Ayana Terauchi, Semi-Finalist

Total Page：16

File Type：pdf, Size：1020Kb

Ayana Terauchi, Semi-Finalist BIOGRAPHY Ayana Terauchi, flute, has won top awards in numerous national competitions including 2nd prize in National Flute Association Young Artist Competition, 1st prize in MTNA Senior Woodwind National Competition, and 1st prize and award for best performance of newly commissioned work in National Flute Association High School Soloist Competition. She has been featured in the NPR radio show From the Top during their national tour in Kentucky, as well as the prestigious music program, YoungArts held every year in Florida. She has recently attended Aspen Music Festival where she had the opportunity to study under well- acclaimed flutists, including Marina Puccinini, Demarre McGill, Jeffrey Khaner, Christina Smith, Eric Gratton and Nadine Asin. She has had the guidance of other prominent flutists including Emmanual Pahud, Robert Langevin and David Buck. She is currently finishing her 2nd year at University of Michigan, studying flute performance with Amy Porter. INFLUENCES My mom is the most profound influence I've had in my life. She's the first person I go to when there's a problem and she's the person I trust the most. She has been so supportive and encouraging of my passion of creating music ever since the beginning. She provided INSTRUMENT: Flute me with an amazing first piano and flute teacher, whom both nurtured my love for playing AGE: 19 the instrument and creating music, and she constantly expressed her love of listening to me play my instruments. I can not thank her enough for providing such a nurturing HOMETOWN: Midland, MI envrionment for my musical endeavors. My aunt and my uncle have had profound SCHOOL: infuences on me as well, from my aunt teaching me how to practice the piano when I was younger to my uncle teaching me life lessons throughout my life. University of Michigan FAVORITES COMPOSER(S) QUICK FACTS My favorite composer would be Schubert. His beautiful melodies and harmonic AGE SHE BEGAN TO PLAY progressions never fail to get me! 10 TOP 5 PIECES/SONG(S) TV SHOW(S) PRE_PERFORMANCE RITUAL 1. Sibelius, Violin Concerto, second Project Runway, SNL FOOD(S) movement, with Christian Ferras I don't think I have any except for Primarily anything Mexican, Italian or napping and eating. 2. N.C. Wyeth, Flute Sonata, first Japanese movement; Amy Porter, Youth, SPORT TEAM(S) Go Blue! Trains, and Tin Pan Alley DESTINATION(S) 3. Songs by Stromae Tokyo, Japan 4. Songs by Kendrick Lamar HOBBIES/INTERESTS Going to the beach/any acitivity with friends, 5. Schubert, "Night and Dreams," with exercising/interest in Tai Kwan Do, figure Ian Bostridge skating (eventhough I'm awful at it). I also love watching movies, and learning different languages and cultures. I've been taking French for about 6-7 years. .

Copy Link

Recommended publications

Karl Schuricht Concerto En Ré Majeur - Op
