Guru Bipin Singh Was a Master of Manipuri Dance and His Contribution in Stabilising and Popularising Manipuri Dance in the Post- Independence Era in India Is Evident

Total Page:16

File Type:pdf, Size:1020Kb

Guru Bipin Singh Was a Master of Manipuri Dance and His Contribution in Stabilising and Popularising Manipuri Dance in the Post- Independence Era in India Is Evident P 2 | AUGUST 2017 Contents Volume 2, Issue 2 | August 2017 Cover Story 20 Rays of Hope 44 25 Darshana Jhaveri Narthaki Nataraj 26 Rajashree Oak A Stoic in Pursuit of Editorial Team 04 29 Sanjib Bhattacharya Paramathma 30 Sruti Bandopadhay Reviews 48 Editor’s Note 05 33 Brohmomoy Basu Scintillating Sathyabhama 34 Latasana Devi Nrithyotsav 2017 Cultural Bulletin 06 34 Soma Roy Reports 52 The Swearing-in- Ceremony 35 Ranjini Basu 52 A Vivid and Transcen of Ram Nath Kovind as the 35 Jhinuk Roy Chakraborty dental Festival 14th President of India. 36 Laily Basu 53 A Thought Provoking 36 Poushali Chatterjee Playlet 37 Sukalyan Bhattacharya 54 1st Anniversary Cel- 37 Sunil K Sinha ebrations at Vizag! 38 Dr Sohini Ray 58 1st Anniversary Cel- ebrations at Bengaluru Celebrations 59 On the occasion of the 80th Birthday Celebrations Torch Bearers 14 of Dr. Kanak Rele IVL Sastry: In the Service Kindled Spirit 64 of Carnatic Music In Sight 66 Beacons of Light 40 Art Has No Language Classified 67 Barriers: Dr Rama Devi 1st Anniversary Celebrations at Vizag! P 3 | AUGUST 2017 Editorial ‘The Dance India’- a monthly cultural magazine in English is our humble "If the art is poor, attempt to capture the spirit and culture the nation is sick." of art in all its diversity. Articles may be submitted for possible publication in the magazine in the following manner. • Send in your articles to [email protected] Please include your full name, contact information (address and telephone Editor-in-Chief number) and a short bio data. BR Vikram Kumar • Articles are published in the magazine only on the condition that the author agrees to Executive Editor the terms of the Copyright Statement and Paul Spurgeon Nicodemus Policy Associate Editor RMK Sharma Regd. Office: Trivikram Publications, D.No. 50-01-50/1, ASR Nagar, Seethammadhara, Sub Editor Coordinators Visakhapatnam - 530 013, A.P. D. Praveena (News, Advertisements & Tel: 0891-2525656 Editorial Advisor Subscriptions) The opinions, beliefs and viewpoints expressed by the various writers in the articles and B Ratan Raju Sai Venkatesh Karnataka reviews do not necessarily reflect the opinions, beliefs and viewpoints of the editorial team or Kashmira Trivedi Maharashtra Contributions by official policies of The Dance India. Padma Shri Sunil Kothari Alaknanda Noida All rights reserved. © August 2017 - The contents published in The Dance India Cultural Critic magazine are an exclusive copyright of Lakshmi Thomas Chennai Trivikram Publications. No part of the magazine Avinash pasricha may be reproduced in whole or part without Gayathri Gopi Vellore Photographer the written consent of Trivikram Publications. Parinithi Gopal Sagar All disputes are subject to the exclusive Administration Manager jurisdiction of competent courts in KV Lakshmi PSB Nambiar Visakhapatnam only. Sooryavamsham Kerala Circulation Manager V Srinivas GV Chari New Delhi Communications Incharge Dr. Kshithija Barve Edited, Published and Owned by Bathina Ranga Vikram Kumar, K Bhanoji Rao Goa and Kolhapur Mobile No. +91-9848137445, on behalf of Trivikram Publications from D.No. 50-01-50/1, ASR Nagar, Seethammadhara, Dist. Visakhapatnam - 530 013, A.P. and Technical Advise and Graphic Design Follow us on Printed by K. Ram Naidu, Vizag Art Printers, D.No. 30-5-21, Krishna Gardens, Dabagardens, Visakhapatnam - 530 020, A.P. thedanceindiamagazine Editor: Bathina Ranga Vikram Kumar P 4 | AUGUST 2017 India is often compared to a mother. It has produced several freedom fighters who have delivered the country from the clutches of foreign invaders and on behalf of The Dance India, I salute those brave souls. The country is celebrating its 