Indigenous to the Ojibway's Region

Total Page:16

File Type:pdf, Size:1020Kb

Indigenous to the Ojibway's Region Title: 400 Kilometres Author: Taylor, Drew Hayden Publisher: Talonbooks 2005 Description: roy comedy - self-awareness - Native peoples - Native playwrights five characters two male; three female two acts Third play in Hayden-Taylor's hilarious and heart wrenching identity-politics trilogy. Janice Wirth, having discovered her roots as the Ojibway orphan Grace Wabung, and having visited her birth family on the Otter Lake Reserve, is pregnant, and must now come to grips with the question of her true 'identity'. Her adoptive parents have just retired, and are about to sell their house to embark on a quest for their own identity by 'returning' to England. Meanwhile, the Native father of her child-to-be is attempting to convince Janice/Grace that their coming child's future lies with Title: Aboriginal Drama and Theatre Author: Publisher: Playwrights Canada Press 2005 Description: Reference There is much to discuss and this collection marks only a beginning in the process of watching, studying and understanding the complexity and liberative possibilities of Aboriginal drama and theatre in Canada. (Rob Appleford) Title: According to Coyote in - Theatre for Young Audiences / CHC Author: Kauffman, John Publisher: St. Martin's Press Description: roy Native storytelling for children - monologue - Native peoples - Native tales all male cast; one male one male one act A story of Coyote. 'Coyote is the mythicalogical trickster/hero of Plains and Plateau Indain tribes of the western United States. But Coyote isn't always as heroic as he might appear. Most of Coyote's supposedly great deeds were the results of mishaps or accidents as the sly Coyote was trying to manipulate someone. Therein lies the function of Coyote tales - they tell us how to behave, or more precisely, how not to behave.' Title: Agokwe in - Two-Spirit Acts / CCO Author: Fobister, Waawaate Publisher: Playwrights Canada Press 2013 Description: roy Canadian - drama - Native peoples - LGBTQ+ - Native playwright - monologues all male cast; five characters one male (doubling) one act "Mike is a hockey player and Jake is a dancer. The boys notice each other at the Kenora Shoppers Mall and ultimately connect through a mutual love of movement — when Mike is skating and Jake is dancing, "like grass blowing in the wind." Playing these and many more characters through the iconic, multifarious persona of Nanabush, the trickster, Waawaate Fobister intertwines the boys' attraction to each other through activities that traditionally separate gender and orientation. "Agokwe" (pronounced "agoo-kway; meaning "wise woman" or "Two-Spirited") is a remarkable and Title: Almighty Voice Author: Peterson, Leonard Publisher: Book Society Of Canada 1974 Description: roy children - Canadian - historical - Native peoples four characters; extras three male; one female one act A play that helps children to understand Native philosophy. Title: Almighty Voice and His Wife Author: Moses, Daniel David Publisher: Playwrights Canada Press 2001 Description: roy Canadian - Native peoples - drama - Native playwright two characters one male; one female two acts A young Cree couple woo and wed, but it's 1885, the generation after the Riel Rebellion. It's hard for any Indian to live happily ever after, unless one goes into show business. A retelling of historic incidents to create a play about the place of Native people in Canada. Title: Almighty Voice and His Wife in - Canadian Theatre Review No 68, Fall 1991 / PER Author: Moses, Daniel David Publisher: Miscellaneous 2001 Description: roy Canadian - Native peoples - drama - Native playwright two characters one male; one female two acts A young Cree couple woo and wed, but it's 1885, the generation after the Riel Rebellion. It's hard for any Indian to live happily ever after, unless one goes into show business. A retelling of historic incidents to create a play about the place of Native people in Canada. Title: Almighty Voice and His Wife in - Staging Coyote's Dream v. 1 / CCO Author: Moses, Daniel David Publisher: Playwrights Canada Press 2001 Description: roy Canadian - Native peoples - drama - Native playwright two characters one male; one female two acts A young Cree couple woo and wed, but it's 1885, the generation after the Riel Rebellion. It's hard for any Indian to live happily ever after, unless one goes into show business. A retelling of historic incidents to create a play about the place of Native people in Canada. Title: Almighty Voice and His Wife Author: Moses, Daniel David Publisher: Playwrights Canada Press 2009 Description: roy Canadian - Native peoples - drama - Native playwright two characters one male; one female two acts A young Cree couple woo and wed, but it's 1885, the generation after the Riel Rebellion. It's hard for any Indian to live happily ever after, unless one goes into show business. A retelling of historic incidents to create a play about the place of Native people in Canada. Title: Alternatives Author: Taylor, Drew Hayden Publisher: Talonbooks 