For more than 20 years, the Dramatic Competition has offered a first look at groundbreaking new voices in American independent film. Fueled by fierce creativity and vision, these 16 films are guaranteed to leave a lasting impact on the next generation of cinema.

Another Earth DIRECTOR: Mike Cahill SCREENWRITERS: Mike Cahill, Brit Marling U.S.A., 2011, 90 min., color When Rhonda Williams, a beautiful, bright MIT astrophysics student, leans out of her U.S. Dramatic car window to catch sight of a newly discovered planet, she slams into a minivan, Competition killing a man’s family. After serving four years in prison, she returns home and feels compelled to meet the bereaved husband and father who was left behind. This tenth, new planet, which now can be seen in the sky, is a mirror planet. An essay contest is being held with the winner granted a spot on a civilian space shuttle to visit the planet. Having been burned by her passions, Rhonda wonders, what would a mirror version of herself, someone who had made different choices, be like? In this auspicious debut, director Mike Cahill offers a taut, superbly conceived science-fiction romance that marks the emergence of the multitalented actor/screenwriter Brit Marling. Marrying character with high concept, Another Earth lures audiences to go where no one has gone before.—S.F.

ExP: Tyler Brodie, Paul Mezey Pr: Hunter Gray, Mike Cahill, Brit Marling, Nicholas Shumaker AsP: Phaedon Papadopoulos Mu: Fall on Your Sword Ca: James Calleri, Paul Davis Principal Cast: William Mapother, Brit Marling, Jordan Baker, Robin Lord Taylor, Flint Beverage

Monday, January 24, 12:15 p.m. - ANOTH24CD Eccles Theatre, Park City Tuesday, January 25, noon - ANOTH25YD Yarrow Hotel Theatre, Park City Thursday, January 27, 6:00 p.m. - ANOTH27LE Library Center Theatre, Park City Friday, January 28, 9:30 p.m. - ANOTH28GN Rose Wagner Performing Arts Center, SLC Saturday, January 29, 8:30 a.m. - ANOTH293M Holiday Village Cinema III, Park City

14 Credit Legend ExP: Executive Producer Pr: Producer CoP: Coproducer AsP: Associate Producer Ci: Cinematographer Ed: Editor PrD: Production Designer ArD: Art Director So: Sound Mu: Music CoD: Costume Designer Ca: Casting CoD: Library Library Center Theatre, Park City Saturday, January 29, 8:30 a.m. - ANHAP29LM Prospector Square Theatre, Park City Thursday, January 27, 11:30 a.m. - ANHAP27PD Box Office for ticket information. any others need to waitlist. Contact the Park City Main Special screening for Park City locals. Pass Holders and Library Center Theatre, Park City Tuesday, January 25, 8:45 p.m. - ANHAP25LN Rose Wagner Performing Arts Center, SLC Monday, January 24, 6:30 p.m. - ANHAP24GE Eccles Theatre, Park City Sunday, January 23, 3:30 p.m. - ANHAP23CA Thomas Haden Church, George Kennedy Kate Demi Bosworth, Moore, Ellen Burstyn, Principal Cast: Ed: Johnny Lin, Michael Nardelli Pr: generations.—C.L. emotionalminefields thatspan unmetneedsof Miller Ezra and theynavigate as the Burstyn, EllenEllenof those deeplyBarkin, as as penetrate performances few truth—and and sensitivity,much as rawness, marshal few upper-classbut familydysfunction, Manyfilms of terrainthe havetread blur. perpetrators victimsand finethelines between woundothers—as and themselves— toprotect arrows ricocheting deployClanmembers bubble spurt. truths and painful but underrug, the issues sweeps for.motherher Lynn As catharsis, attempts alternatelysistersridicule blameher and drugaddiction,whichLynn’sand and mother disturbingof panoply behaviorslike cutting childrenthreethe Lynn diddisplay raise a ex-husband’shot-temperedMeanwhile, wife. Lynn stillher between feuda and and rages acrimoniousher of divorce, raisingbecause Lynn’sof of deprived was shewhom son, It’s familyweddingthedynamics. Byzantine Lynn hurlshigh-strung intoprimal,fire theof weddingA atparents’herAnnapolisestate color min., 115 2011, U.S.A., Levinson Sam DIRECTOR/SCREENWRITER: AnotherHappy Day Celine Rattray, Pamela Fielder, Todd Traina, Ray Hubley Stacey Stacey Battat PrD: Ellen Barkin, Ezra Miller, Ca: Michael Grasley Cindy Cindy Tolan Ci: Ivan Ivan Strasburg

CoD: Broadway Centre Cinema VI, SLC Saturday, January 29, 3:00 p.m. - BENAV29BA Eccles Theatre, Park City Friday, January 28, 3:15 p.m. - BENAV28CA Prospector Square Theatre, Park City Wednesday, January 26, 2:30 p.m. - BENAV26PA Prospector Square Theatre, Park City Monday, January 24, 11:30 p.m. - BENAV24PL Broadway Centre Cinema V, SLC Sunday, January 23, 9:45 p.m. - BENAV23BN Library Center Theatre, Park City Saturday, January 22, 8:30 p.m. - BENAV22LN Julian Works, Leticia Magaña Joseph Julian Soria, Julia Vera, Julio César Cedillo, Principal Cast: Ed: Pr: lives.—C.L. theirfight toshape own opportunities, and obstacles of conscious characters, American third-generationmultifaceted, whereMexican place aseldom explored onscreen: America an Born lushWith naturalism, satisfying. humanity,isenormouslyexperiencethe and agency,suchwith intelligence, flawed and protagonist femalea see dowe Rarely empowerment. and water, hotter courage withhertheyfuel also inherlandincreasingly frustration and Luz’svictory.herensureAlthough rashness to rules thetobend but choiceno sees powerliftingchampionship, she scholarshipatashotoneriding state theon hertogo.With problem isThe can’tshe afford Texasadmissionof University tothe atAustin. she’s future; mineddifferent toforgea gained athlete,is deterhigh-school fiery a Garcia, Luz military,therigs, restaurants. fast-foodor optionsyoungforoilpeople besides career InTexassmalla south aren’tthere town, many subtitles English with Spanish and English color min., 91 2011, U.S.A., Wendel Amy Meisel, Daniel SCREENWRITERS: Wendel Amy DIRECTOR: BenavidesBorn U.S. Dramatic Competition Dramatic U.S. Daniel Daniel Meisel, Susan Kirr Andres Santamaria Andres Santamaria Amy Amy Maner nimbly portrays the textured world of nimblytextured the portrays Corina Corina Calderon, Jeremy Ray Valdez, Ca: Toni Cobb Brock, Sally Allen PrD: Ci: Jade Healy Rob Hauer

Benavides Benavides

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Prospector Prospector Square Theatre, Park City Saturday, January 29, 11:30 a.m. - CIRCU29PD Screening Room, Sundance Resort Friday, January 28, noon - CIRCU28SD Eccles Theatre, Park City Thursday, January 27, 12:15 p.m. - CIRCU27CD Prospector Square Theatre, Park City Wednesday, January 26, 11:30 p.m. - CIRCU26PL Tower Theatre, SLC Tuesday, January 25, 9:00 p.m. - CIRCU25WN Library Center Theatre, Park City Saturday, January 22, 11:30 a.m. - CIRCU22LD Sina Amedson Reza Sixo Safai, Soheil Nasrin Parsa, Pakkho, Principal Cast: Ed: CoP: Iranianculture.—S.F.youth glimpse forbiddenofrare a love in today’s registers writer/director Keshavarz Maryam exciting,originalFirst-time talent. feature Circumstance sensuality,and style of sumptuoussense a with saturated and Splendidly constructed Atafeh. beautiful thedangerforof place a havenfamilythebecomes ofhome once-liberal the betrayalas and surveillance, insuspense, entangledtriangleaof siblings,are confidants, closewere who Atafeh’sfrom influence.Suddenly, two the savingwithShireen obsessed becomes and developingintimate relationship Shireenwith hispolice.ofHedisapproves sister’s musicianjoins and morality classical thea as lifehisvehemently former Mehran renounces Battlingtheprodigalhis son. as demons, rehab brother,drug from home returns Mehran, Tehran’sAtafeh’swhen scene undergroundart burgeoning subculturetheof amidst sexuality experimenting are Shireen,theirwith friend, Teenagers best her and Atafeh, subtitles English with Farsi color min., 105 2011, U.S.A./Iran/Lebanon, Keshavarz Maryam DIRECTOR/SCREENWRITER: Circumstance sundance.org/festival Pr: Karin Karin Chien, Maryam Keshavarz, Melissa M. Lee Andrea Andrea Chignoli Antonin Antonin Dedet marks the arrival of an an of arrival the marks Nikohl Boosheri, Sarah Kazemy, Mu: Ci: Brian Brian Rigney Hubbard Gingger Shankar

15

Gun Hill Road HERE Higher Ground DIRECTOR/SCREENWRITER: DIRECTOR: Braden King DIRECTOR: Vera Farmiga Rashaad Ernesto Green SCREENWRITERS: Braden King, Dani Valent SCREENWRITERS: Carolyn S. Briggs, U.S.A., 2011, 100 min., color U.S.A., 2010, 120 min., color Tim Metcalfe U.S.A., 2010, 109 min., color After three years in prison, macho Enrique English and Armenian with English subtitles (Esai Morales) returns home to the Bronx and Will (Ben Foster) is a satellite-mapping Charting one woman’s spiritual journey finds things changed. His wife, Angela (Judy engineer conducting a survey of Armenia. through life while exploring and embracing Reyes), is distant, and his teenage son, One morning at his hotel, he meets Gadarine her own humanity, Higher Ground is that Michael, has come out as Vanessa, a (Lubna Azabal), an Armenian expatriate and rare film that is rich in ideas but also charged transgender woman. Unable to accept his photographer, who has recently returned with emotion. child for who she is now, Enrique clings to home. The pair impulsively decide to drive As a child growing up in the 1960s, Corrine’s his masculine ideals while Angela attempts to across the country together. defining feature is her sense of inadequacy. hold the family together by fiercely protecting When she reaches high school, her home life An unlikely love story, HERE is also a Vanessa. Still under the watchful eye of his begins to unravel, driving her into the arms parole officer, Enrique must become the father cerebral, self-reflexive road movie that arrives at a fascinating intersection of forms. The film of Ethan, a guitarist in a local band. An event he needs to be or, once again, risk losing his propels them to join a small fundamentalist family and freedom. was born from a non-narrative multimedia piece (2008 Sundance Film Festival, New community where they find meaning and The heart of Gun Hill Road lies in two Frontier); it was a collaboration among stability. But some of its more conservative places: a father’s inability to escape the director Braden King, a composer, and a video tenets leave Corinne unsettled, driving her vicious cycle of his life, and the richly drawn artist, parts of which migrated into this script into a profound crisis of faith that turns her character of Michael/Vanessa (newcomer (developed through the Sundance Institute world upside down. Harmony Santana is unforgettable). Writer/ Feature Film Program). King’s atmospheric, Vera Farmiga gives yet another richly nuanced director Rashaad Ernesto Green’s first feature contemplative aesthetic encourages us to performance, but this time she unleashes her film is a complex family drama, told with examine the personal relationship we all equally formidable talent behind the camera gentle humor, sensitivity, and a deep form to both physical space and story space. as well. She tackles complex issues with understanding of the environment that Because of his work (called ground-truthing), sophistication and graceful insight, crafting defines its inhabitants.—K.Y. Will comes to view the land as a source of a moving story about the transformative faulty data, while Gadarine sees it as a way to powers of faith and doubt.—T.G. ExP: Ron Simons, Esai Morales Pr: Michelle-anne Small, Ron Simons redefine her relationship with home. As HERE ExP: Jonathan Burkhart, Brice Dal Farra, Ci: Daniel Patterson Ed: Sara Corrigan suggests, “truth is conjecture.”—J.N. Lauren Munsch Pr: Claude Dal Farra, PrD: Maya Sigel So: Steve Slanec, Skywalker Sound Renn Hawkey, Carly Hugo, Jon Rubinstein, Principal Cast: Esai Morales, Judy Reyes, ExP: Julia King Pr: Braden King, Lars Knudsen, Matt Parker Ci: Michael McDonough Harmony Santana, Vincent Laresca, Robin de Jesus, Jay Van Hoy Ci: Lol Crawley Ed: Andrew Hafitz, Ed: Colleen Sharp PrD: Sharon Lomofsky Miriam Colon Paul Zucker, David Barker Mu: Michael Krassner, Boxhead Ensemble So: Kent Sparling Mu: Alec Puro Principal Cast: Vera Farmiga, Joshua Leonard, John Hawkes, Dagmara Dominczyk, Monday, January 24, 5:30 p.m. - GUNHI24LE Principal Cast: Ben Foster, Lubna Azabal, Narek Nersisyan, Yuri Kostanyan, Sofik Sarkisyan Norbert Leo Butz, Donna Murphy Library Center Theatre, Park City Tuesday, January 25, 12:15 p.m. - GUNHI25CD Friday, January 21, 5:30 p.m. - HEREE21LE Sunday, January 23, noon - HIGHR23CD Eccles Theatre, Park City Library Center Theatre, Park City Eccles Theatre, Park City Wednesday, January 26, 6:00 p.m. - GUNHI26SE Saturday, January 22, 9:00 p.m. - HEREE22WN Monday, January 24, 8:30 a.m. - HIGHR24YM Screening Room, Sundance Resort Tower Theatre, SLC Yarrow Hotel Theatre, Park City Thursday, January 27, 2:30 p.m. - GUNHI27PA Monday, January 24, 11:15 a.m. - HEREE24LD Tuesday, January 25, 6:00 p.m. - HIGHR25WE Prospector Square Theatre, Park City Library Center Theatre, Park City Tower Theatre, SLC Friday, January 28, 8:30 a.m. - GUNHI28EM Wednesday, January 26, noon - HEREE26CD Wednesday, January 26, 8:15 p.m. - HIGHR26LN Egyptian Theatre, Park City Eccles Theatre, Park City Library Center Theatre, Park City Saturday, January 29, noon - GUNHI29BD Thursday, January 27, 3:00 p.m. - HEREE27SA Friday, January 28, 2:15 p.m. - HIGHR283A Broadway Centre Cinema VI, SLC Screening Room, Sundance Resort Holiday Village Cinema III, Park City Friday, January 28, 9:30 a.m. - HEREE282M Holiday Village Cinema II, Park City

16 U.S. Dramatic Competition 2011 Sundance Film Festival Casting Ca: CoD: Costume Designer Music Mu: Homework The Ledge Like Crazy