71st Independence Day this month and I bring greetings from The Dance India. Following Mahatma Gandhi's principles of Swacch Bharat, the government has been implementing several schemes to make the country clean and green. The time has arrived to thrive and strive for 'Swacch BR Vikram Kumar Editor-in-Chief Samskruthi'. Some Indian cultural art forms today are on the brink of extinction. Whose mistake is it? Is it the government's, people's or the artist's? No, it is the responsibility of each and every Indian citizen. There are thousands of folk art forms, hundreds of traditional art forms and classical art forms available for the public but what is the condition of artistes who depend on these art forms for a livelihood? Why aren't the government welfare schemes and support not reaching these arts, artistes and private academies? Are these welfare schemes limited to those who lobby through certain officers? It should not be. The time has arrived and on the occasion of the Independence Day, a new plan to eradicate corruption and work towards Swacch Samskruthi should be prepared. The present education system has lost its values. It is time to incorporate our cultural heritage in the academic curriculum through a law and reinforce human values back into the minds of students. It is the desire of the entire country and responsibility of both the central and state governments. Citizens of the country believe that the present government is their best bet after the recent event where Prime Minister Narendra Modi launched a photograph of former President Abdul Kalam playing the veena during the birth anniversary celebrations at Varanasi. Jai Hind! BR Vikram Kumar Editor’s Note P 5 | AUGUST 2017 P 6 | AUGUST 2017 The President of India Pranab Mukherjee, the President-elect, The Prime Minister, Narendra Modi at the Swearing-in-Cer- Ram Nath Kovind, the Vice President, M Hamid Ansari, the emony of the President of India, Ram Nath Kovind at the Speaker, Lok Sabha, Sumitra Mahajan and the Chief Justice Central Hall of Parliament. of India, Justice JS Khehar in a Ceremonial Procession at Parliament House for Swearing-in-Ceremony. Ram Nath Kovind addressing the gathering after taking the oath of the office of the President of India, at a Swearing-in- Ceremony in the Central Hall of Parliament. The outgoing President, Pranab Mukherjee, the Vice President, M Hamid Ansari, the Speaker, Lok Sabha, Sumitra Mahajan and the Chief Justice of India, Justice JS Khehar are also seen. The President of India, Ram Nath Kovind, the outgoing Presi- The President of India, Ram Nath Kovind inspecting the dent, Pranab Mukherjee, the Vice President, M Hamid Ansari, Guard of Honour after the Swearing-in-Ceremony at the Speaker, Lok Sabha, Sumitra Mahajan and the Chief Jus- Rashtrapati Bhavan, in New Delhi on Tuesday, July 25, 2017. tice of India, Justice JS Khehar at the Swearing-in-Ceremony in the Central Hall of Parliament. P 7 | AUGUST 2017 Outstanding Dancer countries to promote Indian Culture abroad, informed the Union Minister of State for Culture and |Tourism ivya Devaguptapu, Bharatakalanjali alumni (Independent Charge), Dr Mahesh Sharma, and the prime disciple of The Dhananjayans according to PIB. Dwas adjudged and declared as the 'Outstanding Dancer' in the Music Academy Mid-Year Dance Festival 2017. She would be awarded the Best Promotion of Traditional Art Bharatanaatyam Artiste of the year 2017 on the Academy's and Folk Art Naatya festival inaugural day on January 3, 2017. To protect, preserve and promote various forms of traditional art and folk art throughout the country, the Spreading of Indian Culture Government of India has set up seven Zonal Cultural Centres (ZCCs) with headquarters at Patiala, Nagpur, The Indian culture has manifested in various realms Udaipur, Allahabad, Kolkata, Dimapur and Thanjavur. across Asia and beyond. The Government of India has taken a number of initiatives to disseminate Indian To develop traditional art across the country including culture across the world which inter