Report Bachelor of Dance
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Anneliese Charek : Choreographer Quote +
SLATE / ANNELIESE CHAREK CHOREOGRAPHER INTRODUCTION / Anneliese Charek is an American artist living in Shanghai. She is a choreographer, dancer and arts facilitator. She is the founder of SLATE contemporary dance company and co-founder of Basement 6 Collective. In her years in Shanghai she has choreographed and produced numerous projects, working both commercially and within the art world. ADDITIONAL LINKS / BRUTA / DANCE FILM https://vimeo.com/184608522 AS ONE / PERFORMANCE + DANCE FOR CAMERA https://vimeo.com/163123596 MOCA SHANGHAI https://vimeo.com/212465688 WAKE UP TO DREAMS / CHRONUS ART CENTER https://vimeo.com/176256055 ENVISION 2116 https://v.qq.com/x/page/z039966pnjq.html SLATE / SLATE contemporary dance company is multi-national group of professional dance artists active in Shanghai’s dance and arts scene. It was founded 2013 by Anneliese Charek, out of the desire to contribute to the independent dance scene is Shanghai. It’s members have included both local and international dance artists. The group has performed regularly at prominent institutions and as part of collaborations with local artists working in various mediums. Original pieces have been shown at: The Power Station of Art, Chronus Art Center, Minsheng Art Museum, Minsheng 21, MOCA Shanghai, Basement 6 Collective, ART021, A-Piece Gallery, Vision Art Center, and Hangzhou’s 1st International Dance Festival, 1933 Micro theater and many more. This year, the group’s documentary dance performance project ‘Why?’ Has been accepted to the main stage at the International Factory theater festival in Laiwu and Spazio Diamente theater in Rome for a collaboration with Italian dance company RITMI SOTTERANNEI. -
Academy of Theatre and Dance Theatre
Academy of Theatre and Dance Theatre TechniekTechnical enTheatre Theater - 2828 ScenografieScenography 24 AssociateArts - Associate Degree Degree Academy of Theatre and Dance ProductieProduction PodiumkunstenPodiumkiunsten and Stage Management 2222 TheaterdocentTheatre in Education Verkort 1818 Abbreviated 2 Dance Academy of Theatre and Dance National Ballet Academy Urban Contemporary (JMD) 42 46 Modern Theatre 44 5 O’Clock Class 52 Dance School for New Dance 48 Development (SNDO) Dance in Education 50 DAS Choreography 60 1 Creative team Techniek en Theater 26 Regie Opleiding 20 Uitvoerenden Amsterdamse Toneelschool &Kleinkunstacademie 12 Makers Mime Opleiding 14 Docenten Theaterdocent 16 Masters DAS Theatre 58 Theater Techniek en Theater - 28 Scenografie 24 Associate Degree Academy of Theatre and Dance Productie Podiumkunsten 22 Theaterdocent Verkort 18 1 Nine reasons to study at the Academy of Theatre and Dance Academy of Theatre and Dance The Academy of Theatre and Dance (formerly de Theaterschool) is the Netherlands’ premier training school for all theatre and dance disciplines at bachelor and master’s degree level. As a student, you are the star of our show: we’ve built our courses to service your artistic talent, your ambitions and your dreams. Here are nine reasons why you should study with us. 2 Academy of Theatre and Dance 1 We’re one of a kind! Our academy is the only one of its kind in the Netherlands: we are the only theatre and dance academy in the country with all disciplines and relevant resources under one roof. Students from fifteen specialisms can meet and inspire one another here, break new ground and challenge conventional thinking. -
Québec) Canada H2T 1Y6