2000 Description: roy drama - Canadian - Native peoples - Native playwright six characters three male; three female two acts "A very liberal contemporary couple - Angel, an urban Native science fiction writer: and Colleen, a Non-practising Jewish intellectual who teaches Native literature - have a dinner party. The guests at this little soiree are couples that represent what by now have become the cliched extremes of both societies-Angels former radical Native activist buddies: and Colleen's environmentally concerned vegetarian/veterinarian friends. The menu is of course shorthand for the irreconcilable cultural differences about to come to a head: moose roast and vegetarian lasagna." Title: Annie Mae's Movement Author: Nolan, Yvette Publisher: Playwrights Canada Press 1998 Description: roy drama - biography - Native peoples - Native playwright seven characters one male; one female (doubling) one act Annie Mae’s Movement explores what it must have been like to be Anna Mae Pictou Aquash, a woman in a man’s movement, a Canadian in America, an Aboriginal in a white-dominant culture at a time when it felt like we could really change the world. Dying under mysterious circumstances, it is still unclear as to what really happened to Anna Mae back in the late 70s. Instead of recounting cold facts, this play looks for the truth from examining the life and death of this remarkable Aboriginal woman; that we cannot know the consequences of our actions; that we live on in the Title: Annie Mae's Movement in - Staging Coyote's Dream v. 2 / CCO Author: Nolan, Yvette Publisher: Playwrights Canada Press 2008 Description: roy drama - biography - Canadian - Native peoples - Native playwright seven characters one male; one female (doubling) one act Annie Mae’s Movement explores what it must have been like to be Anna Mae Pictou Aquash, a woman in a man’s movement, a Canadian in America, an Aboriginal in a white-dominant culture at a time when it felt like we could really change the world. Dying under mysterious circumstances, it is still unclear as to what really happened to Anna Mae back in the late 70s. Instead of recounting cold facts, this play looks for the truth from examining the life and death of this remarkable Aboriginal woman; that we cannot know the consequences of our actions; that we live on in the Title: Aria in - Staging Coyote's Dream v. 1 / CCO Author: Highway, Tomson Publisher: Playwrights Canada Press 1987 Description: roy one woman play - Canadian - Native peoples - Native playwright all female cast; many characters one female (doubling) one act Description not available. Title: As Long as the Sun Shines in - Staging Alternative Albertas / CCO Author: Grant, Christina Dunn, Doug Publisher: Playwrights Canada Press 2002 Description: roy Canadian drama - Native history - Alberta - Native peoples twenty characters; extras twelve male; eight female five scenes 'A dramatic re-enactment of the signing of Treaty No. 8 on June 21, 1899, at Lesser Slave Lake. This historiographic pageant, shuttling back and forth between then and now, uses a late twentieth-century narrator to introduce a series of tableaux which dramatize anxieties in late nineteenth century Cree and White communities about the signing of documents that effectively transformed Native history in the Athabasca, Mackenzie and Peace River Districts.' Title: Baby Blues, The Author: Taylor, Drew Hayden Publisher: Talonbooks 1999 Description: roy comedy - satire - Native peoples six characters three male; three female two acts "Drew Hayden Taylor's highly wrought farce of patrimony in a politically correct, post-colonial milieu of 'fancy dancers' of every stripe on the Pow Wow Trail." Winner of the Alaska State University Playwrights Award. Title: Bannock Republic Author: Williams, Kenneth T. Publisher: Scirocco Drama 2011 Description: roy comedy - Native peoples - Canadian - Native playwright four characters two male; two female (doubling possible) two acts Find out what yoga, residential schools and the missing thirteenth floors have in common in this comedy by Kenneth T. WIlliams. BANNOCK REPUBLIC reunites the cousins Jacob and Isaac Thunderchild 10 years after the mayhem of THUNDERSTICK, This time a beautiful and vengeful third-part manager will wreak havoc with their lives. Jacob is working as a video journalist and barely clinging to his sobriety. Isaac is now chief of their reserve and trying to get the band out of debt. Destiny Charles, appointed to take over the band's finances, will make Jacob and Isaac Title: Bereav'd of Light Author: Ross, Ian Publisher: Scirocco Drama 2005 Description: roy drama - Canadian - slavery - Native peoples all male cast; four characters four male ten scenes "Wagoosh has a vision, and follows the signs south. Absalom, an escaped house slave, is running north. When the two meet, the inevitable clash of cultures leads us into little-explored historical territory - and on a strange and desperate flight from Abraham, the plantation owner. Red, black, and white, eventually the men must come to grips with the things that unite them as well as those that divide them.