Karl Schuricht Concerto En Ré Majeur - Op. 77 Pour Violon Et Orchestre mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Concerto En Ré Majeur - Op. 77 Pour Violon Et Orchestre Country: France Style: Romantic MP3 version RAR size: 1276 mb FLAC version RAR size: 1586 mb WMA version RAR size: 1954 mb Rating: 4.2 Votes: 930 Other Formats: XM AA APE FLAC AIFF ASF WAV Tracklist Concerto En Ré Majeur - Op. 77 Pour Violon Et Orchestre A1 Allegro Non Troppo (Cadence De Kreisler) B1 Adagio Allegro Giocoso, Ma Non Troppo Vivace (Cadence De B2 Kreisler) Companies, etc. Printed By – Dehon & Cie Imp. Paris Credits Liner Notes – Claude Rostand Barcode and Other Identifiers Rights Society: DP Other versions Category Artist Title (Format) Label Category Country Year Johannes Brahms, Johannes Brahms, Christian Ferras, Christian Ferras, Wiener Philharmoniker, LXT 2949 Wiener Carl Schuricht - Decca LXT 2949 UK Unknown Philharmoniker, Carl Concerto In D Major For Schuricht Violin And Orchestra Opus 77 (LP, Album) Carl Schuricht - Carl Schuricht - Christian Ferras - Christian Ferras - 6.42142 Johannes Brahms - 6.42142 Johannes Brahms - Decca Germany Unknown AF Wiener Philharmoniker - AF Wiener Violinkonzert D-Dur (LP, Philharmoniker Album) Carl Schuricht - Christian Ferras - Carl Schuricht - Johannes Brahms - Christian Ferras - Wiener Philharmoniker - LXT 2949 Johannes Brahms - Decca LXT 2949 Spain 1958 Concierto En "Re" Wiener Mayor Para Violín y Philharmoniker Orquesta Opus 71 (LP, Album, Mono) Johannes Brahms, Christian Ferras, Vienna Johannes Brahms, Philharmonic Christian Ferras, Orchestra*, Carl B 19018 Vienna Philharmonic Richmond B 19018 Mexico Unknown Schuricht - Concerto In Orchestra*, Carl D Major For Violin And Schuricht Orchestra Opus 77 (LP, Album) Carl Schuricht - Carl Schuricht - Christian Ferras - Christian Ferras - LW 50095 Johannes Brahms - Johannes Brahms - Decca LW 50095 Germany Unknown Wiener Wiener Philharmoniker - Philharmoniker Violinkonzert D-Dur (LP) Related Music albums to Concerto En Ré Majeur - Op.
[Show full text]
Digibooklet Antonio Janigro
ANTONIO JANIGRO & ZAGREG SOLOISTS Berlin, 1957-1966 ARCANGELO CORELLI (1653-1713) Concerto grosso in D major, Op. 6/4 I. Adagio – Allegro 2:32 II. Adagio 2:03 SOLOISTS III. Vivace 1:09 IV. Allegro – 1:58 V. Allegro 0:41 Gunhild Stappenbeck, Cembalo Continuo recording: 14-01-1957 GIOACHINO ROSSINI (1792-1868) Sonata for Strings No. 6 in D major I. Allegro spiritoso 6:32 II. Andante assai 2:39 ZAGREG III. Tempesta. Allegro 5:12 recording: 19-04-1964 & PAUL HINDEMITH (1895-1963) Trauermusik (Funeral Music) for Solo Viola and Strings I. Langsam 4:28 II. Ruhig bewegt 1:25 III. Lebhaft 1:32 IV. Choral „Für deinen Thron“ 2:24 Stefano Passaggio, solo viola recording: 12-03-1958 JANIGRO DMITRI SHOSTAKOVICH (1906-1975) Octet for Strings, Op. 11 II. Scherzo recording: 17-04-1964 SAMUEL BARBER (1910-1981) Adagio for Strings recording: 19-04-1964 ANTONIO ANTONIO MILKO KELEMEN (*1924) Concertante Improvisations for Strings I. Allegretto 2:20 II. Andante sostenuto – Allegro giusto 2:05 SOLOISTS III. Allegro scherzando 1:15 IV. Molto vivace quasi presto 2:05 recording: 12-03-1958 MAX REGER (1873-1916) Lyric Andante for String Orchestra5:18 recording: 16-03-1966 WOLFGANG AMADEUS MOZART (1756-1791) Divertimento in B-flat major, K. 137 ZAGREG I. Andante 4:10 II. Allegro di molto 2:44 & III. Allegro assai 2:17 recording: 19-03-1961 ROMAN HOFFSTETTER (1742-1815), former attrib. to JOSEPH HAYDN (1732-1809) Serenade in C major (from Op. 3/5) recording: 11-11-1958 ANTONIO VIVALDI (1678-1741) Concerto in D major, RV 230 (Cello Version) JANIGRO I.
