Sanskrit Plays Used for Kutiyattam
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Particulars of Some Temples of Kerala Contents Particulars of Some
Particulars of some temples of Kerala Contents Particulars of some temples of Kerala .............................................. 1 Introduction ............................................................................................... 9 Temples of Kerala ................................................................................. 10 Temples of Kerala- an over view .................................................... 16 1. Achan Koil Dharma Sastha ...................................................... 23 2. Alathiyur Perumthiri(Hanuman) koil ................................. 24 3. Randu Moorthi temple of Alathur......................................... 27 4. Ambalappuzha Krishnan temple ........................................... 28 5. Amedha Saptha Mathruka Temple ....................................... 31 6. Ananteswar temple of Manjeswar ........................................ 35 7. Anchumana temple , Padivattam, Edapalli....................... 36 8. Aranmula Parthasarathy Temple ......................................... 38 9. Arathil Bhagawathi temple ..................................................... 41 10. Arpuda Narayana temple, Thirukodithaanam ................. 45 11. Aryankavu Dharma Sastha ...................................................... 47 12. Athingal Bhairavi temple ......................................................... 48 13. Attukkal BHagawathy Kshethram, Trivandrum ............. 50 14. Ayilur Akhileswaran (Shiva) and Sri Krishna temples ........................................................................................................... -
Ticf Kkddv KERALA GAZETTE B[Nimcniambn {]Kn≤S∏Spøp∂Xv PUBLISHED by AUTHORITY
© Regn. No. KERBIL/2012/45073 tIcf k¿°m¿ dated 5-9-2012 with RNI Government of Kerala Reg. No. KL/TV(N)/634/2015-17 2016 tIcf Kkddv KERALA GAZETTE B[nImcnIambn {]kn≤s∏SpØp∂Xv PUBLISHED BY AUTHORITY 2016 Pq¨ 14 Xncph\¥]pcw, hmeyw 5 14th June 2016 \º¿ sNmΔ 1191 CShw 31 31st Idavam 1191 24 Vol. V } Thiruvananthapuram, No. } 1938 tPyjvTw 24 Tuesday 24th Jyaishta 1938 PART IB Notifications and Orders issued by the Kerala Public Service Commission NOTIFICATIONS (2) (1) No. Estt.III(1)35557/03/GW. Thiruvananthapuram, 10th May 2016. No. Estt.III(1)35150/03/GW. Thiruvananthapuram, 10th May 2016. The following is the list of Deputy Secretaries found The following is the list of Joint Secretaries found fit fit by the Departmental Promotion Committee and by the Departmental Promotion Committee and approved approved by the Kerala Public Service Commission for by the Kerala Public Service Commission for promotion to promotion to the post of Joint Secretary/Regional Officer the post of Additional Secretary in the Office of the in the Office of the Kerala Public Service Commission for Kerala Public Service Commission for the year 2016. the year 2016. 1. Sri Ramesh Sarma, P. 1. Smt. Sheela Das 2. Sri Thomas M. Mathew 2. Sri Ganesan, K. 3. Smt. Vijayamma, P. R. 3. Sri Sandeep, N. The above list involves no supersession. The above list involves no supersession. 21 14th JUNE 2016] KERALA GAZETTE 586 (3) NOTIFICATION No. Estt.III(1)35933/03/GW. No. Estt.III(1)36207/03/GW. Thiruvananthapuram, 10th May 2016. -
State District Branch Address Centre Ifsc Contact1 Contact2 Contact3 Micr Code Andhra Pradesh East Godavari Rajamundry Pb No
