Slovenské Národné
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C O N T E N T S
c o n t e n t s editorial Dear Readers! 1 Romana Maliti interviews For the first time the Theatre Institute publishes 2 The Absence of Freedom is our Responsibility a year catalogue about the current situation in With Darina Kárová, director of International Theat- Slovakia. Interviews, reviews and analytical articles re Festival Divadelná Nitra are the selection of the most interesting articles 6 Ballet – Almost a Perfect Medium from 10 issues of KÓD – KONKRÉTNE O DIVADLE With Mário Radačovský, choreographer and director magazine. The magazine started to be published of the Ballet of the Slovak National Theatre in 2OO7 and filled the gap of a long absence of 9 A Mirror Held Up to the Absurdity of Living a theatre magazine for professional and broad With Miloš Karásek, director, stage designer and public. The catalogue in English language brings also a survey of theatre playwright critics offering you a complete view on dramatic works of theatre in 13 The Moment of Insight Slovakia and the structure of the network of professional theatres. With Ján Šimko, dramaturge of Studio 12 Bratislava and director I believe that THE CODE TO THE SLOVAK THEATRE will „un-code“ our 18 Man at the Centre of Interest theatre culture to everyone of its readers. It will give you a basic view With Viera Dubačová, director of Arteterapia Festival of what is happening in the Slovak theatre world and it will bring you the and Zuzana Ferenczová, dramaturge of Arteterapia critical ideas concerning theatre in Slovakia in the articles by theatre Festival directors, playwrights, dramaturges, theatre scientists and critics who 20 We Have a Responsibility to the Audience are presented in the catalogue. -
Slovenské Divadlo Dana GÁLOVÁ: Krívanie V Stopách Sarah Kane
Revue dramatických umení Vydáva Kabinet divadla a filmu Slovenskej akadémie vied 1 Ročník 58 – 2010 – Číslo 1 OBSAH ŠTÚDIE Ján SLÁDEČEK: Ivan Stodola – dramatik. Prológ – žartovanie ..................... 3 Ľubica KrénovÁ: Portréty zúfalých existencií v tvorbe Arthura Millera ......................................................................................... 13 Martin PALÚCH: Prezentácia, aktuálnosť a autenticita .............................. 33 Josef vInAŘ: K fenomenológii tváre herca ............................................... 38 Ida HLEDÍKovÁ – PoLÍvKovÁ: Tvorba Jána Romanovského v zrkadle ideologických peripetií ................................................................ 47 viera ŽEMbErovÁ: Autentické a diferenčné v stratégii dramatického literárneho textu ........................................................................................ 58 roZHĽADY Anton KrET: K idei „proletárskeho“ divadla v prvej republike ..................... 65 KrITIKA Slovenské divadlo Dana GÁLovÁ: Krívanie v stopách Sarah Kane .......................................... 69 1 Hlavný redaktor Andrej Maťašík. redakčná rada: Miloslav blahynka, Ladislav Čavojský, Ida Hledíková, nadežda Lindovská, Miloš Mistrík, Daniéle Montmar- teová (Paríž), Ján Sládeček, Jan vedral (Praha), Ján Za- varský. Fotografie reprodukujeme z archívu Divadelného ústavu, národné- ho divadla v Prahe a zo súkromných archívov autorov so súhlasom ich majiteľov. Autori fotografií: Jaromír Svoboda (1), ČTK (2), Mária Litavská (1), Katarína Marenčinová (2), Pavel Danko (1), -
Protests and Parades: National Day Commemorations in Hungary and Czechoslovakia, 1918-1989
