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San Mateo Horseman – Winter 2016
SMCHA Hall of Fame Recipients’ 2016 SMCHA Chair, Ann Kirby, accepts the gavel from past President, Cheryl Basin Karen Shawback, SMCHA Horsewoman of the Year WINTER 2016 The San Mateo Horseman, Summer 2009 Briarwood EquineEquine ClinicClinic 2012 Calendar of Events Subject to change - please check website for updates Gary E.E. Hanes,Hanes, D.V.MD.V.M AThefamily family doctordoctor doctor forfor for your youryour horsehorsehorse October Wellness Care • Medicine • Dentistry 11 Board Meeting Wellness Care • Medicine • Dentistry 13 Woodside Day of the Horse 19/20 & 26/27 Grand National Rodeo 650.851.1569650.851.1569 20 Horsemen’s Night/Bus to GNR 27 Play Day & Halloween Extravaganza 43704370 AlpineAlpine Rd.,Rd., SuiteSuite 208208 PortolaPortola Valley,Valley, CACA 9402894028 November 2995 Woodside Road Suite 400 8 Board Meeting Woodside, CA 94062 10 General Meeting - Elections & Bingo Night [email protected] www.briarwoodequine.com December 8 Board of Directors Dinner 16 Holiday Barn Party January 2013 10 Board Meeting 26 Kick-Off Gala & Installation Dinner PLEASE CHECK WEBSITE FOR CHANGES AND UPDATES • www.smcha.org The San Mateo Horseman, Winter 2016 1 Inside 2015 PRESIDENT’S MESSAGE Fiesta De Caballo..............................4-6 By Adeline Forrest It’s been an honor and a privilege to serve as President of SMCHA for the past three years, and I have enjoyed Jasper Ridge Farm...........................8-9 working with the Board of Directors and many members By Wendy Mattes who are dedicated to preserving and enhancing the Pasta Dinner, Bingo Night, and General equestrian community. We’ve made good strides in Elections!....................................14-15 updating many areas, particularly communications By Gretchen King via email and social media. -
F a L L W I N T
2019 – 2020 I N FALL D C L L U IE D WINTER F E IN L G T T GL LI O & BE N PE MA QUOT AND ROW Table of Contents Welcome New Publishers .................................3 Featured Titles ...................................................4 Biography/History/True Crime .........................6 Cooking ........................................................... 40 Nature/Science/Gardening ............................ 53 The Arts ........................................................... 64 Children’s ........................................................ 98 Business ......................................................... 112 Health/Self-Help/Parenting .......................... 118 Crafts and Hobbies ........................................126 Fiction/Poetry/Graphic Novels ..................... 151 Games/Gifts/Calendars ................................. 172 Religion and Inspiration ................................179 Social Sciences ..............................................193 Reference ...................................................... 205 Sports and Outdoor Recreation ................... 209 Travel ............................................................. 243 All Things Local ............................................. 267 Professional .................................................. 296 Sales Representation ....................................313 Indices ............................................................316 Ordering Info ......................... Inside Back Cover IS PLEASED TO WELCOME THE FOLLOWING PUBLISHERS: -
«Wenn Ihr Wollt, Lernt Ihr Hier Etwas Fürs Leben» Seine Lehrer Waren Tom Dorrance Und Ray Hunt, Die Urvätern Des Natural Horsemanship
film Buck «Wenn ihr wollt, lernt ihr hier etwas fürs Leben» Seine Lehrer waren Tom Dorrance und Ray Hunt, die Urvätern des Natural Horsemanship. Und er gilt als das wahre Vorbild für den von Robert Redford gespielten «Horse Whisperer». Die Rede ist von Buck Brannaman. Ein Cowboy, der mit Pferden arbeitet, die Menschen aber eigentlich etwas über das Leben lehrt. Ein mehrfach ausgezeichneter Dokumentarfilm setzt dem Amerikaner nun ein filmisches Denkmal. text Corina Hany n Zeiten von Monty Roberts und Pat Parelli ist Natural ten hat. Worin die Wirkung des Buck Brannaman genau be- Horsemanship kein Fremdwort mehr. Roberts schaffte es steht, versucht die Regisseurin in knapp eineinhalb Stunden Isogar zu einer gewissen Berühmtheit über seine einge- zu ergründen. schworene Fangemeinde hinaus, denn die englische Königin Elisabeth II. ist ein bekennender