[Show full text]
Current Review
Current Review Christian Ferras plays Beethoven and Berg Violin Concertos aud 95.590 EAN: 4022143955906 4022143955906 Fanfare (Robert Maxham - 2012.05.01) Audite’s program of violin concertos by Ludwig van Beethoven and Alban Berg captures two moments in the life of Christian Ferras, the first a studio recording from November 19, 1951, made in the Jesus-Christus-Kirche after the 18-year-old violinist had given a live performance of the work at the Titania Palast and more than a decade before he would record the work with Herbert von Karajan and the same orchestra. The young Ferras sounds both flexible and sprightly in the first movement’s passagework, producing a suave tone that might be described as almost gustatory in its effect as he soars above the orchestra. That tone lacks the sharp edge of Zino Francescatti’s and even the slightly reedy quality of Arthur Grumiaux’s, and he never seems to be deploying it simply for the sheer beauty of it: As sumptuous as it might sound, it always serves his high-minded concept of the work itself. And his playing of Fritz Kreisler’s famous cadenza similarly subordinates virtuosity to musical effect. Karl Böhm sets the mood for a probing exploration of the slow movement, in which Ferras sounds similarly committed; he never allows himself to be diverted into mannerism or eccentricity, as Anne-Sophie Mutter does in her performance with Kurt Masur and the New York Philharmonic (Deutsche Grammophon 289 471 349, Fanfare 26:5 and 26:6). What the young Michael Rabin achieved in the showpieces of Wieniawski and Paganini, Ferras arguably exceeded in the music of Beethoven.
[Show full text]
WNIB Program Schedule December 1970
.1 1 AUDITORIUM RE COUNCIL PRESENTS DIETRICH FISCHER- DIESKAU Friday, January 15, 1971 8:30 p.m. $9.00, $7.50, $6.50, $5.00, $-4.00, $3.00 CITY CENTER JOFFREY BALLET Tuesday, January 26, 1971 8= 30 p.m. 4th Annual Auditorium Theatre Benefit $50.00, $25.00, $15.00, $10.00, $8.00, $6.00, $-4.00, $3.00 also January 2 7 thru February 7, 1971 $10.00, $8.00, $7.00, $6.00, $4.50, $3.50, $2.50 Tickets at B X FFI E & TICKETR N OUTLETS AUDITORIUM THEATER 70 £.CONGRESS CHICAGO Tanglewood, 1946) PROGRAM SCHEDULE 9 PM BRAHMS Variations & Fugue on a Theme of Handel, Op. 24 - Gary Graffman, p (Col MS 7276) I STRAUSS Ein Heldcnlcben, Op. 40 - 97.1 fm December, 1970 London Sym/Sir John Barbirolli (Ang S 36764) 10: 15 HINDEMITH Viola Concerto ("Der Schwancndreher")-Raphael Hillyer, va; Japan Phil/Akeo Watanabe (None H 71239) BARBER Medea's Meditation& Dance of Vengeanee, Op. 23a - BostonSym/Charles WNIB Program Schedule is published by Radio station WNIB, 25 East Chestnut, Munch (RCA 2190) Chicago, Illinois 60611. Phone: 337-5252. SUbscription rates: one year $5. 00; two years $9. 00; three years $12. 00. WEDNESDAY 2 10 AM RAVEL "Daphnis & Chloe" Ballet - New Philh & Ambrosi.an Singers/Rafael Frueh COVER: "Kiosque l'Evide" by Jean Dubuffet. A monument (41-3/8" x 39-1/8" beck de Burgos (Ang S 36471) x 31-1/2") from the "Edifices and Monuments by Jean Dubuffet" exhibition at the Art Institute of Chicago through January 1971.