Protests and Parades: National day commemorations in Hungary and Czechoslovakia, 1918-1989 Andrea Talabér Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Florence, 03 June 2016 2 European University Institute Department of History and Civilization Protests and Parades: National day commemorations in Hungary and Czechoslovakia, 1918-1989 Andrea Talabér Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Examining Board Professor Pavel Kolář, European University Institute (EUI Supervisor) Professor Lucy Riall, European University Institute Professor Peter Haslinger, Herder Institute Professor Nancy M. Wingfield, Northern Illinois University © Andrea Talabér, 2016 No part of this thesis may be copied, reproduced or transmitted without prior permission of the author Researcher declaration to accompany the submission of written work Department of History and Civilization - Doctoral Programme I, Andrea Talabér, certify that I am the author of the work ‘Protests and Parades: National day commemorations in Hungary and Czechoslovakia, 1918-1989’ I have presented for examination for the Ph.D. at the European University Institute. I also certify that this is solely my own original work, other than where I have clearly indicated, in this declaration and in the thesis, that it is the work of others. I warrant that I have obtained all the permissions required for using any material from other copyrighted publications. I certify that this work complies with the Code of Ethics in Academic Research issued by the European University Institute (IUE 332/2/10 (CA 297). -
Eugen Suchon
KAroL MedňANsKý Uniwersytet Preszowski w Preszowie (Słowacja) Eugen Suchon (1908-1993) – the Founder Personality of Slovak National Music introduction In the 20 th century the Slovak musical culture was, in comparison with the rest of Europe, developed in a different way. In its developmental tendencies there was evident not only in the adrift of 1 then-European course, but in comparison with the Czech nation which is the closed one to our nation. After the Czechoslovak Republic came into the existence in 1918, Czech musicians strived hard to raise the Slovak musical culture at an adequate level. At a period when Europe begins to form avant-garde music, when A. Schönberg begins to publish the results of his compositional efforts to establish the form of his twelve-tone composing technique, in Slovakia in 1919 there was founded the first educational institution 2 established to educate professional musicians 3. It is 1 that „adrift” resulted mainly in the overall cultural backwardness of present-day Slovakia, which was conditioned by strong magyarisation, but also by many other factors. From the history of our nation we are aware of the complex and diverse political development that Slovakia has undergone in the last hundred years of the 20 th century: from monarchical organisation of Austro-Hungary, through the democracy of the first Czechoslovak Republic (1918-1938), dictatorship of clerical- fascist Slovak State during the second world war in 1940s (1939-1945) and after the short 3-year democratic period (1945-1948) through the other – 40 year communist dictatorship (1948-1989) to the democratic consumer society with early capitalist features typical for the development after the change of political changes 1989. -
Dobšiná Ice Cave
ARAGONIT vedecký a odborný časopis Správy slovenských jaskýň Časopis uverejňuje: • pôvodné vedecké príspevky z geologického, geomorfologického, klimatologického, hydrologického, biologického, archeologického a historického výskumu krasu a jaskýň, najmä z územia Slovenska • odborné príspevky zo speleologického prieskumu, dokumentácie a ochrany jaskýň • informatívne články zo speleologických podujatí • recenzie vybraných publikácií Vydavateľ: Štátna ochrana prírody SR, Tajovského ul. 28B, 974 01 Banská Bystrica IČO 17 058 520 Adresa redakcie: Správa slovenských jaskýň, Hodžova 11, 031 01 Liptovský Mikuláš; e-mail: [email protected] Zodpovedný redaktor: RNDr. Ján Zuskin Hlavný editor: doc. RNDr. Pavel Bella, PhD. Výkonný redaktor: Mgr. Miloš Melega, RNDr. Juraj Littva, PhD. Redakčná rada: prof. RNDr. Pavel Bosák, DrSc., RNDr. Ľudovít Gaál, PhD., Ing. Peter Gažík, Dr. hab. Michał