STATE DISTRICT BRANCH ADDRESS CENTRE IFSC CONTACT1 CONTACT2 CONTACT3 MICR_CODE M RAGHAVA RAO E- MAIL : PAUL RAJAMUN KAKKASSERY PB NO 23, FIRST DRY@CSB E-MAIL : FLOOR, STADIUM .CO.IN, RAJAMUNDRY ROAD, TELEPHO @CSB.CO.IN, ANDHRA EAST RAJAMUNDRY, EAST RAJAHMUN NE : 0883 TELEPHONE : PRADESH GODAVARI RAJAMUNDRY GODAVARY - 533101 DRY CSBK0000221 2421284 0883 2433516 JOB MATHEW, SENIOR MANAGER, VENKATAMATTUPAL 0863- LI MANSION,DOOR 225819, NO:6-19-79,5&6TH 222960(DI LANE,MAIN R) , CHANDRAMOH 0863- ANDHRA RD,ARUNDELPET,52 GUNTUR@ ANAN , ASST. 2225819, PRADESH GUNTUR GUNTUR 2002 GUNTUR CSBK0000207 CSB.CO.IN MANAGER 2222960 D/NO 5-9-241-244, Branch FIRST FLOOR, OPP. Manager GRAMMER SCHOOL, 040- ABID ROAD, 23203112 e- HYDERABAD - mail: ANDHRA 500001, ANDHRA HYDERABA hyderabad PRADESH HYDERABAD HYDERABAD PRADESH D CSBK0000201 @csb.co.in EMAIL- SECUNDE 1ST RABAD@C FLOOR,DIAMOND SECUNDER SB.CO.IN TOWERS, S D ROAD, ABAD PHONE NO ANDHRA SECUNDERABA DECUNDERABAD- CANTONME 27817576,2 PRADESH HYDERABAD D 500003 NT CSBK0000276 7849783 THOMAS THARAYIL, USHA ESTATES, E-MAIL : DOOR NO 27.13.28, VIJAYAWA NAGABHUSAN GOPALAREDDY DA@CSB. E-MAIL : ROAD, CO.IN, VIJAYAWADA@ GOVERNPOST, TELEPHO CSB.CO.IN, ANDHRA VIJAYAWADA - VIJAYAWAD NE : 0866 TELEPHONE : PRADESH KRISHNA VIJAYAWADA 520002 A CSBK0000206 2577578 0866 2571375 MANAGER, E-MAIL: NELLORE ASST.MANAGE @CSB.CO. R, E-MAIL: PB NO 3, IN, NELLORE@CS SUBEDARPET ROAD, TELEPHO B.CO.IN, ANDHRA NELLORE - 524001, NE:0861 TELEPHONE: PRADESH NELLORE NELLORE ANDHRA PRADESH NELLORE CSBK0000210 2324636 0861 2324636 BR.MANAG ER : PHONE :040- ASST.MANAGE 23162666 R : PHONE :040- 5-222 VIVEKANANDA EMAIL 23162666 NAGAR COLONY :KUKATPA EMAIL ANDHRA KUKATPALLY KUKATPALL LLY@CSB. -
1 ; Mahatma Gandhi University B. A. Music Programme(Vocal
1 ; MAHATMA GANDHI UNIVERSITY B. A. MUSIC PROGRAMME(VOCAL) COURSE DETAILS Sem Course Title Hrs/ Cred Exam Hrs. Total Week it Practical 30 mts Credit Theory 3 hrs. Common Course – 1 5 4 3 Common Course – 2 4 3 3 I Common Course – 3 4 4 3 20 Core Course – 1 (Practical) 7 4 30 mts 1st Complementary – 1 (Instrument) 3 3 Practical 30 mts 2nd Complementary – 1 (Theory) 2 2 3 Common Course – 4 5 4 3 Common Course – 5 4 3 3 II Common Course – 6 4 4 3 20 Core Course – 2 (Practical) 7 4 30 mts 1st Complementary – 2 (Instrument) 3 3 Practical 30 mts 2nd Complementary – 2 (Theory) 2 2 3 Common Course – 7 5 4 3 Common Course – 8 5 4 3 III Core Course – 3 (Theory) 3 4 3 19 Core Course – 4 (Practical) 7 3 30 mts 1st Complementary – 3 (Instrument) 3 2 Practical 30 mts 2nd Complementary – 3 (Theory) 2 2 3 Common Course – 9 5 4 3 Common Course – 10 5 4 3 IV Core Course – 5 (Theory) 3 4 3 19 Core Course – 6 (Practical) 7 3 30 mts 1st Complementary – 4 (Instrument) 3 2 Practical 30 mts 2nd Complementary – 4 (Theory) 2 2 3 Core Course – 7 (Theory) 4 4 3 Core Course – 8 (Practical) 6 4 30 mts V Core Course – 9 (Practical) 5 4 30 mts 21 Core Course – 10 (Practical) 5 4 30 mts Open Course – 1 (Practical/Theory) 3 4 Practical 30 mts Theory 3 hrs Course Work/ Project Work – 1 2 1 Core Course – 11 (Theory) 4 4 3 Core Course – 12 (Practical) 6 4 30 mts VI Core Course – 13 (Practical) 5 4 30 mts 21 Core Course – 14 (Practical) 5 4 30 mts Elective (Practical/Theory) 3 4 Practical 30 mts Theory 3 hrs Course Work/ Project Work – 2 2 1 Total 150 120 120 Core & Complementary 104 hrs 82 credits Common Course 46 hrs 38 credits Practical examination will be conducted at the end of each semester 2 MAHATMA GANDHI UNIVERSITY B. -
