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Kentucky State Fair Announces Texas Roadhouse Concert Series Lineup 23 Bands Over 11 Nights, All Included with Fair Admission
FOR IMMEDIATE RELEASE Contact: Ian Cox 502-367-5186 [email protected] Kentucky State Fair Announces Texas Roadhouse Concert Series Lineup 23 bands over 11 nights, all included with fair admission. LOUISVILLE, Ky. (May 26, 2021) — The Kentucky State Fair announced the lineup of the Texas Roadhouse Concert Series at a press conference today. Performances range from rock, indie, country, Christian, and R&B. All performances are taking place adjacent to the Pavilion and Kentucky Kingdom. Concerts are included with fair admission. “We’re excited to welcome everyone to the Kentucky State Fair and Texas Roadhouse Concert series this August. We’ve got a great lineup with old friends like the Oak Ridge Boys and up-and-coming artists like Jameson Rodgers and White Reaper. Additionally, we have seven artists that are from Kentucky, which shows the incredible talent we have here in the Commonwealth. This year’s concert series will offer something for everyone and be the perfect celebration after a year without many of our traditional concerts and events,” said David S. Beck, President and CEO of Kentucky Venues. Held August 19-29 during the Kentucky State Fair, the Texas Roadhouse Concert Series features a wide range of musical artists with a different concert every night. All concerts are free with paid gate admission. “The lineup for this year's Kentucky State Fair Concert Series features something for everybody," says Texas Roadhouse spokesperson Travis Doster, "We look forward to being part of this event that brings people together to create memories and fun like we do in our restaurants.” The Texas Roadhouse Concert Series lineup is: Thursday, August 19 Josh Turner with special guest Alex Miller Friday, August 20 Ginuwine with special guest Color Me Badd Saturday, August 21 Colt Ford with special guest Elvie Shane Sunday, August 22 The Oak Ridge Boys with special guest T. -
Music to Your Ears: Protect Your Hearing at Concerts
March 23, 2018 Music to Your Ears: Protect Your Hearing at Concerts How loud music impacts hearing Miami natives and electronic music lovers alike know that few spring scenes are as cool as the ULTRA Music Festival this March 23-25. If you think that just one weekend’s worth of loud music can’t have a major impact on your hearing, then it’s time to think again. A 2017 study published by the CDC noted that potentially millions of Americans may have hearing loss and not even realize it. What’s more, 53 percent of the respondents had no job exposure to loud noises, suggesting that concert attendance may be one of the major causes. When you consider just how loud a concert can be, it’s easier to understand how this damage occurs. TheAmerican Hearing Research Foundation notes that concerts frequently reach a sound level of 115 decibels or higher. And sustained sounds of 90 decibels or more may be enough to cause permanent hearing damage. “Exposure from loud sounds can cause hearing loss from attending just one event," says Dr. Tricia Scaglione, an audiology expert at the University of Miami Health System. "Additionally, loud noise exposure can also cause an individual to develop a constant ringing in the ears, called tinnitus, which in many cases never goes away.” The long-term implications Hearing loss can be subtle and often goes unidentified early on. But it can have some major implications over time. For example, the CDC notes that hearing loss can make it difficult for people to communicate or hold conversations, and can even https://news.umiamihealth.org/en/music-to-your-ears-protect-your-hearing-at-concerts/ 1 / 2 March 23, 2018 endanger safety during activities such as driving. -
Recording and Amplifying of the Accordion in Practice of Other Accordion Players, and Two Recordings: D
CA1004 Degree Project, Master, Classical Music, 30 credits 2019 Degree of Master in Music Department of Classical music Supervisor: Erik Lanninger Examiner: Jan-Olof Gullö Milan Řehák Recording and amplifying of the accordion What is the best way to capture the sound of the acoustic accordion? SOUNDING PART.zip - Sounding part of the thesis: D. Scarlatti - Sonata D minor K 141, V. Trojan - The Collapsed Cathedral SOUND SAMPLES.zip – Sound samples Declaration I declare that this thesis has been solely the result of my own work. Milan Řehák 2 Abstract In this thesis I discuss, analyse and intend to answer the question: What is the best way to capture the sound of the acoustic accordion? It was my desire to explore this theme that led me to this research, and I believe that this question is important to many other accordionists as well. From the very beginning, I wanted the thesis to be not only an academic material but also that it can be used as an instruction manual, which could serve accordionists and others who are interested in this subject, to delve deeper into it, understand it and hopefully get answers to their questions about this subject. The thesis contains five main chapters: Amplifying of the accordion at live events, Processing of the accordion sound, Recording of the accordion in a studio - the specifics of recording of the accordion, Specific recording solutions and Examples of recording and amplifying of the accordion in practice of other accordion players, and two recordings: D. Scarlatti - Sonata D minor K 141, V. Trojan - The Collasped Cathedral. -