Gradziński, Mgr. Dagmar Haviarová, PhD., doc. RNDr. Jozef Jakál, DrSc., prof. RNDr. Ľubomír Kováč, CSc., Ing. Ľubica Nudziková, doc. Mgr. Martin Sabol, PhD., RNDr. Ján Zelinka Časopis vychádza dvakrát ročne Evidenčné číslo: EV 3569/09 ISSN 1335-213X http://www.ssj.sk/edicna-cinnost/aragonit/ ARAGONIT ročník 25, číslo 1/ máj 2020 © Štátna ochrana prírody SR, Správa slovenských jaskýň, Liptovský Mikuláš Redaktor: Mgr. Bohuslav Kortman Grafická úprava a sadzba: Ing. Ján Kasák Tlač: Ekonoprint družstvo, Martin Figures on the cover page: (1) Dobšiná Ice Cave. Photo: P. Staník (2) E. Ruffíny’s map of the Dobšiná Ice Cave, renewed in 1887, Ice Festival in 1905 Great Hall of the Dobšiná Ice Cave, postcard. Author: Gy. Conräder (3) Map of the Dobšiná-Stratená Cave System. Compiled by J. Tulis, 2018 Dobšiná Ice Cave, glaciated part – 3D model. Authors: K. Pukanská, K. Bartoš, and J. -
Artists of Liptovský Mikuláš
8. CENTRE OF KOLOMAN SOKOL KOLOMAN SOKOL Námestie osloboditeľov 28, Liptovský Mikuláš, (1902 Liptovský Mikuláš - 2003 Tuscon, USA) Phone no.: +421/44/562 00 35, www.galerialm.sk, He was studying and working in Prague, Paris, Me- open all year: Tue - Sat: 10:00 - 17:00 xico and the United States of America since 1940s. The gallery of one of the most signi cant Slovak Having a lot of personal experience and knowing painters and founder of Slovak and Mexican mo- di cult life conditions of ordinary people, he dern graphic art, Koloman Sokol, is proud of the would often use social themes and depict hun- biggest collection of his paintings. It introduces ger, poverty, beggary, emigration or animals. His 48 masterpieces he gifted to his hometown. The works are usually black and white, livened up by collection also includes several personal items of colours only afterwards, and have clear black con- him, letters and photographs. There is a granite tours. He lived humbly and in seclusion, focused Koloman Sokol plaque with a bust of Koloman Sokol on the faca- on his work only, not interested in fame or praise de of the gallery. he was receiving. 9. BIRTH HOUSE OF JÁN LEVOSLAV BELLA Centre Koloman Sokol: Koloman Sokol: Belopotockého ulica 1, Liptovský Mikuláš of Koloman Sokol Mexico, 1979, 1983 Muse, 1968, 1976 Ján Levoslav Bella JÁN LEVOSLAV BELLA (1843 Liptovský Mikuláš - 1936 Bratislava) The composer and founder of Slovak national music was born in the building of an old Catholic school, present Catholic House. He wrote chamber compositions, religious music and is the author of the opera “Wieland the Blacksmith”. -
Sta Tu E S Sta Tu E S Sta Tu E S Sta Tu E S P Ie Šťa N Y P Ie Šťa N Y E N E N Sta Tu E S Sta Tu E S Sta Tu E S Sta Tu E S St
e e n n n n 12 13 e e n n SCULPTURE WORKS, 11 MEMORIALS, MEMORIAL TABLETS OF n n e e P I E Š Ť A N Y n n Pribinova 2; 921 01 Piešťany y y 0 0 4 2 1 ( 0 ) 3 3 / 7 7 1 9 6 2 1 , 2 , 3 n n [email protected]; www.pic.piestany.sk a a ť ť May-September : š š Mo-Fri: 9:00am - 8:00pm, Sat: 9:00am - 2:00pm, Sun: 2:00pm - 6:00pm O c t o b e r - A p r i l : e e Mo-Fri: 9:00am - 6:00pm, Sat: 9:00am - 2:00pm, Sun: 2:00pm - 6:00pm i i p p s s 37 s s e e e e u u u u t t t t 44 a a a a t t t t 38 s s s s s s t t t t 43 a a a a t t t t u u u u e e 39 e e s s s s s s s s e e e e u u u u t t t t a a a a t t t t s s s s s s t t t t a a a a t t t t u u u u e e e e S c u l p t u r e s o l d a n d n e w , s s s s statuaries and relieves made by artists of varied qualities, works of s s s s art made from stone, metal, wood, e e 54 e e ceramics, concrete or other u u u u suitable material; works intended t t 10 t t 22 t o b e m e m o r i a l s o r s i m p l y a a a a t t 50 01 02 03 04 t t adornments making their imprint 55 45 05 06 07 s s s s s s 18 08 09 25 on their own or in union with t t t t a a a a architecture - we can meet all this 34 42 t t t t while having a stroll through u u u u Piešťany.