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Here We Are at 500! the BRL’S 500 to Be Exact and What a Trip It Has Been
el Fans, here we are at 500! The BRL’s 500 to be exact and what a trip it has been. Imagibash 15 was a huge success and the action got so intense that your old pal the Teamster had to get involved. The exclusive coverage of that ppv is in this very issue so I won’t spoil it and give away the ending like how the ship sinks in Titanic. The Johnny B. Cup is down to just four and here are the representatives from each of the IWAR’s promotions; • BRL Final: Sir Gunther Kinderwacht (last year’s winner) • CWL Final: Jane the Vixen Red (BRL, winner of 2017 Unknown Wrestler League) • IWL Final: Nasty Norman Krasner • NWL Final: Ricky Kyle In one semi-final, we will see bitter rivals Kinderwacht and Red face off while in the other the red-hot Ricky Kyle will face the, well, Nasty Normal Krasner. One of these four will win The self-professed “Greatest Tag team wrestler the 4th Johnny B Cup and the results will determine the breakdown of the prizes. ? in the world” debuted in the NWL in 2012 and taunt-filled promos earned him many enemies. The 26th Marano Memorial is also down to the final 5… FIVE? Well since the Suburban Hell His “Teamster Challenge” offered a prize to any Savages: Agent 26 & Punk Rock Mike and Badd Co: Rick Challenger & Rick Riley went to a NWL rookie who could capture a Tag Team title draw, we will have a rematch. The winner will advance to face Sledge and Hammer who won with him, but turned ugly when he kept blaming the CWL bracket. -
Guerrilla Grindhouse World Tour 02 Asukaru Satte, Saitama 18 Oct 2013
DEFIANCE Wrestling: Guerrilla Grindhouse World Tour 02 Asukaru Satte, Saitama 18 Oct 2013 The DARK Knight Returns *Mascara De Muerta IV vs Diego de Leon Diego and Mascara start their match with a handshake and nods of respect in the middle of the ring. The two luchadors started the bout with a contest of speeds that saw Mascara edging Diego with experience and an advantage. Mascara took control immediately and started laying into Diego with slaps and chops. Mascara threw Diego to the ropes and ran in with a knee to the stomach that stunned Diego. Mascara took advantage of his momentum and brought Diego down with a single leg takedown and when Diego sat upright, Mascara is already on his feet and kicks him square in his chest to lay him back down. Mascara follows up with a standing moonsault into a pin and the Japanese audience erupts into applause. 1… 2... Kick out. Mascara drags Diego to his feet and starts to hit Diego with a barrage of slaps and chops to the chest. Diego counters a slap with one of his own and starts adding low kicks to the lower thigh of Mascara. Diego unleashes a combination of kicks to the thigh with a spinning backfist that draws an “Ahhhhww” reaction from the Japanese crowd while throwing off the ropes. The two meet, per say in the ring with Diego attempting a baseball slide and Mascara effortlessly front flipping over him. The Japanese audience reacts with applause as the two stare and give approving nods of respect to one another. -
Non-Stop Action League
Non-stopNon-stop ActionAction LeagueLeague League Champion * wins $27 in IWA credit # SOS: TESD Bry 272 (161-119-15) *27 $813,800 … #186 or 501 TV Champion EDGE: Superstar Billy Silva (2,281-507-168) *90 $4,076,300 … #75 or 502 Central Plains Champion EDGE/CHAMP: “The Hammer” Greg Johnson (1,249-365-106) *83 $3,007,000 … #28 or 503 East Coast Champion * from the battle royal FOW: Remorse (1,766-1,257-237) *78 $8,942,400 … #9 or 504 Great Lakes Champion EDGE: “The Senator” Alfred Hurley (274-168-31) *33 $254,900 … #134 or 505 Mid-Atlantic Champion VIRUS/LPPF: Heracles (34-28-9) *9 $125,000 … #195 or 506 Northeast Champion EDGE: The Last Call Legend (298-112-43) *55 $205,700 … #89 