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INNOVATION, MEET LIFESTYLE How the U’S New Entrepreneurial Living Space Is Launching Students Into the Maker-Sphere
FALL 2017 INNOVATION, MEET LIFESTYLE How the U’s new entrepreneurial living space is launching students into the maker-sphere. THE COST OF WAR FLASH THE U WHAT HAPPY PEOPLE DO DESERT BLOOMS Continuum_Fall17_cover.indd 1 8/15/17 3:55 PM Continuum_Fall17_cover.indd 3 8/14/17 12:48 PM FALL 2017 VOL. 27 NO. 2 32 Innovation, Meet Lifestyle How the U’s new entrepreneurial living space is launching students into the maker-sphere. 14 What Do We Want in a U President? See responses from students, faculty, administrators, and alumni. 16 What Happy People Do Ed Diener, aka Dr. Happiness, shares wisdom on well-being. 32 20 No Flash in the Pan How “flashing the U” became an iconic, unifying symbol. 26 Reflecting on War Alum Kael Weston examines the human costs of conflict. DEPARTMENTS 2 Feedback 4 Campus Scene 6 Updates 10 Bookshelf 12 Discovery 40 Alum News 48 One More 204 Cover photo by Trina Knudsen 16 26 Continuum_Fall17_TOC Feedback.indd 1 8/15/17 3:01 PM FEEDBACK Publisher William Warren Executive Editor M. John Ashton BS’66 JD’69 Editor minutes and was followed J. Melody Murdock for the rest of the hour by Managing Editor an even more egregious Marcia C. Dibble interview featuring two Associate Editor professors…. Ann Floor BFA’85 Assistant Editor Bradley R. Larsen MS’89 Amanda Taylor Doug Fabrizio Bountiful, Utah Advertising Manager David Viveiros Photo by Austen Diamond Austen by Photo Art Director/Photographer SCIENTIFIC David E. Titensor BFA’91 DOUG FABRIZIO AND I love listening to DISCOVERY AND RADIOWEST RadioWest! The inter- Corporate Sponsors views are so interesting, CLIMATE CHANGE ARUP Laboratories Others may disagree, but We don’t have to spin University Credit Union and as Doug interviews, University of Utah Health I consider Mr. -
2008 Annual Report GMHC Fights to End the AIDS Epidemic and Uplift the Lives of All Affected
web of truth 2008 annual report GMHC fights to end the AIDS epidemic and uplift the lives of all affected. From Crisis to Wisdom 2 Message from the Chief Executive Officer and the Chair of the Board of Directors 3 From Education to Legislation 4 From Baby Boo to Baby Boom 6 From Connection to Prevention 8 From Hot Meals to Big Ideals 10 The Frontlines of HIV Prevention 12 Financial Summary 2008 14 Corporate & Foundation Supporters 15 The Founders’ Circle 17 Individual Donors 18 The President’s Council / Friends for Life / Allies Monthly Benefactors / Partners in Planning Event Listings 23 House Tours / Fashion Forward / Savor Toast at Twilight / AIDS Walk 2008 GMHC fights to end the AIDS epidemic and uplift the lives of all affected. Gender 76% Male 23% Female 1% Transgender Race/Ethnicity 31% Black 31% White 30% Latino 3% Asian/Pacific Islander 5% Other/Unknown Sexual Orientation 56% Gay/Lesbian 9% Bisexual 35% Heterosexual Age 19% 29 and under 21% 30–39 33% 40–49 27% 50 and over Residence 14% Bronx 20% Brooklyn 47% Manhattan 12% Queens 1% Staten Island 6% Outside NYC 1 from crisis to wisdom HIV is a disease that thrives in darkness. In For 27 years, GMHC has born witness to HIV silence. In apathy. It thrives when connections from its frontlines. And in those 27 years, remain unseen—when the links between we’ve charted a pandemic that changes con- individuals and communities…between social tinuously and profoundly. Its demographics lives and sexual lives remain broken and have changed. Its challenges have changed. -