4528, rue de Bullion Montréal (Québec) Canada H2T 1Y6 PHOTO: ANGELO BARSETTI WWW.LOUISELECAVALIER.COM INTERNATIONAL AGENT (EXCEPT EUROPE): MENNO PLUKKER THEATRE AGENT \ [email protected] T.: 1 514-524-7119 \ F.: 1 514-526-5792 TOURING EUROPE: ANNE-LISE GOBIN, ALMA OFFICE \ [email protected] \ T.: 32 499 25 00 18 ADMINISTRATIVE DIRECTOR: JACINTHE ST-PIERRE \ [email protected] \ T.: 1 450-535-6003 TOUR AND COMMUNICATIONS COORDINATOR: ANNE VIAU \ [email protected] \ T.: 1 514 273-5478 \ Cell.: 1 514 464-5478 TECHNICAL DIRECTOR: PHILIPPE DUPEYROUX \ [email protected] \ T.: 1 514 222-6685 louise LECAVALIER \ Nigel CHARNOCK \ Édouard LOCK CHILDREN Premiere: September 3, 4, 2009, Oriente Occidente Festival, Rovereto, Italy Choreography: Nigel Charnock Dancers: Louise Lecavalier, Patrick Lamothe Music: Puccini (Maria Callas), Yasar Akpence, Leonard Cohen, Miles Davis, Billie Holiday, Terry Snyder, Sonny Terry & Brownie McGhee, Richard Desjardins, Janis Joplin, Michael Nyman Lighting design: Alain Lortie Costume maker: Carré vert, Montréal Sound editing: Nigel Charnock Rehearsal mistress and artistic advisor: France Bruyère Length: 50 minutes A FEW MINUTES OF LOCK Premiere: December 4, 5, 2009, tanzhaus nrw, Düsseldorf, Germany Choreography: Édouard Lock, excerpts of Salt and 2 Dance re-creation: France Bruyère, Louise Lecavalier Dancers: Louise Lecavalier, Keir Knight, with the participation of Patrick Lamothe Lighting design: Alain Lortie Music: Iggy Pop Remixing producer: Normand-Pierre Bilodeau Additional electric -
Juilliard Dance
Juilliard Dance Senior Graduation Concert 2019 Welcome to Juilliard Dance Senior Graduation Concert 2019 Tonight, you will experience the culmination of a transformative four-year journey for the senior class of Juilliard Dance. Through rigorous physical training and artistic and intellectual exploration, all of the fourth-year dancers have expanded the possibilities of their movement abilities, stretching beyond what they thought possible when entering the program as freshmen. They have accepted the challenge of what it means to be a generous citizen artist and hold that responsibility close to their hearts. Chosen by the dancers, the solos and duets presented tonight have been commissioned for this evening or acquired from existing repertory and staged for this singular occasion. The works represent the manifestation of an evolution of growth and the discovery of their powerfully unique artistic voices. I am immensely proud of each and every fourth-year artist; it has been a joy and an honor to get to know the senior class, a group of individuals who will inevitably change the landscape of the field of dance as it exists today. Please join me for a standing ovation, cheering on the members of the class of 2019 as they take the stage for the last time together in the Peter Jay Sharp Theater. Well done, dancers—we thank you for your beautiful contributions to our Juilliard community and to the world beyond our campus. Sincerely, Little mortal jump Alicia Graf Mack Director, Juilliard Dance Cover: Alejandro Cerrudo's This page: Collaboration -
Nederlands Dans Theater Bambill
1994 NEXT WAVE FESTIVAL 1994 NEXT WAVE COVER AND POSTER ARTIST ROBERT MOSKOWITZ NEDERLANDS DANS THEATER BAMBILL BROOKLYN ACADEMY OF MUSIC Harvey Lichtenstein, President & Executive Producer presents in the BAM Opera House October 17, 1994, 7pm; October 18-22, 8pm and in the BAM Majestic Theater October 24-29, 8pm; October 30, 3pm NEIERLANIS IANS THEATER Artistic Director: JIRI KYLIAN Managing Director: MICHAEL DE Roo Choreographers: JIRI KYLIAN & HANS VAN MANEN Musical Director: CHRISTOF ESCHER Executive Artistic Directors: GLENN EDGERTON (NDT1), GERALD TIBBS (NDT2), ARLETTE VAN BOVEN (NDT3) Assistants to the Artistic Directors: HEDDA TWIEHAUS (NDT 2) & GERARD LEMAITRE (NDT 3) Rehearsal Assistant to the Rehearsal/Video Director Artistic Director Director ROSLYN ANDERSON ULF ESSER HANS KNILL Company Organization Musical Coordinator/ Manager (NDT 2) (NDT1&3) Pianist CARMEN THOMAS CARINA DE GOEDEREN RAYMOND LANGEWEN Guest Choreographers (1994/95 season) MAURICE BEJART CHRISTOPHER BRUCE MARTHA CLARKE PATRICK DELCROIX WILLIAM FORSYTHE LIONEL HoCtIE PAUL LIGHTFOOT JENNIFER MULLER OHAD NAHARIN GIDEON OBARZANEK PHILIPPE TREHET PATRIZIA TUERLINGS Guest Teachers BENJAMIN HARKARVY (Guest teacher, North American tour) CHRISTINE ANTHONY KATHY BENNETS JEAN-PIERRE BONNEFOUX OLGA EVREINOFF IVAN KRAMAR IRINA MILOVAN JAN NUYTS ALPHONSE POULIN LAWRENCE RHODES MARIAN SARSTADT Technical Director Marketing & Publicity Joop CABOORT KEES KORSMAN & EVELINE VERSLUIS Costume Department Tour Management JOKE VISSER WANDA CREMERS Pianist Dance Fitness Therapist Chiropractor -
