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PIERRE HUYGHE November 23, 2014–February 22, 2015

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PIERRE HUYGHE November 23, 2014–February 22, 2015 ^ PIERRE HUYGHE November 23, 2014–February 22, 2015 N 12 15 16 33 34 42 13 14 17 11 35 45 18 41 10 19 32 43 31 20 47 29 36 37 40 BCAM 6TH STREET 9 44 8 28 30 48 4 24 3 6 7 23 27 4 38 21 5 22 39 1 2 25 26 46 WORKS IN THE EXHIBITION 10. Zoodram 5, 2011; live marine ecosystem, resin 20. Le Procès du temps libre, 1999; poster, postcard, 28. One Year Celebration, 2003–06; 48 posters 41. Apollo 0, 1998; collage on paper THROUGHOUT: Unless otherwise specified, all works are presented mask after Constantin Brancusi’s Sleeping Muse book, and plant 29. Untitled, 2014; block of salt 42. Shore, 2013; site-specific sanded wall, Paris, 1738, 2014; scent (1910) courtesy of Pierre Huyghe; Marian Goodman 21. L’Écrivain public, 1995; live event; typewritten 30. Chantier permanent, 1993; montage of twelve wall pigments, turtle fossil Player, 2010; mask, LED lights, and brass Gallery, New York; and Esther Schipper, Berlin. 11. RSI, un bout de réel, 2006; neon pages; Thyssen-Bornemisza Art Contemporary, C-prints 43. Precambrian Explosion, 2014; live marine Human, 2012; dog. Please do not approach the dog. Vienna 12. The Host and the Cloud, 2010; film, 2:1:30 hrs. 31. A Way in Untilled, 2012; film, 14 min. ecosystem; courtesy of ARARIO Collection, Korea; Please note: The dog’s appearance is consistent 1. Name Announcer, 2011; Ishikawa Collection, Content may not be suitable for all audiences. 22. Extended Holidays, 1996; montage of twelve Esther Schipper, Berlin; and Marian Goodman 32. Crystal Cave, 2009; drawing, photograph, brass with her breed. She has been examined by local Okayama, Japan; courtesy of Esther Schipper, Berlin C-prints Gallery, New York 13. De Hory Modigliani, 2007; oil on canvas sculpture, and geodes animal safety agencies and is in excellent health. 2. À Part, 1986–87; super-8mm film, 21:06 min. 23. Nymphéas Transplant (14–18), 2014; live marine 44. L’Expédition scintillante, Acte 3 (Black Ice Rink), 14. Two Minutes out of Time, 2000; animated film, 33. Monster Island, 2009; drawing for 2007 Venice ecosystem; courtesy of Pierre Huyghe; Marian 2002; broken black ice rink 3. Or, 1995; poster 4 min. Biennale project One Million Kingdoms, 2001; animated film, 6 min. Goodman Gallery, New York; Hauser & Wirth, 45. L’Expédition scintillante, Acte 3 (Black Ice Rink), 4. Umwelt, 2011; ants and spiders on wall and Unrealized (Mies Cuba Gets Cold, 2000), 2011; London; and Esther Schipper, Berlin 34. libretto, 2002; publication corners; courtesy of Esther Schipper, Berlin 15. No Ghost Just a Shell, 2002; contract to transfer collage on paper; private collection, Geneva Annlee’s copyright 24. Atari Light, 1999; video-game program, joysticks, 46. Silence Score, 1997; score with handwritten 5. Timekeeper, 1999/2014; architectural intervention, Forest of Lines, 2008; film, 7:32 min. and lights; courtesy of Marian Goodman Gallery, 35. annotations; courtesy of Marian Goodman Gallery, succession of exhibition layers; courtesy of Marian 16. This is not a Time for Dreaming, 2004; painted New York 36. Courrier de découvert de l’île, 2006; document Goodman Gallery, New York wood and cloth marionette; private collection, Paris New York 25. Untitled (Human Mask), 2014; film; 19 min.; 3 7. Terra Incognita / Isla Ociosidad Pavilion, 2006 L’Expédition scintillante, Acte 1 (weather score), 6. C.C. Spider, 2011; spider 1 7. This is not a Time for Dreaming, 2004; film, 47. courtesy of Pierre Huyghe; Marian Goodman Gallery, (with François Roche); prototype model 24 min.; Centre Pompidou, Musée National 2002; snow, rain, and fog, programmed 7. L’Association des Temps Libérés, 1995; New York; Hauser & Wirth, London; Esther Schipper, d’Art Moderne 38. A Journey That Wasn’t, 2005; film, 21:41 min.; precipitation journal officiel Berlin; and Anna Lena Films, Paris courtesy of Marian Goodman Gallery, New York Untilled (Liegender Frauenakt), 2012; concrete 18. Light Conical Intersect, 1996; photograph; 48. 8. Singing in the Rain, 1996; live event, wooden base, 26. La Saison des fêtes, 2010; preparatory drawings Centre Pompidou, Musée National d’Art Moderne 39. L’Expédition scintillante, Acte 2 (Light Box), 2002; cast with beehive structure, wax; Ishikawa dancer, and rain; Collection Laurent Fiévet and collage smoke and light system, sound Collection, Okayama, Japan. Please use caution. 