So: Sound DIRECTOR/SCREENWRITER: Gavin Wiesen DIRECTOR/SCREENWRITER: Matthew Chapman DIRECTOR: Drake Doremus U.S.A., 2010, 90 min., color U.S.A., 2010, 102 min., color SCREENWRITERS: Drake Doremus, Ben York Jones George (Freddie Highmore), a smart teenage Atop a high-rise building, Gavin, a young U.S.A., 2011, 89 min., color loner, has made it to his senior year despite hotel manager, is about to end his life. Hollis, ArD: Art Director the fact that he has never completed an a detective whose own world has just been Like Crazy is a film from and about the assignment. Enter Sally (Emma Roberts), the turned upside down, is dispatched to the heart. Jacob, an American, and Anna, who school beauty, who hides her melancholy scene. As Hollis tries to persuade Gavin not to is British, meet at college in Los Angeles behind the protective mask of popularity. An jump, each man begins to open up about his and fall madly in love. It’s the purest kind of unlikely connection blooms as these kindred past, and we discover that neither of them is romance—they’re each other’s first significant spirits bond over their troubled parental convinced that his life is worth living. attachment. When Anna returns to London, PrD: Production Designer relationships. With his education hanging the couple is forced into a long-distance In his Sundance debut, director/screenwriter relationship. Their perfect love is tested, and by a thread, George concedes to let Dustin Matthew Chapman has crafted an intense Ed: Editor mentor him. Dustin is a successful artist, and youth, trust, and geography become their thriller filled with soulful inspiration. While biggest enemies. he’s 25 years old—finally, someone George can the film examines the complex notion of what respect! With Sally and Dustin by his side, drives us as people, strong performances and Taking a complete tonal departure from his George blossoms and dares to look toward the immersive characters keep the audience on last film, Douchebag, which screened at the future. But George soon learns that life and Ci: Cinematographer the edge of their seats. The Ledge is a nuanced 2010 Sundance Film Festival, cowriter/ love have a way of dashing dreams as rites of character study of love, faith, and convictions director Drake Doremus poetically reveals passage and mounds of homework threaten to that will leave you with a question . . . How the intimate details and daily struggles of do him in on the eve of his graduation. far are you willing to go for what you believe Jacob and Anna’s love affair as it stretches Buoyed by a gifted cast, Gavin Wiesen’s in?—L.O. between time and distance and changes Associate Producer accomplished first feature is a winningly course. Anton Yelchin and Felicity Jones are AsP: perceptive drama that breathes fresh life ExP: Moshe Diamant, Greg Walker, enthralling in their sweetness and honesty into the beloved coming-of-age genre.—D.C. Tamara Stuparich De La Barra, Christian as the young couple. An original, Arnold-Beutel Pr: Mark Damon, Michael Mailer contemplative look at first love, Like Crazy ExP: Andrew Levitas, David Sweeney, Ci: Bobby Bukowski Ed: Anne McCabe, strikes a universal chord as it explores the CoP: Coproducer Henry Pincus, Jonathan Gray, Nick Quested Jerry Greenberg Mu: Nathan Barr bittersweet beauty and impermanence of Charlie Hunnam, Liv Tyler, Pr: P. Jennifer Dana, Kara Baker, Gia Walsh, Principal Cast: relationships.—K.Y. Darren Goldberg Ci: Ben Kutchins Patrick Wilson, Terrence Howard,

Pr: Producer Christopher Gorham Ed: Mollie Goldstein PrD: Kelly McGehee ExP: Zygi Wilf, Audrey Wilf Pr: Jonathan Schwartz, Principal Cast: Freddie Highmore, Emma Roberts, Andrea Sperling Ci: John Gulesarian Ed: Jonathan Michael Angarano, Elizabeth Reaser, Rita Wilson, Friday, January 21, 3:15 p.m. - LEDGE21CA Alberts PrD: Katie Byron Mu: Dustin O’Halloran Blair Underwood Eccles Theatre, Park City Principal Cast: Anton Yelchin, Felicity Jones, Saturday, January 22, 8:30 a.m. - LEDGE22PM Jennifer Lawrence, Charlie Bewley, Alex Kingston, Sunday, January 23, 11:30 a.m. - HOMEW23LD Prospector Square Theatre, Park City Oliver Muirhead ExP: Executive Producer

Library Center Theatre, Park City Sunday, January 23, 3:30 p.m. - LEDGE23OA Tuesday, January 25, 3:15 p.m. - HOMEW25CA Peery's Egyptian Theater, Ogden Saturday, January 22, 12:15 p.m. - LIKEC22CD Eccles Theatre, Park City Tuesday, January 25, 6:30 p.m. - LEDGE25GE Eccles Theatre, Park City

Credit Legend Wednesday, January 26, 6:00 p.m.- HOMEW26WE Rose Wagner Performing Arts Center, SLC Sunday, January 23, 9:30 p.m. - LIKEC23GN Tower Theatre, SLC Wednesday, January 26, 5:30 p.m. - LEDGE26PE Rose Wagner Performing Arts Center, SLC Thursday, January 27, midnight - HOMEW27EL Prospector Square Theatre, Park City Monday, January 24, 5:30 p.m. - LIKEC24PE Egyptian Theatre, Park City Friday, January 28, 8:30 p.m. - LEDGE28LN Prospector Square Theatre, Park City Friday, January 28, 6:00 p.m. - HOMEW28EE Library Center Theatre, Park City Tuesday, January 25, 11:30 a.m. - LIKEC25LD Egyptian Theatre, Park City Library Center Theatre, Park City Friday, January 28, 6:30 p.m. - LIKEC28OE Peery's Egyptian Theater, Ogden Saturday, January 29, 8:30 a.m. - LIKEC29EM Egyptian Theatre, Park City

U.S. Dramatic Competition sundance.org/festival 17 Little Birds Martha Marcy On the Ice DIRECTOR/SCREENWRITER: Elgin James DIRECTOR/SCREENWRITER: U.S.A., 2010, 94 min., color May Marlene Andrew Okpeaha MacLean DIRECTOR/SCREENWRITER: Sean Durkin U.S.A., 2011, 96 min., color Little Birds emanates both a harsh reality and U.S.A., 2011, 110 min., color an innocent luster as it explores the vigorous English and Inupiaq with English subtitles desire to escape one’s home—and the heavy Haunted by painful memories and suffering In the isolated, frozen town of Barrow, Alaska, price it can cost. from increasing anxiety, Martha escapes an Iñupiaq teenagers Qalli and Aivaaq have abusive cult and returns home to live with her grown up like brothers in a tight-knit Fifteen-year-old Lily and her best friend, older sister, Lucy, and Lucy’s husband, Ted. community defined as much by ancient Alison, live on the shores of the Salton Sea. With no other family to lean on, Martha tries traditions as by hip-hop and snowmobiles. Sprinting toward adulthood, Lily wants to desperately to assimilate into Ted and Lucy’s Early one morning, on a seal hunt with their escape her depressing hometown. But Alison upper-middle-class lifestyle. But nightmares friend James, a tussle turns violent, and James is content with her life; she enjoys being of the cult that brainwashed her into living is killed. Panic stricken, terrified, and with no sheltered from the uncertainty of growing up. as Marcy May prevent her from connecting one to blame but themselves, Qalli and Aivaaq When the girls meet three street kids, Lily with the only people who may be able to save lie and declare the death a tragic accident. convinces Alison to follow the boys to Los her. As Martha’s isolation grows, her severe As Barrow roils with grief and his protective Angeles. Thrust into a world of excitement paranoia escalates. Ultimately, she descends father becomes suspicious, Qalli stumbles and danger, the girls must decide how far they into a dizzying state of panic as the growing through guilt-filled days, wrestling with his are willing to go to get what they want. fear that she is being hunted grips her part in the death. For the first time in his life, every move. Writer/director Elgin James possesses an he’s treading alone on existential ice. innate understanding of the fledgling Giving a breakout performance as Martha In this utterly engrossing, suspenseful characters, valiantly brought to life on the (Marcy May), Elizabeth Olsen, sister of the feature-film debut by award-winning short screen by Juno Temple and Kay Panabaker, famous Olsen twins, exhibits a depth of filmmaker Andrew Okpeaha MacLean, the who perfectly embody their strength and character reminiscent of a young Maggie fragility. Brutally honest and beautifully snowy Arctic plains embody Qalli’s lost Gyllenhaal. A stunning follow-up to his innocence, while the claustrophobic town rendered, Little Birds delivers a stunning short Mary Last Seen, a 2010 Cannes portrait of innocence lost.—T.G. mirrors his entrapment, as he trudges through award-winner, writer/director Sean Durkin’s layers of deceit and the gauntlet of how to be chilling first feature puts him on the map as Pr: Jamie Patricof, Alan Polsky, Gabe Polsky a friend and a man.—C.L. CoP: Pavlina Hatoupis, Keith Fairclough a filmmaker to watch.—D.C. Ci: Reed Morano Ed: Suzanne Spangler Pr: Cara Marcous, Lynette Howell, Marco Londoner, PrD: Todd Fjelsted CoD: Trayce Field ExP: Ted Hope, Matt Palmieri, Alexander Schepsman, Zhana Londoner CoP: Kate Dean Ci: Lol Crawley Principal Cast: Juno Temple, Kay Panabaker, Saemi Kim, Saerom Kim Pr: Josh Mond, Antonio Ed: Nat Sanders PrD: Chad Keith Mu: iZler Leslie Mann, Kate Bosworth, Kyle Gallner, Chris Coy Campos, Patrick Cunningham, Chris Maybach Principal Cast: Josiah Patkotak, Frank Qutuq CoP: Andrew Corkin Ci: Jody Lee Lipes Irelan, Teddy Kyle Smith, Adamina Kerr, Sierra Ed: Zac Stuart-Pontier PrD: Chad Keith Sunday, January 23, 8:45 p.m. - LBIRD23LN Jade Sampson Principal Cast: Elizabeth Olsen, Brady Corbet, Library Center Theatre, Park City Hugh Dancy, John Hawkes, Sarah Paulson Monday, January 24, 9:30 p.m. - LBIRD24GN Friday, January 21, 8:45 p.m. - ONICE21LN Library Center Theatre, Park City Rose Wagner Performing Arts Center, SLC Friday, January 21, 12:15 p.m. - MARTH21CD Sunday, January 23, 8:30 a.m. - ONICE23PM Tuesday, January 25, noon - LBIRD25SD Eccles Theatre, Park City Prospector Square Theatre, Park City Screening Room, Sundance Resort Saturday, January 22, 9:30 p.m. - MARTH22GE Monday, January 24, 6:00 p.m. - ONICE24SE Wednesday, January 26, 3:15 p.m. - LBIRD26CA Rose Wagner Performing Arts Center, SLC Screening Room, Sundance Resort Eccles Theatre, Park City Monday, January 24, 8:30 p.m. - MARTH24LN Wednesday, January 26, 9:00 p.m. - ONICE26BN Thursday, January 27, 11:30 a.m. - LBIRD273D Library Center Theatre, Park City Broadway Centre Cinema VI, SLC Holiday Village Cinema III, Park City Tuesday, January 25, 9:00 p.m. - MARTH25SN Thursday, January 27, 10:00 p.m. - ONICE27CN Friday, January 28, 11:30 p.m. - LBIRD28LL Screening Room, Sundance Resort Eccles Theatre, Park City Library Center Theatre, Park City Wednesday, January 26, 11:30 a.m. - MARTH26LD Saturday, January 29, noon - ONICE29YD Library Center Theatre, Park City Yarrow Hotel Theatre, Park City Friday, January 28, midnight - MARTH28YL Yarrow Hotel Theatre, Park City

18 U.S. Dramatic Competition 2011 Sundance Film Festival Casting Ca: CoD: Costume Designer Music Mu: Pariah Take Shelter Terri

So: Sound DIRECTOR/SCREENWRITER: Dee Rees DIRECTOR/SCREENWRITER: Jeff Nichols DIRECTOR: Azazel Jacobs U.S.A., 2011, 90 min., color U.S.A., 2011, 120 min., color SCREENWRITER: Patrick deWitt U.S.A., 2011, 101 min., color At the club, the music thumps, go-go dancers Following his acclaimed debut, Shotgun twirl, shorties gyrate on the dance floor Stories, writer/director Jeff Nichols reteams Director Azazel Jacobs (Momma’s Man) ArD: Art Director while studs play it cool, and adorably naive with actor Michael Shannon to create a returns to Sundance with a tale that will speak 17-year-old Alike takes in the scene with her haunting tale that will creep under your to anyone who has ever felt insecure or jaw dropped in amazement. Meanwhile, her skin and expose your darkest fears. misunderstood. In other words . . . everyone. buddy Laura, in between macking the ladies Curtis LaForche lives in a small town in Orphaned to an uncle who is ailing, mercilessly and flexing her butch bravado, is trying to Ohio with his wife, Samantha, and daughter, teased by his peers, and roundly ignored help Alike get her cherry popped. This is PrD: Production Designer Hannah, a six-year-old deaf girl. When Curtis by his jaded teachers, Terri finds himself Alike’s first world. Her second world is calling begins to have terrifying dreams, he keeps alienated and alone. But when the dreaded on her cell to remind her of her curfew. On the the visions to himself, channeling his anxiety vice principal, Mr. Fitzgerald, sees a bit of Ed: Editor bus ride home to Brooklyn, Alike sheds her into obsessively building a storm shelter in his himself in the boy, they establish a friendship baseball cap and polo shirt, puts her earrings backyard. His seemingly inexplicable behavior that encourages Terri to consider the back in, and tries to look like the feminine, concerns and confounds those closest to him, possibility that life is something to be obedient girl her conservative family expects. but the resulting strain on his marriage and shared, even enjoyed, not just endured. Ci: Cinematographer With a spectacular sense of atmosphere and tension within his community can’t compare Wonderfully enacted, perceptive, and honest, authenticity, Pariah takes us deep and strong with Curtis’s privately held fear of what his Terri perfectly captures the lonely life of an into the world of an intelligent butch teenager dreams may truly signify. outcast. But we don’t pity or laugh at him; we trying to find her way into her own. Debut Take Shelter features fully realized characters relate to him. Remaining true to himself in the director Dee Rees leads a splendid cast and Associate Producer crumbling under the weight of real-life face of adversity, Terri becomes an unlikely crafts a pitch-perfect portrait that stands AsP: problems. Using tone and atmosphere to hero. Filled with heart and humor, Terri is a unparalleled in American cinema.—S.F. chilling effect, Nichols crafts a powerful comedy about feeling alone, and discovering there are others who feel the same way.—T.G. ExP: Spike Lee, Sundial Pictures, LLC psychological thriller that is a disturbing tale Pr: Nekisa Cooper Ci: Bradford Young for our times.—T.G.

CoP: Coproducer Pr: Alison Dickey, Hunter Gray, Lynette Howell, Ed: Mako Kamitsuna PrD: Inbal Weinberg Alex Orlovsky Ci: Tobias Datum Ed: Darrin Navarro Principal Cast: Adepero Oduye, Pernell Walker, ExP: Sarah Green, Brian Kavanaugh-Jones, PrD: Matt Luem Mu: Mandy Hoffman CoD: Diaz Kim Wayans, Charles Parnell, Aasha Davis Greg Strause, Colin Strause, Richard Rothfeld, Principal Cast: Jacob Wysocki, John C. Reilly, Pr: Producer Chris Perot, Christos Konstantakopoulos Creed Bratton, Olivia Croccichia, Bridger Zadina Thursday, January 20, 9:30 p.m. - PARIA20CN Pr: Tyler Davidson, Sophia Lin Ci: Adam Stone Ed: Parke Gregg PrD: Chad Keith Eccles Theatre, Park City Principal Cast: Michael Shannon, Jessica Chastain, Saturday, January 22, 5:30 p.m. - TERRI22LE Friday, January 21, 8:30 a.m. - PARIA21LM Shea Whigham, Katy Mixon, Kathy Baker Library Center Theatre, Park City Library Center Theatre, Park City Sunday, January 23, 9:00 p.m. - TERRI23WN Saturday, January 22, noon - PARIA22SD ExP: Executive Producer Monday, January 24, 3:00 p.m. - TAKES24CA Tower Theatre, SLC

Screening Room, Sundance Resort Eccles Theatre, Park City Monday, January 24, 9:00 a.m. - TERRI24EM Sunday, January 23, 12:30 p.m. - PARIA23GD Tuesday, January 25, 5:30 p.m. - TAKES25LE Egyptian Theatre, Park City Rose Wagner Performing Arts Center, SLC Library Center Theatre, Park City Monday, January 24, 9:00 p.m. - TERRI24SN Credit Legend Wednesday, January 26, noon - PARIA264D Wednesday, January 26, 9:45 p.m. - TAKES26BN Screening Room, Sundance Resort Holiday Village Cinema IV, Park City Broadway Centre Cinema V, SLC Thursday, January 27, 3:15 p.m. - TERRI27CA Friday, January 28, 12:15 p.m. - PARIA28CD Thursday, January 27, 8:45 p.m. - TAKES27LN Eccles Theatre, Park City Eccles Theatre, Park City Library Center Theatre, Park City Friday, January 28, 6:00 p.m. - TERRI284E Friday, January 28, 9:00 p.m. - TAKES28RN Holiday Village Cinema IV, Park City Redstone Cinema 8, Park City

U.S. Dramatic Competition sundance.org/festival 19 From human rights to popular culture, these 16 films confront the subjects that define our time. Stylistic diversity and rigorous filmmaking distinguish these new American documentaries.