Recommended publications
  • The Beginnings of Contemporary Aboriginal Literature in Canada 1967-1972: Part One1
    H ARTMUT L UTZ The Beginnings of Contemporary Aboriginal Literature in Canada 1967-1972: Part One1 _____________________ Zusammenfassung Die Feiern zum hundertjährigen Jubiläum des Staates Kanada im Jahre 1967 boten zwei indianischen Künstlern Gelegenheit, Auszüge ihrer Literatur dem nationalen Publi- kum vorzustellen. Erst 1961 bzw. 1962 waren Erste Nationen und Inuit zu wahlberechtig- ten Bürgern Kanadas geworden, doch innerhalb des anglokanadischen Kulturnationa- lismus blieben ihre Stimmen bis in die 1980er Jahre ungehört. 1967 markiert somit zwar einen Beginn, bedeutete jedoch noch keinen Durchbruch. In Werken kanonisierter anglokanadischer Autorinnen und Autoren jener Jahre sind indigene Figuren überwie- gend Projektionsflächen ohne Subjektcharakter. Der Erfolg indianischer Literatur in den USA (1969 Pulitzer-Preis an N. Scott Momaday) hatte keine Auswirkungen auf die litera- rische Szene in Kanada, doch änderte sich nach Bürgerrechts-, Hippie- und Anti- Vietnamkriegsbewegung allmählich auch hier das kulturelle Klima. Von nicht-indigenen Herausgebern edierte Sammlungen „indianischer Märchen und Fabeln“ bleiben in den 1960ern zumeist von unreflektierter kolonialistischer Hybris geprägt, wogegen erste Gemeinschaftsarbeiten von indigenen und nicht-indigenen Autoren Teile der oralen Traditionen indigener Völker Kanadas „unzensiert“ präsentierten. Damit bereiteten sie allmählich das kanadische Lesepublikum auf die Veröffentlichung indigener Texte in modernen literarischen Gattungen vor. Résumé À l’occasion des festivités entourant le centenaire du Canada, en 1967, deux artistes autochtones purent présenter des extraits de leur littérature au public national. En 1961, les membres des Premières Nations avaient obtenu le droit de vote en tant que citoyens canadiens (pour les Inuits, en 1962 seulement), mais au sein de la culture nationale anglo-canadienne, leur voix ne fut guère entendue jusqu’aux années 1980.
    [Show full text]
  • Ryga, Miss Donohue, and Me: Forty Years of the Ecstasy of Rita Joe in the University
    TRiC38#1x12.qxp_TRiC'16 2017-05-30 11:03 AM Page 11 ARTICLES Ryga, Miss Donohue, and Me: Forty Years of The Ecstasy of Rita Joe in the University MOIRA DAY This article is dedicated to the memory of Frank Bueckert (1922-2017), a valued friend, mentor, and teacher. While the seminal role that George Ryga’s 1967 classic, The Ecstasy of Rita Joe, played in igniting the modern Canadian theatre has often been acknowledged, the extent to which its success also constituted a concentrated attack on what Ryga termed the “complacent educator” in 1977, and helped revolution- ize the publication and teaching of Canadian plays at the post-secondary level, may have been less well acknowledged. This article, which documents Moira Day’s own forty-year odyssey with the play in the (largely) prairie university classroom as both a student and an instructor, investigates the play’s initial impact on scholarship, publication, curriculum at the post-secondary level, and some of its ramifications on school and university production and actor training over the 1970 and 1980s. It also deals with the challenges of continuing to teach and interpret the play from the 1990s onward, as new practices and theories have continued to alter its meaning, and considers why this odd, iconoclastic text, despite its flaws, continues to fascinate us fifty years after its initial production. On a souvent souligné le rôle essentiel qu’a joué The Ecstasy of Rita Joe, une pièce qu’a écrite George Ryga en 1967, dans la mouvance du théâtre canadien. Or, on a peut-être moins insisté sur la mesure dans laquelle son succès aura constitué une attaque concentrée sur ce que Ryga appelait en 1977 l’« éducateur complaisant », ni même sur le fait que la pièce aura servi à révolutionner la publication et l’enseignement de la dramaturgie canadienne au niveau post-secondaire.