alia includes the the State of Andhra Pradesh, these ZCCs are signing of multilateral and bilateral agreements on implementing a number of schemes viz. Award to cultural relations, promotion of Indian culture through Young Talented Artistes, Guru Shishya Parampara Festival of India in foreign countries, providing Scheme, Theatre Rejuvenation Scheme, Research & assistance to Indo Foreign Friendship Cultural Documentation Scheme, Shilpgram Scheme, Octave Societies in foreign countries for cultural activities. and J&K Festivals and National Cultural Exchange Various activities taken up in the financial year 2016-17 Programme (NCEP). include the holding of Festival of India in 18 countries, No State/UT-wise funds are provided for promotion of the sanction of Rs 11.56 crore to Indo-Foreign traditional art and folk art. However, annual grant-in- Friendship Cultural Societies in foreign countries, aid is provided to all these 7 ZCCs by Government of Signing of Agreements on bilateral cultural relations India for carrying out various cultural activities with 7 countries etc. throughout the country for this purpose, informed the The Indian Council for Cultural Relations which is also Union minister of state for culture and tourism mandated to foster and strengthen cultural relations (independent charge), Dr Mahesh Sharma, according with countries has sponsored 166 groups from India to PIB. during the last one year to 88 countries. They have established 37 Indian Cultural Centres in various P 8 | AUGUST 2017 CULTURAL BULLETIN Project Mausam only a few have responded with necessary information. Project 'Mausam' is the initiative of Ministry of Culture to be implemented by the Archaeological Survey of The list of 39 countries identified under the project is India (ASI) as the nodal agency with research support given below: of the Indira Gandhi National Centre for the Arts Bahrain, Bangladesh, Cambodia, China, Comoros, (IGNCA) and National Museum as associate bodies. Egypt, Eritrea, Réunion, French Department, This project aims to explore the multifaceted Indian Indonesia, Iraq, Iran (Islamic Republic), Jordan, Ocean 'world'-collating archaeological and historical Kuwait, Kenya, Lebanon, Madagascar, Malaysia, research in order to document the diversity of cultural, Maldives, Mauritius, Mozambique, Mozambique, commercial and religious interactions in the Indian Myanmar, Oman, Pakistan, Philippines, Qatar, Ocean.
Recommended publications
  • SPARROW Newsletter
    SNL Number 38 May 2019 SPARROW newsletter SOUND & PICTURE ARCHIVES FOR RESEARCH ON WOMEN A Random Harvest: A book of Diary sketches/ Drawings/Collages/ Watercolours of Women Painters It is a random collection from the works women painters who supported the Art Raffle organised by SPARROW in 2010. The works were inspired by or were reflections of two poems SPARROW gave them which in our view, exemplified joy and sorrow and in a sense highlighted women’s life and experiences that SPARROW, as a women’s archives, has been documenting over the years. Contribution Price: Rs. 350/- This e-book is available in BookGanga.com. Photographs............................................. 19267 Ads................................................................ 7449 Books in 12 languages............................ 5728 Newspaper Articles in 8 languages... 31018 Journal Articles in 8 languages..............5090 Brochures in 9 languages........................2062 CURRENT Print Visuals................................................. 4552 Posters........................................................... 1772 SPARROW Calendars...................................................... 129 Cartoons..............................................................3629 Maya Kamath’s cartoons...........................8000 HOLDINGS Oral History.................................................. 659 Video Films................................................. 1262 Audio CDs and Cassettes...................... 929 Private Papers........................................