Chelakkara Assembly Kerala Factbook
Editor & Director Dr. R.K. Thukral Research Editor Dr. Shafeeq Rahman Compiled, Researched and Published by Datanet India Pvt. Ltd. D-100, 1st Floor, Okhla Industrial Area, Phase-I, New Delhi- 110020. Ph.: 91-11- 43580781, 26810964-65-66 Email : [email protected] Website : www.electionsinindia.com Online Book Store : www.datanetindia-ebooks.com Report No. : AFB/KR-061-0619 ISBN : 978-93-5313-530-0 First Edition : January, 2018 Third Updated Edition : June, 2019 Price : Rs. 11500/- US$ 310 © Datanet India Pvt. Ltd. All rights reserved. No part of this book may be reproduced, stored in a retrieval system or transmitted in any form or by any means, mechanical photocopying, photographing, scanning, recording or otherwise without the prior written permission of the publisher. Please refer to Disclaimer at page no. 128 for the use of this publication. Printed in India No. Particulars Page No. Introduction 1 Assembly Constituency -(Vidhan Sabha) at a Glance | Features of Assembly 1-2 as per Delimitation Commission of India (2008) Location and Political Maps Location Map | Boundaries of Assembly Constituency -(Vidhan Sabha) in 2 District | Boundaries of Assembly Constituency under Parliamentary 3-9 Constituency -(Lok Sabha) | Town & Village-wise Winner Parties- 2019, 2016, 2014, 2011 and 2009 Administrative Setup 3 District | Sub-district | Towns | Villages | Inhabited Villages | Uninhabited 10-11 Villages | Village Panchayat | Intermediate Panchayat Demographics 4 Population | Households | Rural/Urban Population | Towns and Villages -
Accused Persons Arrested in Thrissur City District from 09.12.2018To15.12.2018
Accused Persons arrested in Thrissur City district from 09.12.2018to15.12.2018 Name of Name of the Name of the Place at Date & Arresting Court at Sl. Name of the Age & Cr. No & Sec Police father of Address of Accused which Time of Officer, which No. Accused Sex of Law Station Accused Arrested Arrest Rank & accused Designation produced 1 2 3 4 5 6 7 8 9 10 11 KARIMBANAKKA MANNUTH RETHEESH L HOUSE, 15-12-2018 770/2018 U/s MATHEW K 59, MANNUTHY Y P.M. SI OF BAILED BY 1 THOMAS NELLIMATTOM, at 22:20 118(a) of KP T Male BYE PASS (THRISSUR POLICE, POLICE KOTHAMANGALA Hrs Act CITY) MANNUTHY M, ERANAKULAM CHAVAKA CHALIL HOUSE, 15-12-2018 693/2018 U/s ABDUL 39, CHAVAKKA D JAYAPRADE BAILED BY 2 RASHEED KETTUNGAL at 21:00 279 IPC & 185 RAHIMAN Male D (THRISSUR EP .K.G POLICE ANCHANGADI Hrs MV ACT CITY) GURUVAY THAIKKATTIL (H), 15-12-2018 758/2018 U/s SI SURENDRA 27, THAMPURA UR BAILED BY 3 NIKHIL PERAKAM, at 20:15 279 IPC & 185 PREMARAJA N Male NPADI (THRISSUR POLICE POOKODE Hrs MV ACT N CITY) KARIVAN HOUSE, MEDICAL KANNAMKULAM 15-12-2018 798/2018 U/s VELAYUDH 58, COLLEGE ANUDAS K 4 GIRIJAN ROAD GRAMALA at 20:20 279 IPC & 185 ARRESTED AN Male (THRISSUR SI OF POLICE MULAMKUNNAT Hrs MV ACT CITY) HUKAVU AVAVNAPARAMB MEDICAL 15-12-2018 797/2018 U/s 24, IL HOUSE, THIRUTHIPA COLLEGE ANUDAS K 5 VIPIN AYYAPPAN at 19:10 15(c) r/w 63 ARRESTED Male PARLIKKAD RAMBU (THRISSUR SI OF POLICE Hrs of Abkari Act DESOM CITY) MEDICAL KOZHIPARAMBIL 15-12-2018 797/2018 U/s 31, THIRUTHIPA COLLEGE ANUDAS K 6 BIJEESH RAMU HOUSE, at 19:10 15(c) r/w 63 ARRESTED Male RAMBU (THRISSUR SI OF POLICE PARLIKKAD Hrs of Abkari Act CITY) THAZHATHETHIL HOUSE THEKKE CHERUTH 15-12-2018 405/2018 U/s GOVINDHA 34, VAVANNUR CHERUTHU URUTHI 7 AJIL at 19:35 279 IPC & 185 V P SIBEESH ARRESTED N Male DESAM RTHY (THRISSUR Hrs MV ACT NAGALASSERY,PA CITY) LAKKAD KAVILVALAPPIL WADAKKA K.C. -
