Performer Information Pack Underbelly 2017
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Survival Guide
Edinburgh Festivals SURVIVAL GUIDE Introduction by Alexander McCall Smith INTRODUCTION The original Edinburgh Festival was a wonderful gesture. In 1947, Britain was a dreary and difficult place to live, with the hardships and shortages of the Second World War still very much in evidence. The idea was to promote joyful celebration of the arts that would bring colour and excitement back into daily life. It worked, and the Edinburgh International Festival visitor might find a suitable festival even at the less rapidly became one of the leading arts festivals of obvious times of the year. The Scottish International the world. Edinburgh in the late summer came to be Storytelling Festival, for example, takes place in the synonymous with artistic celebration and sheer joy, shortening days of late October and early November, not just for the people of Edinburgh and Scotland, and, at what might be the coldest, darkest time of the but for everybody. year, there is the remarkable Edinburgh’s Hogmany, But then something rather interesting happened. one of the world’s biggest parties. The Hogmany The city had shown itself to be the ideal place for a celebration and the events that go with it allow many festival, and it was not long before the excitement thousands of people to see the light at the end of and enthusiasm of the International Festival began to winter’s tunnel. spill over into other artistic celebrations. There was How has this happened? At the heart of this the Fringe, the unofficial but highly popular younger is the fact that Edinburgh is, quite simply, one of sibling of the official Festival, but that was just the the most beautiful cities in the world. -
Scotland's New Year Festival
SCOTLAND’S NEW YEAR FESTIVAL FOREWORD A very warm welcome to you in our third year of producing Edinburgh’s Hogmanay, as we invite you to BE TOGETHER this Hogmanay. Now more than ever is the time to celebrate ‘togetherness’ and what better way than surrounded by people from all over the world at New Year? From performers to audiences, this festival is about coming together, being together, sharing experiences together and sharing the start of a new year arm in arm and side by side. BE ready to party from the 30th December as we return with a programme of events at the magnificent McEwan Hall. From the return of hit clubbing experience Symphonic Ibiza on 30th December featuring Ibiza DJs and a live orchestra, to the first party in 2020 celebrating the new year along with the Southern Hemisphere at G’Day 2020 with Kylie Auldist on 31 December. Jazz legends Ronnie Scott’s Big Band will play a gala concert on 31st December to give an alternative lead up to the bells and renowned DJ Judge Jules will spin into the wee small hours at our first ever Official After-Party. BE a trailblazer at the Torchlight Procession in partnership with VisitScotland. The historic event culminates in Holyrood Park as torchbearers create a symbol to share with the world: this year two figures holding hands - both residents and visitors to Scotland opening their door to the world and saying BE together. BE in the thick of it at the world famous Street Party hosted by Johnnie Walker, with a brilliantly eclectic programme of music, street theatre and spectacle. -
Theatre/Dance
Grants awarded in March 2008 PRODUCTION NAME AMOUNT Dance Theatre of Ireland performing a three week tour in Korea and a four week collarorative residency with the Korean theatre company “Now Dance”,from the 16th August to 6th October 2008 €40,000 Ballymun Arts and Community Resourse Centre Axis Arts Centre presenting a one night show and conducting workshops from 14th - 29th June 2008 at Barrow Street Theatre €7,000 The Gate Theatre presenting its Beckett Season at the 2008 Lincoln Center Festival, New York from the 10th - 28th July 2008 €50,000 Rough Magic Theatre Company performing their award winning production of “Improbable Frequency” by Arthur Riordan at the 59E59 Theatre, New York from the 8th December 2008 - 4th January 2009 €80,000 