[Show full text]
Bernard Greenhouse: a Selected Discography
Bernard Greenhouse: A Selected Discography Compiled by: Sonia Archer-Capuzzo and Mac Nelson “Bernard Greenhouse: A Selected Discography,” compiled with William “Mac” Nelson, 2011. Available at http://reuningprivatesales.com/stainlein/bernard-greenhouse-discography. Made available courtesy of Elena Delbanco/Reuning & Son Violins: http://reuningprivatesales.com/stainlein/bernard-greenhouse-discography. ***© Elena Delbanco/Reuning & Son Violins. Reprinted with permission. No further reproduction is authorized without written permission from Elena Delbanco/Reuning & Son Violins. This version of the document is not the version of record. Figures and/or pictures may be missing from this format of the document. *** Abstract: Most numerous among the recordings of Bernard Greenhouse are those he made with the Beaux Arts Trio, the legendary ensemble of which he was the founding cellist in 1955 with pianist Menahem Pressler and violinist Daniel Guilet (later followed by violinist Isidore Cohen). With the Beaux Arts Trio, Greenhouse performed and recorded the entire standard piano trio repertoire before retiring from the group in 1987. However, Greenhouse’s career on the international chamber music stage represents only one dimension of his richly varied musical life. He was also a virtuoso cello soloist, a tireless musical collaborator, and the long-time cellist of New York’s Bach Aria Group. In order to demonstrate the breadth and depth of his recorded legacy, we have organized this discography in three sections: (1) Greenhouse As Soloist and Collaborator;
[Show full text]
Felix Mendelssohn (1809-1847, Germany) Prepared by David Barker
The Piano Trio Repertoire Discography & Review Index: Felix Mendelssohn (1809-1847, Germany) Prepared by David Barker Project Index Notes 1. Arrangements of the C minor trio originally scored for violin, viola and piano are not included. 2. There are numerous reissues of recordings by ensembles including Cortot, Oistrakh, Heifetz and other famous performers on both mainstream and short-lived budget labels. I have not attempted to include them all. Trio 1 in d, op. 49 ATOS Trio (+ Trio 2) Abbot Trio CPO 7775052 [review] (+ Haydn 43, Ravel) Afka 544 Bamberg Piano Trio (+ Trio 2) Abegg Trio Thorofon CTH2345 (+ Fanny Mendelssohn) Tacet 091 Barbican Piano Trio (+ Bush: Concert studies, Ireland: Phantasie) Trio Alba ASV CDDCA646 (+ Trio 2) MDG 90317936 [review] Trio di Barcelona (+ Trio 2) Trio Albeneri Harmonia Mundi 901335 (+ Brahms 2, Martinu 2) Forgotten Records FR995 Beaux Arts Trio (+ Dvorak 4) Altenburg Trio Wien Ades 20337 (+ Trio 2) Philips 4162972 Challenge Classics SACC72097 [review] Doron DRC4021 Warner Classics 2564614922 [review] Klaviertrio Amsterdam (in “Philips Recordings 1967-74”) (+ Trio 2) Philips 4751712 Brilliant Classics 94039 (in “Mendelssohn: The Masterworks”) Beethoven Trio Wien Brilliant Classics 93164 or 92393 or 93672 (+ Trio 2) Camerata 32CM141 Arden Trio (+ Trio 2) Benvenue Fortepiano Trio Canal Grande 9217 (+ Trio 2) Avie AV2187 Argenta Trio (+ Trio 2) Borodin Trio Bridge 9338 (+ Trio 2) Chandos CHAN8404 Atlantis Trio Chandos CHAN10535 [review] (+ Sextet) Musica Omnia MO0205 Canadian Piano Trio (+ Trio 2) IBS 1011 MusicWeb International Last updated: July 2020 Piano Trios: Mendelssohn Profil PH08027 Trio Carlo Van Neste (+ Trio 2) Florestan Trio Pavane ADW7572 (+ Trio 2) Hyperion CDA67485 [review] Ceresio Trio (+ Trio 2, Viola trio) Trio Fontenay Doron 3060 (+ Trio 2) Teldec 44947 Chung Trio (in “Mendelssohn Edition Vol.