or 507 Pacific Northwest Champion SOS: Dino enthusiast Chris Goldbloom (545-56-11) *23 $1,122,400 … #203 or 508 Rocky Mountains Champion EDGE: Hank Goodman (26-15-4) *5 $279,300 … #215 or 509 Southeast Champion LPPF/VIRUS: Lost Misfit #7 (321-6-3) *6 $529,600 … #293 or 510 Southwest Champion TC: “Awesome” Adam Eldridge (50-12-6) *1 $263,100 … #270 or 511 West Coast Champion SOS/WORLD: “Wrestling Demon” Alcohol September 2021 (2,033-177-32) *76 $2,205,400 … #137 or 512 League Tag-team Champions * win 5 free matches VIRUS/LPPF/CTI: Rabies and Scabies #209 & #210 or 789 TV Tag-team Champions LPPF/VIRUS: Bouncing Baby Boyden and Little Orphan Amphetamine #91 & #109 or 987 League Six-man Champions TBABIT: Missing Manager #7, Possible Manager #6, and Possible Manager #5 #64, #231, & #232 or 789 IWA Bulletin TV Six-man Champions IWA Bulletin LPPF/VIRUS: Death Machine, Lost Misfit #4, and VIRUS/LPPF/CTI: Warcraf #20, #149, & #228 or 987 Battle Royal Winner FOW: Remorse (1,766-1,257-237) *78 $8,942,400 … #9 2 NAL Rankings 1. -
The Operational Aesthetic in the Performance of Professional Wrestling William P
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2005 The operational aesthetic in the performance of professional wrestling William P. Lipscomb III Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Communication Commons Recommended Citation Lipscomb III, William P., "The operational aesthetic in the performance of professional wrestling" (2005). LSU Doctoral Dissertations. 3825. https://digitalcommons.lsu.edu/gradschool_dissertations/3825 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. THE OPERATIONAL AESTHETIC IN THE PERFORMANCE OF PROFESSIONAL WRESTLING A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Communication Studies by William P. Lipscomb III B.S., University of Southern Mississippi, 1990 B.S., University of Southern Mississippi, 1991 M.S., University of Southern Mississippi, 1993 May 2005 ©Copyright 2005 William P. Lipscomb III All rights reserved ii ACKNOWLEDGMENTS I am so thankful for the love and support of my entire family, especially my mom and dad. Both my parents were gifted educators, and without their wisdom, guidance, and encouragement none of this would have been possible. Special thanks to my brother John for all the positive vibes, and to Joy who was there for me during some very dark days. -
Finisher Liste (Wrestler Mit Y)
Finisher Liste (Wrestler mit Y) Yosuke Santa Maria - Neraiuchi (Crcufix Driver) Yota Tsuji - Boston Crab (als NJPW Young Lion) Yuhi (Retired STARDOM Wrestler) - 450 Splash - Honey Trap (Enzuigiri into Small Package) Yuji Hino - Fucking Bomb (One Shoulder Powerbomb) - Sekaiichi no German (Bridging German Suplex) Yuji Nagata - Backdrop (Bridging Belly to Back Suplex) - Drive Screw (Swinging Vertical Suplex) - Nagata Lock (Reverse Figure Four Leglock) - Nagata Lock II (Crossface) - Nagata Lock III (Double Underhook Crossface) - Nagata Lock IV (Over the Shoulder Chickenwing Crossface) - STF (Step Over Toehold Facelock) - Thunder Death Driver (Kneeling Crucifix Powerbomb) Yuji Okabayashi - Argentine Backbreaker Hold - Golem Splash (Diving Splash) Yuji Yasuraoka - Double Arm DDT - German Suplex - Triple Jump Crossbody Yujiro Takahashi / Yujiro - Bukko Nuki (Bridging German Suplex) (2012 - 2013) - Diving Headbutt (als Yujiro) - Incolle Slam (Olympic Slam) (als Yujiro) - Miami Shine (Modified Death Valley Bomb) - Pimp Juice (Snap DDT) - Suisha Otoshi (Over the Shoulder Back to Belly Piledriver) (als Yujiro) - Tokyo Pimps (Sitout Inverted Front Powerslam) Yuka Sakazaki - Magical Girl Splash (Springboard Splash) - Magical Merry Go Round (Springboard Somersault Seated Senton) - Springboard 450 Splash Yuki Aino - Venus DDT (Modified Reverse DDT) Yuki Kamifuku - Fameasser (Leg Drop Bulldog) Yuki Ono / Cyber Kongcito - Isabiri (Spinning Fireman's Carry Cutter) - Katsuo Otoshi (Samoan Driver) - Metabolic Foot Stomp (Diving Double Foot Stomp) - Moonsault -