    [Show full text]
  • List of Empanelled Artist
    INDIAN COUNCIL FOR CULTURAL RELATIONS EMPANELMENT ARTISTS S.No. Name of Artist/Group State Date of Genre Contact Details Year of Current Last Cooling off Social Media Presence Birth Empanelment Category/ Sponsorsred Over Level by ICCR Yes/No 1 Ananda Shankar Jayant Telangana 27-09-1961 Bharatanatyam Tel: +91-40-23548384 2007 Outstanding Yes https://www.youtube.com/watch?v=vwH8YJH4iVY Cell: +91-9848016039 September 2004- https://www.youtube.com/watch?v=Vrts4yX0NOQ [email protected] San Jose, Panama, https://www.youtube.com/watch?v=YDwKHb4F4tk [email protected] Tegucigalpa, https://www.youtube.com/watch?v=SIh4lOqFa7o Guatemala City, https://www.youtube.com/watch?v=MiOhl5brqYc Quito & Argentina https://www.youtube.com/watch?v=COv7medCkW8 2 Bali Vyjayantimala Tamilnadu 13-08-1936 Bharatanatyam Tel: +91-44-24993433 Outstanding No Yes https://www.youtube.com/watch?v=wbT7vkbpkx4 +91-44-24992667 https://www.youtube.com/watch?v=zKvILzX5mX4 [email protected] https://www.youtube.com/watch?v=kyQAisJKlVs https://www.youtube.com/watch?v=q6S7GLiZtYQ https://www.youtube.com/watch?v=WBPKiWdEtHI 3 Sucheta Bhide Maharashtra 06-12-1948 Bharatanatyam Cell: +91-8605953615 Outstanding 24 June – 18 July, Yes https://www.youtube.com/watch?v=WTj_D-q-oGM suchetachapekar@hotmail 2015 Brazil (TG) https://www.youtube.com/watch?v=UOhzx_npilY .com https://www.youtube.com/watch?v=SgXsRIOFIQ0 https://www.youtube.com/watch?v=lSepFLNVelI 4 C.V.Chandershekar Tamilnadu 12-05-1935 Bharatanatyam Tel: +91-44- 24522797 1998 Outstanding 13 – 17 July 2017- No https://www.youtube.com/watch?v=Ec4OrzIwnWQ
    [Show full text]
  • Tamil Nadu 1
    000000000000000000000000000000000000000000000000000 000000000000000000000000000000000000000000000000000 ENGLISH 00000000000000000000000TM0000000000000000000000000000 0000000000000000000000000JANUARY000000 - 0JULY00 020190000000000000000 000000000The0 Best0 IAS0 Academy000 In South00 India0 SINCE00 200400000Compilation000000 0for0 Group0000 IV0 0000000000000 Examination 000000000000000000000000000000000000000000000000000 000000000000000000000000000000000000000000000000000 000000000000000000000000000000000000000000000000000 000000000000TNPSC000000000000000000000000000000000000000 000000000000000000000000000000000000000000000000000 000000000000000000000000000000000000000000000000000 00000000000000ZERO0000000000000000000000000000000000000 000000000000000000000000000000000000000000000000000 000000000000000000000000000000000000000000000000000 00000000CURRENT0000000000000000000000000000000000000000000 000000000000000000000000000000000000000000000000000 000000000000000000000000000000000000000000000000000 0000000000AFFAIRS00000000000000000000000000000000000000000 000000000000000000000000000000000000000000000000000 000000000000000000000000000000000000000000000000000 000000000PRELIMS000000000000000000000000000000000000000000 000000000000000000000000000000000000000000000000000 000000000000000000000000000000000000000000000000000 0000000000000%000000000 100%000000000000000000000000000000 00000000000 0Effort0000000000Results00000000000000000000000000000 000000000000000000000000000000000000000000000000000 000000000000000000000000000000000000000000000000000
    [Show full text]
  • Top 10 Male Indian Singers
    Top 10 Male Indian Singers 001asd Don't agree with the list? Vote for an existing item you think should be ranked higher or if you are a logged in,add a new item for others to vote on or create your own version of this list. Share on facebookShare on twitterShare on emailShare on printShare on gmailShare on stumbleupon4 The Top Ten TheTopTens List Your List 1Sonu Nigam +40Son should be at number 1 +30I feels that I have goten all types of happiness when I listen the songs of sonu nigam. He is my idol and sometimes I think that he is second rafi thumbs upthumbs down +13Die-heart fan... He's the best! Love you Sonu, your an idol. thumbs upthumbs down More comments about Sonu Nigam 2Mohamed Rafi +30Rafi the greatest singer in the whole wide world without doubt. People in the west have seen many T.V. adverts with M. Rafi songs and that is incediable and mind blowing. +21He is the greatest singer ever born in the world. He had a unique voice quality, If God once again tries to create voice like Rafi he wont be able to recreate it because God creates unique things only once and that is Rafi sahab's voice. thumbs upthumbs down +17Rafi is the best, legend of legends can sing any type of song with east, he can surf from high to low with ease. Equally melodious voice, well balanced with right base and high range. His diction is fantastic, you may feel every word. Incomparable. More comments about Mohamed Rafi 3Kumar Sanu +14He holds a Guinness World Record for recording 28 songs in a single day Awards *.