Geoff Gould Blood in the Alley performing “Catalpa” at The London Fringe Festival, Ontario, Angigonish Festival, Nova Scotia and Festival Gros Morne, Newfoundland, Canada from the 31st July - 20th August 2008 €4,000 The Irish Repertory Theatre Frank McGuinness’ adaptation of Henrik Ibsen’s”The Master Builder” being performed at the Irish Repertory Theatre, 132 West 22nd Street, New York, USA in summer 2008 €5,000 Fishamble Theatre Company performing “The Pride of Parnell Street” by Sebastian Barry at the New Plays from Europe theatre Biennale, Wiesbaden, Germany 13th - 16th June 2008 €7,000 Greek - Irish Society Declan Hughes speaking about his work “Shiver” at the Athens Centre, Greece on the 12th June 2008 €750 The Montana Repertory Theatre performing Anaconda Ashes at the Mother Lode Theatre, in -
Circus Hub Returns Bigger and Better in 2017 with an Incredible International Line Up
CIRCUS HUB RETURNS BIGGER AND BETTER IN 2017 WITH AN INCREDIBLE INTERNATIONAL LINE UP CIRCUS COMPANIES FROM COLOMBIA, ETHIOPIA, AUSTRALIA, BELGIUM AND UK SET TO WOW AUDIENCES A 4 KING-POLE BIG TOP AND SPIEGELTENT ALLOW SPECTACULAR CIRCUS SHOWS TO FLY AT EDINBURGH FRINGE 2017 CIRCUS HUB 2017 RUNS FRIDAY 4 TO SATURDAY 26 AUGUST TICKETS ON SALE NOW VIA WWW.UNDERBELLYEDINBURGH.CO.UK SELECTION OF IMAGES AVAILABLE HERE After two successful years Circus Hub is bigger and better than ever before – presenting larger venues and bigger companies, this years programme is packed full of high flying, spectacular acrobatics to marvel at. 2017’s programme is truly international, with companies coming from Ethiopia, Colombia, Belgium, Ireland and Australia to offer Fringe audiences the best of world circus and cabaret. Circus Hub, created and programmed by Underbelly, is one of the Edinburgh Festival Fringe’s most distinctive venues. Based on the Meadows, just a stone’s throw from Udderbelly in George Square Gardens, two venues – the Lafayette (a traditional 4 king- pole big top) and the Beauty (a 500-seater Spiegeltent) present technically ambitious circus work in purpose-built venues. Directors of Underbelly, Ed Bartlam and Charlie Wood, share their plans for the third year of Circus Hub 2017: ‘We’re delighted to bring Circus Hub back to the Edinburgh Festival Fringe for its third year as a firmly established part of the Fringe and the destination for fans of circus. ‘This year the addition of a 4 king-pole big top allows us to present circus on a larger scale than previously seen, with large companies of 10 or more performers bringing technically complex shows featuring floor-based and aerial acrobatics to wow audiences. -
Underbelly Festival Southbank 2019 Line-Up: First 74 Acts Announced
UNDERBELLY FESTIVAL SOUTHBANK 2019 LINE-UP: FIRST 74 ACTS ANNOUNCED • 5 April - 29 September 2019, Southbank London SE1 8XX • First headliners confirmed: legendary circus show A Simple Space, Edinburgh FestiVal smash Little Death Club & Drag sensation YUMMY • Podcast Live: a new season brings the hottest new podcasts to the stage • Family Fest runs throughout Easter, featuring: The Gruffalo, The Witch and The Warthog with Julia Donaldson, The Wind in the Willows & Monstersaurus • Underbelly FestiVal Lates: A twist on the classic Big Night Out from Massaoke, Cocoa Butter Club, Blunderland & Silent Disco Show • London Comedy Allstars: a brand-new mixed bill spectacular featuring the likes of Ed Gamble, Josie Long & John Robins Tickets for these shows are on sale today (Thursday 24th January) exclusively via Today Tix and on general sale from Monday 28th January Underbelly FestiVal Southbank - Central London’s home of affordable live entertainment - today announces the first 74 acts of a 2019 line-up which features four new programming strands, as well as its first three headline shows. Opening The Belly theatre, Gravity & Other Myths’ legendary Southbank headliner returns with an all-new cast; the awe-inspiring array of acrobatics, athleticism, games and utterly unique talents known as A Simple Space. Opening the Paradiso Spiegeltent is the London premiere of one of the most successful shows of this year’s Edinburgh Festivals, Bernie Dieter’s Little Death Club: a spectacular cabaret variety show with an all-star line-up of punks, freaks and weirdos from across the globe. Following this will be YUMMY - another breakout smash of this year’s Edinburgh Fringe this drag extravaganza is an explosion of dazzling costumes, electrifying dance, gasp-inducing performance and filthy humour which makes your average episode of Ru Paul look like an Amish funeral. -