Beats, Rhymes & Life: The Travels of A Tribe Called Quest DIRECTOR: Michael Rapaport U.S. Documentary U.S.A., 2011, 95 min., color Having forged a 20-year run as one of the most innovative and influential hip-hop Competition bands of all time, A Tribe Called Quest has kept a generation hungry for more of its groundbreaking music since the group’s much-publicized breakup in 1998. The band shaped a unique sound by wedding jazz-infused musicscapes to Afrocentric rhymes espousing unity and community. Its music became the anthem for cool and broke down barriers for people who had never before connected with hip-hop. In spite of unparalleled artistic success, however, the group encountered pitfalls that eventually caused its tumultuous breakup. Beats, Rhymes & Life, the feature directorial debut of acclaimed actor Michael Rapaport, documents the inner workings and behind-the-scenes drama that follow the band even today and explores what’s next for a group many claim are the pioneers of alternative rap. Rapaport’s passion for his subjects allows them to open up to the camera, resulting in a remarkably honest, emotional portrait that does justice to this seminal band.—T.G.

Pr: Edward Parks, Bob Teitel, Frank Mele, Robert Benavides, Eric Matthies, Michael Rapaport, Debra Koffler Ci: Robert Benavides Ed: Lenny Mesina, AJ Schnack MuS: Peanut Butter Wolf, Garry Harris Mu: Madlib

Saturday, January 22, 6:00 p.m. - BEATS22TE Temple Theatre, Park City Sunday, January 23, midnight - BEATS23YL Yarrow Hotel Theatre, Park City Wednesday, January 26, 3:00 p.m. - BEATS26RA Redstone Cinema 8, Park City Thursday, January 27, 6:45 p.m. - BEATS27BE Broadway Centre Cinema V, SLC Saturday, January 29, noon - BEATS29TD Temple Theatre, Park City

20 2011 Sundance Film Festival Casting Casting Ca: CoD: Costume Designer Music Mu: BEING ELMO: A Buck Connected: An

So: Sound DIRECTOR: Cindy Meehl Puppeteer's Journey U.S.A., 2010, 88 min., color Autoblogography DIRECTOR: Constance Marks CODIRECTOR: Philip Shane A living legend in the horse world, Buck about Love, Death U.S.A., 2011, 85 min., color Brannaman was the inspiration for The Horse ArD: Art Director Whisperer. For this true cowboy, horses are and Technology Each and every day, millions of kids tune in a mirror of the human soul. Reared by an DIRECTOR: Tiffany Shlain to Sesame Street to see one of the world’s abusive father, Buck eschews violence. By SCREENWRITERS: Tiffany Shlain, most adored and recognizable children’s teaching people to communicate with horses Ken Goldberg, Carlton Evans, Sawyer Steele characters, a furry red monster named Elmo. through instinct, not punishment, he frees the U.S.A., 2011, 82 min., color & b/w Yet, with all of Elmo’s fame, the man behind spirit of the horse and its human comrade.

PrD: Production Designer With wonderful heart and an impressive the Muppet is able to walk down the street Crisscrossing the world with Zenlike wisdom, sense of scale, Tiffany Shlain’s vibrant and without being recognized. Buck promulgates grace in the bond between insightful documentary, Connected, explores Ed: Editor Meet Kevin Clash. As an average teenager man and horse. The animal-human relationship the visible and invisible connections linking growing up in Baltimore in the 1970s, Kevin becomes a perfect metaphor for meeting the major issues of our time—the environment, had very different aspirations from his challenges of daily life, whether they consist consumption, population growth, technology, classmates—he wanted to be a puppeteer. of raising kids, running a business, or finding human rights, the global economy—while your flow with a dance partner.

Ci: Cinematographer More specifically, he wanted to be part of searching for her place in the world during Jim Henson’s team of Muppeteers, the creative What is extraordinary about Buck a transformative time in her life. Employing force responsible for delivering the magic of Brannaman, the man, leaps off the screen a splendidly imaginative combination of Sesame Street on a daily basis. With a in this strikingly cinematic film by first-time animation and archival footage, plus several supportive family behind him every step director Cindy Meehl. Part guru, part surprises, Shlain constructs a chronological Associate Producer of the way, Kevin made those dreams come psychologist, the adult Buck, who was once tour of Western modernization through the AsP: true. Combining amazing archival footage a beaten kid, has now beaten the odds. Buck work of her late father, Leonard Shlain, a brain with material from the present day, filmmaker Brannaman could transform your troubled surgeon and best-selling author of Art and Constance Marks explores his story in vivid horse. Buck the movie may transform your Physics and The Alphabet Versus the Goddess. detail, chronicling the meteoric rise of

CoP: Coproducer soul.—D.C. With humor and irony, the Shlain family life Jim Henson’s Muppets in the process.—A.M. merges with philosophy to create both a Pr: Julie Goldman AsP: Sofia Santana personal portrait and a proposal for ways Pr: Constance Marks, James Miller, Corinne LaPook Lp: Alice Henty Ci: Guy Mossman, Luke Geissbuhler Pr: Producer we can move forward as a civilization. Ci: James Miller Ed: Philip Shane, Justin Weinstein Ed: Toby Shimin CrCon : Andrea Meditch AsE: Roger Matthews Mu: Joel Goodman Connected illuminates the beauty and tragedy Friday, January 21, 2:30 p.m. - BUCKK21LA of human endeavor while boldly championing Sunday, January 23, 3:00 p.m. - BELMO23TA Library Center Theatre, Park City the importance of personal connectedness for Temple Theatre, Park City Saturday, January 22, 6:00 p.m. - BUCKK22SE understanding and coping with today’s global Monday, January 24, 10:30 p.m. - BELMO24BN conditions.—S.F.

ExP: Executive Producer Screening Room, Sundance Resort Broadway Centre Cinema IV, SLC Sunday, January 23, 3:30 p.m. - BUCKK23GA ExP: Geralyn Dreyfous, Sarah Johnson Redlich, Wednesday, January 26, 5:30 p.m. - BELMO26LE Rose Wagner Performing Arts Center, SLC Pam Boll Pr: Tiffany Shlain, Carlton Evans Library Center Theatre, Park City Monday, January 24, 6:00 p.m. - BUCKK24TE

Credit Legend Ed: Tiffany Shlain, Dalan McNabola Thursday, January 27, 9:00 a.m. - BELMO27TM Temple Theatre, Park City ArD: Stefan Nadelman Mu: Gunnard Duboze Temple Theatre, Park City Wednesday, January 26, 4:00 p.m. - BUCKK26RA So: Dave Nelson Friday, January 28, 3:00 p.m. - BELMO28RA Redstone Cinema 7, Park City Redstone Cinema 8, Park City Saturday, January 29, 3:00 p.m. - BUCKK29TA Friday, January 21, noon - CONNE21TD Temple Theatre, Park City Temple Theatre, Park City Saturday, January 22, 8:30 a.m. - CONNE22EM Egyptian Theatre, Park City Monday, January 24, 6:00 p.m. - CONNE24YE Yarrow Hotel Theatre, Park City Wednesday, January 26, noon - CONNE26TD Temple Theatre, Park City Saturday, January 29, 3:00 p.m. - CONNE29TA Tower Theatre, SLC

U.S. Documentary Competition sundance.org/festival 21 Crime After Crime Hot Coffee How to Die in Oregon DIRECTOR/PRODUCER/EDITOR: Yoav Potash DIRECTOR: Susan Saladoff DIRECTOR/PRODUCER/CINEMATOGRAPHER: U.S.A., 2011, 95 min., color U.S.A., 2010, 86 min., color Peter D. Richardson U.S.A., 2010, 107 min., color In 1983, Deborah Peagler, a woman brutally For many Americans, the famous McDonald’s abused by her boyfriend, was sentenced coffee case has become emblematic of the From its opening scene, where a terminally ill to 25 years-to-life for her connection to his frivolous lawsuits that clog our courts and cancer patient takes a lethal dose of Seconal murder. Twenty years later, as she languished stall our justice system. Or is that exactly and literally dies on camera, it becomes in prison, a California law allowing what McDonald’s wants us to think? Enter shockingly clear that How to Die in Oregon incarcerated domestic-violence survivors to intrepid filmmaker Susan Saladoff. Using the is a special film. In 1994, Oregon became reopen their cases was passed. Enter a pair now-infamous legal battle over a spilled cup of the first state to legalize physician-assisted of rookie land-use attorneys convinced that coffee as a springboard into investigating our suicide. As a result, any individual whom two with the incontrovertible evidence that civil-justice system, Saladoff exposes the way physicians diagnose as having less than six existed, they could free Deborah in a matter corporations have spent millions distorting months to live can lawfully request a fatal of months. What they didn’t know was the this case to promote tort reform. Big business dose of barbiturate to end his or her life. Since depth of corruption and politically driven has brewed an insidious concoction of 1994, more than 500 Oregonians have taken resistance they’d encounter, sending them manipulation and lies to protect its interests, their mortality into their own hands. down a nightmarish, bureaucratic rabbit and media lapdogs have stirred the cup. In How to Die in Oregon, filmmaker hole of injustice. Following four people whose lives have been Peter Richardson (Clear Cut: The Story of The outrageous twists and turns in this devastated by their inability to access the Philomath, Oregon screened at the 2006 consummately crafted saga are enough courts, this searing documentary unearths Sundance Film Festival) gently enters the lives to keep us on the edge of our seats. the sad truth that most of our beliefs about of the terminally ill as they consider whether— Meanwhile, the spirit, fortitude, and love the civil-justice system have been shaped or and when—to end their lives by lethal all three characters marshal in the face of bought by corporate America. Informative, overdose. Richardson examines both sides this wrenching marathon is nothing short entertaining, and a stirring call to action, of this complex, emotionally charged issue. of miraculous. We fall in love with the Hot Coffee will make your blood boil.—D.C. What emerges is a life-affirming, staggeringly remarkable triumvirate as they battle a powerful portrait of what it means to die with warped criminal-justice system and test Pr: Carly Hugo, Alan Oxman, Susan Saladoff dignity.—D.C. whether it’s beyond repair.—C.L. CoP: Rebecca Saladoff Ci: Martina Radwan Ed: Cindy Lee Mu: Michael Mollura ExP: Melody Korenbrot, Sheila Nevins Ci: Ben Ferrer, Yoav Potash AsE: Frank Giraffe Res: Prudence Arndt, Reniqua Allen AsP: Sophie Harris Ed: Greg Snider, Mu: Jaymee Carpenter ConPr: Gail Dolgin Peter D. Richardson Mu: Max Richter Monday, January 24, noon - COFFE24TD Sunday, January 23, 9:00 p.m. - CRIME23TN Temple Theatre, Park City Sunday, January 23, noon - HOWTO23TD Temple Theatre, Park City Tuesday, January 25, 6:00 p.m. - COFFE25YE Temple Theatre, Park City Monday, January 24, 9:00 a.m. - CRIME244M Yarrow Hotel Theatre, Park City Tuesday, January 25, 9:00 p.m. - HOWTO25YN Holiday Village Cinema IV, Park City Thursday, January 27, 4:00 p.m. - COFFE27RA Yarrow Hotel Theatre, Park City Tuesday, January 25, noon - CRIME254D Redstone Cinema 7, Park City Wednesday, January 26, 3:00 p.m. - HOWTO26BA Holiday Village Cinema IV, Park City Friday, January 28, 6:00 p.m. - COFFE28BE Broadway Centre Cinema VI, SLC Wednesday, January 26, 7:30 p.m. - CRIME26BE Broadway Centre Cinema VI, SLC Thursday, January 27, 8:30 a.m. - HOWTO27PM Broadway Centre Cinema IV, SLC Saturday, January 29, 8:30 a.m. - COFFE29PM Prospector Square Theatre, Park City Friday, January 28, 10:00 p.m. - CRIME28RN Prospector Square Theatre, Park City Friday, January 28, 5:30 p.m. - HOWTO283E Redstone Cinema 7, Park City Holiday Village Cinema III, Park City Saturday, January 29, noon - CRIME29SD Screening Room, Sundance Resort

22 U.S. Documentary Competition 2011 Sundance Film Festival Casting Ca: CoD: Costume Designer Music Mu: If a Tree Falls: A The Last Mountain Miss Representation

So: Sound DIRECTOR: Bill Haney DIRECTOR: Jennifer Siebel Newsom Story of the Earth SCREENWRITERS: Bill Haney, Peter Rhodes SCREENWRITERS: Jennifer Siebel Newsom, U.S.A., 2011, 94 min., color Jessica Congdon Liberation Front U.S.A., 2011, 85 min., color DIRECTOR: Marshall Curry It’s easy to forget that each time we turn on ArD: Art Director CODIRECTOR: Sam Cullman a light, we are contributing to the ecological Like drawing back a curtain to let bright light U.S.A., 2011, 84 min., color damage caused by the coal that generates stream in, Miss Representation uncovers a electricity in this country. The Last Mountain glaring reality we live with every day but Marshall Curry’s documentary tells a gives us plenty of reasons to remember. fail to see. It’s clear the mainstream media timely story of political action and Contaminated air, soil, and water; coal dust, objectifies women, but what most people don’t environmental beliefs at loggerheads. His cancer clusters, and toxic sludge are all realize is the magnitude of that phenomenon PrD: Production Designer reconstruction of the recent history and by-products of this widespread energy source. and the way objectification gets internalized— unraveling of the Earth Liberation Front a symbolic annihilation of self-worth—and (ELF) is a fascinating exploration of a modern Focusing on the devastating effects of Ed: Editor impedes girls and women from realizing their revolutionary movement. Fusing fervent mountaintop coal removal in West Virginia’s full potential. While women have made strides concerns about ecological imbalance and Coal River Valley, filmmaker Bill Haney in leadership over the past few decades, capitalism run amok, ELF members employed illustrates the way residents and activists trivializing and damaging images continue to economic sabotage by destroying facilities are standing up to the industry and major proliferate. In a society where media is the Ci: Cinematographer involved in deforestation to remove profit employer that is so deeply embedded in the most persuasive force shaping cultural norms, potential from companies wreaking region. With strong support from Bobby the collective message that a woman’s value environmental destruction. Kennedy Jr. as well as grassroots and power lie only in her youth, beauty, and organizations, awareness is rising in the battle sexuality is pervasive. Focusing on Oregon-based activist Daniel over Appalachian mountaintop mining. Forces Associate Producer McGowan, Curry relates the tale of a are aligning to prevent coal removal on Coal Stories from teenage girls and provocative AsP: mild-mannered, middle-class citizen driven River Mountain and preserve the region’s interviews with politicians, journalists, to extremes and brought to trial on charges precious natural resources. Superb academics, and activists like Condoleeza Rice, of terrorism for his participation in ELF-related storytelling and exquisite photography Nancy Pelosi, Katie Couric, Rachel Maddow, arson plots. Detailing activists’ past combine to remind us that this environmental and Gloria Steinem build momentum as the CoP: Coproducer disillusionment with public protest—and calamity impacts us all.—L.V. film accumulates startling facts and statistics the police brutality and inertia that often that leave the audience shaken and armed followed—the film poses difficult questions ExP: Tim Disney, Tim Rockwood Pr: Clara Bingham, with a new perspective.—C.L. Pr: Producer about effecting change from either within or Eric Grunebaum, Bill Haney CoP: Laura Longsworth without the system and examines the changed Ci: Jerry Risius, Stephen McCarthy, Tim Hotchner ExP: Regina Kulik Scully, Geralyn Dreyfous, stakes for revolutionaries in a world fixated on Ed: Peter Rhodes Mu: Claudio Ragazzi Sarah Johnson Redlich Pr: Jennifer Siebel Newsom branding all dissenters as terrorists.—S.K. CoP: Julie Costanzo, Claire Dietrich Friday, January 21, 5:30 p.m. - LASTM21PE Ci: Svetlana Cvetko, John Behrens, Ben Wolf Pr: Marshall Curry, Sam Cullman AsP: Bill Gallagher Prospector Square Theatre, Park City Ed: Jessica Congdon Mu: Eric Holland ExP: Executive Producer Ed: Matthew Hamachek, Marshall Curry Saturday, January 22,9:00 a.m. - LASTM224M Mu: James Baxter Ph: Sam Cullman Holiday Village Cinema IV, Park City Saturday, January 22, noon - MISSR22YD Sunday, January 23, 3:00 p.m. - LASTM23SA Yarrow Hotel Theatre, Park City Credit Legend Friday, January 21, 3:00 p.m. - IFTRE21TA Screening Room, Sundance Resort Tuesday, January 25, 9:00 a.m. - MISSR25TM Temple Theatre, Park City Monday, January 24, 4:30 p.m. - LASTM24BA Temple Theatre, Park City Saturday, January 22, 12:30 p.m. - IFTRE22GD Broadway Centre Cinema IV, SLC Wednesday, January 26, 3:45 p.m. - MISSR26BA Rose Wagner Performing Arts Center, SLC Wednesday, January 26, 3:00 p.m. - LASTM26TA Broadway Centre Cinema V, SLC Monday, January 24, 4:00 p.m. - IFTRE24RA Temple Theatre, Park City Thursday, January 27, noon - MISSR274D Redstone Cinema 7, Park City Friday, January 28, 3:00 p.m. - LASTM28YA Holiday Village Cinema IV, Park City Tuesday, January 25, 3:00 p.m. - IFTRE25SA Yarrow Hotel Theatre, Park City Saturday, January 29, 2:30 p.m. - MISSR29PA Screening Room, Sundance Resort Prospector Square Theatre, Park City Wednesday, January 26, 9:00 p.m. - IFTRE264N Holiday Village Cinema IV, Park City Friday, January 28, 9:00 a.m. - IFTRE28TM Temple Theatre, Park City

