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Avant Première Catalogue 2018 Lists UNITEL’S New Productions of 2017 Plus New Additions to the Catalogue
CATALOGUE 2018 This Avant Première catalogue 2018 lists UNITEL’s new productions of 2017 plus new additions to the catalogue. For a complete list of more than 2.000 UNITEL productions and the Avant Première catalogues of 2015–2017 please visit www.unitel.de FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 WORLD SALES C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager [email protected] & Marketing [email protected] [email protected] Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director [email protected] [email protected] CATALOGUE 2018 Unitel GmbH & Co. KG Gruenwalder Weg 28D 82041 Oberhaching/Munich, Germany CEO: Jan Mojto Editorial team: Franziska Pascher, Dr. Martina Kliem, Arthur Intelmann Layout: Manuel Messner/luebbeke.com All information is not contractual and subject to change without prior notice. All trademarks used herein are the property of their respective owners. Date of Print: February 2018 © UNITEL 2018 All rights reserved Front cover: Alicia Amatriain & Friedemann Vogel in John Cranko’s “Onegin” / Photo: Stuttgart Ballet ON THE OCCASION OF HIS 100TH BIRTHDAY UNITEL CELEBRATES LEONARD BERNSTEIN 1918 – 1990 Leonard Bernstein, a long-time exclusive artist of Unitel, was America’s ambassador to the world of music. -
George Duning, Awards and More 28 Twenty Years Gone 5 Record Label Camille Fielding Remembers Jerry
Original Music Soundtracks for Motion Pictures and TV V OLUME 5, NUMBER 2 The Good, the Bad, and the Oscars... page 19 ANY GIVEN COMPOSER Oliver Stone’s Score-O-Matic CD REVIEWS An Uncommonly Positive Batch! JERRYJERRY FIELDINGFIELDING A 20th AAnniversary 20th ReminiscenceAnniversary Tribute Ht: 0.816", Wd: 1.4872", Mag: 80% BWR: 1 $4.95 U.S. • $5.95 Canada CONTENTS FEBRUARY 2000 cover story departments 24 Music by Jerry Fielding 2 Editorial On the 20th anniversary of the legendary Words of wisdom composer’s passing, we reminisce about his work and its impact. 4 News By Nick Redman George Duning, awards and more 28 Twenty Years Gone 5 Record Label Camille Fielding remembers Jerry. Round-up What’s on the way 6 Now Playing Movies and CDs in Twenty years after his death, he f e a t u r e s release remains a one-of-a-kind. 8 Concerts page 24 Live performances 19 The Good, the Bad around the globe and the Oscars 10 Upcoming Film How shall we remember the soundtracks of Assignments 1999? Here’s a rollicking wrap-up of the year. Who’s writing what By Jonathan Z. Kaplan, Doug Adams, Jeff Bond and Jesus Weinstein 13 Mail Bag Phantom premonitions 22 Top Picks for ’99 The “keepers” of the year. 16 Downbeat Roustabouts and rumbles 30 Any Given Composer Oliver Stone assembles a crack team of musicians 33 Score for his football epic. Our special “C.H. How do 12 cameras, six editors, By Jeff Bond Levenson All-Positive and nine composers work for one Reviews” installment director? page 30 32 Power Plays The unintended, unexpected success of 34 Pocket Reviews NFL’s greatest hits. -
Liverpool Philharmonic What's on April – August 2019
Liverpool Philharmonic What's On April – August 2019 Featuring: • Katherine Jenkins • Rumours of Fleetwood Mac • John Barrowman • The Music of John Williams for Spielberg • Nashville Classics Box Office: 0151 709 3789; liverpoolphil.com Facebook: LiverpoolPhilharmonic Twitter: liverpoolphil Instagram: liverpool_philharmonic Contents Royal Liverpool Philharmonic is grateful to the following supporters ........................................................................ 5 Feature: Summer Classics ........................................................ 9 Over the Rainbow: Best of Broadway..................................... 9 Beethoven's Seventh .............................................................. 9 L'Après Midi ............................................................................ 9 Petrenko's Summer Classics ................................................ 10 Nashville Classics ................................................................. 10 Contemporary Music................................................................ 10 Stairway to Heaven: Led Zeppelin Masters .......................... 10 King of Ghosts ...................................................................... 11 An Evening of Songs and Stories Art Garfunkel .................. 12 Collabro ................................................................................ 12 1 Rumours of Fleetwood Mac.................................................. 13 The Solid Silver 60s Show.................................................... 13 George ................................................................................. -
Eragon Italia