Fan vom kleinen, krummen Die spektakuläre Show findet woanders statt Amerikaner. Wer sich für Natural Horsemanship interes- Meehl, selbst eine passionierte Reiterin, begleitete Buck dafür siert, der findet fast täglich einen neuen Namen, und sie zwei Jahre lang auf dessen endlos scheinender Reise durch können alle irgendwie famose Dinge mit ihren Pferden an- Amerika. Während neun Monaten im Jahr gibt der 50-Jährige stellen. Wirklich herzerwärmend sind diese Vorführungen sein Wissen in sogenannten Clinics weiter. Gelernt hat er bei allerdings selten. Allzu oft bleibt diese kribbelige Leere zu- den Urvätern des Natural Horsemanship, Tom Dorrance und rück, die einem nach effekthascherischen Shows befällt. Ray Hunt. Die beiden galten schon zu Lebzeiten als Legenden. Mit seinen Pferden im Anhänger fährt Buck von einer Ranch Jurypreise und lobeshymnen zur nächsten, alle vier Tage geht die Reise weiter. -
Erica Tom Gender and Power in Narratives of “Natural Horsemanship”
H U M a N I M A L I A 7:1 Erica Tom Gender and Power in Narratives of “Natural Horsemanship”: The Production of “Prey-Identified M asculinity” 1. Overview. Through visual and textual analysis, this cultural studies project examines the production of what I call “prey-identified masculinity” — a discourse of masculinity where the performer identifies with prey as a means to explain his empathy and sensitivity, while remaining in a dominant subject position. Drawing on the work of Louis Althusser, Michel Foucault, and Judith Butler, I evaluate the ideologies and discourse being produced through two cultural artifacts concerning “Natural Horsemanship” practitioners Monty Roberts and Buck Brannaman — the autobiography, The Man Who Listens to Horses (1996), and the biographic documentary Buck (2010). This analysis seeks to add to the developing field of horse-human relations, specifically the scholarship on Natural Horsemanship by Lynda Birke, Keri Brandt, and Joanna Latimer. By focusing on cultural productions (rather than the practice of the discipline) this article seeks to contribute to literature on “the representation of equestrian sports in the media” of which there is, “a striking dearth of research specifically on gendered representations of equestrians in media coverage” (Adelman and Knijnik 207). 1 Positing that prey-identified masculinity offers a new identity that may provide a sense of agency to a specific population, I also consider the pitfalls of a discourse that is grounded in sexist ideology. This analysis is concerned with the social power relations of performativity, how cultural narratives structure identities, and what is at stake in the production of prey-identified masculinity. -
Humanizing Animals: Talking About Police, Prisoners, and Horses
Humanizing Animals: Talking About Police, Prisoners, and Horses by Erica Carol Tom A Dissertation submitted to the Graduate School-Newark Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Doctor of Philosophy Graduate Program in American Studies written under the direction of Frances Bartkowski, Ph.D. and approved by _________________________ _________________________ _________________________ _________________________ Newark, New Jersey May 2017 ©Erica Tom All Rights Reserved Humanizing Animals: Talking About Police, Prisoners, and Horses By Erica Tom Dissertation Director: Frances Bartkowski, Ph.D. Abstract Despite the horse’s central role in the conquest of America and its ongoing importance as a symbol of freedom and independence in the national imagination, innumerable horses—no longer of use—are sold at kill lots every year. However, in recent decades rescues have repurposed these horses for work in law enforce- ment and in equine therapy programs. Equine therapy programs have been gain- ing support in America; at the same time, the disproportionate arrests and incar- ceration of black men has continued to rise._ Equine prison programs produces an evocative situation: two disregarded populations—ex-race horses no longer able to race or mustangs with nowhere to go, and convicts exiled from society—are brought together to “rehabilitate” each other. The trope of the wild and dangerous black man is ever present, as current events—such as Ferguson, and Black Lives Matter—remind us. Thus this pairing the broken (ex-race horse) or untamed (mustang) non-human animal with that of the transgressive human (prisoner) that is undeniably political.