Evidence: Photographic Image, Fact, Document Syllabus
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Estimation and Correction of the Distortion in Forensic Image Due to Rotation of the Photo Camera
Master Thesis Electrical Engineering February 2018 Master Thesis Electrical Engineering with emphasis on Signal Processing February 2018 Estimation and Correction of the Distortion in Forensic Image due to Rotation of the Photo Camera Sathwika Bavikadi Venkata Bharath Botta Department of Applied Signal Processing Blekinge Institute of Technology SE–371 79 Karlskrona, Sweden This thesis is submitted to the Department of Applied Signal Processing at Blekinge Institute of Technology in partial fulfillment of the requirements for the degree of Master of Science in Electrical Engineering with Emphasis on Signal Processing. Contact Information: Author(s): Sathwika Bavikadi E-mail: [email protected] Venkata Bharath Botta E-mail: [email protected] Supervisor: Irina Gertsovich University Examiner: Dr. Sven Johansson Department of Applied Signal Processing Internet : www.bth.se Blekinge Institute of Technology Phone : +46 455 38 50 00 SE–371 79 Karlskrona, Sweden Fax : +46 455 38 50 57 Abstract Images, unlike text, represent an effective and natural communica- tion media for humans, due to their immediacy and the easy way to understand the image content. Shape recognition and pattern recog- nition are one of the most important tasks in the image processing. Crime scene photographs should always be in focus and there should be always be a ruler be present, this will allow the investigators the ability to resize the image to accurately reconstruct the scene. There- fore, the camera must be on a grounded platform such as tripod. Due to the rotation of the camera around the camera center there exist the distortion in the image which must be minimized. -
2014-2015 Impact Report
IMPACT REPORT 2014-2015 INTERNATIONAL WOMEN’S MEDIA FOUNDATION ABOUT THE IWMF Our mission is to unleash the potential of women journalists as champions of press freedom to transform the global news media. Our vision is for women journalists worldwide to be fully supported, protected, recognized and rewarded for their vital contributions at all levels of the news media. As a result, consumers will increase their demand for news with a diversity of voices, stories and perspectives as a cornerstone of democracy and free expression. Photo: IWMF Fellow Sonia Paul Reporting in Uganda 2 IWMF IMPACT REPORT 2014/2015 INTERNATIONAL WOMEN’S MEDIA FOUNDATION IWMF BOARD OF DIRECTORS Linda Mason, Co-Chair CBS News (retired) Dear Friends, Alexandra Trower, Co-Chair We are honored to lead the IWMF Board of Directors during this amazing period of growth and renewal for our The Estée Lauder Companies, Inc. Cindi Leive, Co-Vice Chair organization. This expansion is occurring at a time when journalists, under fire and threats in many parts of the Glamour world, need us most. We’re helping in myriad ways, including providing security training for reporting in conflict Bryan Monroe, Co-Vice Chair zones, conducting multifaceted initiatives in Africa and Latin America, and funding individual reporting projects Temple University that are being communicated through the full spectrum of media. Eric Harris, Treasurer Cheddar We couldn’t be more proud of how the IWMF has prioritized smart and strategic growth to maximize our award George A. Lehner, Legal Counsel and fellowship opportunities for women journalists. Through training, support, and opportunities like the Courage Pepper Hamilton LLP in Journalism Awards, the IWMF celebrates the perseverance and commitment of female journalists worldwide. -
1902. 5, Forensic Photography, Digital Cameras, and Digital Imaging Archive
ORLANDO POLICE DEPARTMENT POLICY AND PROCEDURE 1902. 5, FORENSIC PHOTOGRAPHY, DIGITAL CAMERAS, AND DIGITAL IMAGING ARCHIVE EFFECTIVE: 9/14/2017 RESCINDS: 1902. 