based hip hop. As we will see, each group adapted their production styles in interesting and creative ways in order to accommodate fewer available samples. While some scholars such as Kembrew McLeod, Peter DiCola, Joanna Demers, and Siva Vaidhyanathan claim that the sample clearance system has only negative consequences for musicians, I would argue that these outcomes for the musicians are not necessarily positive or negative. -
UNIVERSAL MUSIC • the Madden Brothers – Greetings from California • 5 Seconds of Summer – Amnesia (4 Track EP) • Jo
The Madden Brothers – Greetings From California 5 Seconds Of Summer – Amnesia (4 Track EP) John Mellencamp – Plain Spoken New Releases From Classics And Jazz Inside!!! And more… UNI14-35 UNIVERSAL MUSIC 2450 Victoria Park Ave., Suite 1, Willowdale, Ontario M2J 5H3 Phone: (416) 718.4000 Artwork shown may not be final Dear Customer, Effective, immediately, the Canadian distribution of Varese Sarabande Records will change from Outside Music to Universal Music Canada. In order to make this transition as easy as possible for all customers, please note the following steps. ORDERS: Effective, immediately, Outside Music will cancel all back orders for the products listed below. Immediately, Universal Music Canada will solicit all orders and ship the attached product. Product listing with corresponding UMC pricing attached. There are no changes to catalogue or UPC numbers. RETURNS: Universal Music Canada will accept return requests for this product effective, immediately. Credit will be issued per the Universal Music Canada Terms and Conditions of Sale. ADVERTISING: Universal Music Canada will be responsible for ad claims issued after September 1st, 2013. We trust that these procedures will make the transition as smooth as possible and we thank you for your continued support. Please contact your local Universal Music Canada representative should you have any questions. Regards, Adam Abbasakoor Lloyd Nishimura President Vice President, Commercial Affairs Outside Music Universal Music Canada TO CELEBRATE THE 50TH ANNIVERSARY OF THE BEATLES COMING TO CANADA 8/22/1964 Vancouver, British Columbia - Empire Stadium | 9/7/1964 Toronto, Ontario - Maple Leaf Gardens | 9/8/1964 Montreal, Quebec - Montreal Forum Ladies & Gentlemen.. -
Parn Wffrlf ~Au CNJ MACEO PARKER FUNKS HIS WAY to PHOENIX
12 THE STAR* FEBRUARY 9, 1999 THE STAR* FEBRUARY 9, 1999 13 - ARTS & ENTERTAINMENT ARTS & ENTERTAINMENT PARn Wffrlf ~au CNJ MACEO PARKER FUNKS HIS WAY TO PHOENIX By Craig Humphries 1964, Maceo played with the James While the end of the universe Staff Writer Brown Band. There he joined up with Alfred "Pee Wee" Ellis and Fred could be viewed as more grim Wesley and the threesome later be than the extinction of the On Friday, Jan. 29, I wanted to came known as the JB's. In the mid go to the nightclub called Maritime to late l 970's, Maceo played with human race, it is Hall, in San Francisco, to see the George Clinton and Parliament/ Maceo Parker concert. I called at 7 Funkadelic. More recently, he has understandable to assume that p.m. to ask if tickets were available, been touring and expanding his solo and the recorded message informed career but has performed on projects either way, we are out of me that tickets were on sale for $20 such as the 1990 album, "World at the door, the doors opened at 8 p. m. Clique," by Deee-Lite, featuring luck.-Matt Shope and the music started an hour later. I Bootsy Collins and the song "Groove then made plans to meet some friends Is in the Heart." He has also contrib at the concert and started my journey. uted to the 1990 album, "Vivid by Liv I showed up about 9 p.m., after hav. ing Colour," and thel 993 album, ing terrible luck finding a parking "Buhloone Mindstate" by De La Soul.