    [Show full text]
  • Current Affairs Q&A PDF 2019
    Current Affairs Q&A PDF 2019 Current Affairs Q&A PDF 2019 Contents Current Affairs Q&A – January 2019 ..................................................................................................................... 2 INDIAN AFFAIRS ............................................................................................................................................. 2 INTERNATIONAL AFFAIRS ......................................................................................................................... 94 BANKING & FINANCE ................................................................................................................................ 109 BUSINESS & ECONOMY ............................................................................................................................ 128 AWARDS & RECOGNITIONS..................................................................................................................... 149 APPOINTMENTS & RESIGNS .................................................................................................................... 177 ACQUISITIONS & MERGERS .................................................................................................................... 200 SCIENCE & TECHNOLOGY ....................................................................................................................... 202 ENVIRONMENT ........................................................................................................................................... 215 SPORTS
    [Show full text]
  • Banis / बानी and Schools Are Aplenty
    PAPER: 3 Detail Study Of Bharatanatyam, Devadasis-Natuvnar, Nritya And Nritta, Different Bani-s, Present Status, Institutions, Artists Module 18 Institutions Of Bharatanatyam Present day Bharatanatyam banis / बानी and schools are aplenty. There are many branches of main banis and some as far as in New Jersey in USA or Ukhrul in Manipur! Since Bharatanatyam has spread far and wide, each dancer is adding something to what was learnt and trying to extend its boundaries and body. Many dancers are also teachers today, so they are adding new poses or postures and calling it sub banis or schools. Schools today mean individual teaching establishments, not a generic bani or style. It means in one city itself, say small town like Mysore or Baroda, there could be ten schools of Bharatanatyam. Each teaching same dance, differently. In that, there is no standardization. In one area of a big metro like Chennai or Bangalore, Mylapore or Malleswaram, there are over a dozen teachers teaching from same bani differently. This is not to break away as much as what one learnt from a guru and how much. Schools of Bharatanatyam today within one city can be in hundreds, especially nerve centre of dance like Chennai. The Dhananjayans, Chandrasekhars, Ambika Buch, Savitri Jagannath Rao, M.V. 1 Narasimhachari and Vasanthalakshmi, Sheejith Krishna, P.T. Narendran, Shijith Nambiar and Parvathy Menon teach the Kalakshetra style. J. Suryanarayanamurthy, a disciple of the Dhananjayans, is a popular teacher. Sreelatha Vinod, Tulsi Badrinath, Radhika Surajit, Shobana Bhalchandra are ardent disciples of the Dhananjayans and faithfully follow their teachers’ teachings.