4 DISTRIBUTION: ALL EMPLOYEES REVIEW RESPONSIBILITY: INVESTIGATIVE SERVICES BUREAU COMMANDER ACCREDITATION STANDARDS: 14.03, 14.06, 14.07, 35.03 CHIEF OF POLICE: ORLANDO ROLÓN CONTENTS: 1. DEFINITIONS 2. USE OF DIGITAL CAMERA 3. PROCEDURES FOR CAPTURED IMAGES 4. DIGITAL IMAGING ARCHIVE 5. CARE AND STORAGE 6. TRAINING 7. MAINTENANCE AND REPAIR POLICY: This directive is intended to provide information about the Forensic Imaging Lab and the duties and services of the Forensic Photographer. It also provides direction regarding the use of issued digital cameras, the handling of digital media, and digital archiving. With the ongoing development of technology and the availability of personally-owned recording devices, smart phones, tablets, etc., all employees shall acknowledge that this policy shall apply to the capture, handling and archiving of all digital evidence, even if such evidence is collected on an employee’s personal device. This may include, but is not limited to, incidents where certain evidence may be irretrievably altered or lost prior to the arrival of a supervisor, corporal or CSI. This may also include circumstances where fire department officials, public works personnel and/or any wrecker service have responded and the nature of their lawful duties directly creates a danger for certain evidence remaining intact. Further examples would include situations where rapidly-changing weather conditions jeopardize the position or structure of the evidence being documented. PROCEDURES: 1. DEFINITIONS 1.1 FORENSIC PHOTOGRAPHY Forensic Photography is the provision of general and forensic photographic services, including photography of evidence, for use in investigations. -
Nyc the Tribeca Show Organized by Carl Glassman and April Koral
Press Release apexart - nyc The Tribeca Show Organized by Carl Glassman and April Koral December 5 - December 21, 2019 291 Church Street, NYC Opening reception: Wednesday, December 4, 6-8pm Featuring work by: Carl Glassman, Staple Street, 1994 Max Blagg Donna Ferrato Carl Glassman Marc Kaczmarek Susan Rosenberg Jones Allan Tannenbaum More than two decades ago Tribeca-the-neighborhood became Tribeca-the-global-brand. Everything from racehorses to rap artists to bars, bracelets, and yachts have taken the name. “It has an ultra-cool, hip and happening feel to it,” said a Los Angeles designer about his new necklace, the Tribeca. Actually, no it doesn’t. Not to those who know the neighborhood. The Tribeca Show undertakes a de-branding of Tribeca through the perspectives of five Tribeca-based photographers and one local poet. Their work, each in a different way, counters the area’s over-hyped reputation for trendiness and glamour. The show is curated by April Koral and Carl Glassman, whose publication, The Tribeca Trib, has been chronicling Tribeca in news, features, and photography for 25 years. Photos by Glassman, a photojournalist and documentary photographer, along with images by photographers Donna Ferrato, Marc Kaczmarek, Susan Rosenberg Jones, and Allan Tannenbaum, along with a new poetry installation by Max Blagg, present a nuanced portrait of the neighborhood across decades that defies the media’s insistent focus on celebrity and wealth. Far more than its famous-but-rarely-seen residents such as Taylor Swift, Beyoncé and Justin Timberlake, or its annual film festival, the neighborhood—one of the city’s oldest—prizes its rich history and preserved 19th-century streetscape. -
Forensic Photography
Forensic Photography ABOUT THE PROGRAM The Forensic Photography PAY College Certificate program is The median hourly wage of designed to provide students with photographers was $14.00 in May the technical skills necessary to 2010. Forensic photography may photographically preserve crime have a higher salary depending scenes and items of evidence, on experience and training. from both technical and legal standpoints. The Forensic JOB OUTLOOK Photography program provides Employment of photographers is students with the necessary projected to grow by 13 percent skills needed in the principles from 2010 to 2020, about as fast of composition, focus, exposure, as the average for all occupations. color theory, and lighting. Salaried jobs in particular may The program enables students be more difficult to find as to work in front of the camera, companies and agencies may photography studios, and hire freelancers rather than computer based processing labs. hire their own photographers. The program addresses the need Competition for jobs will be for an alternative career track for strong because of substantial students that work in crime scene interest in forensic science. investigation, criminal justice, homeland security, fire safety, as well as other evidence gathering related occupations. There is a Bureau of Labor Statistics, U.S. Department demand for individuals that have the skills and talents as a photographer of Labor, Occupational Outlook Handbook, or a computer-based digital imaging specialist. 2012-13 Edition, Forensic Science Technicians, on the Internet at http://www.bls.gov/ooh/life-physical-and-social- WHAT DO FORENSIC PHOTOGRAPHERS DO? science/forensic-science-technicians.htm and http://www.bls.gov/ooh/media-and- Forensic photography, sometimes referred to as forensic imaging or crime communication/photographers.htm scene photography, is the art of producing an accurate reproduction of a crime scene or an accident scene using photography for the benefit of a court or to aid in an investigation. -