[Show full text]
JUNE, 1969 60C WASHINGTON/ BALTIMORE EDITION
JUNE, 1969 60c WASHINGTON/ BALTIMORE EDITION THE FM LISTENING GUIDE . r . 'n YG} itas-er".175ro ó _o °.. - i ,1!11 (! TV 1151,!S~ .. ha...,.. .,wv . _ . v '7.] gl "The Sony 6060 is the brightest thing that happened to stereo in a long while. If outshines receivers costing hundreds more." i///,ompoo.11 111111111IIIt111Í11111SM\\\\\\\\\\\ SONY FM 88 90 92 94 96 98 100 102104 10E 108 MHz at I 1UNING .lN"WI, 1 .. .r. I STEREO RECEIVER 0060 SO110 STATE Sony Model STR-6060 FW AM/FM Stereo Receiver MANUFACTURER'S SPECIFICATIONS- 0.5°/o. FM Stereo Separation: More :han 0.2°/o at rated output; under 0.15°/o at FM Tuner Section-IHF Usable Sensitivity: 40 dB @ 1 kHz. AM Tuner Section-Sensi- 0.5 watts output. Frequency Response: 1.8 /t, V. S/N Ratio: 65 dB. Capture Ratio: tivity: 160 µ,V (built-in antenna); 10 µ,V Aux, Tape: 20 Hz to 60 kHz +0, -3 dB. 1.5 dB. IHF Selectivity: 80 dB. Antenna: (external antenna). S/N Ratio: 50 dE @ S/N Ratio: Aux, Tape: 100 dB; Phono: 70 300 ohm & 75 ohm. Frequency Response: 5 mV input. Amplifier Section Dynamic dB; Tape Head; 60 dB. Tone Control 20 to 20,000 Hz ±1 dB. Image Rejection: Power Output: 110 watts (total), 8 ohms. Range: Bass: ±10 dB @ 100 Hz; Treble: 80 dB. IF Rejection: 90 dB. Spurious Rejec- RMS Power Output: 45 watts per charnel, ±10 dB @ 10 kHz. General-Dimensions: tion: 90 dB. AM Suppression: 50 dB. Total 8 ohms.
[Show full text]
1. 101 Strings: Panoramic Majesty of Ferde Grofe's Grand
1. 101 Strings: Panoramic Majesty Of Ferde Grofe’s Grand Canyon Suite 2. 60 Years of “Music America Loves Best” (2) 3. Aaron Rosand, Rolf Reinhardt; Southwest German Radio Orchestra: Berlioz/Chausson/Ravel/Saint-Saens 4. ABC: How To Be A Zillionaire! 5. ABC Classics: The First Release Seon Series 6. Ahmad Jamal: One 7. Alban Berg Quartett: Berg String Quartets/Lyric Suite 8. Albert Schweitzer: Mendelssohn Organ Sonata No. 4 In B-Flat Major/Widor Organ Symphony No. 6 In G Minor 9. Alexander Schneider: Brahms Piano Quartets Complete (2) 10. Alexandre Lagoya & Claude Bolling: Concerto For Classic Guitar & Jazz Piano 11. Alexis Weissenberg, Georges Pretre; Chicago Symphony Orchestra: Rachmaninoff Concerto No. 3 12. Alexis Weissenberg, Herbert Von Karajan; Orchestre De Paris: Tchaikovsky Concerto #2 13. Alfred Deller; Deller Consort: Gregorian Chant-Easter Processions 14. Alfred Deller; Deller Consort: Music At Notre Dame 1200-1375 Guillaume De Machaut 15. Alfred Deller; Deller Consort: Songs From Taverns & Chapels 16. Alfred Deller; Deller Consort: Te Deum/Jubilate Deo 17. Alfred Newman; Brass Of The Hollywood Bowl Symphony Orchestra: Hallelujah! 18. Alicia De Larrocha: Grieg/Mendelssohn 19. Andre Cluytens; Paris Conservatoire Orchestra: Bizet 20. Andre Kostelanetz & His Orchestra: Columbia Album Of Richard Rodgers (2) 21. Andre Kostelanetz & His Orchestra: Verdi-La Traviata 22. Andre Previn; London Symphony Orchestra: Rachmaninov/Shostakovich 23. Andres Segovia: Plays J.S. Bach//Edith Weiss-Mann Harpsichord Bach 24. Andy Williams: Academy Award Winning Call Me Irresponsible 25. Andy Williams: Columbia Records Catalog, Vol. 1 26. Andy Williams: The Shadow Of Your Smile 27. Angel Romero, Andre Previn: London Sympony Orchestra: Rodrigo-Concierto De Aranjuez 28.