    [Show full text]
  • Bestguru.Comcarnatic Music ‐ Vocal 1978 Maharajapuram V
    Name of the Artist Name of the Art / Field Awarded in Amba Sanyal (Costume Designing) Allied Theatre Arts 2008 Anant Gopal Shinde (Make‐up) Allied Theatre Arts 2003 Ashok Sagar Bhagat (Lighting) Allied Theatre Arts 2002 Ashok Srivastava (Make‐up) Allied Theatre Arts 1981 D. G. Godse (Scenic Design) Allied Theatre Arts 1988 Dolly Ahluwalia (Costume Design) Allied Theatre Arts 2001 G.N. Dasgupta (Lighting) Allied Theatre Arts 1989 Gautam Bhattacharya (Lighting) Allied Theatre Arts 2006 Goverdhan Panchal (Scenic Design) Allied Theatre Arts 1985 H. V. Sharma (Stagecraft) Allied Theatre Arts 2005 Kajal Ghosh (Theatre Music) ‐ Allied Theatre Arts 2000 Kamal Arora (Make‐up) Allied Theatre Arts 2009 Kamal Jain (Lighting) Allied Theatre Arts 2011 Kamal Tewari (Theatre Music) ‐ Allied Theatre Arts 2000 Kanishka Sen (Lighting) Allied Theatre Arts 1994 Khaled Choudhury (Scenic Design) Allied Theatre Arts 1986 Kuldeep Singh (Music for Theatre) Allied Theatre Arts 2009 M. S. Sathyu (Stagecraft) Allied Theatre Arts 1993 Mahendra Kumar (Scenic Design) Allied Theatre Arts 2007 Mansukh Joshi (Scenic & Light Design) Allied Theatre Arts 1997 N. Krishnamoorthy (Stagecraft) Allied Theatre Arts 1995 Nissar Allana (Stagecraft) Allied Theatre Arts 2002 R. K. Dhingra (Lighting) ‐ Allied Theatre Arts 2000 R. Paramashivan (Theatre Music) Allied Theatre Arts 2005 Robin Das (Scenic Design) ‐ Allied Theatre Arts 2000 Roshen Alkazi (Costume Design) Allied Theatre Arts 1990 Shakti Sen (Make‐up) ‐ Allied Theatre Arts 2000 Sreenivas G. Kappanna (Lighting & Stage Design) Allied Theatre Arts 2003 Suresh Bhardwaj (Lighting) Allied Theatre Arts 2005 Tapas Sen (Lighting) Allied Theatre Arts 1974 V. Ramamurthy (Lighting) Allied Theatre Arts 1977 Alathur S. Srinivasa Iyer Carnatic Music ‐ Vocal 1968 Ariyakudi Ramanuja Iyengar Carnatic Music ‐ Vocal 1952 B.
    [Show full text]
  • Nritta Hastas Are the Foundation of Nritta
    PAPER: 3 Detail Study Of Bharatanatyam, Devadasis-Natuvnar, Nritya And Nritta, Different Bani-s, Present Status, Institutions, Artists Module 26 Presentation And Performance Of Bharatanatyam At the functional level, Bharatanatyam has three aspects: Nritta / न्रि配ता: Abstract dance movements with rhythm, but without expression of a theme or emotion. Also called pure dance. Nritya / न्रि配य: Interpretive dance, using facial expressions, hand gestures, and body movements to portray emotions and express themes. Natya / ना絍य: The dramatic aspect of a stage performance, including spoken dialogue and mime, to convey meaning and enact narrative.1 Adavus / अदावुस and nritta hastas are the foundation of nritta. Adavus and the full range of hastas / हस्त, together with abhinaya / अभिनय, make up nritya. The use of abhinaya and character provides the dramatic element, or natya. Abhinaya enters all aspects of the dance, including nritta, nritya, and natya. For vachikaabhinaya / वाचिकाअभिनय, you should understand the lyrics of the music. For angikaabhinaya / अंचगकाअभिनय, knowing the language of gestures is the key. For aharyaabhinaya / आहाययअभिनय, an aesthetic sense is sufficient. Some familiarity with the Indian style of dress and decoration helps, so that the costumes don’t seem so unusual that they are distracting. Satvikaabhinaya / सात्配वकअभिनय evokes a response to the emotional state of the dancer.2 The basic unit of dance in Bharatanatyam is the adavu. Each adavu is a combination of steps or positions with coordinated movements of the feet, legs, hands, arms, torso, head, and eyes. Adavus (like araimandi / अरैमंडी) give Bharatanatyam its distinctive look.