    [Show full text]
  • GCC(EI)/CNG 2013-2014 Annual Report
    40th Anniversary of the Grand Council of the Crees (Eeyou Istchee) YEARS 40 of MODERN CREE NATION-BUILDING A Special Tribute to the Trappers Who Stood Up for Our Rights Annual Report 2013-2014 Table of Contents Grand Council of the Crees (Eeyou Istchee) Message from the Grand Chief/Chairman 2 Message from the Deputy Grand Chief/ Vice-Chairman 12 Message from the Executive Director 18 Cree-Canada Relations 20 Cree-Québec Relations & Taxation 28 Natural Resources 43 Operations & Maintenance and Capital Grants 46 International Affairs 47 40th Anniversary of the Grand Council of the Crees (Eeyou Istchee) 52 Roundtable Community Tours 54 Cree Nation Government Message from the Director General 57 Message from the Treasurer 58 Government Services 61 Human Resources 66 Cree Human Resources Development 70 Environment and Remedial Works 83 Culture and Language 91 Capital Works and Services 105 Economic and Sustainable Development 115 Child and Family Services 133 Justice and Correctional Services 141 Eeyou Eenou Police Force 150 Leisure, Sports and Recreation 157 Youth Development 164 Cree Nation Youth Council 173 Cree First Nations – Chiefs and Offices 174 Council/Board Members – Executive/ Executive Committee Members 175 This year’s Annual Report celebrates the 40th year that the GCC(EI) was established through a look back in time. Front Cover Archive Photo: One of GCC’s first meetings held in a classroom by I. La Rusic, courtesy Beesum Communications. Annual Report 2013-2014 1 YEARS 40 of MODERN CREE NATION-BUILDING ᒋᔐᐅᒋᒫᐦᑳᓐ ᐅᑕᔨᒧᐎᓐ ᐁ ᐐᐦᑕᐦᒃ
    [Show full text]
  • White Privilege Canada (WPSC), Brock University Academics & Activists: Advocating for Equity, Justice and Action September 30 – October 1, 2016
    White Privilege Canada (WPSC), Brock University Academics & Activists: Advocating for Equity, Justice and Action September 30 – October 1, 2016 Keynote Speakers Dr. Eddie Moore, Jr. Founder WPC, Community Activist and Scholar Dr. Eddie Moore Jr., is an internationally renowned scholar and community activist who is the Founder of the White Privilege Conference (WPC). Dr. Moore Jr., recently marked WPC’s 17th successful year. Dr. Moore Jr., is a prolific author, who has supported up and coming researchers and community activists in the field of antiracism. He has published books used in university courses that examine race and the need to redress systemic racial discrimination through an understanding of how whiteness and white supremacy operates in taken for granted social relations that undermine people of colour/ youth (in particular) and their future potential in becoming contributors to society. His latest book is entitled, Everyday White People Confront Racial and Social Injustice: 15 Stories. Edited by Eddie Moore Jr., Marguerite W. Penick-Parks, Ali Michael Foreword by Paul C. Gorski. See more at: www.eddiemoorejr.com Keynote title: “White Privilege 101: Getting in on the Conversations” Friday September 30, 2016 at 6pm David S. Howes Theatre This interactive, informational, challenging and energetic session examines and explores white privilege/oppression and the imperative that those promoting diversity must "get in on the conversations." Participants will leave with the skills and knowledge necessary to begin addressing issues of white privilege/oppression individually and institutionally. 1. Introductions 2. Introductory activities a. Components of Diversity b. We the People 3. Fundamental Definitions 4.Equity versus Equality 5.