Concert Promotion and Production
CHAPTER SIXTEEN CONCERT PROMOTION AND PRODUCTION hile the monetization of recorded music has struggled mightily for years, it’s W a different story for live concerts. Although hardly immune to the vagaries of the greater economy, live music has an enormous economic advantage over recorded music. A fan must generally pay hard dollars to enjoy a live performance by a favored act, while an unauthorized shared download or a free streamdistribute puts little or nothing in the artist’s pocket. Music concerts generated $8.2 billion in surveyed 2017 ticket sales in North America, according to industry sources, not including the value of resale of tickets on the secondary market and the many acts that don’t tour nationally. Add to that sum ticket resales, corporateor sponsorships, and the economic spillover for supporting vendors and restaurants, and the vast economic footprint of live music becomes obvious. Besides generating substantial revenue from ticket sales, live concerts boost record sales. Live concerts also increase demand for artist-related licensed mer- chandise, such as T-shirts, posters, jewelry, keychains, and books. Concerts and the sale of ancillary products are so critical that major recording companies are reluctant to sign an act that doesn’t also have a compelling stage presence. And if the label does sign the act, there’s a goodpost, chance it’s part of a broad 360 deal that yields the label a healthy piece of the box office and licensed merchandise income, among other revenue streams. Three key players move and shake the concert promotion industry: the event promoter, the artist’s manager, and the tour-booking agent. -
Sfjazz Digital Best Ways to Watch
SFJAZZ DIGITAL BEST WAYS TO WATCH All SFJAZZ Members have access to SFJAZZ’s digital programming, including Fridays at Five, On-Demand concerts, Alone Together Livestreams, & more! To become an SFJAZZ Member, or to renew your membership, visit our Membership page. You can fi nd additional login and access information on our “How To Access” page. No audio? Need help troubleshooting? Scroll down to ‘Troubleshooting Tips’. Go full screen in 1080p HD! 1. (From any browser or device). 1. To enter fullscreen, click or tap the four arrows icon (see below) in the bottom right of the Vimeo toolbar to enter fullscreen view. This will work for all products—On-Demand concerts, Alone Together Livestreams, and Backstage episodes. Click or tap the same icon (or, from a desktop or laptop, press the ‘Esc’ button on your keyboard) to exit fullscreen view. 2. For the best viewing results, we recommend watching in 1080p HD. To do this, click the settings wheel (circled below) to change your video playback settings. Note: Vimeo will default to a video playback quality best suited to your browser and connection speed. 2. Watch on your smart TV. From Chrome browser (desktop) 1. To cast from the Vimeo video player to your smart TV, you must be using Google’s Chrome browser. Download Chrome here and follow the instructions to install. 2. Once you’ve installed Chrome, navigate to the Watch page containing the concert you’d like to view/stream—this will be the page containing an embedded video player. Then click the three dots in the upper right hand corner of the Chrome browser. -
Hearing Loss Is More Common Than Ever Before. About 16% Of
Hearing loss is more common than ever before. About 16% of American adults have an impaired ability to hear speech, and more than 30% of Americans over age 20 — an estimated 55 million people — have lost some high-frequency hearing, according to a new study published Monday in the Archives of Internal Medicine. The finding has got experts — and concerned parents — wondering anew: Does listening to loud music through headphones lead to long-term hearing loss? Brian Fligor, director of diagnostic audiology at Children's Hospital Boston, explains how much damage your headphone habit might cause — and how to mitigate your risk. Q: How much hearing loss does an iPod cause? A: It depends on the person, it depends on how long you're listening, and it depends on the level at which you're setting your iPod. If you're using the earbuds that come with an iPod and you turn the volume up to about 90% of maximum and you listen a total of two hours a day, five days a week, our best estimates are that the people who have more sensitive ears will develop a rather significant degree of hearing loss — on the order of 40 decibels (dB). That means the quietest sounds audible are 40 dB loud. Now, this is high-pitched hearing loss, so a person can still hear sounds and understand most speech. The impact is going to be most clearly noted when the background-noise level goes up, when you have to focus on what someone is saying. Then it can really start to impair your ability to communicate. -
City of Gaithersburg Press Release Singer Songwriter Series Season