Review Paper FORENSIC PHOTOGRAPHY: a REVIEW
Received : 13‑01‑15 Review completed : 19‑02‑15 Review Paper Accepted : 11‑03‑15 FORENSIC PHOTOGRAPHY: A REVIEW Vinod Sargaiyan, * Deepti Bharddwaj, ** Pooja Singh, *** Rahul Sharma, † Sana Noor Siddiqui, †† Sateesh Bhatele ††† * Senior Lecture, Department of Oral Pathology, Maharana Pratap College of Dentistry & RC, Gwalior, India ** Senior Lecture, Department of Oral Medicine and Radiology, Maharana Pratap College of Dentistry & RC, Gwalior, India *** Senior Lecture, Department of Oral Medicine and Radiology, Maharana Pratap College of Dentistry & RC, Gwalior, India † Post Graduate Student, Department of Oral Medicine and Radiology, Maharana Pratap College of Dentistry & RC, Gwalior, India †† Senior Lecture, Department of Oral Medicine and Radiology, Peoples College of Dental Sciences and Rc, Bhopal, Madhya Pradesh, India ††† Post Graduate Student, Department of Oral and Maxillofacial Surgery, SGT Dental College and Hospital & RC, Gurgaon, Haryana, India _________________________________________________________________________ ABSTRACT UV, normal, and IR light source photography for Forensic photography is the art of producing the documentation of the examination, latent an accurate reproduction of the scene of a fingerprinting processing, detection of semen and crime or an accident to aid in investigation and bloodstains, trace wound pattern detection, teeth presentation of evidence during the legal restorations, and bite mark documentation has [1] process.It provides investigators with photos opened a new frontier for forensic science. of victims, places and items involved in a crime Need for the Forensic Photography or accident. Forensic photography often The need to photographically record injury represents the best method to collect and patterns as they appear on skin is paramount to preserve evidence in forensic odontology cases the odontologist and pathologist. -
Photography in Dialogue
2530 Superior Ave., #403 Cleveland, OH 44114 www.spenational.org Collaborative Exchanges: HOST INSTITUTION Photography in Dialogue 51st SPE National Conference March 6-9, 2014 – Hilton Baltimore, MD Table of Contents GOLD LEVEL SPONSORS 2 Welcome from the Conference Chair 3 Welcome from the Host Institution 4 Sponsors Foldout Conference Schedule 5 Hotel Floor Plan PRESENTATION SCHEDULE & DETAILS Department of Photography 6 Thursday Sessions 9 Friday Sessions 15 Saturday Sessions 20 Presenter Bios & Index SPECIAL EVENTS 28 Daily Special Events Schedule 29 Silent Auction & Raffle 30 Film Festival 33 Book Signing Schedule EXHIBITS FAIR 34 Exhibits Fair Floor Plan & Exhibitor List 35 Sponsor & Exhibitor Contact Information SILVER LEVEL SPONSORS PORTFOLIO CRITIQUES & REVIEWS 38 Portfolio Critiques & Reviews Information 39 Portfolio Reviewers’ Index APPLAUSE 42 Awards & Recognitions 44 SPE Board of Directors, Staff, & Committees 45 Donors GENERAL INFORMATION 46 Map of Baltimore 48 Gallery & Museum Guide 50 Dining & Entertainment Guide 72 2015 Conference Description & Proposal Information Cover Image: Nicholas Kahn and Richard Selesnick, janus-symbiosis, 2010 Program Guide Design: Nina Barcellona Program Guide Co-Editors: Nina Barcellona and Ginenne Clark From The Conference Chair Welcome to Baltimore for the 51st SPE National Conference. Last year’s event celebrated a milestone of fifty years and I hope that this conference marks an auspicious beginning for the next fifty. We’ve worked hard to ensure that it will. The theme is Collaborative Exchanges: Photography in Dialogue. The key word in the title is “dialogue,” and we hope the programming will celebrate artistic practices that employ the photographic image while embracing relationships. This could be a social component, working directly with other artists or writers, creating dialogue with communities, forming collectives or shared resource banks, building public artworks, or otherwise working in expanded practice with others to make new art. -