[Show full text]
FRENCH CONCERTOS from the 19Th Century to the Present
FRENCH CONCERTOS From the 19th Century to the Present A Discography Of CDs And LPs Prepared by Michael Herman Edited by Stephen Ellis Composers L-Z ÉDOUARD LALO - see separate page SERGE LANCEN (1922-2005) Born in Paris. After some initial training, he studied the piano with Marguerite Long and Lazare Lévy as well as composition with Noël Gallon and Tony Aubin at the Paris Conservatory. In 1950 he was awarded the "Prix de Rome." He composed various genres of music including chamber music, works for piano, ballet music, a chamber opera and symphonic compositions. He excelled in music for band. Among his unrecorded concertante works are his Piano Concerto (1947-51), Piano Concertino (1949), Harmonica Concerto (1954), Violin Concerto (1966), Concerto Rhapsodie for Piano and Orchestra (1974), Concerto for Violin, Double Bass and Orchestra (1985) and Harp Concerto (1988). Concerto for Double Bass and String Orchestra (1962) Yoan Goilav (double bass)/Clemens Dahinden/Winterthur String Ensemble ( + Cooqui, Montag: Extrême, Bloch: Prayer, Mortari: Duettini Concertati, Schubert: Arpeggione Sonata and Sperger: Sonata à Due) TUXEDO MUSIC TUXCD 1205 (2001) (original LP release: CLASSIC PIC (70-121) (1976) Concerto Champêtre for Harp and Wind Orchestra (1968) Joke Brethouwer (harp)/Jan Cober/Brabant Conservatory Wind Orchestra ( + Trombone Concerto and Parade Concerto) MBCD 31.1016.72 (1990) Hélène Silvie (harp)/Désiré Dondeyne/Orchestra ( + Damase: Harp Concerto, Grandjany: Aria in Classic Style and Dondeyne Quintet for Harp ad String Quartet) QUANTUM QM 7030 (2004) Concerto da Camera for Flute and Orchestra (1962) Pedro Eustache (flute)/Daniel Chabrun/Orchestre de Chambre de l'ORTF ( + Printanieres, Leclair: Violin Concerto, and Boismortier: Flute Sonata) FRENCH BROADCASTING SYSTEM IN NORTH AMERICA, Programs 619-20 (2 non-commercial LPs) (c.
[Show full text]
NYPHIL+ AVAILABLE CONTENT LISTING (As of July 12, 2021; Updates Appear in Bold)
NYPHIL+ AVAILABLE CONTENT LISTING (As of July 12, 2021; Updates appear in bold) RECENT ORCHESTRAL PERFORMANCES JAAP VAN ZWEDEN CONDUCTS: WALKER, MOZART, AND SHOSTAKOVICH WITH YEFIM BRONFMAN AND CHRISTOPHER MARTIN Jaap van Zweden, conductor Yefim Bronfman, piano Christopher Martin, trumpet WALKER Lyric for Strings SHOSTAKOVICH Concerto No. 1 in C minor for Piano, Trumpet, and Strings MOZART Serenade No. 10 in B-flat major, Gran partita YOUNG PEOPLE’S CONCERT: HOPE AND HEALING Episode 1: The Art of Listening Thomas Wilkins, conductor / host Doug Fitch, art designer (Vivaldi) Tommy Nguyen, art designer (Vivaldi) Jaymie Rehberger, dancer (Bartók) Deanna Day Cruz, dancer (Bartók) Ali-asha Polson, dancer (Bartók) Habib Azar, creative consultant Frank Sinatra School of the Arts High School, partner VIVALDI / Arr. J. SORRELL Trio Sonata in D minor, La folia Ilana RAHIM-BRADEN I Am Composition, but Stronger (World Premiere) BARTÓK Selections from Romanian Folk Dances Episode 2: Where We Find Hope Thomas Wilkins, conductor / host Tito Muñoz, conductor (Still) Laquita Mitchell, soprano (Price) Aaron Diehl, piano (Still) Sean Clements, bomba musician Serena Yang, NYC Youth Poet Laureate Dr. Camea Davis, National Youth Poet Laureate Network Director, Urban Word NYC Habib Azar, creative consultant Fiorello H. LaGuardia High School of Music & Art and Performing Arts, partner (Still) PRICE Hold Fast to Dreams Roberto SIERRA Rápido, from Sinfonietta (New York Premiere) STILL Out of the Silence, from Seven Traceries Jessie MONTGOMERY Starburst Episode 3: Mind, Body, Spirit, Music Thomas Wilkins, conductor / host Tito Muñoz, conductor (M.L. Williams) Aaron Diehl, piano (M.L. Williams) Jaymie Rehberger, dancer (J.S. Bach) Deanna Day Cruz, dancer (J.S.