Music in South India – Kerala a Smithsonian Folkways Lesson Designed By: Lum Chee Hoo University of Washington
Music in South India – Kerala A Smithsonian Folkways Lesson Designed by: Lum Chee Hoo University of Washington Summary: Talk about the geography, language, and culture of Kerala in South India using story songs, dance dramas, and rhythms. Introduce students to specific artists and instruments important to Kerala's musical traditions. Suggested Grade Levels: 9-12 Country: India Region: Asia Culture Group: Kerala Genre: Indian Instruments: Voice Language: Malayalam Co-Curricular Areas: Social Studies National Standards: 6, 9 Prerequisites: None Objectives: Learn about culture of Kerala group, including music, dance, and language Materials: “Idakka” from Music from South India- Kerala (FW04365) http://www.folkways.si.edu/tr-ankaran-nambudiri-and-pm-narayana- mara/idakka/world/music/track/smithsonian “Nala Charitam,” Music from South India- Kerala (FW04365) http://www.folkways.si.edu/mep-pillai-and-gopinathan-nayar-k-damodaran- pannikar-and-vasudeva-poduwal-mankulam-vishnu-nambudiri-and-kudama-ur- karunakaran-nayar/kathakai-nala-charitam/world/music/track/smithsonian “Panchawadyam” from Music from South India- Kerala (FW04365) http://www.folkways.si.edu/instrumental/panchawadyam/world/music/track/s mithsonian http://www.folkways.si.edu/narayana-mara-and- party/panchawadyam/world/music/track/smithsonian Liner notes from Music from South India- Kerala (FW04365) http://media.smithsonianfolkways.org/liner_notes/folkways/FW04365.pdf The JVC video anthology of world music and dance: South Asia I, India, Track 11- 2 (Kathakali-dance-drama: Dryodana vadham from the Mohabharata DVD - Vanaprastham: The last dance (1999). Director: Shaji N. Karun. Vanguard Cinema. ASIN: B000066C7A Map of South India Pictures of instruments: from liner notes and Music in South India: Experiencing music, expressing culture Lesson Segments: 1. -
Kalidasa - Poems
Classic Poetry Series Kalidasa - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Kalidasa(4th Century - 5th Century) Kalidasa (Devanagari: ??????? "servant of Kali") was a renowned Classical Sanskrit writer, widely regarded as the greatest poet and dramatist in the Sanskrit language. His floruit cannot be dated with precision, but most likely falls within 4th Century AD. His plays and poetry are primarily based on Hindu Puranas and philosophy. <b> Life </b> Nothing apart from his works is known with certainty about the life of Kalidasa, such as his period or where he lived. Little is known about Kalidasa's life. According to legend, he was known for his beauty, which brought him to the attention of Princess Vidyottama and she married him. However, as legend has it, Kalidasa had grown up without much education, and the princess was ashamed of his ignorance and coarseness. A devoted worshipper of Kali (by other accounts of Saraswati), Kalidasa is said to have called upon his goddess for help when he was going to commit suicide in a well after he was humiliated by his wife, and was rewarded with a sudden and extraordinary gift of wit. He is then said to have become the most brilliant of the "nine gems" at the court of the king Vikramaditya of Ujjain. Legend also has it that he was murdered by a courtesan in Sri Lanka during the reign of Kumaradasa. <b> Date </b> A terminus ante quem is given by the Aihole Prashasti of 634 AD, which has a reference to his skills; and a terminus post quem can be presumed from his play Malavikagnimitra in as much as the hero, King Agnimitra of the Shunga dynasty, assumed the throne of Magadha in 152 BC. -