    [Show full text]
  • Table of Contents Chairman’S Report 2009-10
    Table of Contents Chairman’s Report 2009-10 .................................................................................................................................. 3 Public Establishments and the Board of Directors ........................................................................................... 6 Legislative Background ............................................................................................................................. 6 REGIONAL ESTABLISHMENTS ............................................................................................................ 7 COMMUNITY MIYUPIMAATISIIUN CENTRES ....................................................................................... 7 Members of the Board of Directors ........................................................................................................... 8 Members of the Administrative Committee ............................................................................................. 10 Members of the Audit Committee ........................................................................................................... 10 Managerial Personnel ............................................................................................................................. 11 Organizational Chart ............................................................................................................................... 14 Cree Population Statistics ......................................................................................................................
    [Show full text]
  • Download The
    SEE[K]ING ABORIGINAL MOTHERS: REPAIRING COLONIAL DISRUPTIONS THROUGH MARIE CLEMENTS‟ THE UNNATURAL AND ACCIDENTAL WOMEN by Laura Lynne Johnston B.A., Malaspina University College, 2003. A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in The Faculty of Graduate Studies (English) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) August 2010 © Laura Lynne Johnston, 2010 ii ABSTRACT Attempting to understand mainstream dismissal and degradation of missing and murdered Aboriginal women, this thesis investigates Marie Clements‘ The Unnatural and Accidental Women. Retelling the story of Gilbert Paul Jordan‘s murder of ten women, predominantly Aboriginal, from Vancouver‘s Downtown Eastside, The Unnatural and Accidental Women exposes racist media representations that tell little of the women, emphasizinig instead their high levels of alcohol and Aboriginal background. Perpetuating stereotypes of Aboriginal women as promiscuous and alcoholic, such representations overlook Jordan‘s methods of poisoning his victims with alcohol. Central to this thesis is the mother/daughter relationship within the play. Abandoned by her mother at age four, Rebecca begins to search for her mother on the drug- addiction riddles streets of Vancouver‘s downtown ―Skid Row.‖ Asking the question: Why do high numbers of Aboriginal women leave their families to live impoverished and often addicted lives full of danger and isolation?, this thesis explores governmental policies disenfranchising Aboriginal women and enforcing the removal Aboriginal children into residential schools and white foster homes. Within this context, this thesis argues that Aunt Shadie acts as a maternal metaphor, reflecting Aboriginal philosophies that honour the significance of the mother/child bond.
    [Show full text]
  • The Olympic Industry ______
    ANTI-2010 Information Against the Olympic Industry _________________________________________________________ No Olympics on Stolen Native Land 1 Anti-2010: Information Against the Olympic Industry Introduction Welcome to Anti-2010; Information Against the Olympic Industry, a special report by No2010.com based on over two years of research and maintenance of the No2010.com website. It is designed as a print publication to be distributed to those without access to the internet, or who prefer printed material to computer screens. Despite this, it is only a fraction of the information now available on the website (so check it out!). Some parts are designed as 2-4 page leaflets of their own for specialized distribution (or low budgets). No2010.com was established in the spring of 2007 to provide information for anti-Olympic resistance, to educate and inspire others, and to post regular updates for the movement. It is maintained by Indigenous rebels in occupied Coast Salish Territory. Thanks to a comrade in Montreal, 100,000 stickers were printed with the slogan 'No Olympics on Stolen Native Land' & the website address. These stickers have been distributed across Canada. In addition, a 'Militant Merchandise' section has been added to the site, which has t-shirts, patches and stickers for sale. You can support No2010.com by purchasing these products (via Paypal). On the website there are also PDFs that can be downloaded and copied that you can distribute in your area, including SportsAction (direct actions against 2010 chronology) and this publication. We are currently working on a special print edition/PDF focusing on the 2010 Torch Relay.