Glen Tetley: Contributions to the Development of Modern
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. ProQuest Information and Learning 300 North Zeeb Road. Ann Arbor. Ml 48106-1346 USA 800-521-0600 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with with permission permission of the of copyright the copyright owner. owner.Further reproductionFurther reproduction prohibited without prohibited permission. without permission. GLEN TETLEY: CONTRIBUTIONS TO THE DEVELOPMENT OF MODERN DANCE IN EUROPE 1962-1983 by Alyson R. Brokenshire submitted to the Faculty of the College of Arts and Sciences Of American University In Partial Fulfillment of The Requirements for the Degree Of Masters of Arts In Dance Dr. -
April 25, 2016 for Immediate Release: April 21, 2016 Media Contact: Jessica Moore, 970-925-7175, [email protected]
UPDATED: April 25, 2016 For immediate release: April 21, 2016 Media Contact: Jessica Moore, 970-925-7175, [email protected] ASPEN SANTA FE BALLET ANNOUNCES ITS 2016 SUMMER PERFORMANCE SERIES IN SANTA FE, NM Celebrating 20 Years of Aspen Santa Fe Ballet in 2016 Aspen Santa Fe Ballet celebrates its 20th anniversary with a season filled with world premieres and prestigious engagements around the country. After a busy spring touring schedule that featured highlights such as the company’s debut in Venice, Italy, and the first performance of an important three- year residency at the Valley Performing Arts Center in Northridge, CA, Aspen Santa Fe Ballet will return to Santa Fe for a thrilling summer season! New for the summer are the ASFB premieres of Alejandro Cerrudo’s Little mortal jump and Jiří Kylián’s Sleepless. Cerrudo’s 2012 work, Little mortal jump—his tenth creation for Hubbard Street Dance Chicago where he is choreographer-in-residence—takes a cinematic approach to stagecraft, introducing its viewers to a mysterious place where dancers have dreamlike encounters. Choreographed in 2004 for Nederlands Dans Theater II—and featuring a young Alejandro Cerrudo in the original cast— Kylián’s Sleepless is a tense, enigmatic work for three couples whose movement takes them in front, behind, and even through a large, white backdrop. ASFB’s summer programs also bring back audience favorites from past seasons: Fernando Melo’s thought-provoking Re:play; Cayetano Soto’s vibrant Huma Rojo; Cerrudo’s touching Silent Ghost; and Nicolo Fonte’s celebratory The Heart(s)pace. The repertoire is divided into two programs, A and B: (Program A: July 15-16; Program B: September 3). -
Mozart in Motion Audience Guide
AUDIENCE GUIDE TO THE BALLETS Audience Guide to the Ballets Oct. 26 - 28, 2018 | Benedum Center | Pittsburgh PBT gratefully acknowledges the following organizations for their commitment to our education programming: Allegheny Regional Asset District Pennsylvania Council on the Arts Anne L. and George H. Clapp Charitable Pennsylvania Department of Community Trust BNY Mellon Foundation and Economic Development Claude Worthington Benedum Foundation PNC Bank Grow up Great Eat ‘n Park Hospitality Group PPG Industries, Inc. Edith L. Trees Charitable Trust Richard King Mellon Foundation James M. ESB Bank and Lucy K. Schoonmaker Giant Eagle Foundation The Grable Foundation Hefren-Tillotson, Inc. The Heinz Endowments Henry C. Frick Educational Fund of The Buhl Foundation Highmark Foundation Peoples Natural Gas Cover image: Amanda Cochrane and Yoshiaki Nakano Photo: Duane Rieder CONTENTS 2 3 Ballets, 2 Choreographers, 1 Composer 2 Passing Along the Dance: The Role of the Répétiteur 3 The Composer: Wolfgang