City of Gaithersburg Press Release Contact: Public Information Director City of Gaithersburg 301‐258‐6310 [email protected] For Immediate Release Singer Songwriter Series Season Finale features Roots Duos “The Young Novelists” and “The Honey Dewdrops” on May 6 Gaithersburg, MD – (April 7, 2017) Gaithersburg’s Arts on the Green concludes this season’s Singer Songwriter Concert Series with The Young Novelists and The Honey Dewdrops on Saturday, May 6, 2017. The two roots duos share the stage for this special series finale as they lead a workshop at 3 p.m. at the Carriage House, 321 Kent Square Road, followed by a concert at 7:30 p.m. at the Arts Barn, 311 Kent Square Road. Tickets are $45 for the workshop and concert, $25 for the concert only. Purchase tickets online at www.gaithersburgmd.gov. The series is presented by O’Hair Salon + Spa. The Young Novelists are Graydon James and Laura Spink, who create music that is unique and reminiscent of the 60s with a fresh Indie sound. The Toronto based husband and wife duo are known for their beautiful harmonies and songs culled from their small‐town roots. The Honey Dewdrops, Americana songwriters and Virginia natives Laura Wortman and Kagey Parrish, are known for their lush harmonies and stellar musicianship. The duo blends traditional southern mountain music with contemporary singer songwriting. Attendees are invited to come early and enjoy wine by the glass, beer and non‐alcoholic beverages in a bistro setting. The Arts Barn Pub is open one hour before the concert and during intermission. -
Headphone-Safety.Pdf
Under the Influence of Technology You can’t go anywhere these days without seeing children and adults wearing headphones or earbuds connected to some form of electronic device. People wear headphones or earbuds while exercising, sitting at their work or school desks, walking on the sidewalk or street, and in their homes to hear music, podcasts, audiobooks or the telephone. Headphones are used in school settings, outdoors for people walking along the sidewalk, playing videogames, and even while sleeping to block out noise. The popularity of headphones has given rise to at least 15 types of headphone choices such as earbuds, in ear headphones, over the ear headphones, noise canceling headphones, and wireless headphones. Headphones and earbuds provide good to great sound quality to the listener and they prevent the sounds of the music, podcasts, audiobooks, voice on the telephone or videogames from bothering other people in the area. However, if the headphones or earbuds are turned up too loudly, they can damage hearing permanently and cause annoying ringing in the ears (tinnitus). Worse yet, worn in the wrong situation, they can endanger your safety, your life, and the lives of those around you. By now, we all have been informed of the dangers of texting on a cell phone while driving since driving while visually distracted can and does cause car accidents and deaths. Driving while distracted by earphones is just as dangerous because it can prevent you from hearing other important sounds around you. Some drivers use earbuds/headphones to listen to music while driving. Others use them as Bluetooth devices to talk on the phone while operating a vehicle, as it allows their concentration to remain on the roadway if they do not have to look at their cellphones. -
A Critical Review of Current Practices and Outcomes in Recreational Noise-Induced Hearing Loss Studies
A Critical Review of Current Practices and Outcomes In Recreational Noise-Induced Hearing Loss Studies KAMAKSHI GOPAL UNIVERSITY OF NORTH TEXAS DENTON, TEXAS, USA Outline • Introduction • Overview of current practices • Summary of study outcomes • Need for a universal protocol Introduction • The objective of this presentation is to summarize the methods adopted and results obtained by various investigators in the area of recreational noise- induced hearing loss. The purpose is to provide an opportunity to recognize the commonalities and inconsistencies among these studies. • During this discussion, noise-induced hearing loss from recreational or environmental noise in non-occupational situations will be referred to as recreational noise-induced hearing loss (RNHIL). • Under this the following settings/contexts were considered appropriate: bars, nightclubs, pubs, concerts, discos, sports arenas, noisy sports, hobbies, personal audio systems, theaters, urban transportation systems, etc. Current perspectives • A review of literature indicates that for more than 40 years studies have attempted to identify and quantify the effects of recreational noise exposure on hearing and auditory-related symptoms. • Comparison of results across research studies has been a challenge because of varied samples, methods and protocols. • Individual susceptibility to noise is a major factor (Biassoni and Serra et al. 2005), and must be recognized as we discuss variability between studies and samples. • However, even with varied methods, it must be acknowledged that the data obtained thus far supports the risk posed by recreational noise on the human auditory system. • Most studies point to the fact that excessive exposure to loud recreational noise does impact hearing ability, and can lead to other auditory-related symptoms such as tinnitus, difficulty understanding speech and hyperacusis. -
Live Venue Sound System Installation