January 2021
DCFEwww.dunboynecollege.ie TRIBUNEDUNBOYNE COLLEGE OF FURTHER EDUCATION Issue 9 January 2021 Follow us on @dunboynecollegefe Welcome! You are everyone that has contributed to this our newsletter and share in the many welcome edition and to our editor Eilish Lavin who activities and events of recent weeks. to the ninth produces and edits this publication. Please keep an eye on our website, www. edition of dunboynecollege.ie, and our Instagram, Dunboyne College is a college with our college Facebook and Twitter pages, which will a family atmosphere which gives newsletter, keep you informed of events as they students a wealth of learning, enabling, the DCFE happen. We will be taking applications communicating, collaborating, and Tribune, right through the year until next inspiration each day. We are proud of our which brings September, given the year that is in it, and staff, our students and their achievements. you some we hope many students will continue Dunboyne College, since 2003, has seen highlights of to join in the experiences of Dunboyne thousands of students pass through, Denis Leonard the college College, some of which you will find Principal gaining qualifications in a diverse range year 2020- recorded here. If you are thinking of of areas, and progressing either to further 2021. It was a year curtailed by Covid but coming to us next year, feel free to call in studies at higher level, or going directly we still managed to fit in many wonderful at any stage for more information on our into the world of work. This year, in experiences, trips and achievements. -
Strategic Intertextuality in Three of John Lennon╎s Late Beatles Songs
STRATEGIC INTERTEXTUALITY IN THREE OF JOHN LENNON’S LATE BEATLES SONGS* MARK SPICER his article will focus on an aspect of the Beatles’ compositional practice that I believe T merits further attention, one that helps to define their late style (that is, from the ground- breaking album Revolver [1966] onwards) and which has had a profound influence on all subsequent composers of popular music: namely, their method of drawing on the resources of pre-existing music (or lyrics, or both) when writing and recording new songs. This may at first seem entirely obvious, especially since nowadays such a practice has been adopted routinely by many songwriters and producers, and is in fact the prevailing compositional strategy within certain pop and rock genres, rap being probably the most blatant example. Many rap artists are well known for their so-called “rap versions,” as Tim Hughes has described them, in which a distinctive element of a pre-existing song is lifted out of its original context—typically via digital sampling—and used as the foundation upon which a new song is built.1 Will Smith’s hit “Wild Wild West” (1999), for example, is composed around a sample of the bass-driven main groove from Stevie Wonder’s funk classic “I Wish” (1976); and Eminem’s hit “Like Toy Soldiers” * This essay is based in part on the first chapter of my dissertation, “British Pop-Rock Music in the Post-Beatles Era” (Ph.D. dissertation, Yale University, 2001). An earlier version was presented at the annual meeting of the Society for Music Theory, Columbus, in November 2002. -
PRESSEMITTEILUNG 15.04.2019 Kodaline Am 10. August in Frankfurt