U.S. Documentary Competition sundance.org/festival 23 Page One: The Redemption of Resurrect Dead: A Year Inside the General Butt Naked The Mystery of the DIRECTORS: Eric Strauss, Daniele Anastasion New York Times U.S.A., 2010, 83 min., color Toynbee Tiles DIRECTOR: Andrew Rossi DIRECTOR: Jon Foy SCREENWRITERS: Kate Novack, Andrew Rossi Joshua Milton Blahyi, aka General Butt Naked, U.S.A., 2010, 85 min., color U.S.A., 2010, 90 min., color murdered thousands during Liberia’s horrific 14-year civil war. Today this once-brutal Toynbee Idea in Movie 2001. With the Internet surpassing print as our main warlord has renounced his sadistic past and Resurrect Dead on Planet Jupiter. news source, newspapers going bankrupt, reinvented himself as evangelist Joshua Milton and outlets focusing on content they claim Beginning in the early 1980s, hundreds of Blahyi. In a riveting cinema vérité journey tiles carrying this cryptic message were found audiences (or is it advertisers?) want, that unfolds over the course of five years, embedded in the asphalt of city streets as far Page One chronicles the media industry’s filmmakers Daniele Anastasion and Eric apart as New York, Philadelphia, St. Louis, transformation and assesses the high stakes Strauss follow Blahyi’s unrelenting crusade Santiago, and Buenos Aires. Street art? A for democracy if in-depth investigative to redeem his life. Facing those he once prank? A message from space? reporting becomes extinct. terrorized, preaching where he once Filmmaker Jon Foy recounts how young The film deftly makes a beeline for the eye murdered, Blahyi is on a quest to save artist Justin Duerr became fascinated with the of the storm or, depending on how you look his soul. strange plaques and, with two other “Toynbee at it, the inner sanctum of the media, gaining Can a man really change? Should we be tile” enthusiasts, Steve Weinik and Colin unprecedented access to the New York Times judged by what we have done, or by who we Smith, spent years trying to discover what newsroom for a year. At the media desk, are now? Whatever you make of him—liar or they meant and who made them. The unlikely a dialectical play-within-a-play transpires madman, charlatan or genuine repentant— investigators uncovered increasingly bizarre as writers like salty David Carr track print General Butt Naked is certainly a mesmerizing clues: a newspaper article, a David Mamet journalism’s metamorphosis even as their character. Challenging our preconceived play, a Jupiter colonization organization, and own paper struggles to stay vital and solvent. notions of evil, justice, and faith, this shocking a Toynbee message that “hijacked” local Meanwhile, rigorous journalism—including story of one man’s remarkable journey news broadcasts. vibrant cross-cubicle debate and collaboration, will resonate with anyone who has ever tenacious jockeying for on-record quotes, and questioned his or her capacity to forgive.—D.C. That the origins of a street tile can be so skillful page-one pitching—is alive and well. captivating is testament to both Duerr’s The resources, intellectual capital, stamina, ExP: Gregory Henry, David Shadrack Smith passion and Foy’s filmmaking. Artfully and self-awareness mobilized when it counts Pr: Daniele Anastasion, Eric Strauss constructed, Resurrect Dead thrusts us into attest there are no shortcuts when analyzing CoP: Ryan Hill, Ryan Lobo Ci: Eric Strauss, the black hole of this fantastic mystery but and reporting complex truths. —C.L. Ryan Hill, Peter Hutchens Ed: Jeremy Siefer also reflects on Duerr himself, and the Mu: Justin Melland personal connection he develops with finding ExP: Daniel Stern, Daniel Pine Pr: Josh Braun, an answer.—J.N. David Hand, Kate Novack, Alan Oxman, Adam Saturday, January 22, 9:00 p.m. - REDEM22TN Schlesinger AsP: Keith Hamlin, Luke Henry Temple Theatre, Park City Pr: Jon Foy, Colin Smith Mu/Ed: Jon Foy Ci: Andrew Rossi Ed: Chad Beck, Christopher Sunday, January 23, 9:00 a.m. - REDEM23EM Res: Justin Duerr, Steve Weinik, Colin Smith, Jon Foy Branca, Sara Devorkin Com: J. Ralph Egyptian Theatre, Park City Monday, January 24, 6:45 p.m. - REDEM24BE PRECEDED BY THE HIGH LEVEL BRIDGE Sunday, January 23, 6:00 p.m. - PAGEO23TE Broadway Centre Cinema V, SLC DIRECTOR: TREVOR ANDERSON Temple Theatre, Park City Thursday, January 27, noon - REDEM27YD CANADA, 2010, 5 MIN., COLOR Monday, January 24, 8:30 p.m. - PAGEO24PN Yarrow Hotel Theatre, Park City Prospector Square Theatre, Park City Friday, January 28, 3:00 p.m. - REDEM28SA Monday, January 24, 3:00 p.m. - RESUR244A Tuesday, January 25, 6:00 p.m. - PAGEO25SE Screening Room, Sundance Resort Holiday Village Cinema IV, Park City Screening Room, Sundance Resort Saturday, January 29, noon - REDEM294D Tuesday, January 25, 5:30 p.m. - RESUR25PE Wednesday, January 26, 9:00 a.m. - PAGEO264M Holiday Village Cinema IV, Park City Prospector Square Theatre, Park City Holiday Village Cinema IV, Park City Wednesday, January 26, 4:30 p.m. - RESUR26BA Thursday, January 27, 6:00 p.m. - PAGEO27BE Broadway Centre Cinema IV, SLC Broadway Centre Cinema VI, SLC Thursday, January 27, 9:00 a.m. - RESUR27YM Friday, January 28, noon - PAGEO28TD Yarrow Hotel Theatre, Park City Temple Theatre, Park City Saturday, January 29, 12:30 p.m. - RESUR292D Holiday Village Cinema II, Park City

24 U.S. Documentary Competition 2011 Sundance Film Festival Casting Ca: CoD: Costume Designer Music Mu: Sing Your Song Troubadours We Were Here

So: Sound A FILM BY Susanne Rostock DIRECTOR: Morgan Neville DIRECTOR/PRODUCER: David Weissman U.S.A., 2011, 100 min., color & b/w U.S.A., 2010, 91 min., color & b/w CODIRECTOR: Bill Weber U.S.A., 2010, 90 min., color Wonderfully archived, and told with a Framed by the illustrious careers of James remarkable sense of intimacy, visual style, Taylor and Carole King, Troubadours delves In the early 1970s, in the shadow of the ArD: Art Director and musical panache, Susanne Rostock’s into the quietly explosive singer-songwriter Stonewall riots and the free-love movement, inspiring biographical documentary, Sing movement in Los Angeles during the early gay men and lesbians flocked to San Francisco Your Song, surveys the life and times of 1970s. From their home at impresario Doug to find acceptance. They formed a thriving, singer/actor/activist Harry Belafonte. From Weston’s Troubadour club in West Hollywood, tight-knit community until the arrival of AIDS his rise to fame as a singer, inspired by Paul artists like Taylor, King, David Crosby, Jackson in the early 1980s drove them under siege. Robeson, and his experiences touring a Brown, Joni Mitchell, and Kris Kristofferson PrD: Production Designer Director David Weissman (The Cockettes segregated country, to his provocative (the list goes on) wrote and performed songs screened at the 2002 Sundance Film Festival) crossover into Hollywood, Belafonte’s with intimately personal lyrics, marking a chronicles this transformative era through the Ed: Editor groundbreaking career personifies the transition from the politically focused songs stories of five individuals who lived through American civil rights movement and impacted of the ’60s. While some rock critics denigrated the best and the worst of it. In the face of many other social-justice movements. Rostock the music, the spirit among the musicians was unheralded tragedy, these men and women reveals Belafonte as a tenacious hands-on one of collaboration and inspiration, and these relate how they were affected and the way activist, who worked intimately with Dr. singer songwriters flourished. Ci: Cinematographer their community united to help those suffering Martin Luther King Jr., mobilized celebrities Morgan Neville creates a riveting chronicle of and prevent further deaths. for social justice, participated in the struggle the time, weaving together archival footage, against apartheid in South Africa, and took Elegiac but inspirational, We Were Here bears rare performances, and interviews from a witness to the experiences of those who died— action to counter gang violence, prisons, and veritable who’s who, including Elton John, Associate Producer the incarceration of youth. and, equally importantly, those who lived— Steve Martin, and Bonnie Raitt. Troubadours AsP: in the earliest years of the AIDS epidemic. Its Because of his beliefs, Belafonte drew takes us deep into the scene (and its inevitable story is universal, showing the capacity for unwarranted invasions by the FBI into both demise) and celebrates the pure, timeless compassion and strength in all of us, even his personal life and career, which led to music and the undeniable legacy of these against unimaginable adversity.—B.T.

CoP: Coproducer years of struggle. But an indomitable sense groundbreaking singer songwriters.—K.Y. of optimism motivates his path even today as Ci: Marsha Kahm Ed: Bill Weber he continues to ask, at 82, “What do we do ExP: Sam Feldman, Michael Gorfaine, Lorna Guess Mu: Holcombe Waller So: Lauretta Molitor Pr: Eddie Schmidt Ci: Nicola Marsh, Arlene Nelson

Pr: Producer now?” His example may very well inspire you to action.—S.F. Ed: Miranda Yousef Saturday, January 22, noon - WEWER22TD Temple Theatre, Park City Saturday, January 22, 2:30 p.m. - TROUB22PA Pr: Michael Cohl, Gina Belafonte, Jim Brown, Sunday, January 23, 3:45 p.m. - WEWER23BA Prospector Square Theatre, Park City William Eigen, Julius R. Nasso CoP: Sage Scully Broadway Centre Cinema V, SLC Tuesday, January 25, 9:00 a.m. - TROUB25YM Ed: Susanne Rostock, Jason L. Pollard Monday, January 24, 9:00 p.m. - WEWER24TN

ExP: Executive Producer Con: Karol Martesko-Fenster Yarrow Hotel Theatre, Park City

Temple Theatre, Park City Tuesday, January 25, 9:30 p.m. - TROUB25GN Wednesday, January 26, 3:00 p.m. - WEWER26YA Thursday, January 20, 6:00 p.m. - SINGY20CE Rose Wagner Performing Arts Center, SLC Yarrow Hotel Theatre, Park City Eccles Theatre, Park City Wednesday, January 26, 6:00 p.m. - TROUB26TE

Credit Legend Friday, January 28, 8:30 a.m. - WEWER283M Friday, January 21, 9:00 p.m. - SINGY21SN Temple Theatre, Park City Holiday Village Cinema III, Park City Screening Room, Sundance Resort Thursday, January 27, noon - TROUB27SD Saturday, January 22, 6:30 p.m. - SINGY22GE Screening Room, Sundance Resort Rose Wagner Performing Arts Center, SLC Saturday, January 29, 11:15 a.m. - TROUB293D Tuesday, January 25, 11:30 a.m. - SINGY25PD Holiday Village Cinema III, Park City Prospector Square Theatre, Park City Thursday, January 27, 3:00 p.m. - SINGY27RA Redstone Cinema 8, Park City Saturday, January 29, 9:00 a.m. - SINGY29TM Temple Theatre, Park City

U.S. Documentary Competition sundance.org/festival 25 From all corners of the globe, these emerging filmmaking talents offer fresh perspectives and inventive styles. We present these exceptional works as a way to honor the independent spirit in filmmakers everywhere. Abraxas All Your Dead Ones DIRECTOR: Naoki Kato Todos Tus Muertos SCREENWRITERS: Dai Sako, Naoki Kato Japan, 2010, 113 min., color DIRECTOR: Carlos Moreno SCREENWRITERS: Alonso Torres, Japanese with English subtitles Carlos Moreno World Jonen is having a crisis of faith. In his youth, Colombia, 2010, 88 min., color he was a punk-rock musician, creating noise Spanish with English subtitles and onstage spectacles. Now he’s settled In this eerie and fantastically shot Cinema into a life as a Buddhist monk with a wife tragicomic satire, an ordinary farmer’s and five-year-old son. During his career-day morning routine is interrupted when he speech at a local high school, however, Jonen makes a grim discovery in the middle of his Dramatic has a public breakdown that leads to a deep cornfield—a huge pile of dead bodies. Aghast, depression when he realizes the importance he reports the mysterious massacre on of music to his life. In an attempt to raise what happens to be Election Day. When Competition Jonen’s spirits, the compassionate chief monk the mayor and police lieutenant take notice, suggests he play a live show. As he plans for fearful of unleashing a public scandal, they the concert, Jonen faces challenges from past stall and intimidate the farmer and his family. loss, small-town resistance, and the possibility Meanwhile, the sun beats down, and the eerie of alienating his family. corpses remain, refusing to be ignored. Full of authenticity and charm, Abraxas is All Your Dead Ones unspools a disquieting a subtle exploration of a man’s journey to allegory, a silent indictment of Colombia’s reconcile the spiritual and secular. Director ongoing civil war. The imagery and sound, Naoki Katô cinematically renders the film to crafted with unsettling intensity, illustrate complement its philosophy by uniting the a frightening crisis of social conscience. everyday and the transcendent. Rich, Tinged with mordant surrealism, director rewarding, and profoundly moving, Abraxas Carlos Moreno’s return to Sundance (Perro affirms peace and happiness within and Come Perro screened at the 2008 Sundance posits “once a punk rocker, always a punk Film Festival) demonstrates a rare ability to rocker.”—K.Y. transcend genre and a remarkable storytelling vigor, anchored within a haunting and Hiroko Matsuda, Kosuke Oshida Ryuto Pr: Ci: arresting visual motif.—C.D. Kondo Ed: Hitomi Kato PrD: Koji Kozumi Mu: Yoshihide Otomo So: Yasumasa Terui ExP: Diego F. Ramirez, Nancy Fernandez, Principal Cast: Suneohair, Rie Tomosaka, Diana Bustamante Diego F. Ramirez Manami Honjo, Kaoru Kobayashi, Ryota Murai Pr: Ed: Andres Porras ArD: Hernan Garcia Mu: Jose Garrido Ph: Diego F. Jimenez Friday, January 21, 6:45 p.m. - ABRAX21BE Principal Cast: Alvaro Rodríguez, Jorge Herrera, Broadway Centre Cinema V, SLC Martha Márquez, Harold De Vssten, Saturday, January 22, 11:15 a.m. - ABRAX22ED John Alex Castillo Egyptian Theatre, Park City Tuesday, January 25, 9:00 a.m. - ABRAX254M PRECEDED BY PROTOPARTICLES Holiday Village Cinema IV, Park City DIRECTOR: CHEMA GARCÍA IBARRA Wednesday, January 26, 3:00 p.m. - ABRAX26SA SPAIN, 2010, 7 MIN., B/W Screening Room, Sundance Resort Thursday, January 27, 6:00 p.m. - ABRAX27YE Tuesday, January 25, 3:00 p.m. - ALLYR25EA Yarrow Hotel Theatre, Park City Egyptian Theatre, Park City Friday, January 28, 9:00 p.m. - ABRAX284N Wednesday, January 26, midnight - ALLYR264L Holiday Village Cinema IV, Park City Holiday Village Cinema IV, Park City Thursday, January 27, 3:45 p.m. - ALLYR27BA Broadway Centre Cinema V, SLC Friday, January 28, 5:30 p.m. - ALLYR28PE Prospector Square Theatre, Park City Saturday, January 29, noon - ALLYR29RD Redstone Cinema 8, Park City