Deborah Frances- White: Half a Can of Worms Pleasance Dome – 10 Dome, Potterow, Edinburgh, EH8 9AL
jSo Comedy presents Deborah Frances- White: Half a Can of Worms Pleasance Dome – 10 Dome, Potterow, Edinburgh, EH8 9AL Friday 1st – Monday 25th August 2014 (except 12th), 3.45pm Comedian Deborah Frances-White was adopted when she was only ten days old. Until late 2012, she knew nothing about her birth family. Then she stumbled across some information that led her to embark on a round-the-clock treasure hunt, drawn into her past like a magnet. This is her true story. Turns out, you can’t open half a can of worms! Armed with only her birth mother’s maiden name, Deborah turned internet detective to track her down. At first Deborah said ‘I just wanted to look – I wasn't at all sure I wanted to contact anybody. I wanted to see who they were and what they looked like.’ But, her curiosity soon became a compulsion as she delved into the online worlds of Google, ancestry.com, Facebook, Pinterest and YouTube. There is no doubt that this quest was a gamble - full of false leads, hilarious disappointments, hysterical revelations and, most importantly, the consequences of her discoveries. When Deborah finally made contact with her birth mother, she exposed a part of the past that had been hidden for decades. Half a Can of Worms is a raw and emotional show, by turns hilarious and heartbreaking (The Guardian). Discover Deborah’s mysterious past, inspirational present and inevitable future as her story unfolds. Deborah will also be bringing back her hit late night improv show Voices in Your Head, each weekend at the Gilded Balloon, with a host of special guests. -
2013 Annual Review
Edinburgh Festival Fringe 2014 01 – 25 August edfringe.com ‘The excitement of the Edinburgh Fringe is infectious and empowering, a blast of rude energy ... there’s a heady sense that anything is possible.’ The Independent ‘It’s the biggest and best arts festival on the planet, and the comedy hub for acts from across the globe.’ Time Out London Sponsors CALEDONIAN ‘It is, quite simply, the greatest show on earth.’ The Scotsman ‘What an opportunity the Fringe offers – it’s nourishing art in every form.’ Miriam Margolyes Supporters ‘As an accredited producer at the Edinburgh Fringe for the past 13 years, it is very easy for me to sum up both the Edinburgh Fringe Society and its Arts Industry Office: essential.’ Richard Jordan, Producer Partners ‘Being at the Fringe changed my life in about a million TM ways... Never underestimate what your efforts have meant T S to thousands of performers, writers, directors and technical C R At The National Gallery Of Scotland artists and designers.’ Elaine Liner, Fringe Participant Copyright Edinburgh Festival Fringe Society Ltd 2013 All rights reserved. No part of this publication may be reproduced in any form without the written prior permission of the Edinburgh Festival Fringe Society. The Edinburgh Festival Fringe Society Ltd is a company limited by guarantee and incorporated in Scotland (No SC046605). Registered Charity No SC002995. Registered office:180 High Street, Edinburgh, EH1 1QS Telephone: 0131 226 0026 Fax: 0131 226 0016 Email: [email protected] Foreword Welcome‘The excitement to the Edinburgh Festival of the Fringe Edinburgh Society’s partners. Fringe It is not is only infectious their financial and contributions 2013 review. -
Close up by Circa
