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Thomas Wood Stevens: American Pageant Master
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1977 Thomas Wood Stevens: American Pageant Master. (Volumes I and II). William Robert Rambin Jr Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Rambin, William Robert Jr, "Thomas Wood Stevens: American Pageant Master. (Volumes I and II)." (1977). LSU Historical Dissertations and Theses. 3132. https://digitalcommons.lsu.edu/gradschool_disstheses/3132 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1.The sign or "target" for pages apparently lacking from the document photographed is "Missing Page{s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. -
The Inventory of the Basil Rathbone Collection #742
The Inventory of the Basil Rathbone Collection #742 Howard Gotlieb Archival Research Center ) RATHBONE, BASIL 1892-1967 Outline of Inventory March 1977 - April 1979 I, BASIL RATHBONE MATERIALS A, Theatre Productions B, Musical Productions c. Radio and Television Shows D, Film Productions E, Letter F, Poems by B, R, G, Photographs H. Scrapbooks I, Printed Items J, Drawing II. OUIDA BERGERE RATHBONE MATERIALS A, Scripts B, Photographs c. Letter D. Scrapbooks Rathbone, Basil PURCHASE March 1977 - April 1979 I. BASIL RATHBONE MATERIALS All types of materials, i,e, scripts, photographs, reviews, publicity, and correspondence, related to a specific production, are arranged under the title of the production, All photographs are black and white unless otherwise indi cated, (Inventory from Gravesend Books enclosed) A. Theatre Productions Box 1 1, Record of Performances, 1912-1934, Holograph, 39 p, in leather-bound record book, 2. ScrapbookP Theater Performances, 1920-1921, Newspaper and magazine reviews with source of clipping written in BR's hand, 3. "As You Like It", Olympic Theatre, St, Louis, 1913, First American tour of the Stratford-Upon-Avon Players, a, Playbill-leaflet with "KEEP THIS FOR ME" written in BR's hand across the top, b, Photograph, BR as Silvius, 6" x 9°, (f/1) 4. "The Captive", Empire Theatre, New York, 1926, a, Script, Carbon typescript with holo, notations by BR and Ouida Bergere Rathbone, 158 p, (#1) b, 2 ALS, undated, including one from Gilbert "Miller, the play 1 s director, (#1) Basil Rathbone Page 2 Box 1 5, "The Command To Love", Longacre Theatre, New York, 1927, Three 8" x 10" photographs possibly from this produc tion, BR as Spaniard, He played Gaston, a Spanish nobleman, in ''Command To Love", (Ill) 6, "Katharine Cornell Tour" a, Scrapbook of clippings of publicity and reviews. -
Val E~7I MARGO JONES's VISIONS for THEATRE THESIS Presented
A e-I vAl e~7I MARGO JONES'S VISIONS FOR THEATRE THESIS Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of MASTER OF SCIENCE By Mark A. Altermann, B. S. Denton, Texas August, 1968 TABLE OF CONTENTS Page Chapter I. INTRODUCTION . 1 Statement of Problem Significance of Problem Source of Information Delineation II. MARGO JONES. * . * . .. 6 III. MARGO JONES'S THEATRE ACTIVITIES IN DALLAS . 26 IV. MARGO JONES'S NATIONAL INFLUENCE AND ACTIVITIES. 45 Activities with Theatre Organizations The New Script Project V. NATIONAL THEATRE PLAN, . f t .t t f ft . f f 74 San Francisco Theatre Conclusion VI. TELEVISION PLANS t ft f f f f f f f f . 118 VII, FLEXIBLE THEATRE . t ft ft ft f f . f f f . 137 VIII. CONCLUSION . ft t ft . ft f f f f f f . 156 APPENDIX. t . ft ft f f f t f . 161 BIBLIOGRAPHY. t ft ft ft ft f t . f . 176 iii CHAPTER I INTRODUCTION Margo Jones, until her untimely death in 1955, was one of the most important persons in American Theatre. Hard work, imagination and a thorough knowledge of theatre enabled her dream of a professional repertory theatre to become a reality. A Broadway producer and director of varying degrees of accomplishment, she gained international attention by making her theatre in Dallas an economic and cultural success. The name Margo Jones has appeared in most books written during the last fifteen years on the history of theatre. -
Bibliography"