King Dushyant and Shakuntala and His Name Was Bharat
King Dushyant 2 and Shakuntala Dushyant, the king of the Puru dynasty, ruled Hastinapur. He was a proficient administrator and a just ruler. Vidushaka, his friend, was always by his side. One day, king Dushyant made a plan of hunting in the forest; so he went into the forest with his huge army. After great efforts, he shot an arrow at a deer but the wounded deer ran away from his sight. He also started following the deer and reached an ashram. There he saw a beautiful girl, named Shakuntala, nursing the deer, her pet. Shakuntala was born to the sage Vishwamitra and Apsara Menaka. Menaka had come at the command of the king of gods, Indra, to distract the great sage Vishwamitra from his deep meditations. 10 English-5 King Dushyant profusely begged her forgiveness for harming the deer and spent some time at the ashram. Shakuntala’s beauty was so captivating that the king fell in love with her. Shakuntala too, was enchanted by his majestic personality. They married right there in the ashram. But as the king had to go to look after his kingdom, he told this to Shakuntala. At this, she was heartbroken but she knew her husband’s responsibility towards his kingdom. The day of his departure arrived. Shakuntala was in utter agony. Dushyant was also emotionally disturbed. When Dushyant left Shakuntala, he gave Shakuntala a royal ring as a sign of their love, promising her that he would return to her soon. Shakuntala was so dispirited by Dushyant’s separation. One day she was sitting in the garden and recalling her sweet memories with her husband, King Dushyant. -
2.2 Sophocles' Oedipus the King and Kalidasa's Shakuntala
This course material is designed and developed by Indira Gandhi National Open University (IGNOU), New Delhi. OSOU has been permitted to use the material. Master of Arts in English (MAEG) MEG-07 COMPARATIVE LITERATURE Block-1 INTRODUCTION TO COMPARATIVE LITERATURE UNIT-1 WHAT IS COMPARATIVE LITERATURE UNIT-2 THE PRACTISE OF COMPARATIVE LITERATURE UNIT-3 THEORY OF COMPARATIVE LITERATURE UNIT-4 MODERNISM: THE WEST AND THE EAST EXPERT COMMITTEE Prof. Indranath Choudhury Prof. Satyakam Formerly Tagore Chair Director (SOH). Edinburgh Napier University School of Humanities Prof. K. Satchidanandan (English Faculty) Academic, Poet, Translator, Critic Prof. Anju Sahgal Gupta, IGNOU Prof. Shyamala Narayan (retd) Prof. Neera Singh, IGNOU Formerly Head, Dept of English Prof. Malati Mathur, IGNOU Jamia Millia Islamia, New Delhi. Prof. Nandini Sahu, IGNOU Prof. Sudha Rai (retd) Dr. Pema E Samdup, IGNOU Formerly Dean, Department of English Dr. Parmod Kumar, IGNOU Rajasthan University, Jaipur Ms. Mridula Rashmi Kindo, IGNOU Dr. Malathy A. COURSE COORDINATOR Prof. Malati Mathur, School of Humanities, IGNOU BLOCK PREPARATION Course Writers Block Editor Prof. C. T. Indra (retd.) formerly Head, Prof. Malati Mathur Dept of English, Madras University, Chennai School of Humanities IGNOU Mr. Parsa Venkateswara Rao Jr journalist and Critic Prof. R. Ramanujam STRIDE, IGNOU Secretarial assistance: Ms. Reena Sharma Executive DP (SOH) PRINT PRODUCTION Mr. C.N. Pandey Section Officer (Publication) SOH, IGNOU, New Delhi May, 2018 © Indira Gandhi National Open University, 2018 ISBN-978- All rights reserved. No part of this work may be reproduced in any form, by mimeograph or any other means, without permission in writing from the Indira Gandhi National Open University. -