FKP Scorpio Konzertproduktionen GmbH Große Elbstr. 277 a ∙ 22767 Hamburg Tel. (040) 853 88 888 ∙ www.fkpscorpio.com PRESSEMITTEILUNG 15.04.2019 Kodaline am 10. August in Frankfurt Wenn Kodaline zu uns auf die Bühnen kommen, wird einem das Herz warm. Das Quartett aus Dublin schafft bei jedem Auftritt eine wunderbare Atmosphäre und nimmt ihre Fans mit wie kaum jemand anders. Egal ob die schnelleren Tracks relativ rockig daherkommen oder die ruhigen Balladen zum Träumen einladen, wobei bei Letzteren ja gerade die charakteristisch hohe Stimme von Sänger Steve Garrigan ganz aus sich herausgehen kann, oder ob die Band mit ihren tollen Coverversionen für Begeisterung sorgt: Kodaline hat das Publikum bei jeder Show voll im Griff. Das war auch im vergangenen Oktober so, als die Iren bei ihrer ausgedehnten Tour die Songs ihrer jüngsten Platte „Politics Of Living“ ebenso präsentierten, wie die Hits ihrer ersten beiden Alben. Zum Beispiel „Honest“, „The One“ und natürlich ihrer Durchbruch-Single „High Hopes“. Jetzt haben Kodaline bestätigt, dass sie im Sommer wiederkommen werden: Im Rahmen ihrer Festival-Tour durch Europa kommen sie, neben Leipzig und Dortmund, noch für eine weitere Show nach Frankfurt. 08.07.2019 Leipzig - Täubchenthal 09.07.2019 Dortmund - FZW 10.08.2019 Frankfurt – Batschkapp neu! Die Konzerte werden präsentiert von piranha, LangweileDich.net, MusikBlog.de und The-Pick.de. Mehr Infos und Musik unter kodaline.com, facebook.com/Kodaline, twitter.com/kodaline, https://www.instagram.com/kodaline/, youtube.com/user/Kodalinemusic, youtube.com/user/KodalineVEVO und soundcloud.com/kodaline. Pressematerial zu unseren Veranstaltungen finden Sie auf unserer Homepage fkpscorpio.com unter dem Menüpunkt PRESSE. -
Nr Kat EAN Code Artist Title Nośnik Liczba Nośników Data Premiery Repertoire 19075816441 190758164410 '77 Bright Gloom Vinyl
nr kat EAN code artist title nośnik liczba nośników data premiery repertoire 19075816441 190758164410 '77 Bright Gloom Vinyl Longplay 33 1/3 2 2018-04-27 HEAVYMETAL/HARDROCK 19075816432 190758164328 '77 Bright Gloom CD Longplay 1 2018-04-27 HEAVYMETAL/HARDROCK 9985848 5051099858480 '77 Nothing's Gonna Stop Us CD Longplay 1 2015-10-30 HEAVYMETAL/HARDROCK 88697636262 886976362621 *NSYNC The Collection CD Longplay 1 2010-02-01 POP 88875025882 888750258823 *NSYNC The Essential *NSYNC CD Longplay 2 2014-11-11 POP 19075906532 190759065327 00 Fleming, John & Aly & Fila Future Sound of Egypt 550 CD Longplay 2 2018-11-09 DISCO/DANCE 88875143462 888751434622 12 Cellisten der Berliner Philharmoniker, Die Hora Cero CD Longplay 1 2016-06-10 CLASSICAL 88697919802 886979198029 2CELLOS 2CELLOS CD Longplay 1 2011-07-04 CLASSICAL 88843087812 888430878129 2CELLOS Celloverse CD Longplay 1 2015-01-27 CLASSICAL 88875052342 888750523426 2CELLOS Celloverse CD Longplay 2 2015-01-27 CLASSICAL 88725409442 887254094425 2CELLOS In2ition CD Longplay 1 2013-01-08 CLASSICAL 19075869722 190758697222 2CELLOS Let There Be Cello CD Longplay 1 2018-10-19 CLASSICAL 88883745419 888837454193 2CELLOS Live at Arena Zagreb DVD Video Longplay 1 2013-11-05 CLASSICAL 88985349122 889853491223 2CELLOS Score CD Longplay 1 2017-03-17 CLASSICAL 88985461102 889854611026 2CELLOS Score (Deluxe Edition) CD Longplay 2 2017-08-25 CLASSICAL 19075818232 190758182322 4 Times Baroque Caught in Italian Virtuosity CD Longplay 1 2018-03-09 CLASSICAL 88985330932 889853309320 9ELECTRIC The Damaged Ones -
Introduction to the Special Issue on the Beatles: Nothing You Can Know That Isn’T Known?