19. No Ghost Just a Shell, 2002; poster 9. La Toison d’or, 1993; Polaroids 27. Streamside Day, 2003; film, 26 min. 40. Stars, 2008; pigments on paper ^ PIERRE HUYGHE November 23, 2014–February 22, 2015 Pierre Huyghe (b. 1962, Paris) creates events the exhibition and its accompanying rituals ARTIST’S NOTES ON THE WORKS 24. Atari Light The ceiling lights of the earliest “white CONNECT and encounters that upend the expectation as both an object in itself and a living entity, IN THE EXHIBITION cube” exhibition space—the Secession in Vienna—are Share your experiences and ask questions at: programmed into a game. The exchange between of art as a discrete work exhibited for he explores the possibilities of this dynamic #PierreHuyghe | @LACMA 7. L’Association des Temps Libérés The Association humans and machines lights the exhibition space. The a specific time. Since the 1990s, he has experience and the mise-en-scène of its of Freed Time was founded in 1995 on the occasion program randomly transforms the game into a cellular ventured outside of institutional structures boundaries. To this end, he has constructed of a group exhibition and formalizes the status of automaton, a Turing machine. TAKE HOME THE CATALOGUE this temporary social ritual, extending the exhibition to work beyond the restrictions of preexisting time-based situations in which live events The exhibition catalogue Pierre Huyghe beyond its determined frame of time and place. 25. Untitled (Human Mask) Wearing the mask mediums, an approach that has become unfold according to a program or score. of a young woman, a monkey is trained to work as is available for purchase in the Museum integral to art in the twenty-first century. Most recently, his projects have taken the 9. La Toison d’or The Golden Fleece—a medieval a waitress in a restaurant near Fukushima, Japan. Stores or online at shop.lacma.org. order whose armorial bearings depict animal heads— Often collaborating with artists and special- form of a self-generating network with Waiting alone amid the dystopian setting, is the coat of arms of the city of Dijon, France. It she is trapped within her role, forced to enact APPLY YOUR TICKET TO A MEMBERSHIP ists in fields such as science, literature, film, “emergences and rhythms” that are indetermi- is also the name of a shopping mall and a now-closed the human condition. Join LACMA today to support the arts in music, and architecture, Huyghe’s diverse nate and exist beyond our presence. Animals, amusement park whose characters found themselves practice includes live situations, exhibitions, machines, objects, and humans become without a story. The event occurs in a park. A group of 26. La Saison des fêtes Plants are positioned Los Angeles. You’ll receive twelve months in the circle following their date of appearance in the films, objects, and drawings. understood as contingent and durational, teenagers wear animal heads over their clothes. They of free unlimited general admission, free wander around a playground without a script, having calendar, for example: roses for Valentine’s Day (in tickets to special exhibitions, and much more. This exhibition marks Huyghe’s first rather than static, entities. February) or pumpkins for Halloween (in October). taken on the appearance of the symbols of history. Stop by any membership table or ticketing retrospective, bringing together over fifty The exhibition emphasizes the living It is a garden of celebrations, marked by the friction 12. The Host and the Cloud In a vacant ethnographic works spanning his twenty-five-year career, dimension of the artist’s propositions, which that exists between biological and historical time. office to have the cost of yourPierre Huyghe museum, an experiment unfolds over the course of one ticket applied toward your membership many of which are being presented in the envision the space as a world evolving year. A group of people is put under influences and 2 7. Streamside Day A custom is created to celebrate today. To learn more about membership, United States for the first time. Deviating according to its own rhythms. Rather than exposed to live situations. Nothing is staged. They can the birth of a village near a forest in the Hudson from a conventional chronological format, the displaying a selection of objects, the exhibi- repeat, imitate, or transform the unplanned situations Valley. The new inhabitants take part in a parade visit lacma.org/members. within the development that is under construction. artist has placed recent and older works side tion explores the “porosities and intensities” that appear in front of them. The experiment grows as an auto-generative system. The Host and the Cloud By means of this celebration, the artist introduces PLEASE BE AWARE by side, in many cases altering them for this that arise between elements. With time, is a ritual of separation, an exorcism of the modes a new anniversary into the calendar, a return to this Some works in this exhibition contain graphic This exhibition is organized by the Centre presentation. A temporal and spatial instabil- certain rhythms may begin to emerge; growing village. of exhibition. The live events are filmed. content and may not be suitable for all Pompidou, Musée National d’Art Moderne, ity characterizes the works themselves, which moments of quiet contemplation are punctu- 14. Two Minutes out of Time 31. A Way in Untilled During the Documenta 13 audiences.
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