Amadeus Mozart 3 Choreographer George Balanchine 4 Divertimento No. 15 8 Choreographer Jiří Kylián 9 Petite Mort 9 Sechs Tӓnze 14 Theater Programs 14 Accessibility 3 Ballets, 2 Choreographers, 1 Composer Mozart in Motion is a mixed repertory production – a program featuring three shorter ballets. It launches PBT’s 49th season with the company’s first all-Mozart program, honoring the beauty and genius of the composer’s music for the ballet art form. Artistic Director Terrence S. Orr also notes that the production celebrates the growth of PBT’s artistry over nearly 50 years, displaying the depth and range of the company’s ability with ballets by two of the greatest choreographers of our time: George Balanchine and Jiří Kylián. -
2020 Dance-Dance Education (K-12) Major
Major Map: Dance Bachelor of Arts (B.A.) Dance Education (K-12) College of Arts and Sciences Department of Theatre and Dance Bulletin Year: 2020-2021 This course plan is a recommended sequence for this major. Courses designated as critical (!) may have a deadline for completion and/or affect time to graduation. Please see the Program Notes section for details regarding “critical courses” for this particular Program of Study. Min. Credit Grade Major Critical Course Subject and Title Hours 1 GPA2 Code Prerequisites Notes Semester One (14 Credit Hours) ! ENGL 101 Critical Reading and Composition 3 C CC-CMW DANC 150 Introduction to Dance3 3 C+ CR DANC 111 World Dance I 2 C+ MR or DANC 113 World Dance II DANC 177 Dance Company I 1 C+ MR Ballet Technique Course4 1 C+ MR Contemporary Technique Course4 1 C+ MR Foreign language5 or other Carolina Core 3 CC-GFL Requirement6 Semester Two (17 Credit Hours) ! ENGL 102 Rhetoric and Composition 3 C CC-CMW C or better in ENGL 101 CC-INF ! DANC 160 Dance Improvisation & Composition7 3 C+ MR Ballet Technique Course4 1 C+ MR Contemporary Technique Course4 1 C+ MR Education Course8 3 C+ MR Carolina Core Requirement6 3 CC Foreign language5 or other Carolina Core 3 CC-GFL Requirement6 Progression: Prepare for and take Praxis Core exams if SAT or ACT minimum score not met Semester Three (18 Credit Hours) DANC 360 Choreography I 3 C+ MR/CC- INT DANC 103 The Dancer’s Body 3 C+ MR DANC 177 Dance Company I 1 C+ MR Ballet Technique Course4 1 C+ MR Contemporary Technique Course4 1 C+ MR Education Course8 3 C+ MR Carolina Core Requirement6 3 CC Foreign language5 or Carolina Core Requirement6 3 CR/CC Progression: Take and pass the EEDA Assessment on Blackboard Semester Four (15-16 Credit Hours) DANC 380 Movement & Dance for Musical Theatre 3 C+ MR ! DANC 270 Dance Ed. -
Classical & Contemporary Dance Conservatory
CLASSICAL & CONTEMPORARY DANCE CONSERVATORY GRADES 7-12 SCHOOL OF DANCE Conservatory Overview Sample Curriculum The Classical & Contemporary Dance Conservatory is a pre-professional program Ballet tailored to students who desire a specified focus in ballet, modern, pointe, men’s Choreography & Composition technique, and choreography/composition. Every Classical & Contemporary Dance Dance History Conservatory faculty member has extensive professional experience in their field of Men’s Technique study, providing students with the technical skills, discipline, and competitive edge Modern necessary for a professional career in dance or dance-related fields. Students Partnering spend approximately 10 hours per week in technique classes, and up to eight hours Pilates per week in rehearsals. Through this experience, students develop an appreciation Pointe of the different dance genres and styles, as well as the history of the art form. Variations APPLY ONLINE TODAY! www.ocsarts.net/ApplyNow 1010 N. Main Street, Santa Ana, CA 92701 | 714.560.0900 Performance Opportunities Classical & Contemporary Dance students perform in a winter concert featuring classical repertoire and senior choreography, as well as a spring concert featuring classical repertoire and faculty/guest artist choreography. Both concerts