    [Show full text]
  • “Majuli Is a Gift to Any Festival” – Tim Cornwell, Scotsman, 14Th August, 2017 Background
    “Majuli is a gift to any Festival” – Tim Cornwell, Scotsman, 14th August, 2017 background The Brahmaputra takes birth in China, in western Tibet, and courses through three densely populated, energy-hungry, rapidly modernizing countries — China, India, Bangladesh — before emptying itself into the Bay of Bengal in the massive Ganges-Brahmaputra mangrove delta, the Sundarbans. The Brahmaputra basin is a part of the largest and most populated basin in the world, supporting over 80 million people and rich, rare and endangered biodiversity. What China and India do to this river will directly affect this eco- system. ‘Katha Yatra,’ is our ongoing project, which translates to “a journey of stories”. It explore this river as it enters India until it finds home in the Bay of Bengal, uncovering stories of tradition and change, of wins and losses, of old and new. Through this ‘Yatra,’ we aim to create a research-based body of knowledge of the changing Brahmaputra, encapsulating impressions and understandings of the biodiversity, art, culture, identity, development, the hopes and aspirations of the people inhabiting the banks of the Brahmaputra in the project. The project Katha Yatra is much more than our own artistic ambitions. It aims to bring together the local communities in the region practicing various art forms. Katha Yatra facilitates cultural dialogue with the people from other parts of world. Under this project we also aim to curate workshops, exhibitions, installations and live art that will stimulate people from all over the world. By hosting and curating such artistic activities/events will provide spin-off into other industries that will eventually contribute to the economy of the region.
    [Show full text]
  • Annual Report 1990 .. 91
    SANGEET NAT~AKADEMI . ANNUAL REPORT 1990 ..91 Emblem; Akademi A wards 1990. Contents Appendices INTRODUCTION 0 2 Appendix I : MEMORANDUM OF ASSOCIATION (EXCERPTS) 0 53 ORGANIZATIONAL SET-UP 05 AKADEMI FELLOWSHIPS/ AWARDS Appendix II : CALENDAR OF 19900 6 EVENTS 0 54 Appendix III : GENERAL COUNCIL, FESTIVALS 0 10 EXECUTIVE BOARD, AND THE ASSISTANCE TO YOUNG THEATRE COMMITTEES OF THE WORKERS 0 28 AKADEMID 55 PROMOTION AND PRESERVATION Appendix IV: NEW AUDIO/ VIDEO OF RARE FORMS OF TRADITIONAL RECORDINGS 0 57 PERFORMING ARTS 0 32 Appendix V : BOOKS IN PRINT 0 63 CULTURAL EXCHANGE Appendix VI : GRANTS TO PROGRAMMES 0 33 INSTITUTIONS 1990-91 064 PUBLICATIONS 0 37 Appendix VII: DISCRETIONARY DOCUMENTATION / GRANTS 1990-91 071 DISSEMINATION 0 38 Appendix VIll : CONSOLIDATED MUSEUM OF MUSICAL BALANCE SHEET 1990-91 0 72 INSTRUMENTS 0 39 Appendix IX : CONSOLIDATED FINANCIAL ASSISTANCE TO SCHEDULE OF FIXED CULTURAL INSTITUTIONS 0 41 ASSETS 1990-91 0 74 LIBRARY AND LISTENING Appendix X : PROVIDENT FUND ROOMD41 BALANCE SHEET 1990-91 078 BUDGET AND ACCOUNTS 0 41 Appendix Xl : CONSOLIDATED INCOME & EXPENDITURE IN MEMORIAM 0 42 ACCOUNT 1990-91 KA THAK KENDRA: DELHI 0 44 (NON-PLAN & PLAN) 0 80 JA WAHARLAL NEHRU MANIPUR Appendix XII : CONSOLIDATED DANCE ACADEMY: IMPHAL 0 50 INCOME & EXPENDITURE ACCOUNT 1990-91 (NON-PLAN) 0 86 Appendix Xlll : CONSOLIDATED INCOME & EXPENDITURE ACCOUNT 1990-91 (PLAN) 0 88 Appendix XIV : CONSOLIDATED RECEIPTS & PAYMENTS ACCOUNT 1990-91 (NON-PLAN & PLAN) 0 94 Appendix XV : CONSOLIDATED RECEIPTS & PAYMENTS ACCOUNT 1990-91 (NON-PLAN) 0 104 Appendix XVI : CONSOLIDATED RECEIPTS & PAYMENTS ACCOUNT 1990-91 (PLAN) 0 110 Introduction Apart from the ongoing schemes and programmes, the Sangeet Natak Akademi-the period was marked by two major National Academy of Music, international festivals presented Dance, and Drama-was founded by the Akademi in association in 1953 for the furtherance of with the Indian Council for the performing arts of India, a Cultural Relations.