26 2011 Sundance Film Festival Casting Casting Ca: CoD: Costume Designer Music Mu: The Cinema Hold Up A Few Days of Respite The Guard

So: Sound Asalto Al Cine Quelques Jours de Repit DIRECTOR/SCREENWRITER: John Michael McDonagh DIRECTOR: Iria Gomez Concheiro DIRECTOR/SCREENWRITER: Amor Hakkar Ireland, 2010, 96 min., color SCREENWRITERS: Juan Pablo Gomez, Algeria/France, 2010, 80 min., color Iria Gomez Concheiro Sergeant Gerry Boyle, a salty village cop in French with English subtitles ArD: Art Director Mexico, 2011, 120 min., color Ireland, has a subversive sense of humor, a Spanish with English subtitles After escaping Iran, where their relationship caustic wit, and an uncanny knack for keeping means a death sentence, Hassan and Mohsen people at arm’s length. When a straitlaced FBI Negus, Chale, Sapo, and Chata are teenagers make it all the way to France. While stopped agent chasing an international drug-smuggling living in Mexico’s Guerrero colony. Friends over in a small town to await their train to ring hits town, Boyle has no intention of since childhood, they have too much time Paris, Mohsen befriends the lonely, but warm, letting the arrival disrupt his routine of PrD: Production Designer on their hands and spend most of it Yolande, who offers him employment, hookers and wisecracks. Initially, he relishes drowning their problems in a constant haze kindness, and the possibility of a peaceful life. offending and ridiculing the agent, but a

Ed: Editor of marijuana, lusting after the opposite sex, Amor Hakkar directs and stars as the aging murder and a series of peculiar events draw and hanging out at skate parks, graffiti hot the reluctant sergeant into the investigation. spots, and hip-hop jam sessions. One day, man torn between a security he has never inspired by the pain of empty pockets and the known and his passionate connection to his John Michael McDonagh’s crisply written crush against the gritty boundary between younger lover. A minimalist film that debut feature transcends the rules of the

Ci: Cinematographer adolescence and adulthood, the foursome nevertheless feels visually and emotionally buddy cop comedy, wryly offering genuine have a massive brainstorm that will solve all full, without forced sentimentality or humor and thrills against an unexpectedly of their problems—they decide to rob the local manufactured drama, A Few Days of Respite moving portrait of its protagonist. Brendan cinema. Each finds his or her reason to go questions the nature of love and happiness Gleeson’s beguiling portrayal of Boyle defies ahead with the caper, unaware that the ordeal and the sacrifices we may make to achieve easy definition as hero or buffoon, hinting Associate Producer may threaten the only thing they have— either. In this film directed and written with instead at the lonely, intelligent man behind AsP: their friendship. precision and economy, Hakkar allows us to the sharp retorts. The Guard is a clever, fresh know these characters in a single line of character study, as well as a snappy joyride The Cinema Hold Up is a vibrant, authentic, dialogue, and feel their conflict within the of an action comedy.—H.Z. and wonderfully observed portrait of the power of a glance.—H.Z. CoP: Coproducer tempo and texture of today’s Mexican youth ExP: Martin McDonagh, Don Cheadle, culture. First-time feature director Iria Gómez Pr: Florence Bouteloop CoP: Merah Hakkar Lenore Zerman, Paul Brett Pr: Chris Clark,

Producer Concheiro draws pitch-perfect performances Ci: Nicolas Roche Ed: Juliette Kempf, Julie Picouleau Flora Fernandez Marengo, Ed Guiney, Pr: from the talented ensemble cast and registers Mu: Joseph Macera So: Thomas Buet SoDe: Eric Andrew Lowe AsP: Lizzie Eves Ci: Larry Smith a strong and original voice in Mexican Tisserand Ph: Nicolas Roche, Allan Guichaoua Ed: Chris Gill Mu: Calexico Principal Cast: cinema.—S.F. Principal Cast: Marina Vlady, Samir Guesmi, Brendan Gleeson, Don Cheadle, Mark Strong, Liam Amor Hakkar Cunningham, David Wilmot, Dominique McElligot Pr: Roberto Fiesco, Iria Gómez Concheiro Ci: Alberto Anaya Adalid Ed: Francisco X. Rivera, Tuesday, January 25, 6:00 p.m. - FEWDA25EE Thursday, January 20, 6:30 p.m. - GUARD20EE ExP: Executive Producer

Luciana Jauffred ArD: Diana Saade Egyptian Theatre, Park City Egyptian Theatre, Park City Mu: Sebastián Rocca, Aldo Max, Leonardo Soqui, Wednesday, January 26, 10:30 p.m. - FEWDA26BN Friday, January 21, 9:30 p.m. - GUARD21ON Flako Flow & Melanina So: Omar Juárez Espino, Broadway Centre Cinema IV, SLC Peery's Egyptian Theater, Ogden

Credit Legend Hugo Armando López Martínez, Alejandro Zuno Thursday, January 27, 9:00 a.m. - FEWDA27EM Saturday, January 22, 4:00 p.m. - GUARD22RA Principal Cast: Gabino Rodríguez, Egyptian Theatre, Park City Redstone Cinema 7, Park City Juan Pablo de Santiago, Angel Sosa, Paulina Avalos, Friday, January 28, 11:30 a.m. - FEWDA28PD Sunday, January 23, 6:30 p.m. - GUARD23GE Dolores Heredia, Juan Manuel Bernal Prospector Square Theatre, Park City Rose Wagner Performing Arts Center, SLC Saturday, January 29, 1:00 p.m. - FEWDA291D Wednesday, January 26, noon - GUARD26YD Sunday, January 23, noon - CINEM23ED Holiday Village Cinema I, Park City Yarrow Hotel Theatre, Park City Egyptian Theatre, Park City Friday, January 28, 6:30 p.m. - GUARD282E Monday, January 24, 7:30 p.m. - CINEM24BE Holiday Village Cinema II, Park City Broadway Centre Cinema IV, SLC Tuesday, January 25, 11:30 p.m. - CINEM25PL Prospector Square Theatre, Park City Thursday, January 27, 6:00 p.m. - CINEM27RE Redstone Cinema 8, Park City Saturday, January 29, 2:15 p.m. - CINEM293A Holiday Village Cinema III, Park City

World Cinema Dramatic Competition sundance.org/festival 27 Happy, Happy Kinyarwanda Lost Kisses Sykt Lykkelig DIRECTOR/SCREENWRITER: Alrick Brown I Baci Mai Dati U.S.A./Rwanda, 2011, 100 min., color DIRECTOR: Anne Sewitsky DIRECTOR: Roberta Torre SCREENWRITER: Ragnhild Tronvoll English and Kinyarwanda with SCREENWRITERS: Roberta Torre, Laura Nuccilli Norway, 2010, 84 min., color English subtitles Italy, 2010, 84 min., color Danish/Norwegian with English subtitles Fresh, insightful, and profoundly moving, Italian with English subtitles Kaja is an optimistic and easygoing Kinyarwanda, the first dramatic feature film Manuela is a 13-year-old girl from the housewife—despite her loneliness and the conceived and produced by Rwandans, is an sprawling, dilapidated suburb of Librino fact that her husband won’t have sex with her. extraordinary telling of the 1994 genocide in southern Sicily. She lives with her When Elisabeth and Sigve, who seem like the that expands the common victim/perpetrator dysfunctional family and works sweeping perfect husband and wife, move in next door, narrative to illuminate the complex fabric of floors in a hair salon. After the head of a Kaja is thrilled by their sophistication. They’re life during the tragic event, and the even more Virgin Mary statue disappears, Manuela beautiful, they have an adopted black son, complicated process of redemption in the announces one morning that the Madonna and in their spare time, they sing in a choir. truth and reconciliation process. appeared to her in a dream—and told her the An indiscreet moment between Kaja and Sigve Director/writer Alrick Brown and cowriter/ whereabouts of the statue’s head! As news of ignites a full-on affair, but just as her sexual producer Ishmael Ntihabose elegantly the vision spreads, Manuela’s quixotic mother liberation comes within reach, the inevitable interweave six stories based on true realizes there’s good money in miracles. But truths and secrets tumble out—perhaps for accounts—a Tutsi/Hutu couple, a small child, was it a miracle, or was Manuela just bored? the best. a soldier, a pair of teenage lovebirds, a priest, A playful satire, Lost Kisses feels like the Set in the dead of winter in the middle of and an Imam—as they are affected by the collision of a moral tale and a fairy tale. nowhere, the locale of Happy, Happy is Muslim leadership of the time. Little is known Director Roberta Torre, whose prior work crucial to balancing the film as both sex about how the Mufti of Rwanda—the most includes a musical about the Mafia, strikes comedy and drama. Director Anne Sewitsky respected Muslim leader in the country— a clever tone, mixing drab realism with allows her skilled actors to shine while dark forbade Muslims from participating in the sardonic humor, splashes of vibrant color, humor, some flat-out hilarity, and tight killing of the Tutsi. As the country became and fabulist flourishes (it’s an exceedingly storytelling drive this delightful look at a slaughterhouse, mosques became places bizarre hair salon). While the film plays with the malleability and resilience of adult of refuge where Muslims and Christians, the idea of miracles in our image-obsessed relationships.—K.Y. Hutus and Tutsis came together to protect material world, it is grounded emotionally each other. in the relationship between mother and Pr: Synnøve Hørsdal Ci: Anna Myking Kinyarwanda plumbs the shades of gray to daughter.—J.N. Ed: Christoffer Heie Mu: Stein Berge Svendsen find humanity in every perspective and offers Principal Cast: Agnes Kittelsen, Henrik Rafaelsen, a rich understanding of what it means to Pr: Amedeo Bacigalupo, Roberta Torre Maibritt Saerens, Joachim Rafaelsen survive unimaginable terror, and the Ci: Fabio Zamarion Ed: Osvaldo Bargero astounding resilience of the human spirit to ArD: Biagio Fersini Mu: Federico Di Giambattista, Friday, January 21, 9:00 p.m. - HAPPY21BN Andrea Fabiani CoD: Loredana Buscemi Broadway Centre Cinema VI, SLC find ways to heal and forgive.—S.F. Principal Cast: Donattella Finocchiaro, Sunday, January 23, 3:15 p.m. - HAPPY23EA PIno Micol, Giuseppe Fiorello, Piera Degli Esposti, ExP: Ishmael Ntihabose Pr: Tommy Oliver, Carla Marchese, Martina Galletta Egyptian Theatre, Park City Darren Dean CoP: Deatra Harris Monday, January 24, 3:00 p.m. - HAPPY24SA Ci: Danny Vecchione Ed: Tovah Leibowitz Friday, January 21, 6:00 p.m. - LOSTK21BE Screening Room, Sundance Resort Principal Cast: Cassandra Freeman, Tuesday, January 25, 6:00 p.m. - HAPPY25RE Edouard Edouard Bamporiki, Cleophas Kabasita Broadway Centre Cinema VI, SLC Redstone Cinema 8, Park City Sunday, January 23, 6:00 p.m. - LOSTK23EE Thursday, January 27, 9:00 p.m. - HAPPY27YN Monday, January 24, 9:00 p.m. - KINYA24EN Egyptian Theatre, Park City Yarrow Hotel Theatre, Park City Egyptian Theatre, Park City Monday, January 24, noon - LOSTK24SD Friday, January 28, midnight - HAPPY284L Wednesday, January 26, 6:30 p.m. - KINYA26RE Screening Room, Sundance Resort Holiday Village Cinema IV, Park City Redstone Cinema 3, Park City Wednesday, January 26, 8:30 a.m. - LOSTK26EM Thursday, January 27, 3:00 p.m. - KINYA274A Egyptian Theatre, Park City Holiday Village Cinema IV, Park City Thursday, January 27, 6:30 p.m. - LOSTK272E Friday, January 28, 7:30 p.m. - KINYA28BE Holiday Village Cinema II, Park City Broadway Centre Cinema IV, SLC Saturday, January 29, 1:00 p.m. - LOSTK29RD Saturday, January 29, 9:00 a.m. - KINYA29YM Redstone Cinema 7, Park City Yarrow Hotel Theatre, Park City

28 World Cinema Dramatic Competition 2011 Sundance Film Festival Casting Ca: CoD: Costume Designer Music Mu: Mad Bastards Restoration The Salesman

So: Sound DIRECTOR/SCREENWRITER: Brendan Fletcher Boker Tov Adon Fidelman Le Vendeur Australia, 2010, 94 min., color DIRECTOR: Yossi Madmony DIRECTOR/SCREENWRITER: Sebastien Pilote TJ is a mad bastard, and his estranged SCREENWRITER: Erez Kav-El Canada, 2011, 107 min., color Israel, 2010, 106 min., color 13-year-old son Bullet is on the fast track French with English subtitles ArD: Art Director to becoming one, too. After being turned Hebrew with English subtitles away from his mother’s house, TJ sets off Marcel Lévesque is a dapper, silver-haired, across the country to the Kimberly region of After his longtime business partner dies, silver-tongued car salesman. Perennially northwestern Australia to make things right Yakov Fidelman discovers that his antique anointed “salesman of the month” at his with his son. Grandpa Tex has lived a tough furniture-restoration shop is in grave dealership, he takes great satisfaction in the life, and now, as a local cop, he wants to financial difficulty. He’s forced to deal with his ritual of persuasion. Selling is his calling and PrD: Production Designer change things for the men in his community. estranged son, Noah, a lawyer, who, seeing no preoccupation—that and watching over his hope for the failing store, proposes building beloved daughter and grandson provide his Crosscutting between three generations, Ed: Editor apartments above it. One day Fidelman’s new sole raisons d’être. But in the humble Mad Bastards is a raw look at the journey apprentice, Anton, finds a neglected piano in working-class town of Lac Saint-Jean, Québec, to becoming a man and the personal the workshop: an 1882 Steinway that, given where the impending paper plant closure is transformation one must make. Developed a new baseboard, would be worth enough to immobilizing the economy, car buying seems with local Aboriginal communities and fueled save the store. utterly absurd. As more men are laid off, Ci: Cinematographer by a local cast, Mad Bastards draws from the precariousness and flux swoop into Marcel’s rich tradition of storytelling inherent in The elegant story lines of Yossi Madmony’s first feature yield a complex set of frayed life, too, and he must come to terms with the Indigenous life. Using music from legendary consequences of his obsession. Broome musicians the Pigram Brothers, character relations for which restoration writer/director Brendan Fletcher poetically proves an apt metaphor. Refinishing the An astonishingly assured first feature, Associate Producer fuses the harsh realities of violence, healing, piano’s exterior would be worthless without The Salesman elegantly applies restraint AsP: and family.—D.O.J. replacing the cracked cast-iron board holding and precision to mount subtle, quotidian the string tension. Marked by restrained moments into an emotionally crushing story. Pr: Alan Pigram, Stephen Pigram, writing, which leaves significant details open A heartbreaking, exacting performance by David Jowsey, Brendan Fletcher Ci: Allan Collins to interpretation, Restoration depicts the rich Gilbert Sicotte, one of French Canada’s CoP: Coproducer Ed: Claire Fletcher PrD: Andy McDonnell texture of modern Israeli society. Anchored greatest actors, becomes the exquisite engine Mu: The Pigram Brothers, Alex Lloyd So: Phil Judd by Sasson Gabay’s mesmerizing performance, driving forward this meditation on our need Principal Cast: Dean Daley-Jones, Greg Tait, Lucas Fidelman is a stoic man who uses his shop to for safety and routine in the face of life’s Pr: Producer Yeeda, Ngaire Pigram, John Watson, Douglas Macale shut out the world, clinging to the illusion that inevitable instability.—C.L. he can maintain a vanishing way of life.—J.N. Monday, January 24, 6:00 p.m. - MADBA24EE Pr: Marc Daigle, Bernadette Payeur Egyptian Theatre, Park City Pr: Chaim Sharir Ci: Boaz Yehonatan Yacov Ci: Michel La Veaux Ed: Michel Arcand Tuesday, January 25, 9:45 p.m. - MADBA25BN Ed: Ayala Bengad PrD: Yoav Sinai Mu: Pierre Lapointe, Philippe Brault Broadway Centre Cinema V, SLC CoD: Keren Ron LiPr: Hillel Roseman So: Gilles Corbeil, Olivier Calvert, Stéphane Bergeron ExP: Executive Producer