[Show full text]
Digibooklet Cello Concertos Marc Coppey Zagreb Soloists
Marc Coppey Zagreb Soloists Cello Concertos J. Haydn Nos 1 & 2 C.P.E. Bach JOSEPH HAYDN (1732-1809) Cello Concerto No. 1 in C major, Hob. VIIb:1 I. Moderato 8:59 II. Adagio 7:56 III. Finale: Allegro molto 6:20 Cello Concerto No. 2 in D major, Hob. VIIb:2 I. Allegro moderato 14:53 II. Adagio 5:13 III. Allegro 4:49 CARL PHILIPP EMANUEL BACH (1714-1788) Cello Concerto in A major (H 439) I. Allegro 6:29 II. Largo con sordini, mesto 7:27 III. Allegro assai 5:09 Marc Coppey (cello / director) Zagreb Soloists Precise, commanding, free – Marc Coppey talks to Norbert Hornig about Joseph Haydn’s Cello Concertos The two cello concertos by Joseph Haydn form part of every cellist’s core repertoire: they are frequently performed and have been recorded many times. Why did you decide to record these standard works once again? For us cellists, these Haydn concertos represent probably the most high-ranked Classical repertoire with orchestra. Of course we are slightly disappointed about the fact that there are no Mozart or Beethoven cello concertos. Therefore the Haydn concertos, apart from being extremely beautiful, enjoy a very privileged standing. In addition to that, they mark an important stage in the history of cello literature. We have the Bach suites, we have Boccherini’s works for cello, and then these fabulous Haydn concertos which definitely established the cello as a solo instrument. They possess all the qualities one could wish for in a concerto. Not only are they highly virtuosic, but Haydn also skilfully emphasises the lyrical virtues of the instrument.
[Show full text]
Gioconda De Vito G
GIOCONDA DE VITO G. L. JOCHUM • M. RAUCHEISEN live in Berlin, 1954* Beethoven: Violin Concerto, Op. 61* Berlin, 1951 Brahms: Violin Sonata, Op. 100 • Vitali: Chaconne Ludwig van Beethoven: recording date / location: Brahms + Vitali: October 7, 1951 – studio recording, mono Konzert für Violine & Orchester RIAS Funkhaus, Berlin – Studio 7 D-Dur op. 61 Beethoven: October 3, 1954 – live recording, mono Berlin, Hochschule für Musik, Großer Saal recording producer: Salomon (1951), Martin Fouqué (1954) recording engineer: Peter Burkowitz (1951) Johannes Brahms: Sonate für Violine & Klavier Eine Aufnahme von RIAS Berlin A-Dur op. 100 (lizenziert durch Deutschlandradio) recording: P 1951+1954 Deutschlandradio research: Rüdiger Albrecht remastering: P Ludger Böckenhoff, 2015 Tomaso Antonio Vitali: rights: audite claims all rights arising from copyright law and competition law in relation to research, compilation and re-mastering of the original audio tapes, Chaconne g-Moll as well as the publication of this CD. Violations will be prosecuted. The historical publications at audite are based, without exception, on the original tapes from broadcasting archives. In general these are the original analogue tapes, MASTERst RELEASE which attain an astonishingly high quality, even measured by today‘s standards, with their tape speed of up to 76 cm/sec. The remastering – professionally competent and sensitively applied – also uncovers previously hidden details of the interpreta- tions. Thus, a sound of superior quality results. CD publications based on private Gioconda de Vito, Violine 1 recordings from broadcasts cannot be compared with these. photo: IMAGNO/Ullstein Michael Raucheisen, Klavier art direction and design: AB•Design RIAS-Symphonie-Orchester Georg Ludwig Jochum, Dirigent e-mail: [email protected] • http: //www.audite.de © 2015 Ludger Böckenhoff Romantisch mit Herz und Seele Lehrer zu üben und verblüffte sofort mit Wien auch international im Rampenlicht.
[Show full text]