T>HE JOURNAL MUSIC ACADEMY
T>HE JOURNAL OF Y < r f . MUSIC ACADEMY MADRAS A QUARTERLY IrGHTED TO THE ADVANCEMENT OF THE SCIENCE ' AND ART OF MUSIC XXXVIII 1967 Part.' I-IV ir w > \ dwell not in Vaikuntha, nor in the hearts of Yogins, ^n- the Sun; (but) where my Bhaktas sing, there L ^ Narada ! ” ) EDITED BY v. RAGHAVAN, M.A., p h .d . 1967 PUBLISHED BY 1US1C ACADEMY, MADRAS a to to 115-E, MOWBRAY’S ROAD, MADRAS-14 bscription—Inland Rs. 4. Foreign 8 sh. X \ \ !• ADVERTISEMENT CHARGES \ COVER PAGES: Full Page Half Page i BaCk (outside) Rs. 25 Rs. 13 Front (inside) 99 20 .. 11. BaCk (Do.) 30 *# ” J6 INSIDE PAGES: i 1st page (after Cover) 99 18 io Other pages (eaCh) 99 15 .. 9 PreferenCe will be given (o advertisers of musiCal ® instruments and books and other artistic wares. V Special positions and speCial rates on appliCation. t NOTICE All correspondence should be addressed to Dr. V. Ragb Editor, Journal of the MusiC ACademy, Madras-14. Articles on subjects of musiC and dance are accepte publication on the understanding that they are Contributed to the Journal of the MusiC ACademy. f. AIT manuscripts should be legibly written or preferabl; written (double spaced—on one side of the paper only) and be sigoed by the writer (giving his address in full). I The Editor of the Journal is not responsible for tb expressed by individual contributors. AH books, advertisement moneys and cheques du> intended for the Journal should be sent to Dr. V, B Editor. CONTENTS Page T XLth Madras MusiC Conference, 1966 OffiCial Report .. -
Department of Sanskrit
DEPARTMENT OF SANSKRIT Dr. K. I. Treesa Asst. Professor In Sanskrit PERFORMING ARTS • KOODIYATTAM • CHAKYAR KOOTHU • NANGIAR KOOTHU • KRISHNANATTAM KOODIYATTAM Koodiyattam, also transliterated as Kutiyattam, is a traditional performing artform in the state of Kerala, India. It is a combination of ancient Sanskrit theatre with elements of Koothu, a Malayalam performing art which is as old as Sangam era. It is officially recognised by UNESCO as a Masterpiece of the Oral and Intangible Heritage of Humanity. Koodiyattam (Kutiyattam), meaning "combined acting" in Malayalam, combines Sanskrit theatre performance with elements of traditional Koothu. It is traditionally performed in temple theatres known as Koothambalams. It is the only surviving art form that uses drama from ancient Sanskrit theatre. It has a documented history of a thousand years in Kerala, but its origins are unknown. Koodiyattam and Chakyar Koothu were among the dramatized dance worship services in the temples of ancient India, particularly Kerala. Both Koodiyattam and Chakyar Koothu originated from ancient south Indian artform Koothu which is mentioned several times in ancient Sangam literature, and the epigraphs of the subsequent Pallava, Pandiyan, Chera, and Chola periods. Inscriptions related to Koothu can be seen in temples at Tanjore, Tiruvidaimaruthur, Vedaranyam, Tiruvarur, and Omampuliyur. They were treated as an integral part of worship services, alongside the singing of Tevaram and Prabandam hymns. MIZHAVU Traditionally, the main musical instru ments used in Koodi yattam are mizhavu, kuzhitalam, edakka, k urumkuzhal, and sankhu. Mizhavu, the most prominent of these is a percussion instrument that is played by a person of the Ambalavas Nambiar caste, accom panied by Nangyaramma playing the kuzhithalam (a type of cymbal).