Wednesday, January 26, 11:30 a.m. - MADBA26PD Principal Cast: Sasson Gabay, Henry David, Principal Cast: Gilbert Sicotte, Nathalie Cavezzal, Prospector Square Theatre, Park City Nevo Kimchi, Sarah Adler Jérémy Tessier Thursday, January 27, 3:30 p.m. - MADBA272A

Credit Legend Holiday Village Cinema II, Park City Friday, January 21, 6:00 p.m. - RESTO21EE Friday, January 21, noon - SALES21ED Saturday, January 29, 4:00 p.m. - MADBA29RA Egyptian Theatre, Park City Egyptian Theatre, Park City Redstone Cinema 7, Park City Saturday, January 22, 9:00 p.m. - RESTO22SN Saturday, January 22, 7:30 p.m. - SALES22BE Screening Room, Sundance Resort Broadway Centre Cinema IV, SLC Sunday, January 23, 9:00 a.m. - RESTO234M Sunday, January 23, 6:00 p.m. - SALES23SE Holiday Village Cinema IV, Park City Screening Room, Sundance Resort Monday, January 24, 3:45 p.m. - RESTO24BA Tuesday, January 25, 9:00 a.m. - SALES25EM Broadway Centre Cinema V, SLC Egyptian Theatre, Park City Wednesday, January 26, 6:00 p.m. - RESTO264E Friday, January 28, 6:00 p.m. - SALES28YE Holiday Village Cinema IV, Park City Yarrow Hotel Theatre, Park City Friday, January 28, 2:30 p.m. - RESTO28PA Saturday, January 29, 4:00 p.m. - SALES291A Prospector Square Theatre, Park City Holiday Village Cinema I, Park City

World Cinema Dramatic Competition sundance.org/festival 29 Ticket to Paradise Tyrannosaur Vampire Boleto al Paraiso DIRECTOR/SCREENWRITER: Paddy Considine DIRECTOR/SCREENWRITER: Iwai Shunji United Kingdom, 2010, 91 min., color Canada/U.S.A., 2010, 120 min., color DIRECTOR: Gerardo Chijona Valdes SCREENWRITERS: Gerardo Chijona Valdes, Renowned actor Paddy Considine’s first Not all of those amongst us who crave blood Francisco Garcia Gonzalez, feature behind the camera is a tour de are vampires, and not all vampires crave Maykel Rodriguez Ponjuan force propelled by the sheer intensity of blood. For those of you expecting anything Cuba, 2010, 88 min., color its performances and storytelling. remotely resembling Twilight, Nosferatu, or Bela Lugosi, may not be your cup of Spanish with English subtitles Joseph (Peter Mullan), a tormented, Vampire the red elixir of life. . . . Simply put, In 1993 Cuba, as a severe economic crisis self-destructive man plagued by violence, Vampire gives new meaning to the word “vampire.” rages, Eunice runs away from her small town finds hope of redemption in Hannah (Olivia and her sexually aggressive father. With Colman), a Christian charity-shop worker he Simon seems like a fairly normal, average nowhere to go, she joins up with a group of meets one day while fleeing an altercation. young man who’s devoted to his teaching homeless teens hitchhiking to Havana. Eunice Initially derisive of her faith and presumed job and ailing mother. Underneath the surface, feels an instant connection to charismatic idyllic existence, Joseph nonetheless returns however, things are not what they seem. ringleader Alejandro. But her damaged past to the shop and soon realizes that Hannah’s Simon hunts through online chat rooms and and his preoccupation with his dead-end life is anything but placid. As a relationship message boards, searching for the perfect existence stand in the way. Desperate, with develops, they come to understand the deep girl: beautiful, shy, and suicidal. Simon has no opportunities to improve their lives, the pain in each other’s lives. a particular condition: he is compelled to two consider taking extreme measures to drink blood. An unconventional love story, Tyrannosaur reach an unlikely paradise. transcends its bleak circumstances through Acclaimed Japanese director Iwai Shunji Gerardo Chijona Valdes returns to Sundance Joseph and Hannah’s vigorous impulse toward demonstrates that he is a master of with a film of heartbreaking intensity and redemption. Shouldering the weight of cinematic storytelling in any language. rattling sensuality, filled with striking burdened lives with great humanity and a Breathtaking, lyrical camera movement and performances from a talented young cast. deep understanding of our capacity to heal, unconventional framing capture beautifully With a genuine affection for its lost-souled Mullan and Colman deliver two of the most macabre images while the evocative music protagonists and tapping into the raw outstanding performances of the year. and sound design complete the sensory tour frustration endured during this period of Considine’s portrait of these two lost souls, de force. The terrific ensemble cast stretches Cuban history, Ticket to Paradise captures bloody but unbowed, is a devastating and out of its comfort zone and syncs up perfectly the drive toward hope in the face of utter profoundly beautiful experience.—J.N. with Iwai’s dark vision, which explores the despair, even when it leads to an unsettling essence of existence and what drives some and twisted place.—H.Z. Pr: Diarmid Scrimshaw Ci: Erik Wilson to end it.—T.G. Ed: Pia di Ciaula PrD: Simon Rogers Pr: Camilo Vives CoP: Antonio Hens Ci: Raúl Pérez Mu: Chris Baldwin, Dan Baker So: Greg Marshall Pr: Iwai Shunji, Tim Kwok Ci: Iwai Shunji Ed: Miriam Talavera Mu: Edesio Alejandro Principal Cast: Peter Mullan, Olivia Colman, PrD: Alexandra Rojek Mu: Iwai Shunji So: Osmani Olivare Principal Cast: Miriel Cejas, Eddie Marsan CoD: Tanya Lipke Ca: Brad Gilmore Héctor Medina, Dunia Matos, Jorge Perugorría, Principal Cast: Kevin Zegers, Keisha Castle-Hughes, Luis Alberto García Friday, January 21, 9:00 p.m. - TYRAN21EN Rachel Leigh Cook, Kristin Kreuk, Aoi Yu, Egyptian Theatre, Park City Adelaide Clemens PRECEDED BY CINDERELA Saturday, January 22, 9:00 a.m. - TYRAN22YM DIRECTOR: MAGALI MAGISTRY Yarrow Hotel Theatre, Park City Saturday, January 22, 6:00 p.m. - VAMPI22EE BRAZIL/FRANCE, 2011, 11 MIN., COLOR Sunday, January 23, 6:00 p.m. - TYRAN23BE Egyptian Theatre, Park City Broadway Centre Cinema VI, SLC Sunday, January 23, noon - VAMPI23BD Saturday, January 22, 9:00 p.m. - TICKE22EN Wednesday, January 26, 3:00 p.m. - TYRAN264A Broadway Centre Cinema VI, SLC Egyptian Theatre, Park City Holiday Village Cinema IV, Park City Tuesday, January 25, 5:45 p.m. - VAMPI254E Sunday, January 23, 10:30 p.m. - TICKE23BN Thursday, January 27, 9:00 p.m. - TYRAN27SN Holiday Village Cinema IV, Park City Broadway Centre Cinema IV, SLC Screening Room, Sundance Resort Wednesday, January 26, midnight - VAMPI26YL Tuesday, January 25, 3:00 p.m. - TICKE254A Friday, January 28, 2:45 p.m. - TYRAN28LA Yarrow Hotel Theatre, Park City Holiday Village Cinema IV, Park City Library Center Theatre, Park City Friday, January 28, 9:00 p.m. - VAMPI28YN Thursday, January 27, 9:00 p.m. - TICKE27EN Yarrow Hotel Theatre, Park City Egyptian Theatre, Park City Saturday, January 29, 9:30 a.m. - TICKE292M Holiday Village Cinema II, Park City

30 World Cinema Dramatic Competition 2011 Sundance Film Festival Made by some of the most courageous and extraordinary filmmakers working today, these films from around the world poignantly examine issues that range from the personal to the universal.

An African Election DIRECTOR: Jarreth Merz CODIRECTOR: Kevin Merz SCREENWRITERS: Erika Tasini, Shari Yantra Marcacci, Jarreth Merz U.S.A./Switzerland, 2010, 89 min., color & b/w World Cinema In a world plagued by stolen elections, secret government agendas, and a renewed interest in the exploitation of African natural Documentary resources, what value does democracy offer, particularly in the tumultuous region of West Competition Africa? For Ghana, a nation that has been Africa’s barometer of political stability, democracy may mean the difference between peace and prosperity—and murderous chaos under military coup. An African Election is a remarkable documentary that grants viewers unprecedented access to the anatomy of Ghana’s 2008 presidential elections. Capturing the intrigue of electioneering, the intensity of the vote-counting process, and the mood of the countrymen whose fate lies precariously in the balance, director Jarreth Merz’s coverage unfolds with all the tension of a political thriller, revealing the emotions, passions, and ethical decisions that both threaten—and maintain—the integrity of the democratic process. An African Election illuminates a beacon of hope for Africa and for the value and vitality of democracy today.—S.F.

ExP: Franco Agustoni, Brigitte Agustoni CoP: Luisella Realini, Silvana Bezzolla Rigolini, Tiziana Soudani Ci: Topher Osborn Ed: Samir Samperisi Mu: Patrick Kirst

Sunday, January 23, 6:00 p.m. - AFRIC234E Holiday Village Cinema IV, Park City Tuesday, January 25, 9:00 p.m. - AFRIC25TN Temple Theatre, Park City Wednesday, January 26, noon - AFRIC26SD Screening Room, Sundance Resort Thursday, January 27, 3:00 p.m. - AFRIC27BA Broadway Centre Cinema VI, SLC Friday, January 28, 4:00 p.m. - AFRIC28RA Redstone Cinema 7, Park City Saturday, January 29, 3:30 p.m. - AFRIC292A Holiday Village Cinema II, Park City

sundance.org/festival 31 The Bengali Detective The Black Power Family Portrait in DIRECTOR: Philip Cox United Kingdom/India/U.S.A., 2010, Mixtape 1967 1975 Black and White 100 min., color DIRECTOR/SCREENWRITER: Goran Hugo Olsson DIRECTOR/SCREENWRITER: Julia Ivanova Sweden/U.S.A., 2011, 96 min., color & b/w Canada, 2011, 105 min., color Hindi/English/Bengali with English subtitles English and Swedish with English subtitles Russian/Italian/Ukranian with In response to police corruption, the private English subtitles detective business has become increasingly From 1967 to 1975, fueled by curiosity and common in India. The Bengali Detective naïveté, Swedish journalists traversed the In an eastern Ukrainian town, living in follows the life of detective Rajesh Ji, who, Atlantic Ocean to film the black power ramshackle quarters without indoor plumbing, along with his ragtag team of assistants, movement in America. The Black Power formidable Olga Nenya single-handedly raises investigates cases ranging from counterfeit Mixtape 1967–1975 mobilizes a treasure 23 spirited foster children. Sixteen are the hair products to a brutal triple murder. When trove of 16mm material, which languished biracial offspring of visiting African students Rajesh is not sleuthing, he has big dreams of in a basement for 30 years, into an irresistible and Ukrainian mothers, who, swayed by competing on a televised national talent show, mosaic of images, music, and narration to endemic racism, abandoned their babies. so he and his detective gang form a dance chronicle the movement’s evolution. Family Portrait in Black and White trails troupe—which must be seen to be believed— Mesmerizing footage of Stokely Carmichael, Olga’s ragtag brood, charting the tribal and rehearse for their big audition. Bobby Seale, Huey P. Newton, Angela Davis, rhythms of a hectic household rife with and Eldridge Cleaver, as well as Black Panther Set in chaotic Kolkata, formerly known as rambunctious kids and goats. As the diverse activities, are peppered with B-roll footage of Calcutta, the film is shot with atmosphere and dramas unfold—a high-school student black America. These scenes take on a fresh, immediacy, complementing the mystery and struggling to transcend his plight through global angle through the outsider perspective suspense of the investigations. Director Philip education, a boy longing to reunite with his of the Swedish lens. Cox finds a riveting subject in Rajesh. He’s Ugandan father, a child courted for an Italian all at once a showman, a dedicated husband, Meanwhile, penetrating commentaries adoption, and another orphan banished to and a humanitarian. The Bengali Detective is from artists and activists influenced by the a special-needs school—Olga reveals herself a layered, wildly entertaining film: a poignant struggle—like Harry Belafonte, Sonia Sanchez, to be loving and protective, but also narrow profile of a delightful character, a gripping Talib Kweli, Erykah Badu, and Professor Robin minded and controlling. A product of detective narrative, and a detailed look at D. G. Kelley—riff on the range of radical ideas communist ideology, she favors collective the middle class in contemporary India.—K.Y. and strategies for liberation. Their insights and duty over individual freedom. Although this the vibrancy of the unearthed footage render philosophy gives the children a rich ExP: Angus Aynsley, Karol Marteso-Fenster, the black power movement startlingly experience of belonging, it’s also cause for Gernot Schaffler, Thomas Brunner Pr: Giovanna immediate and profoundly relevant.—C.L. rebellion and distrust in this lyrical, Stopponi, Annie Sundberg, Himesh Kar AsP: Sounak heartrending tale about the meaning of Mama, Chakravorty Ci: Lisa Cazzato-Vieyra Ed: Taimur ExP: Tobias Janson Pr: Annika Rogell family, and nation.—C.L. Khan, Tom Hemmings Mu: Dennis Wheatley CoP: Joslyn Barnes, Danny Glover Ed: Göran Hugo Olsson, Hanna Lejonqvist ExP: Sally Jo Fifer Pr: Boris Ivanov Ci: Julia Ivanova, Saturday, January 22, 3:00 p.m. - BENGA224A MuS: Corey Smyth Mu: Questlove, The Roots Stanislav Shakhov Ed: Julia Ivanova Holiday Village Cinema IV, Park City Mu: Boris Sichon Sunday, January 23, 12:45 p.m. - BENGA23BD Friday, January 21, 9:00 p.m. - BLPOW214N Broadway Centre Cinema V, SLC Holiday Village Cinema IV, Park City Sunday, January 23, 9:00 p.m. - FAMIL234N Tuesday, January 25, 8:30 a.m. - BENGA25PM Saturday, January 22, 9:00 p.m. - BLPOW22BN Holiday Village Cinema IV, Park City Prospector Square Theatre, Park City Broadway Centre Cinema VI, SLC Monday, January 24, 6:00 p.m. - FAMIL244E Thursday, January 27, 9:00 p.m. - BENGA27TN Tuesday, January 25, 3:00 p.m. - BLPOW25TA Holiday Village Cinema IV, Park City Temple Theatre, Park City Temple Theatre, Park City Wednesday, January 26, 6:45 p.m. - FAMIL26BE Friday, January 28, 3:00 p.m. - BENGA284A Thursday, January 27, 9:00 a.m. - BLPOW274M Broadway Centre Cinema V, SLC Holiday Village Cinema IV, Park City Holiday Village Cinema IV, Park City Thursday, January 27, 2:30 p.m. - FAMIL273A Friday, January 28, noon - BLPOW284D Holiday Village Cinema III, Park City Holiday Village Cinema IV, Park City Friday, January 28, 8:30 a.m. - FAMIL28PM Prospector Square Theatre, Park City