FOX 2000 PICTURES Presents Made in Association with DUNE ENTERTAINMENT LLC and MAJOR In Association with STUDIO PARTNERS INGENIOUS FILM PARTNERS CAST A DAVIS ENTERTAINMENT Eragon..................................... ED SPELEERS COMPANY Production Brom ...................................... JEREMY IRONS Arya ................................. SIENNA GUILLORY “ERAGON” Durza................................ROBERT CARLYLE Galbatorix ......................... JOHN MALKOVICH ED SPELEERS Murtagh ........................ GARRETT HEDLUND JEREMY IRONS Uncle Garrow ................. ALUN ARMSTRONG Roran..........................................CHRIS EGAN SIENNA GUILLORY Hrothgar .....................................GARY LEWIS ROBERT CARLYLE Ajihad...............................DJIMON HOUNSOU DJIMON HOUNSOU Voice of Saphira.................... RACHEL WEISZ GARRETT HEDLUND Horst ....................................RICHARD RIFKIN JOSS STONE Sloan ...................................... STEVE SPEIRS Angela ...................................... JOSS STONE With RACHEL WEISZ Villager #1 ..............MICHAEL A. MEHLMANN As the Voice of Saphira Villager #2 .................................TAMÁS DEÁK Tall Soldier ............................ MATT DEVERE And JOHN MALKOVICH Sergeant..............................MÁTÉ HAUMANN ALUN ARMSTRONG Horst’s Wife......................ANDREA FAZEKAS CHRIS EGAN Nasuada .......................CAROLINE CHIKEZIE Varden Woman ................ ÁGNES BÁNFALVI GARY LEWIS Varden Guard .............................PÁL MAKRAI STEVE -
Deutsche Nationalbibliografie 2011 T 12
Deutsche Nationalbibliografie Reihe T Musiktonträgerverzeichnis Monatliches Verzeichnis Jahrgang: 2011 T 12 Stand: 21. Dezember 2011 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main) 2011 ISSN 1613-8945 urn:nbn:de:101-ReiheT12_2011-7 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musiktonträger in Reihe T sind, wie Katalogisierung, Regeln für Musikalien und Musikton-trä- auf der Sachgruppenübersicht angegeben, entsprechend ger (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD (PM)“ -
Royal Liverpool Philharmonic Orchestra 2018-2019 Season Vasily Petrenko: Chief Conductor Box Office: 0151 709 3789 Liverpoolphil.Com
Royal Liverpool Philharmonic Orchestra 2018-2019 Season Vasily Petrenko: Chief Conductor Box Office: 0151 709 3789 liverpoolphil.com Contents Supporters ........................................................................................ 2 Royal Liverpool Philharmonic is grateful to the following supporters .................................................................................. 2 Welcome from Vasily Petrenko ........................................................ 7 Liverpool Philharmonic Starter Collection ......................................... 9 Artists In Residence ........................................................................ 12 Awards & Critical Acclaim ............................................................... 17 Membership .................................................................................... 18 Subscribe to Liverpool Philharmonic .............................................. 21 Royal Liverpool Philharmonic Orchestra Concerts ......................... 23 Family Concerts .............................................................................. 65 Chamber Music............................................................................... 71 Close Up Concerts.......................................................................... 81 Lunchtime Concerts ........................................................................ 88 Talks, Tours & Taking Part ............................................................. 93 Liverpool Philharmonic Youth Company ....................................... -
The Music of Harry Potter: Continuity and Change in the First
THE MUSIC OF HARRY POTTER: CONTINUITY AND CHANGE IN THE FIRST FIVE FILMS by JAMIE LYNN WEBSTER A DISSERTATION Presented to the School ofMusic and Dance and the Graduate School ofthe University of Oregon in partial fulfillment ofthe requirements for the degree of Doctor ofPhilosophy December 2009 11 University of Oregon Graduate School Confirmation of Approval and Acceptance of Dissertation prepared by: Jamie Webster Title: "The Music ofHarry Potter: Continuity and Change in the First Five Films" This dissertation has been accepted and approved in partial fulfillment ofthe requirements for the Doctor ofPhilosophy degree in the Department ofMusic by: Marian Smith, Chairperson, Music Anne McLucas, Member, Music Mark Levy, Member, Music Carl Bybee, Outside Member, Journalism and Communication and Richard Linton, Vice President for Research and Graduate Studies/Dean ofthe Graduate School for the University of Oregon. December 12, 2009 Original approval signatures are on file with the Graduate School and the University of Oregon Libraries. III © 2009 Jamie Lynn Webster IV An Abstract ofthe Dissertation of Jamie Lynn Webster for the degree of Doctor ofPhilosophy in the School ofMusic and Dance to be taken December 2009 Title: THE MUSIC OF HARRY POTTER: CONTINUITY AND CHANGE IN THE FIRST FIVE FILMS Approved: _ Marian Smith Despite the immense popular and critical response given to the Harry Potter narrative and phenomenon, little has been written about the music for the Harry Potter films. I establish that the aesthetic differences that viewers perceive between the different Harry Potter films are largely due to the musical approaches ofcomposers John Williams, Patrick Doyle, and Nicholas Hooper over the course offour director/composer collaborations for the first five films. -