Wwe Smackdown Vs. Ra W 2010
WWE ® SMACKDOWN ® VS. RAW OVER 60 SUPERSTARS, DIVAS, AND LEGENDS! Learn all the moves for the biggest names in WWE, including Signatures and Finishers. ® RULE THE ROAD TO WRESTLEMANIA 2010 AND EMERGE A CHAMPION Become the biggest name at the greatest event in all of sports-entertainment! CREATE MODES Everything is covered inside, from creating WWE Superstars to making your own Highlight Reels and Finishers! SIGNATURE SERIES SIGNATURE www.bradygames.com www.thq.com www.wwe.com All WWE programming, talent names, images, likenesses, slogans, wrestling moves, trademarks, logos and copyrights are the $19.99 USA/$22.99 CAN/£12.99 Net UK COVERS PLAYSTATION®2 COMPUTER exclusive property of World Wrestling Entertainment, Inc. and its subsidiaries. All other trademarks, logos and copyrights are the property of their respective owners. ©2009 World Wrestling Entertainment, Inc. All Rights Reserved. ENTERTAINMENT SYSTEM, PLAYSTATION®3 ©2009 THQ/JAKKS Pacific, LLC. Used under exclusive license by THQ/JAKKS Pacific, LLC. JAKKS Pacific and the JAKKS Pacific COMPUTER ENTERTAINMENT SYSTEM, logo are trademarks of JAKKS Pacific, Inc. Developed by YUKE’S Co., Ltd. YUKE’S Co., Ltd. and its logo are trademarks and/or PLAYSTATION® PORTABLE, XBOX 360®, registered trademarks of YUKE’S Co., Ltd. THQ and the THQ logo are trademarks and/or registered trademarks of THQ Inc. All Rights Reserved. All other trademarks, logos and copyrights are property of their respective owners. AND NINTENDO Wii™ Bryan Stratton SvR10_Cover.indd 1 10/1/09 9:16:22 AM SvR10_Cover.indd -
Fall 2019 Pegasus Books
PEGASUS BOOKS FALL 2019 PEGASUS BOOKS FALL 2019 NEW HARDCOVERS THE KING’S WAR The Friendship of George VI and Lionel Logue During World War II Peter Conradi and Mark Logue Following the New York Times bestselling The King’s Speech, this eagerly anticipated sequel takes King George VI and his speech therapist Lionel Logue into the darkest days of World War II. The broadcast that George VI made to the British nation on the outbreak of war in September 1939—which formed the climax of the multi-Oscar-winning film The King’s Speech—was the product of years of hard work with Lionel Logue, his iconoclastic, Australian- born speech therapist. Yet the relationship between the two men did not end there. Far from it: in the years that followed, Logue was to play an even more important role at the monarch’s side. The King’s War follows that relationship through the dangerous days of Dunkirk and the drama of D-Day to eventual victory in 1945—and beyond. Like the first book, it is written by Peter Con- radi, a London Sunday Times journalist, and Mark Logue, Lionel’s grandson, and again draws on exclusive material from the Logue Archive—the collection of diaries, letters, and other documents left by Lionel and his feisty wife, Myrtle. This gripping narrative provides a fascinating portrait of two men and their respective families—the Windsors and the Logues—as they together face the greatest chal- lenge in Britain’s history. PETER CONRADI is an journalist with the London Sunday Times. -
Inspire Pro Wrestling Card Game
INSPIRE PRO WRESTLING CARD GAME Executive Producer Tom Filsinger Character Art / Character Color Werner Mueck Art Direction Brandon Stroud Card Stats and Bios Zeke Gould, Ty States Card Proofing / Handbook Writing Todd Joerchel “Dirty” Andy Dalton Height: 5’ 7” Weight: 200 lbs. The Dirty South Inspire Pro’s third champion, “Dirty” Andy Dalton is no stranger to success. How he achieves that success, however, doesn’t always sit well with his opponents or Inspire Pro’s fans. Dalton’s disregard for the rules is matched only by his tenacity & desire to win at all costs. Signature Moves: Die Bitch – running knee