3/7/2016 Job summary for "Bibliography" Bibliography Sorted by Call Number / Author. VID 133 WIT The Witches of Salem : the horror and the hope. Los Angeles, CA : Learning Company of America, 1986. A portrayal of the witchcraft trials of Salem, Massachusetts in 1692. Attempts to give an understanding of the political, psychological, and religious background of the trials and of the consequences of this episode on American history. VID 292 MYT Mythology : gods and goddesses. Mt. Kisco, NY : Guidance Associates, 1981. VID 292 MYT Mythology. New York : Company, c1983. VID 305.8 SEP Separate but equal. Special release. Los Angeles, CA : Republic Pictures Home Video, c1991. Sidney Poitier, Burt Lancaster, Richard Kiley. Dramatization of the events leading to the landmark Supreme Court decision outlawing segregation, with a special introduction by Sidney Poitier. VID 306.8 CHI Fathers too soon?. 1987. VID 306.8 CHI Children having children. Washington, D.C : Children's Defense Fund. Several pregnant and parenting teenagers describe their feelings and experiences with pregnancy and its consequences. VID 323 EYE Eyes on the prize : America's civil rights years 1954 to 1965. v.1. Awakenings (19541956) v.2. Fighting Back (19571962) v.3. Ain't Scared of Your Jails (19601961) v.4. No Easy Walk (19611963) v.5. Mississippi: Is This America? (19621964). VID 323 EYE Eyes on the prize II : America at the racial crossroads, 19651985. Alexandria, VA : Distributed by PBS Video, c1993. [1] The time has come (19641965). Two societies (19651968) [2] Power! (19661968). The promised land (19671968) [3] Ain't gonna shuffle no more (19641972). -
The American Stage Careers of Fredric March and Florence Eldridge. Vicki Jo Payne Parrish Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1995 The American Stage Careers of Fredric March and Florence Eldridge. Vicki Jo payne Parrish Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Parrish, Vicki Jo payne, "The American Stage Careers of Fredric March and Florence Eldridge." (1995). LSU Historical Dissertations and Theses. 6042. https://digitalcommons.lsu.edu/gradschool_disstheses/6042 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough,m a substandard r gins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
BOOTH THEATER, 222-232 West 45Th Street, Manhattan
Landmarks Preservation Commission November 4, 1987; Designation List 194 LP-1321 BOOTH THEATER, 222-232 West 45th Street, Manhattan. Built 1912-13; architect, Henry Herts. Landmark Site: Borough of Manhattan Tax Map Block 1016, Lot 15 in part consisting of the land on which the described building is situated. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Booth Theater and the proposed designation of the related Landmark Site (Item No. 17). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty-one witnesses spoke or had statements read into the record in favor of designation. One witness spoke in opposition to designation. The owner, with his representatives, appeared at the hearing, and indicated that he had not formulated an opinion regarding designation. The Commission has received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The Booth Theater survives today as one of the historic theaters that symbolize American theater for both New York and the nation. Built in 1912- 13, shortly before World War I, to the designs of Henry B. Herts, the Booth was one of a pair with the Shubert and was among the numerous theaters constructed by the Shuberts, one of the most active and influential families in American theater history. Winthrop Ames acted as a partner with the Shuberts in the project. Founded by the three brothers Sam S., Lee and J .J. -
The Signal, Vol. 51, No. 6 (December 4, 1936)
State Signal VOL. L I NO. G STATE TEACHERS COLLEGE AT TRENTON, NEW JERSEY FRIDAY, DECEMBER 4, 1936 Yurka to Present HERE NEXT WEEK Executive Boards State Encounters Characterizations Of Montclair and Seminary Quintet Here December 11 Trenton Will Visit In Initial Contest Dramatizations of Scenes From State Will Travel to Montclair on Opening Game Against Princeton Seven Classics Form Nucleus December 7; Montclair Will Five to be Played on Hillwood of Evening's Program Be Here on January 18 Court Tomorrow at 2:15 Next Friday evening, December 11, Montclair Teachers College will act State's Blue and Gold dribblers will Blanche Yurka, world famous actress, as host to the Student Executive will present scenes from seven clas inaugurate the 1936-1937 varsity bas Board and the heads of standing com sic dramatizations from the days of ketball season tomorrow at 2:15 mittees of Trenton Teachers College Sophocles to the present day drama o'clock when they encounter a Prince on Tuesday, December 8. Trenton will of Maxwell Anderson. The lecture, ton Seminary five on the Hillwood reciprocate by entertaining the Mont the second of the series being spon court. Despite the fact that last clair student executives on Saturday, year's meeting with the ministers re sored by the Student Executive Board, January 18. assisted by Dean Michael Travel's sulted in an easy 51-28 victory for the The purpose of the meetings is the will be given in Calvin N. Kendali Lions, Coach Earl H. Dean is expect assimilation of new ideas of student Hall.