Forensic Photography 2
Forensic Photography: Concepts and Applications Tuesday, January 8, 13 What Is It? Police Photography, Forensic Photography, Evidence Photography, Crime Scene Photography, Accident Photography …..? Forensic Photography is the fair and accurate recording of a scene or object, of legal interest, by a camera. “For the police photographer, photographs are statements of what he or she saw at a scene (Miller, p.9).” Tuesday, January 8, 13 Review of the Literature “Photography is a valuable tool for recording the crime scene and explaining the evidence to others.” (Staggs, p. 8). “The objectives of crime scene photography are to record the conditions of the scene before alteration, record the location and position of evidence items collected, document the point of view of principals and potential witnesses, and document spatial relationships of pertinent items.” (Ogle, p. 3). Tuesday, January 8, 13 From Mr. Henry Lee, et.al. The purpose of crime scene photography is to provide a visual record of the scene and related areas; to record the initial appearance of the crime scene and physical evidence; to provide investigators and others with the permanent record subsequent (sic) analysis of the scene; and to provide the permanent record to the court…crime scene photography is one of the most important steps in the entire investigation process. As one of the primary documentation components, systematic, organized visual record of an undisturbed crime scene must be achieved (Lee, et. al., pp. 80-81).” Tuesday, January 8, 13 A Few Basic Rules Do not disturb the scene: Photograph the scene as is before putting in scales and placards (Becker, p. -
Use of Scangraphy for Computer Visualization of Handwritten Text Shading
FORENSIC PRACTICE Krystyn Łuszczuk, M.Sc. Eng. IT specialist, member of the Polish Forensic Association Mieczysław Goc, Ph.D. (corresponding author) Professor at the WSB University in Gdańsk, Deputy President of the Polish Forensic Association Andrzej Łuszczuk, M.Sc. Document expert at the Polish Forensic Association Use of scangraphy for computer visualization of handwritten text shading Summary The article indicates the importance of computer programs as tools supporting the handwriting expertise and increasing its objectivity. Some of these programs are based on computer scangraphy. Scangraphy is a handwriting examination method in which a text sample is treated as a raster image (a bitmap), i.e. a set of single (dots) pixels. The bitmap pixel pattern can be tested in a variety of different ways, as required. The article describes the first computer program to use scangraphy in handwriting examination. Key words: scangraphy, handwriting, computer handwriting scans, SCANGRAF Introduction of expert opinions, particularly vivid in the doctrine Studies on handwriting are mainly based on qualitative and American jurisprudence, not always favorable to methods. Quantitative methods, consisting of different the handwriting expertise, often classifying it as the types of measurements, instrumental analyses and so-called non-scientific evidence, has led, on the one statistical calculations, which guarantee high precision hand, to the development of criteria for the admissibility and repeatability of results, have a minor usage. Due to of such evidence in court proceedings2, and, on the limited role of measurements in handwriting expertise, other hand, to the initiation of studies on the actual subjective evaluation of test results by an expert is of state of handwriting expertise, including the relevant key importance1. -
Forensic Photography (40 Hour Course) Course Consist Of
Pearl River Technologies LLC 1704 Airport Blvd, Suite B Melbourne, FL 32901 Toll Free - (877) 360-7963 Fax - (877) 360-7992 [email protected] Crime Scene Digital Photography and High Dynamic Range (HDR) Forensic Photography (40 Hour Course) Course Consist of: √ DEFINITION OF DIGITAL CAMERA FUNCTION TERMINOLOGY. √ IDENTIFY AND EXPLAIN THE BENEFITS AND PURPOSE OF PHOTO GRAPHING A CRIME SCENE. √ DEFINE THE COMPONENTS OF A CRIME SCENE PHOTOGRAPHY THREE (3) MAIN VIEWS. √ LIST THE VARIOUS TYPES OF CRIME SCENE CONDITIONS AND EXPLAIN THEIR PROS AND CON. √ EXPLAIN AND EMPLOY THE VARIOUS METHODS OF OVERCOMING CRIME SCENE LIGHTING CONDITIONS. √ USING SCALES AT CRIME SCENES FOR ALL EVIDENCE LOCATED AND PHOTOGRAPHED. √ PARTICIPATE ON SEVERAL ASSIGNED HANDS-ON PROJECTS DEEMED BY THE INSTRUCTOR. √ DEMONSTRATE TO INSTRUCTOR HOW THEY WILL OVERCOME PROBLEMATIC LIGHTING CONDITIONS BY TAKING PHOTOGRAPHS OF MOCK SCENES. √ DEFINITION OF HDR FUNCTION TERMINOLOGY √ IDENTIFY AND EXPLAIN THE BENEFITS AND PURPOSE OF PHOTOGRAPHING EVIDENCE. √ TEACH STUDENTS THREE (3) TYPES OF METHODS TO CREATE OUTSTANDING. √ EXPLAIN AND LEARN THE FOUR (4) STEPS OF CAMERA SETUPS TO CREATE HDR IMAGES √ LEARN WHICH TYPES OF CRIME SCENES AND EVIDENCE IN WHICH HDR TECHNIQUES CAN BE APPLIED. √ LEARN HOW HDR TECHNIQUES CAPTURES HIGH QUALITY DETAIL FOR EXAMINATION AND COMPARISON, ESCPCIALLY WITH SHOE AND TIRE IMPRESSIONS √ ALL STUDENTS WILL PARTICIPATE IN HANDS-ON EXPERIMENTS WITH A FINAL CREATION OF AN HDR IMAGE. ** Students must bring cameras, dSLR (removable lens) or non dSLR (point and shoot cameras) To register or sponsor a course, contact Training Coordinator, Danny Garcia at [email protected] or 575.642.6425 **Sponsor a course and receive two free training slots. -
Brass Board Forensic Crime Scene Survey Camera
The author(s) shown below used Federal funds provided by the U.S. Department of Justice and prepared the following final report: Document Title: Brass Board Forensic Crime Scene Survey Camera Author(s): Milind Mahajan, Karen Zachery, Weiya Zhang, Steven Chen, John Mansell, Andrew Brackley, Erik Andrews Document No.: 248961 Date Received: July 2015 Award Number: 2012-DN-BX-K046 This report has not been published by the U.S. Department of Justice. To provide better customer service, NCJRS has made this federally funded grant report available electronically. Opinions or points of view expressed are those of the author(s) and do not necessarily reflect the official position or policies of the U.S. Department of Justice. FINAL REPORT Submitted to U.S. Department of Justice Danielle McLeod-Henning, Program Manager General Forensics R&D Program Office of Investigative and Forensic Sciences National Institute of Justice GRANT NO: 2012-DN-BX-K046 TSI GO# 4T088 Brass Board Forensic Crime Scene Survey Camera Submitted by Technical PI: Milind Mahajan 805-373-4888 (phone); 805-373-4105 (fax) Email: [email protected] Contributors: Milind Mahajan, Karen Zachery, Weiya Zhang, Steven Chen, John Mansell Andrew Brackley, Erik Andrews Submission Date: January 31st, 2015 DUNS 96-795-3613 EIN 52-231-4487 Recipient Organization Teledyne Scientific & Imaging, LLC 1049 Camino Dos Rios Thousand Oaks, CA 91360 Grant Period: January 1st, 2013 - December 31st 2014 Technical work began on July 17th 2013 Reporting Period End Date: December 31st 2014 Report Term or Frequency: Final 1 This document is a research report submitted to the U.S. -
Unit 33: Forensic Photography
Unit 33: Forensic Photography Unit code: F/502/5578 QCF Level 3: BTEC National Credit value: 10 Guided learning hours: 60 Aim and purpose The aim of this unit is to develop learners’ knowledge of theoretical principles for using equipment to make photographic portfolios for forensic purposes and how photography is used in the Criminal Justice System. They will gain skills in using equipment to make photographic records and producing photographic portfolios for forensic purposes. Unit introduction Photographs can communicate more about a crime scene, and the appearance of the evidence within, than the written report. Forensic photographers produce a permanent visual record of the scenes of accidents and crime scenes for use as evidence, ultimately perhaps, in a court of law. This unit introduces learners to the practices of photography, the use of photographic evidence in forensic work and the development of a portfolio of photographic work similar to those used in the Criminal Justice System (CJS). Learners will be briefly introduced to traditional silver-based photography and, where possible, to fundamental wet photography techniques. However the unit also features the, now more commonplace, use of digital imaging technology. It gives learners the opportunity to appreciate how any advancement in technology brings both its advantages and disadvantages and focuses here on the field of image manipulation. Moreover, maintaining the chain of continuity with digital photography is an important challenge and learners should learn measures needed to meet the demands of the CJS. Forensic photography of a scene of crime or accident is a rigorous recording of all the available evidence.