j Close Up by Circa Underbelly George Square, Edinburgh, EH8 9LD Wednesday 5th – Monday 31st August 2015 (not 12th, 18th, 25th), 8pm Press night: Saturday 8th August 2015, 8pm Photocall (during preview): Thursday 6th August 2015, 8pm How close do you want to be? Four extraordinary circus artists. Acrobatic mastery at its most extreme. Circa, the company behind five-star productions Beyond and multi award-winning Wunderkammer, challenge everything you think about circus as they wrench back the curtain to bring you the glorious, multimedia abstraction of Close Up. This exciting world premiere is the first work commissioned by Underbelly especially for Underbelly’s iconic Udderbelly purple cow. See. Hear. Feel. Everything. Nothing's off-limits in Circa’s most intimate show yet. Interactive video and powerful music set the scene for moments of raw beauty, unbearable tension and savage physical intensity. Discover why watching Circa has become my new favourite Fringe pastime (The Scotsman). Close Up? You’ve never been closer. Close Up is based around the concept of looking. The more we look at something, the closer we look and we find there is an inherent contradiction. The more we stare, the more we’re reminded that we are separate from the thing we’re staring at. Using multimedia elements, Close Up invites us to get as close as possible to study a range of exceptional circus acts with new angles and hidden textures revealed by ultra-slow motion footage and phenomenal skills. With productions that have toured 27 countries across six continents since 2006, Circa's work is a stripped back circus of the heart. -
Birmingham Cover
Online Warwickshire Cover.qxp_Warwickshire 30/04/2015 09:33 Page 1 WARWICKSHIRE WHAT’S WARWICKSHIRE ON WHAT’S THE MIDLANDS ULTIMATE ENTERTAINMENT GUIDE WARWICKSHIRE ISSUE 353 MAY 2015 MAY www.whatsonlive.co.uk ISSUE 353 MAY 2015 MARK BENTON INTERVIEW INSIDE INSIDE PART OF MIDLANDS WHAT’S ON MAGAZINE GROUP PUBLICATIONS GROUP MAGAZINE ON WHAT’S MIDLANDS OF PART Vicky Entwistle leaves the cobbled stones of Coronation Street behind her... interview inside Joshua Jenkins on playing the lead in The Curious Incident of The Dog In The Night-Time interview inside @WHATSONWARWICKS WWW.WHATSONLIVE.CO.UK @WHATSONWARWICKS INSIDE: FILM COMEDY THEATRE LIVE MUSIC AL MURRAY VISUAL ARTS EVENTS Pub landlord under the spotlight FOOD & DRINK & MUCH MORE! The Drum F/P May 15.qxp_Layout 1 27/04/2015 20:45 Page 1 Contents May Region 1.qxp_Layout 1 27/04/2015 19:20 Page 1 May 2015 Editor: Davina Evans INSIDE: [email protected] 01743 281708 Editorial Assistants: Mark Benton Brian O’Faolain [email protected] talks crime on the French 01743 281701 Riviera p6 Lauren Foster [email protected] 01743 281707 Adrian Parker [email protected] 01743 281714 Jamie Ryan [email protected] 01743 281720 Sales & Marketing: Lei Woodhouse [email protected] 01743 281703 Chris Horton [email protected] 01743 281704 The Rise And Fall Subscriptions: Adrian Parker Of Little Voice [email protected] 01743 281714 Vicky Entwistle and Chris Managing Director: Gascoyne in Brum p31 Paul Oliver [email protected] 01743 281711 Publisher and CEO: Martin Monahan [email protected] 01743 281710 Graphic Designers: Lisa Wassell Joshua Jenkins talks about playing the lead in the National Theatre’s Chris Atherton The Curious Incident Of The Dog In The Night-Time. -
Thewar Tie .- -Drlds
THEWAR TIE .- -DRLDS . � Ii ' A�/ Rhum and Clay Theatre Company presents Written with Isley Lynn Directed by Hamish MacDougall and Julian Spooner Originally commissioned by New Diorama Theatre Co-produced by Brighton Festival and HOME Manchester Supported by China Plate, Corn Exchange Newbury, MAST Mayflower Studios Southampton, New Wolsey Theatre Ipswich and Redbridge Drama Centre Supported using public funding by Arts Council England Duration: 120 minutes (including interval) Age 12+ Contains strong language, flashing lights and haze The War of the Worlds What stories do we choose to believe, and why? In the darkest of times, Written with Isley Lynn the truth is a very precious commodity… Directed by Hamish MacDougall As humans we are fascinated and consumed by the stories that we tell each and Julian Spooner other. It’s how we navigate and explain the world. There is nothing more alluring to us than a satisfying narrative. Cast When Orson Welles adapted H.G. Wells’s The War of the Worlds in 1938 he Gina Isaac wanted to create a thrilling piece of