Instagram: @Ottawapops About the Orchestra / À Propos De L’Orchestre
1 INSTAGRAM: @OTTAWAPOPS ABOUT THE ORCHESTRA / À PROPOS DE L’ORCHESTRE The Ottawa Pops Orchestra (OPO) L’Orchestre Pop d’Ottawa (OPO) fut was founded in the spring of 2017 by fondé au printemps de 2017 par une a collective of young musicians. Our collectivité de jeunes musiciens. Leur mission is to enrich and inspire the mission est d’enrichir et d’inspirer la community by performing orchestral communauté en interprétant de la music that extends past the classical musique orchestrale qui dépasse les norm. Under the joint direction of normes classiques. Sous la direction de Matthew Larkin and Jonathan Dagenais, Matthew Larkin et de Jonathan Dagenais, the OPO strives to redefine the orchestral l’OPO s’efforce de redéfinir l’expérience experience for today’s audiences. orchestrale pour le public d’aujourd’hui. The OPO is committed to engage with L’OPO est dévoué dans son the community and provide education engagement communautaire et opportunities to young musicians and fournit des expériences éducatives students in the Ottawa-Gatineau Region. aux jeunes musiciens et élèves de la In the 2018-2019 season, we’re proud région d’Ottawa-Gatineau. Lors de la to offer local schools the opportunity to saison 2018-2019, nous sommes fiers come to open dress rehearsals to see the de permettre aux écoles de la région orchestra in action. d’assister aux répétitions générales afin de voir l’orchestre à l’œuvre. OTTAWAPOPSORCHESTRA.CA 2 ABOUT THE PRODUCTION “Ah, music, a magic beyond all we do here!” – Albus Dumbledore Approaching the age of eleven, many young children may have their hearts set on one thing - an acceptance letter to the Hogwarts School of Witchcraft and Wizardry. -
And Imaginaerum (2011)
A semiotic analysis of Nightwish’s Dark Passion Play (2007) and Imaginaerum (2011) Suzanne Strauss A THESIS SUBMITTED IN ACCORDANCE WITH THE REQUIREMENTS FOR THE DOCTOR OF PHILOSOPHY OF MUSIC DEGREE IN THE FACULTY OF HUMANITIES, ODEION SCHOOL OF MUSIC, AT THE UNIVERSITY OF THE FREE STATE January 2018 Promoter: Dr M.J. Thom Wium Co-Promoters: Prof M. Viljoen Prof R. Walser Statement of originality I declare that the dissertation hereby submitted for the qualification Doctor of Philosophy in Music at the University of the Free State is my own independent work and that I have not previously submitted the same work for a qualification at/in another University/faculty. 26 January 2018 Signed: Suzanne Strauss Date: i Acknowledgements I would like to extend my sincerest thanks to the following individuals who have made significant contributions to my thesis: Dr Matildie Thom Wium, my promoter, for her time, help, unwavering support, patience and valuable analytical observations; Prof Martina Viljoen, my co-promoter and mentor, for her time, help, unwavering support, patience and valuable guidance, especially concerning the theoretical- philosophical frameworks; Prof Robert Walser, my co-promoter, for his expert advice and time; Mr Tuomas Holopainen and Mr Pip Williams, for their gracious willingness to share their work on Dark Passion Play and Imaginaerum with me; Mr John Smit, for his help with the identification and labelling of various sound-effects; Mr Jako Olivier, for his help with the design of the 3-D soundbox diagrams as well as his saint-like patience, friendship and unceasing support; Mr Johannes Deetlefs, for the careful editing of the 3-D soundbox diagrams as well as his unwavering support and friendship; Mrs Carol Keep, for editing my thesis with great care; Mrs Estie Pretorius, for her willingness and uncanny ability to locate sources that no mortal can find; and My friends and family (here and far away), for their love, time and support. -
V4n4 Cov Revise
CONTENTS APRIL/MAY 1999 RETROSPECTIVE DEPARTMENTS 22 A Valiant Effort 2 Editor’s Page Travel back to 1954 for a peek at Franz The Original Prequel Waxman’s triumphant effort to create the score for Prince Valiant. 4News By Doug Adams Star Wars: Facts, 24 Franz, Offscreen Rumors and Hearsay A review of two notable non-film compositions. 5 Record Label 28 Waxing Poetic Round-up An examination of the themes and motives that What’s on the way make Valiant a model for films of heroes, 6Now Playing princesses and villains. Movies and CDs in release Franz Waxman took a silly ‘50s 7 Concerts spectacle and made a musical FEATURES Live performances monument. page 22 around the world 17 What’s on Your Mind? 9 Upcoming Film We conclude our look back on the best and worst Assignments of 1998 with a compilation of reader picks from Who’s writing what our exclusive poll. By You, with commentary by Jeff Bond 11 Laserphile Take Your Paws Off My 43 Sounding Off on Soundtracks Discs, You Damn Dirty A report on a fascinating conference of film Laserphile! music pros and the state of the art. By James Miller 14 Downbeat Mostly New and Unreleased REVIEWS The evolution of laser releases 35 Score takes its inevitable course. 30 Super-Hits of the Late ’70s Reviews of the latest page 11 Our massive listener’s guide to the works of releases, including The Jerry Goldsmith continues, from The Wind and Towering Inferno, the Lion thru Star Trek: The Motion Picture. Rushmore, Payback, By Jeff Bond 8mm, Playing by Heart, and more.