32 World Cinema Documentary Competition 2011 Sundance Film Festival Casting Ca: CoD: Costume Designer Music Mu: The Flaw The Green Wave Hell and Back Again

So: Sound DIRECTOR/SCREENWRITER: David Sington DIRECTOR/SCREENWRITER: Ali Samadi Ahadi DIRECTOR: Danfung Dennis United Kingdom, 2010, 82 min., color Germany/Iran, 2010, 80 min., color & b/w U.S.A./United Kingdom, 2010, 88 min., color The Flaw makes one thing clear from the English and Persian with English subtitles English and Pashtu with English subtitles outset—there was nothing simple about In early 2009, a new generation of Iranians In 2009, U.S. Marines launched a major ArD: Art Director the U.S. financial collapse of 2007. Within hoped for change through the upcoming helicopter assault on a Taliban stronghold minutes, experts had identified plenty of presidential elections. Fueled by youthful in southern Afghanistan. Immediately upon culprits: market failure, a credit culture, exuberance and media technology, a landing, the marines were surrounded by a wage crisis, a debt crisis, and upward groundswell—the so-called Green Wave— insurgents and attacked from all sides. redistribution of income. That’s economic emerged to challenge the status quo, and Embedded in Echo Company, filmmaker shorthand for fasten your seatbelt. PrD: Production Designer caused a seismic shift in the political climate. Danfung Dennis captures the action with David Sington’s rigorously constructed A new brand of revolution seemed to be at visceral immediacy. As he reveals the analysis of the meltdown, told entirely by hand. All polls predicted challenger Mir devastating impact a Taliban machine-gun Ed: Editor economists, brokers, bankers, and borrowers, Hossein Mousavi would be the country’s next bullet has on the life of 25-year-old Sergeant plays like a financial whodunit. Moving past president; however, Mahmoud Ahmadinejad Nathan Harris, Dennis’s film evolves from the usual suspects, it creates a vivid was declared the victor, prompting a backlash being a war exposé to becoming a story of historical context through which to view of unparalleled violence and oppression and a one man’s personal apocalypse. From the

Ci: Cinematographer twentieth-century American capitalism. massive surge of human-rights violations that bloody battlefields of Afghanistan, to his home continues today. in North Carolina, Harris struggles to conquer Bolstered by graphics and animation the physical and mental fallout of war. A (ironically plucked from postwar cartoons In this powerful and urgent documentary, shell of the man he once was, will Harris ever extolling free markets) the film renders filmmaker Ali Samadi Ahadi integrates return to the happy life he shared with his Associate Producer animation with live-action footage, complex ideas digestible and argues that loving wife, Ashley? AsP: capitalism has changed in the last 30 years— testimonials, and posts from courageous and not for the better. Once sold on consumer Iranian bloggers, who dared to tell the world Contrasting the horrors of the battlefield with power through borrowing and a higher about the anatomy of the movement and its the battle back home, Hell and Back Again is standard of living, we realize we bought devastating consequences. The Green Wave a transcendent film that comes full circle as it CoP: Coproducer into a lie. The Flaw has burst the bubble.—J.N. is a remarkable portrait of modern political lays bare the true cost of war.—D.C. rebellion, an exposé of government-sanctioned ExP: Dan Cogan, Karol Martesko-Fenster, Producer violence, and a vision of peace and hope that

Pr: Gernot Schaffler, Thomas Brunner Mike Lerner, ExP: Stephen Lambert, Christopher Hird, continued resistance may galvanize a new Pr: Martin Herring Fiona Otway J Ralph, Luke Johnson AsP: Sarah Kinsella, Iran.—S.F. Ed: OrMu: Willie Nelson Heather Walsh, Celine Fitzmaurice Ci: Clive North Ed: David Fairhead Mu: Philip Sheppard Pr: Jan Krueger, Oliver Stoltz An: Peter J. Richardson AsP: Roshanak Khodabakhsh, Thomas Saignes Sunday, January 23, noon - HELLA234D Ed: Barbara Toennieshen, Andreas Menn Holiday Village Cinema IV, Park City

ExP: Executive Producer Tuesday, January 25, 6:00 p.m. - HELLA25TE Friday, January 21, 9:45 p.m. - FLAWW21BN ArD: Ali Soozandeh Mu: Ali N. Askin Broadway Centre Cinema V, SLC An: Ali Reza Darwish, Ali Soozandeh Temple Theatre, Park City Saturday, January 22, noon - FLAWW224D Wednesday, January 26, 6:00 p.m. - HELLA26BE PRECEDED BY SKATEISTAN: Credit Legend Holiday Village Cinema IV, Park City Broadway Centre Cinema VI, SLC Tuesday, January 25, 3:00 p.m. - FLAWW25YA TO LIVE AND SKATE KABUL Thursday, January 27, 11:30 p.m. - HELLA27PL Yarrow Hotel Theatre, Park City DIRECTOR: ORLANDO VON EINSIEDEL Prospector Square Theatre, Park City Thursday, January 27, 6:00 p.m. - FLAWW27TE UNITED KINGDOM, 2010, 9 MIN., COLOR Friday, January 28, 6:00 p.m. - HELLA28RE Temple Theatre, Park City Redstone Cinema 8, Park City Friday, January 28, 9:00 a.m. - FLAWW284M Friday, January 21, 3:00 p.m. - GREEN214A Holiday Village Cinema IV, Park City Holiday Village Cinema IV, Park City Saturday, January 29, 12:45 p.m. - FLAWW29BD Monday, January 24, 9:00 a.m. - GREEN24TM Broadway Centre Cinema V, SLC Temple Theatre, Park City Thursday, January 27, 9:00 p.m. - GREEN274N Holiday Village Cinema IV, Park City Friday, January 28, 6:45 p.m. - GREEN28BE Broadway Centre Cinema V, SLC Saturday, January 29, 9:00 a.m. - GREEN294M Holiday Village Cinema IV, Park City

World Cinema Documentary Competition sundance.org/festival 33 KNUCKLE Position Among Project Nim DIRECTOR: Ian Palmer DIRECTOR: James Marsh Ireland/United Kingdom, 2011, 92 min., color the Stars United Kingdom, 2011, 93 min., color & b/w Residing in Ireland and parts of the United Stand van de Sterren From the Oscar-winning team behind Man on Kingdom, the Travellers are a traditionally DIRECTOR: Leonard Retel Helmrich Wire comes the story of Nim, the chimpanzee nomadic ethnic group with their own customs SCREENWRITERS: Hetty Naaijkens-Retel who, in the 1970s, became the focus of a and a deep sense of clan pride, despite being Helmrich, Leonard Retel Helmrich landmark experiment that aimed to prove interrelated by marriage within their small The Netherlands, 2010, 111 min., color an ape—if raised and nurtured like a human population. When conflicts arise, arguments Indonesian with English subtitles child—could learn to communicate using sign are often settled through ritualized, This final installment of the trilogy follows language. If successful, the consequences bare-knuckle fighting. the award-winning documentaries The Eye of the project would be profound, breaking Director Ian Palmer followed members of of the Day and Shape of the Moon (winner of down the barrier between man and his closest the Traveller community for 12 years and the World Cinema Documentary Jury Prize animal relative and fundamentally redefining became privy to a decades-long family feud at Sundance in 2005) as filmmaker Leonard what it is to be human. Combining the of Hatfield-McCoy proportions. At the center Retel Helmrich concludes his in-depth portrait testimony of all the key participants, newly of the conflict is James, the confident, yet of Indonesia seen through the eyes of one discovered archival film, and dramatic reluctant, defender of the Quinn McDonaghs, family living in the slums of Jakarta. imagery, Project Nim tells the picturesque who is frequently challenged to fight his Grandmother Rumidjah, a poor old Christian story of one chimpanzee’s extraordinary cousins, the Joyces. An outsider in a woman, weathers a changing society and journey through human society and the secretive world, Palmer waited years before the influence of globalization reflected in the enduring impact he makes on the people he he began to learn the reasons for the lives of her juvenile granddaughter, Tari, and meets along the way. animosity between the rival clans. her sons, Bakti and Dwi, who are Muslims. Filmmaker James Marsh returns to the Modern-day Indonesia is entrenched in a Disturbingly raw, yet compulsively engaging, Sundance Film Festival with an unflinching, tug-of-war between Christianity and Islam, unsentimental biography of an animal we tried KNUCKLE offers candid access to a rarely young and old, rich and poor, and beset by to make human. What we learn about Nim’s seen, brutal world where a cycle of bloody encroaching globalization that threatens the true nature—and indeed our own—is comic, violence seems destined to continue simple life that Rumidjah knows so well. revealing, and profoundly unsettling.—D.C. unabated. —B.T. Forgoing interviews and voice-over narration, ExP: John Battsek, Andrew Ruhemann, ExP: Alan Maher Pr: Teddy Leifer Ci: Michael Doyle, Position Among the Stars allows each Nick Fraser, Hugo Grumbar, Jamie Laurenson Ian Palmer Ed: Ollie Huddleston MuS: Ian Neil exquisite detail to come together and Pr: Simon Chinn CoP: George Chignell, Mu: Ilan Eshkeri construct a rich mosaic of Indonesia today. Maureen A. Ryan Ci: Michael Simmonds The result is poignant, breathtaking, and a Ed: Jinx Godfrey Mu: Dickon Hinchliffe Friday, January 21, noon - KNUCK214D singularly stellar vérité triumph.—D.C. Holiday Village Cinema IV, Park City Thursday, January 20, 9:30 p.m. - PRNIM20EN Saturday, January 22, 10:30 p.m. - KNUCK22BN Pr: Hetty Naaijkens-Retel Helmrich Ci: Ismail Fahmi Egyptian Theatre, Park City Broadway Centre Cinema IV, SLC Lubish, Leonard Retel Helmrich Ed: Jasper Naaijkens Friday, January 21, 6:00 p.m. - PRNIM21SE Sunday, January 23, noon - KNUCK23SD Mu: Danang Faturahman, Fahmy Al-attas Screening Room, Sundance Resort So: Ranko Paukovic Ph: Jan Karel Lameer Screening Room, Sundance Resort Saturday, January 22, 6:30 p.m. - PRNIM22OE Monday, January 24, midnight - KNUCK24YL Peery's Egyptian Theater, Ogden Friday, January 21, noon - POSIT21SD Yarrow Hotel Theatre, Park City Sunday, January 23, 11:30 a.m. - PRNIM23PD Screening Room, Sundance Resort Thursday, January 27, 10:00 p.m. - KNUCK27RN Prospector Square Theatre, Park City Saturday, January 22, 9:00 p.m. - POSIT224N Redstone Cinema 7, Park City Wednesday, January 26, 9:00 a.m. - PRNIM26YM Holiday Village Cinema IV, Park City Friday, January 28, 8:30 p.m. - KNUCK28PN Yarrow Hotel Theatre, Park City Monday, January 24, noon - POSIT244D Prospector Square Theatre, Park City Friday, January 28, 3:30 p.m. - PRNIM282A Holiday Village Cinema IV, Park City Holiday Village Cinema II, Park City Monday, January 24, 9:45 p.m. - POSIT24BN Broadway Centre Cinema V, SLC Thursday, January 27, 3:00 p.m. - POSIT27TA Temple Theatre, Park City Saturday, January 29, 10:00 a.m. - POSIT291M Holiday Village Cinema I, Park City

34 World Cinema Documentary Competition 2011 Sundance Film Festival Casting Ca: CoD: Costume Designer Music Mu: Senna Shut Up Little Man! An

So: Sound DIRECTOR: Asif Kapadia SCREENWRITER: Manish Pandey Audio Misadventure United Kingdom, 2010, 104 min., color DIRECTOR/SCREENWRITER: Matthew Bate Australia, 2011, 85 min., color The story of Ayrton Senna, perhaps the

ArD: Art Director greatest race car driver who ever lived, is In 1987, Eddie and Mitch, two young punks an epic tale that literally twists at every turn. from the Midwest, moved into a low-rent In the mid 1980s, Senna, a young, gifted shithole of an apartment in the Lower driver, exploded onto the world of Formula Haight district of San Francisco. Through One racing. As a Brazilian in a predominantly paper-thin walls, they were informally European sport, a purist in a world polluted introduced to their middle-aged alcoholic PrD: Production Designer with backroom deals, and a man of faith in an neighbors, Raymond Huffman, a raging arena filled with cynicism, Senna had to fight homophobe, and Peter Haskett, a flamboyant

Ed: Editor hard—both on and off the track. Facing titanic gay man. Night after night, the boys were struggles, he conquered Formula One and treated to and terrorized by a seemingly became a global icon who was idolized in his endless stream of vodka-fueled altercations home country. between the two unlikely roommates. Oftentimes nonsensical and always vitriolic,

Ci: Cinematographer Told solely through the use of archival the diatribes of Peter and Ray were an audio footage, Asif Kapadia’s documentary is a thrill goldmine just begging to be recorded and ride worthy of its daring subject. Adrenaline passed around on the underground tape will be pumping as cameras from inside market. For 18 months, Eddie and Mitch hung Senna’s car put you smack-dab in the driver’s Associate Producer a microphone from their kitchen window to seat. Buckle your seat belt; Senna will take

AsP: chronicle the bizarre and violent relationship you on a trip you do not want to miss.—D.C. between their borderline-insane neighbors. ExP: Manish Pandey, Kevin Macdonald Not satisfied with simply documenting these Pr: James Gay-Rees, Tim Bevan, Eric Fellner outlandish events, director Matthew Bate has CoP: Coproducer Mu: Antonio Pinto concocted a darkly comedic exploration into the blurred boundaries among privacy, art, Friday, January 21, 6:00 p.m. - SENNA214E and exploitation.—A.M. Pr: Producer Holiday Village Cinema IV, Park City Saturday, January 22, 9:00 a.m. - SENNA22TM ExP: Stephen Cleary, Julie Ryan Pr: Sophie Hyde, Temple Theatre, Park City Matthew Bate CoP: Julie Byrne, Bryan Mason Saturday, January 22, 9:45 p.m. - SENNA22BN Ci/Ed: Bryan Mason An: Raynor Pettge Broadway Centre Cinema V, SLC Wednesday, January 26, 6:00 p.m. - SENNA26RE PRECEDED BY LOVE & THEFT ExP: Executive Producer Redstone Cinema 8, Park City DIRECTOR: ANDREAS HYKADE Friday, January 28, noon - SENNA28YD GERMANY, 2010, 7 MIN., COLOR & B/W Yarrow Hotel Theatre, Park City Credit Legend Saturday, January 29, 1:30 p.m. - SENNA29BD Saturday, January 22, 6:00 p.m. - SHUTU224E Broadway Centre Cinema IV, SLC Holiday Village Cinema IV, Park City Monday, January 24, 6:00 p.m. - SHUTU24BE Broadway Centre Cinema VI, SLC Tuesday, January 25, midnight - SHUTU25YL Yarrow Hotel Theatre, Park City Thursday, January 27, 3:00 p.m. - SHUTU27YA Yarrow Hotel Theatre, Park City Friday, January 28, 7:00 p.m. - SHUTU28RE Redstone Cinema 7, Park City