    [Show full text]
  • DATE TIME Sabha Venue ARTISTE 24/11/2007 5:15 PM Bharatiya
    DECEMBER SEASON 2007: By Date (Please note that this is not a complete listing of all Season 2007 programmes. It reflects only the information that we have received from various organizations. Please check daily newspaper listings for the latest updated schedules. Another useful source is Ram's Blog (http://ramsabode.wordpress.com/concerts-in-chennai/) DATE TIME Sabha Venue ARTISTE 24/11/2007 5:15 PM Bharatiya Vidya Bhavan Bharatiya Vidya Bhavan Main Hall Seshampatti Sivalingam 24/11/2007 7:00 PM Bharatiya Vidya Bhavan Bharatiya Vidya Bhavan Main Hall T. V. Gopalakrishnan 25/11/2007 10:00 AM Bharatiya Vidya Bhavan Bharatiya Vidya Bhavan Main Hall Papanasam Ashok Ramani 25/11/2007 5:00 PM Bharatiya Vidya Bhavan Bharatiya Vidya Bhavan Main Hall Master Balamuralikrishna 25/11/2007 7:00 PM Bharatiya Vidya Bhavan Bharatiya Vidya Bhavan Main Hall Ganesh and Kumaresh 26/11/2007 5:00 PM Bharatiya Vidya Bhavan Bharatiya Vidya Bhavan Main Hall Gayathri Girish 26/11/2007 7:00 PM Bharatiya Vidya Bhavan Bharatiya Vidya Bhavan Main Hall Sriram Parasuram and Anoorada Sriram 27/11/2007 5:00 PM Bharatiya Vidya Bhavan Bharatiya Vidya Bhavan Main Hall Sikkil Gurucharan 27/11/2007 7:00 PM Bharatiya Vidya Bhavan Bharatiya Vidya Bhavan Main Hall Tirupati Satyanarayana and Valayapatti 28/11/2007 5:00 PM Bharatiya Vidya Bhavan Bharatiya Vidya Bhavan Main Hall Geetha Rajasekhar 28/11/2007 7:00 PM Bharatiya Vidya Bhavan Bharatiya Vidya Bhavan Main Hall Nithyasree Mahadevan 29/11/2007 5:00 PM Bharatiya Vidya Bhavan Bharatiya Vidya Bhavan Main Hall T. V.
    [Show full text]
  • November 2019.Pmd
    2 | The Dance India Contents Volume 4 | Issue 5 | November 2019 04 EDITORIAL TEAM 05 EDITOR’S NOTE 06 CULTURAL BULLETIN 12 COVER STORY (Dis) Honorary Doctorates 24 BEACONS OF LIGHT Sovanabrata and Nutan Sircar: Dynamic dancing duo 30 REVIEWS 40 ARANGETRAM 43 DANCE INDIA 3rd ANNIVERSARY CELEBRATIONS 3 | The Dance India "IF THE ART EDITORIAL IS POOR, ‘The Dance India’- a monthly cultural magazine in English is our humble attempt to capture the spirit and culture THE NATION of art in all its diversity. IS SICK." Articles may be submitted for possible publication in the magazine in the following manner. Editor • Send in your articles to BR Vikram Kumar [email protected] Please include your full name, contact information (address and telephone Executive Editor number) and a short bio data. Paul Spurgeon Nicodemus • Articles are published in the magazine only on the condition that Feature Writers the author agrees to the terms of the Rajahamsa Copyright Statement and Policy RMK Sharma Regd. Office: Trivikram Publications, Cover Photograph D.No. 50-01-50/1, ASR Nagar, Seethammadhara, Visakhapatnam - 530 Contributors bishusdesignbank 013, A.P. Tel: +91 8897987445 Dr Sunil Kothari The opinions, beliefs and viewpoints New Delhi expressed by the various writers in the Coordinators articles and reviews do not necessarily reflect the opinions, beliefs and Avinash Pasricha (News, Advertisements & viewpoints of the editorial team or official New Delhi Subscriptions) policies of The Dance India. All rights reserved. © November - 2019 Nita Vidyarthi Sai Venkatesh Karnataka The contents published in The Dance India magazine are an exclusive Kolkata Dr Smruthi Vaghela Gujarat copyright of Trivikram Publications.
    [Show full text]