are presented at OCSA’s Margaret A. Webb Theatre. Students also have the opportunity to participate in Season Finale, an end-of-year performance presented at the prestigious Segerstrom Center for the Arts. Past Guest Artists and Master Teachers Genevieve Carson (Artistic Director, LA Contemporary Dance Company) Petra Conti (Los Angeles Ballet) Norbert de la Cruz III (Freelance Choreographer; Juilliard Alumni) Jodie Gates (Vice Dean and Director, USC Glorya Kaufman School of Dance) James Gregg & Rauf Yosit (WEWOLF Royal Ballet; CSULB) Melissa Hale-Coyle (American Ballet Theatre Alumni; Artistic Director, Charlotte City Ballet) Lorin Johnson (American Ballet Theatre Alumni; Asst. -
Bachelor of Arts in Theatre & Dance
BACHELOR OF ARTS IN THEATRE & DANCE DANCE Department of Communication and Theatre Arts CORE THEA/DANC 152 Acting I SELECT YOUR MAJOR COURSES THEA/DANC/COMM 271 Intro to Filmmaking IN THEATRE & DANCE 13 hours THEA/DANC 390 Improvisation THEA/DANC 373, 374, 473, 474 The BA in Theater & Dance with a major in Dance requires 120 total credits with Performance/Production 52 of those credits being within the major. You must earn a grade of C (2.00) or better in all Major courses. The College of Arts and Letters requires 202 proficiency in a foreign To become a Dance major, you must audition. language for a BA degree. DANC 152 Acting 1 meets the Gen. DANCE Ed. Oral Communication requirement THEORY Your are strongly encouraged to THEORY 10 hours review the course description and 10 hours prerequisites in the University Catalog for all classes into which you wish to DANC 370 Dance Composition I enroll. Failure to do so may lead to DANC 389 Dance History 1900-Present problems in registering for classes. DANC 393 Anatomy/Kinesiology for Dance DANC 489 Teaching Principles MOVEMENT 26 hours Ballet Technique 10 hours (Students must achieve 404 proficiency as a prerequisite to graduation) DANC 201 Ballet Technique 1 DANCE DANC 302 Ballet Technique 2 REQUIREMENTS DANC 303 Ballet Technique 3 One half of all department MOVEMENT DANC 404 Ballet Technique 4 requirements must be completed 26 hours DANC 405 Ballet Technique 5 at the 300-400 level. DANC 406 Ballet Technique 6 Transfer students: At least one Modern Dance Technique 10 hours half of the total hours for the major (Students must achieve 414 proficiency must be taken on this campus. -
Dance Standards
These standards from 1997 were replaced by the revised 2019 Wisconsin Dance Standards. Access the latest version here. WisconsinÕs Model Academic Standards for Dance Pauli Nikolay State Superintendent Division for Learning Support: Instructional Services Susan Grady Director School Improvement Team Thomas Stefonek Director Content and Learning Team John T. Benson State Superintendent Wisconsin Department of Public Instruction Madison, Wisconsin This publication is available from Publication Sales Wisconsin Department of Public Instruction Drawer 179 Milwaukee WI 53293-0179 (800) 243-8782 www.dpi.state.wi.us Bulletin No. 97307 ISBN 1-57337-050-9 ©June 1997 by Wisconsin Department of Public Instruction The Wisconsin Department of Public Instruction does not discriminate on the basis of sex, race, religion, age, national origin, ancestry, creed, pregnancy, marital or parental status, sexual orientation or physical, mental, emotional or learning disability. Printed on recycled paper. ii WISCONSINÕS MODEL ACADEMIC STANDARDS Table of Contents Foreword .......................................................................................................................... iv Acknowledgments ...................................................................................................... v Introduction .................................................................................................................. vi Overview of Dance.......................................................................................................