strike PILEDRIVER – Dalton likes to finish opponents by dropping them on their head Lance Hoyt Height: 6’ 8” Weight: 270 lbs. Dallas, TX If you are looking for someone who has done it all in this professional wrestling business, look no further than “The American Psycho” Lance Hoyt, competing for near every major wrestling organizations and accumulating championships along the way. Hoyt tends to tower over all competition in Inspire Pro Wrestling, but has recently made the choice to direct his anger and aggression towards our own ring announcer Brandon Stroud. Signature Move: F’n Slam – sitout full nelson slam Texas Tower Bomb – leg trap one shoulder powerbomb TEXAS TORNADO – fireman's carry facebuster DARK DAYS – snap inverted DDT BLACKOUT – inverted crucifix powerbomb Ricky Starks Height: 6’ 0” Weight: 195 lbs. New Orleans, LA Full of energy and tons of bravado, Ricky Starks has proven himself to be the future of Texas independent wrestling. Don’t be fooled. Starks does not just let his words do the talking, as he is highly skilled when he steps through the ropes. -
The Oral Poetics of Professional Wrestling, Or Laying the Smackdown on Homer
Oral Tradition, 29/1 (201X): 127-148 The Oral Poetics of Professional Wrestling, or Laying the Smackdown on Homer William Duffy Since its development in the first half of the twentieth century, Milman Parry and Albert Lord’s theory of “composition in performance” has been central to the study of oral poetry (J. M. Foley 1998:ix-x). This theory and others based on it have been used in the analysis of poetic traditions like those of the West African griots, the Viking skalds, and, most famously, the ancient Greek epics.1 However, scholars have rarely applied Parry-Lord theory to material other than oral poetry, with the notable exceptions of musical forms like jazz, African drumming, and freestyle rap.2 Parry and Lord themselves, on the other hand, referred to the works they catalogued as performances, making it possible to use their ideas beyond poetry and music. The usefulness of Parry-Lord theory in studies of different poetic traditions tempted me to view other genres of performance from this perspective. In this paper I offer up one such genre for analysis —professional wrestling—and show that interpreting the tropes of wrestling through the lens of composition in performance provides information that, in return, can help with analysis of materials more commonly addressed by this theory. Before beginning this effort, it will be useful to identify the qualities that a work must possess to be considered a “composition in performance,” in order to see if professional wrestling qualifies. The first, and probably most important and straightforward, criterion is that, as Lord (1960:13) says, “the moment of composition is the performance.” This disqualifies art forms like theater and ballet, works typically planned in advance and containing words and/or actions that must be performed at precise times and following a precise order. -
Untouchable 2013 Mellon Arena, Pittsburgh, Pennsylvania 14 Apr 2013
DEFIANCE Wrestling: Untouchable 2013 Mellon Arena, Pittsburgh, Pennsylvania 14 Apr 2013 Handcuffed! [Yesterday.] [...] [Welcome to Arkham Gift Shoppe. Where, on this very special day... 13 of the biggest and brightest stars are here to sign autographs for some very excited fans.] [Each star or group has their own private booth lined with merch that consists of the following: videos, 8x10 photos, t- shirts, and replica ring gear.] [But we’re here to focus on one special booth, the Mike Sloan Xperiance. At this very moment there is a line that consists of fifteen or so fans who really want to help out St. Jude’s Children’s Hospital. But more so they want to witness the animosity between Luke and Curt . ] [They are handcuffed together; it’s a team bonding method