CASE STUDIES Live Venue Installations Unite Your Audience The Martin Audio Experience LIVE VENUE INSTALLATIONS Martin Audio At Martin Audio we believe that uniting audiences with modelling and software engineering, to deliver dynamic, exciting sound creates shared memories that sear into the full-frequency sound right across the audience. consciousness delivering more successful tours, events and repeatedly packed venues. With over forty years of live sound and installation expertise to our name, Martin Audio offers a wide range of premium We achieve this by an obsessive attention to detail on professional loudspeakers so customers can be assured the professional sound system’s acoustic performance, of selecting the right system for their chosen application, frequently challenging convention and involving a whether it’s a small scale installation or a festival for over sophisticated mix of design, research, mathematical 150,000 people. Live Venue Installations With our heritage in live production it’s no surprise that this has transferred into the realms of permanent audio installation within live venues. More often than not, live venues are combined with bar and club areas so our portfolio offering has frequently meant and integrated system design approach. As with many other applications, our solutions focus upon appropriate sound level performance, coverage, consistency and control to unite audiences night after night. 2 LIVE VENUE INSTALLATIONS Cabo Wabo Cantina Upgrades With Martin Audio WPC Cabo Wabo Cantina Cabo San Lucas, MX––Sammy -
Best Concert Recommendation Site
Best Concert Recommendation Site Bairnly and scurrying Ram brutalise, but Everard contently thigs her Pan-Africanism. Aplacental Patrik never obliterate so reticulately or dryer any shastra profitably. Israeli and paragraphic Dwayne scrabbling almost consentaneously, though Jeffie adducts his polestars elegises. NAMM, Melissa Etheridge, is hosting daily concerts from her home on Facebook. But try them under my! And best bet because it comes with my library authors, recommendation launch coincides with each lesson plans you can. The best for my back and a recommendation launch a talent and best concert recommendation site delivers on the vienna for corporate or lower level on our people are talking heads. Who want in concert recommendation service to? The sites are several presentational videos as your favorite artists interviews, bmi and seeing how to full screen? Enrich your best. Our expert editorial team reviews and adds them about a relevant category list. How songs like they are the best place at a recommendation service. Door, an initiative started by Dan Mangan and Laura Simpson, is also lending a helping hand to artists looking to create virtual events. Hello Friends of the forum! The producer can play a big role in how the final song turns out. Some think them take place comprise the Vienna Musikverein, the illustrious home remember the Vienna Philharmonic Orchestra. They are challenged more because he parades about to reproduce and best concert recommendation site also lending a bit different email address in mind, clean and then go on any unwanted situation. Now we into an aggregator in US as well. -
Rock Concerts and Noise-Induced Hearing Loss
Indiana Law Journal Volume 68 Issue 3 Article 22 Summer 1993 Sounds of Silence for the Walkman Generation: Rock Concerts and Noise-Induced Hearing Loss Eric Daniel Johnson Indiana University School of Law Follow this and additional works at: https://www.repository.law.indiana.edu/ilj Part of the Health Law and Policy Commons, Medical Jurisprudence Commons, and the Science and Technology Law Commons Recommended Citation Johnson, Eric Daniel (1993) "Sounds of Silence for the Walkman Generation: Rock Concerts and Noise- Induced Hearing Loss," Indiana Law Journal: Vol. 68 : Iss. 3 , Article 22. Available at: https://www.repository.law.indiana.edu/ilj/vol68/iss3/22 This Note is brought to you for free and open access by the Law School Journals at Digital Repository @ Maurer Law. It has been accepted for inclusion in Indiana Law Journal by an authorized editor of Digital Repository @ Maurer Law. For more information, please contact [email protected]. Sounds of Silence for the Walkman Generation: Rock Concerts and Noise-Induced Hearing Loss ERIC DANIEL JOHNSON* "Hope I die before I get old. .'" INTRODUCTION Every year, millions of people experience the sonic assault our society labels a "rock concert."2 For many people, dancing in a bath of colored lights to the distorted scream of an electric guitar represents an ideal recreational activity. However, something terrible happens every time the house lights dim and the band starts playing. A dangerous condition is created, to which everybody in attendance is exposed. The danger does not lie in the music's content or in backward, masked subliminal messages, but deep within the physiology of the human ear The human ear is designed to detect the padded footfall of a predator looking for dinner, not the 130-plus decibels4 blast of a Vanilla Ice concert.' Music at rock concerts reaches volumes that damage and destroy delicate mechanisms in the inner ear, sometimes to such an extent that the body is incapable of * J.D.