[PMH 9.1 (2014) 5-10] Popular Music History (print) ISSN 1740-7133 doi:10.1558/pomh.v9i1.27615 Popular Music History (online) ISSN 1743-1646 Marcus Collins Introduction to the special issue on The Beatles: Nothing you can know that isn’t known? Marcus Collins is Senior Lecturer in Cultural Department of Politics, History and History at Loughborough University. He is the International Relations author of Modern Love (2003) and editor of The Loughborough University Permissive Society and its Enemies (2007) as well as Leicestershire, LE11 3TU numerous articles on The Beatles and their con- UK temporaries. He is currently completing a mono- [email protected] graph on The Beatles and the culture, society and politics of 1960s Britain, and beginning a book- length project on the BBC and permissiveness. Abstract Writing on The Beatles has multiplied and diversified to an astonishing extent over the past half century. The contribution of academics to this literature has until recently been modest in volume and impact. However, multidisciplinary scholarship is now producing new insights into such subjects as The Beatles’ reception and their creative and commercial collaborations. Far from there being ‘Nothing you can know that isn’t known’ about The Beatles, scholars have much to explain regarding the band’s value and meaning in the 1960s and beyond. Keywords: 1960s; The Beatles; historiography; popular music For almost as long as people have been writing about The Beatles, they have won- dered whether it was time to stop. Some commentators in the 1960s felt that devoting any attention to them served to inflate the subject out of all proportion. -
Kodaline Set to Release Third Studio Album Politics of Living on August 10Th
KODALINE SET TO RELEASE THIRD STUDIO ALBUM POLITICS OF LIVING ON AUGUST 10TH ANNOUNCE NORTH AMERICAN TOUR STARTING IN NOVEMBER (New York, New York – June 11, 2018) – Ireland’s breakthrough, UK platinum-selling band, Kodaline announce they will release their third studio album, Politics Of Living on August 10th via Sony Music UK/RCA Records. The 12 track album features already released fan favorite tracks “I Wouldn’t Be,” “Brother,” and “Follow Your Fire” and is available for pre-order now. Fans that pre-order the album will receive the three tracks instantly. Additionally, the group announces their upcoming North American tour. The 15-date run will start in Los Angeles on November 14th and end in Philadelphia on December 8th. For tickets and more information regarding on sale information please visit: http://www.kodaline.com/. Known for their compelling music videos, “I Wouldn’t Be,” “Brother,” and “Follow Your Fire” have nearly 40 million views. This will be the first collection of new music since 2015's Coming Up For Air, which went Gold in the UK. The band's debut album, In A Perfect World has sold over a million copies worldwide and imprinted itself on the nation's consciousness with streaming figures well into the 100s of millions. On Vevo the band's videos have had over 200 million views, and they have sold over a million singles. Kodaline was featured on Kygo’s 2016 global hit “Raging” and most recently released their I Wouldn’t Be EP which featured their massive UK single “Brother.” Their music has been featured in several television, film and ad placements including Chicago PD (NBC), Grey’s Anatomy (ABC), Modern Family (ABC), So You Think You Can Dance (FOX) American Idol (ABC) and so much more. -
Strategic Intertextuality in Three of John Lennon╎s Late Beatles Songs
Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic Volume 2 Issue 1 Article 11 July 2009 Strategic Intertextuality in Three of John Lennon’s Late Beatles Songs Mark Spicer Hunter College and City University of New York., [email protected] Follow this and additional works at: https://trace.tennessee.edu/gamut Part of the Music Commons Recommended Citation Spicer, Mark (2009) "Strategic Intertextuality in Three of John Lennon’s Late Beatles Songs," Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic: Vol. 2 : Iss. 1 , Article 11. Available at: https://trace.tennessee.edu/gamut/vol2/iss1/11 This A Music-Theoretical Matrix: Essays in Honor of Allen Forte (Part I), edited by David Carson Berry is brought to you for free and open access by Volunteer, Open Access, Library Journals (VOL Journals), published in partnership with The University of Tennessee (UT) University Libraries. This article has been accepted for inclusion in Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic by an authorized editor. For more information, please visit https://trace.tennessee.edu/gamut. STRATEGIC INTERTEXTUALITY IN THREE OF JOHN LENNON’S LATE BEATLES SONGS* MARK SPICER his article will focus on an aspect of the Beatles’ compositional practice that I believe T merits further attention, one that helps to define their late style (that is, from the ground- breaking album Revolver [1966] onwards) and which has had a profound influence on all subsequent composers of popular music: namely, their method of drawing on the resources of pre-existing music (or lyrics, or both) when writing and recording new songs. -