radio drama that would ‘feel’ real. In fact, Jess Mabel Jones it felt so real that it caused a level of hysteria amongst listeners that was in part Julian Spooner down to Welles’s consummate skill as a storyteller, but that was also a feature of Matt Wells the time in which he told it. Europe was on the brink of the Second World War, Writer Isley Lynn Hitler was becoming bolder and more ferocious, the Hindenburg airship disaster Co-Directors Hamish Mac ougall, Julian Spooner had just taken place, and all of this was being transmitted into people’s living D rooms via the radio — the first piece of technology that allowed world events Movement Director Matt Wells to invade the family home. -
Comedy Legends of a Different Kind: Guest Editor Richard Herring Talks to Barry Cryer and Jerry Sadowitz
YOUR FREE GUIDE TO THE EDINBURGH FESTIVAL 2011 MORE AT WWW.THREEWEEKS.CO.UK ThreeWeeks IN EDINBURGH Comedy legends of a different kind: Guest Editor Richard Herring talks to Barry Cryer and Jerry Sadowitz PLUS Pink Noise with Fork ALSO INSIDE THE THREEWEEKS 2011 WEEK ONE/TWO ISSUE: Luke Wright, Rosie Wilby, Anthony Rapp, Paul Nathan, Joe Simmons, Lorraine Kelly, Peters Productions, Theatre Ninjas plus lots of tips for avoiding Fringe Flu, ThreeWeeks Book Festival recommendations and comedy, cabaret, theatre, musical, music and physical reviews “ STARTPOINT threeweeks presents the king’s speech Welcome this week’s quoted as fact. So do your bit by are two of the comedians that I sense you’d have to be a moron only referring to me as the King admire most in the world, despite to be genuinely offended. Some CONTENTS ThreeWeeks Guest of Edinburgh from now on. As if their wildly contrasting styles and shock comics seem to be bullies Editor Richard Herring that’s what everyone does and outlooks. punching downwards (when a only an idiot wouldn’t know that. If millionaire comedian mocks an 04: Festival Hello, it’s me, the King nothing else it will piss off Prince Barry has worked with all the actual 8 year old disabled boy People of Edinburgh. This is an Phillip. comedy greats for over 50 years it surely becomes just cruelty unofficial title that I have decided and clearly still loves comedy and rather than humour), but Jerry 06: Comedy to bestow on myself, partly And maybe I almost deserve it. other comedians. -
Performer Info Pack Underbell
INDEX 3 ……………………………… About Underbelly About the Edinburgh Festival Fringe 4 ……………………………… What We’re Looking For 5 ……………………………… Our Venues and Spaces 8 ……………………………… Our Deal 10 ……………………………. Additional Costs To Consider 12 ………………………….… Access Application Form 13 ………………………….… Timeline & Key Dates Underbelly George Square Credit: David P Scott Please note that all information in this document is correct at the time of publishing but subject to change – please double check any essential information with Underbelly’s Programme Coordinator via email on [email protected] or call the office on 0207 307 8480. 2 ABOUT UNDERBELLY Underbelly is one of the most established and popular venues at the Edinburgh Festival Fringe, where we have been presenting an eclectic and exciting mix of theatre, comedy, circus, children’s shows, cabaret, music and more since 2000. It’s a thumping, cultural heart at the centre of the best festival in the world. We programme across all genres, in spaces ranging from 42-seat and 60-seat venues in Bristo Square and Cowgate to the 900-seat McEwan Hall and the 550 Lafayette big top at Underbelly’s Circus Hub on the Meadows. Of course, we also have the Udderbelly, our upside-down purple cow venue in George Square, that’s been grazing in Edinburgh since 2006. Our dedication to programming challenging, original work and our brand reputation as a fun, quirky and dynamic venue has kept Underbelly at the forefront of the Fringe and the festival scene for the last 18 years. ‘The Underbelly is one of the most exciting, atmospheric spaces on the Fringe and, increasingly, one of the most important’ The Guardian In 2018 we presented over 170 shows a day in 21 performance spaces to over 390,000 people, gaining numerous 5-star reviews, awards and nominations.