World Cinema Documentary Competition Limited only by run time, and driven by innovation and experimentation, short films transcend the rules of conventional storytelling. From cutting-edge animation to the best in Native and documentary cinema, these Shorts Programs call out filmmaking’s FROM THE TERRYS FROM BRICK NOVAX most original imaginations. Shorts Program I Shorts Program II Trailer park trysts, Luchito fantasizes with the boy across the Underwater madness. street, Rusty cares for his alligator more than anything else, and Amber loves the idea of Animated absurdity, having a baby with handsome Craig, but oh A young kid’s perceived sadness. boy, life ain’t that easy, is it? Ask the dumped Shorts girlfriend who is ready to spill her guts out for Tracy Chapman flashbacks, good, or Brick Novax with little time to live MCA having fun. and so much to tell, or a woman in Iran locked Programs out from home with no headscarf in sight. Get ready, let’s paaaaaarrrrrty . . . . Bumpy, funny, unexpected: Shorts Program II It’s Shorts Program I! is ahead! 98 min. 109 min. DEEPER THAN YESTERDAY BABYLAND DIRECTOR: ARIEL KLEIMAN DIRECTOR: MARC FRATELLO AUSTRALIA, 2009, 20 MIN., COLOR U.S.A., 2010, 28 MIN., COLOR Shorts Programming Team THE EXTERNAL WORLD BLOKES DIRECTOR: DAVID OREILLY DIRECTOR: MARIALY RIVAS Emily Doe GERMANY/IRELAND, 2010, 15 MIN., CHILE, 2010, 15 MIN., COLOR Ernesto Foronda COLOR & B/W Jonathan Korn BRICK NOVAX—PART 1 Todd Luoto FIGHT FOR YOUR RIGHT REVISITED DIRECTOR: MATT PIEDMONT Katie Metcalfe DIRECTOR: ADAM YAUCH U.S.A., 2010, 15 MIN., COLOR Lisa Ogdie U.S.A., 2011, 2O MIN., COLOR Hebe Tabachnik BRICK NOVAX—PART 2 Kim Yutani THE STRANGE ONES DIRECTOR: MATT PIEDMONT DIRECTORS: CHRISTOPHER RADCLIFF, U.S.A., 2010, 15 MIN., COLOR LAUREN WOLKSTEIN U.S.A., 2011, 15 MIN., COLOR SEXTING DIRECTOR: NEIL LABUTE THE TERRYS U.S.A., 2010, 8 MIN., B/W DIRECTORS: TIM HEIDECKER, ERIC WAREHEIM U.S.A., 2010, 15 MIN., COLOR WE’RE LEAVING DIRECTOR: ZACHARY TREITZ WORST ENEMY U.S.A., 2010, 13 MIN., COLOR DIRECTOR: LAKE BELL U.S.A., 2010, 13 MIN., COLOR THE WIND IS BLOWING ON MY STREET DIRECTOR: SABA RIAZI IRAN, 2010, 15 MIN., COLOR Thursday, January 20, 8:30 p.m. - SHRT120LN Library Center Theatre, Park City Friday, January 21, 9:00 a.m. - SHRT121CM Saturday, January 22, 12:45 p.m. - SHRT222BD Eccles Theatre, Park City Broadway Centre Cinema V, SLC Saturday, January 22, 3:30 p.m. - SHRT122GA Sunday, January 23, 3:00 p.m. - SHRT2234A Rose Wagner Performing Arts Center, SLC Holiday Village Cinema IV, Park City Wednesday, January 26, 11:30 p.m. - SHRT126GL Monday, January 24, 8:30 a.m. - SHRT224PM Library Center Theatre, Park City Prospector Square Theatre, Park City Saturday, January 29, 9:00 p.m. - SHRT129BN Friday, January 28, 6:00 p.m. - SHRT228WE Broadway Centre Cinema VI, SLC Tower Theatre, SLC Saturday, January 29, 3:00 p.m. - SHRT229YA Yarrow Hotel Theatre, Park City

66 2011 Sundance Film Festival Credit Legend ExP: Executive Producer Pr: Producer CoP: Coproducer AsP: Associate Producer Ci: Cinematographer Ed: Editor PrD: Production Designer ArD: Art Director So: Sound Mu: Music CoD: Costume Designer Ca: Casting Prospector Prospector Square Theatre, Park City Saturday, January 29, 8:30 p.m. - SHRT329PN Redstone Cinema 7, Park City Thursday, January 27, 7:00 p.m. - SHRT327RE Holiday Village Cinema IV, Park City Monday, January 24, 9:00 p.m. - SHRT3244N Broadway Centre Cinema V, SLC Saturday, 22, January 6:45 p.m. - SHRT322BE Holiday Village Cinema IV, Park City Friday, January 21, 9:00 a.m. - SHRT3214M min. 107 everyone. for surprising and strange, sweet, something her.films know to youhave wants These just shellawoman a of pool;and atthe afternoon an enjoy brothers handicapped two breakup; bya humiliated isbrutally man a stand; one-night limitshera through learns teenager Russian a emotionallyfraught: films are Other death. and life love,avian and human overlappingofthe explore we and stepfather; estranged hisdrunk, murder toboya losingencourage ID;herfriends after stranger a trusts woman Romanian a Japan; aliveinburied are hismother and boy a spots: intight IIIcharacters Program features Shorts ShortsProgram III ROMANIA, 2010, 14 MIN., COLOR MIN., 14 2010, ROMANIA, URICARU IOANA DIRECTOR: STOPOVER COLOR MIN., 11 2010, JAPAN, HIRABAYASHI ISAMU DIRECTOR: SHIKASHA COLOR MIN., 4 2010, U.S.A., FLEISCHER-CAMP DEAN ON DIRECTOR: SHOES WITH SHELL THE MARCEL COLOR MIN., 7 2010, REPUBLIC, CZECH LYE BRIAN DIRECTOR: BIRDS LOVE COLOR MIN., 7 2010, KINGDOM, UNITED COOPER CALLUM DIRECTOR: BROTHER LITTLE COLOR MIN., 16 2010, U.S.A., HITTMAN ELIZA DIRECTOR: TONIGHT START GONNA FOREVER’S B/W & COLOR MIN., 28 2011, U.S.A., MOLSON MOON TIME DIRECTOR: EVERY STRONG BEATS CRAZY COLOR MIN., 20 2010, U.S.A., TAYLOR JEF DIRECTOR: LEFT YOU AFTER FROM

STOPOVER

Shorts Programs Shorts Broadway Centre Cinema IV, SLC Saturday, January 29, 7:30 p.m. - SHRT429BE Holiday Village Cinema II, Park City Friday, January 28, 9:15 p.m. - SHRT4282N Broadway Centre Cinema IV, SLC Thursday, January 27, 10:30 p.m. - SHRT427BN Prospector Square Theatre, Park City Sunday, January 23, 2:30 p.m. - SHRT423PA Holiday Village Cinema IV, Park City Saturday, January 22, midnight - SHRT4224L min. 95 bag? plastic discarded that for shouldroot wemuch how and turn; sharp a situationtakes threateninga reciprocated; not are desires when out lashes conflict highaschool; wayugly through its weaves disease house; the of head onlywaybecome to killing is the apparently world;theyourparents of gamblingthe ofcapital power ambiguousthe unravels amid story crime a boundaries; sexual hisdiscover to tries man younga when ensue struggles Power romance. sprinklingtwisted of a with. .. tempted and tricked, abused, used, are who those explore shorts lies!These and power, ofWelcome worldato corruption, ShortsProgram IV U.S.A., 2010, 10 MIN., COLOR MIN., 10 2010, U.S.A., SMITH CARTER DIRECTOR: YEARBOOK COLOR MIN., 20 2010, BELGIUM, PROVOST NICOLAS DIRECTOR: STARDUST COLOR MIN., 13 2010, KINGDOM, UNITED KHAOU HONG DIRECTOR: SPRING COLOR MIN., 4 2010, U.S.A., KONNER JEREMY DIRECTOR: BAG PLASTIC MAJESTIC THE COLOR MIN., 15 2010, U.S.A., TOMSIC JEFF DIRECTOR: PARENTS MY KILLING TIME DIFFICULT A HAVING I’M COLOR MIN., 8 2010, U.S.A., JETTER TAHIR DIRECTOR: CLOSE. COLOR MIN., 25 2010, KINGDOM, UNITED MULLOY DANIEL DIRECTOR: BABY TIME KILLING MY PARENTS MY KILLING TIME FROM

I’M HAVING A DIFFICULTA HAVING I’M

sundance.org/festival that leave you asking, what happens next?! happens whatthatleave youasking, murder accidental “sport,”occasional the and love,ondesire, takes offar, variety a and addictionstaken too bromances, bittersweet simpleepicofexperience bedtimetales love, story.goodaYou’lluswhyyoucan’t resist shows V Program Shorts sizes, and shapes, condition?human in all forms, Presented complexitiesthe ofand laughs, heartache, Filled with story? goodaWanna hear ShortsProgram V Broadway Centre Cinema V, SLC Saturday, January 29, 6:45 p.m. - SHRT529BE Library Center Theatre, Park City Wednesday, January 26, 2:30 p.m. - SHRT526LA Redstone Cinema 3, Park City Sunday, January 23, 6:30 p.m. - SHRT523RE Broadway Centre Cinema V, SLC Saturday, January 22, 3:45 p.m. - SHRT522BA Prospector Square Theatre, Park City Friday, January 21, 11:30 p.m. - SHRT521PL min. 96 IRELAND, 2010, 17 MIN., COLOR MIN., 17 2010, IRELAND, BRADY CATHY DIRECTOR: CHANGE SMALL COLOR MIN., 15 2010, U.S.A., LOWERY DAVID DIRECTOR: PIONEER COLOR MIN., 8 2011, U.S.A., CARMICHAEL EMILY DIRECTOR: MEETING THEIR DISCUSS SWAN THE AND HUNTER THE COLOR MIN., 20 2010, ITALY, FILOMARINO CITO FERDINANDO DIRECTOR: DIARCHY COLOR MIN., 12 2010, U.S.A., SCHROEDER TOM DIRECTOR: RACE BIKE COLOR MIN., 14 2010, U.S.A., SHOVAL DEB DIRECTOR: AWOL COLOR MIN., 10 2010, U.S.A., PALEY NICK DIRECTOR: ZACH AND ANDY FROM

PIONEER

67 FROM SATAN SINCE 2003 FROM LIVING FOR 32 FROM THE GREATNESS Documentary Documentary Animation Showcase Prepare for a journey . . . a 3-D, stop-motion, Showcase I Showcase II hand-drawn trip where discovery, wonder, Listen, we all love Chuckie Dickens, but most From the courageous to the charismatic; love, and lost loved ones meet in one epic expectations are anything but great. As soon from a monumental journey of change to a showdown. We have a rabbit and a fox forging as you put a value on something, you’re just four-legged stroll through the big-city streets. a friendship, a boy’s memory of losing his asking for a letdown—if not a full-on bummer. These are the personal, true-life narratives father, a wee superhero in a retrogaming Doesn’t matter whether you’re talking that encourage, educate, and inspire; move, world, a lone sailor in search of his beloved, family, hometown pride, armed robbery, motivate and take action; bark, sit, and stay. a woman led astray by her West German gang warfare, or just keeping that freaking Journey to Capital Hill, where a Virginia Tech terrorist lover, an imaginary journey through camera pointing the right way. So let go survivor argues for gun control. Peer into the circles of hell set to the music of Ennio already! And if you’re gonna expect anything, a barbershop in Birmingham, where an Morricone, a couple’s stressful cab ride, a make it the unexpected. 85-year-old African American anticipates the man obsessed with time, and another boy’s 102 min. election of President Obama. Laugh and learn alternate reality. Did I mention the rabbit is with Isabella Rossellini about the creatures wearing a turtleneck? GRANDPA’S WET DREAM and pets that live in the Big Apple. These DIRECTOR: CHIHIRO AMEMIYA perspectives of the people and languages of 92 min. JAPAN/U.S.A., 2010, 16 MIN., COLOR the land celebrate change, hope, action . . . and 1989 (WHEN I WAS 5 YEARS OLD) offer lessons from Charles Darwin, too. DIRECTOR: THOR OCHSNER DENMARK, 2010, 11 MIN., COLOR INCIDENT BY A BANK 106 min. DIRECTOR: RUBEN ÖSTLUND 8BITS SWEDEN, 2010, 12 MIN., COLOR ANIMALS DISTRACT ME DIRECTORS: VALERE AMIRAULT, SARAH LAUFER, DIRECTOR: ISABELLA ROSSELLINI JEAN DELAUNAY, BENJAMIN MATTERN FRANCE, 2010, 7 MIN., COLOR NEGATIVIPEG U.S.A., 2010, 47 MIN., COLOR & B/W DIRECTOR: MATTHEW RANKIN THE EAGLEMAN STAG CANADA, 2010, 15 MIN., COLOR THE BARBER OF BIRMINGHAM: FOOT SOLDIER DIRECTOR: MIKEY PLEASE OF THE CIVIL RIGHTS MOVEMENT UNITED KINGDOM, 2010, 9 MIN., B/W OOPS DIRECTORS: GAIL DOLGIN, ROBIN FRYDAY THE GREATNESS DIRECTOR: CHRIS BECKMAN U.S.A., 2010, 19 MIN., COLOR + B/W DIRECTOR: YI ZHOU U.S.A., 2009, 10 MIN., COLOR CHINA, 2010, 7 MIN., COLOR LIVING FOR 32 SOMETHING LEFT, SOMETHING TAKEN OUT OF REACH DIRECTOR: KEVIN BRESLIN DIRECTORS: RU KUWAHATA, MAX PORTER DIRECTOR: JAKUB STOZEK U.S.A., 2010, 40 MIN., COLOR U.S.A., 2010, 10 MIN., COLOR & B/W POLAND, 2010, 30 MIN., COLOR Saturday, January 22, 3:00 p.m. - SHRT722SA STORM DIRECTOR: CESAR CABRAL SATAN SINCE 2003 Screening Room, Sundance Resort BRAZIL, 2010, 10 MIN., COLOR DIRECTOR: CARLOS PUGA Sunday, January 23, 7:30 p.m. - SHRT723BE U.S.A., 2010, 19 MIN., COLOR Broadway Centre Cinema IV, SLC TORD AND TORD Monday, January 24, 3:00 p.m. - SHRT724TA DIRECTOR: NIKI LINDROTH VON BAHR SWEDEN, 2010, 11 MIN., COLOR Friday, January 21, 9:00 a.m. - SHRT621TM Temple Theatre, Park City Temple Theatre, Park City Wednesday, January 26, 9:00 p.m. - SHRT726RN TUSSILAGO Saturday, January 22, 1:30 p.m. - SHRT622BD Redstone Cinema 8, Park City DIRECTOR: JONAS ODELL Broadway Centre Cinema IV, SLC Thursday, January 27, 8:30 a.m. - SHRT7273M SWEDEN, 2010, 14 MIN., COLOR Sunday, January 23, 3:00 p.m. - SHRT623RA Holiday Village Cinema III, Park City XEMOLAND Redstone Cinema 8, Park City DIRECTOR: DANIEL CARDENAS Thursday, January 27, 9:30 p.m. - SHRT6272N U.S.A., 2009, 13 MIN., COLOR Holiday Village Cinema II, Park City Saturday, January 29, 10:30 p.m. - SHRT629BN Friday, January 21, midnight - ANIMA21YL Broadway Centre Cinema IV, SLC Yarrow Hotel Theatre, Park City Saturday, January 22, 11:30 a.m. - ANIMA22PD Prospector Square Theatre, Park City Sunday, January 23, 1:30 p.m. - ANIMA23BD Broadway Centre Cinema IV, SLC Thursday, January 27, 8:30 p.m. - ANIMA273N Holiday Village Cinema III, Park City Saturday, January 29, 6:00 p.m. - ANIMA29SE Screening Room, Sundance Resort 68 Shorts Programs