that has been installed by their manager. It really hasn’t been working to any degree of success. Luke Windham is right handed; Curt has his left hand cuffed to Luke’s right hand. Today, Curt’s little prank has been to snatch Luke’s right hand mid-way through the autograph. ] [A defiant little shit, isn’t he?] [Tyson has had to babysit the duo all morning, and at this moment he has stepped away from the booth to grab a cold bottle of Dasani and to check in with Mike Sloan.] Sloan: (chewing on a red licorice whip) How are they acting? [He uses the dry end to point at the cow hand and the MMA artist.] Burke: Curt’s being a dick. Luke his trying to hold it together, but he’s contemplating driving Curt’s head through the table and leaving him out cold. -
Bigga Black Level 1 Offense Level 1 Defense Level 1 Offense Level 1 Defense 1
Height: 6'4" Height: 6'2" Weight: 435 lbs. Weight: 499 lbs. "Holly-Hood", CA Huber Heights, OH BIG BROTHER ALMIGHTY BIGGA BLACK LEVEL 1 OFFENSE LEVEL 1 DEFENSE LEVEL 1 OFFENSE LEVEL 1 DEFENSE 1. punch - 1 1. BIG BROTHER ALMIGHTY - 2 1. knife edge chop - 1 1. dazed - 1 (tag) 2. knife-edge chop - 1 2. dazed - 1 (tag) 2. stomp - 1 2. BIGGA BLACK - 2 3. into the ropes 3. BIG BROTHER ALMIGHTY - 1 3. clubbing forearm - 2 3. BIGGA BLACK - 2 4. eye rake - 2 4. BIG BROTHER ALMIGHTY - 2 4. into the turnbuckle 4. BIGGA BLACK - 2 5. Drive-By clothesline - 2 5. dazed - 1 (tag) 5. front facelock - 2 5. BIGGA BLACK - 1 6. avalanche in corner - 3 (ag) 6. BIG BROTHER ALMIGHTY - 1 6. back elbow smash - 3 (ag) 6. dazed - 1 (tag) LEVEL 2 OFFENSE LEVEL 2 DEFENSE LEVEL 2 OFFENSE LEVEL 2 DEFENSE 1. elbow drop - 2 1. dazed - 1 1. clothesline - 2 1. BIGGA BLACK - 1 2. choke with ropes - 2 2. BIG BROTHER ALMIGHTY - 1 2. overhand chop - 2 2. dazed - 1 3. into the turnbuckle (c) 3. hurt - 2 (tag) 3. into the ropes (c) 3. dazed - 1 4. suplex - 2 4. dazed - 1 4. scoop slam - 3 4. dazed - 1 5. avalanche in corner - 3 5. hurt - 2 5. side slam - 3 5. hurt - 2 (tag) 6. scoop slam - 3 6. hurt - 2 6. running corner hip splash - 3 6. BIGGA BLACK - 1 LEVEL 3 OFFENSE LEVEL 3 DEFENSE LEVEL 3 OFFENSE LEVEL 3 DEFENSE 1. turnbuckle smash - 2 (ch G) 1. -
Robschambergerartbook1.Pdf
the Champions Collection the first year by Rob Schamberger foreward by Adam Pearce Artwork and text is copyright Rob Schamberger. Foreward text is copyright Adam Pearce. Foreward photograph is copyrgiht Brian Kelley. All other likenesses and trademarks are copyright to their respective and rightful owners and Rob Schamberger makes no claim to them. Brother. Not many people know this, but I’ve always considered myself an artist of sorts. Ever since I was a young kid, I invariably find myself passing the time by doodling, drawing, and, on occasion, even painting. In the space between my paper and pencil, and in those moments when inspiration would strike, my imagination would run amok and these bigger-than-life personas - football players and comic book characters and, of course, professional wrestlers - would come to life. I wasn’t aware of this until much later, but for all those years my mother would quietly steal away my drawings, saving them for all prosperity, and perhaps giving her a way to relive all of those memories of me as a child. That’s exactly what happened to me when she showed me those old sketches of Iron Man and Walter Payton and Fred Flintstone and Hulk Hogan. I found myself instantly transported back to a time where things were simpler and characters were real and the art was pure. I get a lot of really similar feelings when I look at the incredible art that Rob Schamberger has shared with 2 foreward us all. Rob’s passion for art and for professional wrestling struck me immediately as someone that has equally grown to love and appreciate both, and by Adam Pearce truth be told I am extremely jealous of his talents.