Politics of the Highly Improbable: Anticipation, Catastrophe, Security
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Minnesota Digital Conservancy POLITICS OF THE HIGHLY IMPROBABLE: ANTICIPATION, CATASTROPHE, SECURITY A Dissertation SUBMITTED TO THE FACULTY OF THE UNIVERSITY OF MINNESOTA BY Garnet Kindervater IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Raymond D. Duvall & Joan C. Tronto [May 2018] © Garnet Kindervater, 2018 Acknowledgments A dissertation is, in the end, neither conclusion nor summation. As a piece of writing it signifies the finale to a period of study, offering a testament of one’s knowledge, but also an opening to another stage that, if carried about properly, only continues the work that one has engaged for many years already. Despite that this document represents years of thought and research, however broad its topic or deep its claims, it does not summarize an intellectual decade of a life any more than an intense conversation might. It cannot represent such breadth because as wide as its interest it only presents an infinitesimally small fraction of what was learned in that time, debated passionately, and thus meagerly illustrates only fragments of what was thought and said, let alone what had transpired. Yet it does express a life – or at least a period, a phase, or a moment of one’s life – in which other things ceded the foreground and the issues represented below took precedence. Such it the paradox of writing: One must limit with a certain degree of what can only be understood as intellectual violence what could be said in favor of what can be said. -
The Cultural Politics of Health Magazine Reader Letters
Looking after yourself: The cultural politics of health magazine reader letters Christy Elizabeth Newman A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy National Centre in HIV Social Research / School of Media and Communications University of New South Wales January 2004 Certificate of originality I hereby declare that this submission is my own work and to the best of my knowledge it contains no materials previously published or written by another person, nor material which to a substantial extent has been accepted for the award of any other degree or diploma at UNSW or any other educational institution, except where due acknowledgement is made in the thesis. Any contribution made to the research by others, with whom I have worked at UNSW or elsewhere, is explicitly acknowledged in the thesis. I also declare that the intellectual content of this thesis is the product of my own work, except to the extent that assistance from others in the project’s design and conception or in style, presentation and linguistic expression is acknowledged. __________________________________ i Abstract Health is an organising principle of contemporary neoliberal citizenship, particularly evident in the political rhetoric of individual responsibility articulated around the privatisation of public health and welfare systems. The popular culture of these political technologies is expressed via the discourses of self-help and self-care, exemplified by the commercial success of consumer health magazines, and the responsibilising strategies of public health interventions. This thesis investigates the contemporary function of health magazines by examining both the content and the context of reader letters published between 1997 and 2000 in six Sydney-based ‘commercial’ and ‘community’ publications, and incorporating interviews with magazine editors. -
E] Book Contents
The Eskimo Republic For John Powles, former Project Manager of the Centre for Political Song at Glasgow Caledonian University, and for Thurso Berwick. Other books written or co-written by Ewan McVicar include One Singer One Song Cod Liver Oil & The Orange Juice [with Hamish Imlach] Streets Schemes & Stages [with Mary McCabe] Traditional Scottish Songs & Music [with Katherine Campbell] Doh Ray Me When Ah Wis Wee Lang Legged Beasties One Black Isle Night The Eskimo Republic Scots political folk song in action 1951 to 1999 Ewan McVicar Gallus Publishing Linlithgow All rights reserved. The moral right of the author has been asserted. First published in Great Britain in 2010 by Gallus Publishing 84 High Street Linlithgow EH49 7AQ 01506 847935 [email protected] No part of this book may be produced or transmitted in any form or by any other means without permission in writing from the publisher, except by a reviewer who wishes to quote brief passages. This book was researched, created and published through a Writers Bursary grant in 2008 from the Scottish Arts Council, to whom full thanks are given. All interview texts are the copyright of those interviewed, who are thanked for their generous giving of time, knowledge and thoughts. Particular thanks are due to John Powles, Ian Davison, Stuart McHardy and Geordie McIntyre. Song texts are the copyright of the named creators or their heirs. Particular thanks to Marion Blythman, Kaetzel Henderson, Janette McGinn, Meic Stephens, the families of Norman MacCaig and John MacEvoy, Ian Davison and Seylan Baxter to quote from the relevant works.