    [Show full text]
  • December 2016 Wawatay.Indd
    PM#0382659799 Northern Ontario’s First Nation Voice since 1974 Blending Tradition with Technology 5500 copies distributed December 15, 2016 Vol. 43 No. 12 www.wawataynews.ca Indigenous Peoples Court gets the green light Rick Garrick wholistic approach that is consistent to sentencing aligned with Indigenous Wawatay News with the Medicine Wheel teachings of culture and traditions. Indigenous people of the region. “Our goal is to reduce the overrepre- First Nation leaders at the Thun- “This court will be a powerful pro- sentation of Indigenous people in cus- der Bay Indian Friendship Centre and cess to promote healing and reconcili- tody,” Wesley says. “And to do that, we Nishnawbe-Aski Legal Services are ation in our community and to use the must take the time to consider the life excited about the recent approval of an teachings of Indigenous people to pro- experiences of Indigenous peoples and Indigenous Peoples Court in Thunder vide a wholistic approach to justice,” how they’ve been impacted by those Bay. Baglien says. experiences.” “We’re really excited about mov- The Indigenous Peoples Court will Rosanna Hudson, TBIFC’s coordina- ing it forward,” says Charlene Baglien, be held in the Aboriginal Conference tor of justice services, says the Indig- TBIFC’s executive director. “There is Settlement Suite at the Thunder Bay enous Peoples Court is almost ready to some overwhelming support from the Courthouse, which is designed for begin operations. community and I think it is a wonder- Indigenous people with a ventilation “We’re just looking at implement- ful opportunity for all of us.” system for smudging.
    [Show full text]
  • The Case of Talonbooks
    A Legacy of Canadian Cultural Tradition and the Small Press: The Case of Talonbooks KATHLEEN SCHERF INETEEN SIXTY-SEVEN was an auspicious year for the support and profile of Canadian literary culture. The Centennial, N Expo ’67, accessible Canada Council grants to publishers and authors, Local Initiatives Project and Opportunities for Youth grants, the expansion of universities and their student bases, and the tenth anniver- sary of McClelland & Stewart’s launch in 1957 of the New Canadian Library series — all played a role in raising the Canadian literary con- sciousness. Two of the consciousnesses raised belonged to David Robinson and Jim Brown, who in that year launched on the University of British Columbia (UBC) campus a little magazine called Talon. The expansion in literary culture of which Talon was a part included the breathtakingly rapid expansion of little magazines and small presses in English Canada during the 1960s and 1970s. In 1967, for example, Canadian Literature devoted an entire issue (number 33) to “Publishing in Canada.” The issue contains responses to a questionnaire about Cana- dian publishing circulated by editor George Woodcock to various writ- ers and publishers: Earle Birney, Kildare Dobbs, Arnold Edinborough, Robert Fulford, Roderick Haig-Brown, Carl F. Klinck, Hugh MacLennan and Robert Weaver — all big names. Not one of those questions or an- swers deals with the existence of small presses, and of the issue’s six ad- ditional articles about publishing, only one, by Wynne Francis, has as its subject “The Little Press,” and it is primarily a checklist. Only three years later, in 1970, in a Dalhousie Review article on Canadian poetry published in 1969, Douglas Barbour remarks that eight- een of the twenty books under consideration in his review were issued by small presses.
    [Show full text]
  • Crossing Canadian Cultural Borders: a Study of the Aboriginal/White Stereotypical Relations in George Ryga's the Ecstasy of Ri
    International Journal of Applied Linguistics & English Literature E-ISSN: 2200-3452 & P-ISSN: 2200-3592 www.ijalel.aiac.org.au Crossing Canadian Cultural Borders: A study of the Aboriginal/White Stereotypical Relations in George Ryga’s The Ecstasy of Rita Joe Maram M. Samman* Taibah University, Saudi Arabia Corresponding Author: Maram M. Samman, E-mail: [email protected] ARTICLE INFO ABSTRACT Article history This paper traces the intercultural journey of a young Aboriginal girl into the hegemonic white Received: August 14, 2017 society. Rita Joe crossed the imaginary border that separates her reserve from the other Canadian Accepted: October 20, 2017 society living in the urban developed city. Through this play, George Ryga aims at achieving liberation and social equality for the Aboriginals who are considered a colonized minority in Published: January 05, 2018 their land. The research illustrates how Ryga represented his personal version of the colonial Volume: 7 Issue: 1 Aboriginal history to provide an empowering body narrative that supports their identity in Advance access: December 2017 the present and resists the erosion of their culture and tradition. The play makes very strong statements to preserve the family, history and local heritage against this forced assimilation. It tells the truth as its playwright saw it. The play is about the trail of Rita Joe after she moved Conflicts of interest: None from her reserve in pursuit of the illusion of the city where she thought she would find freedom Funding: None and social equality. In fact the audience and the readers are all on trial. Ryga is pointing fingers at everyone who is responsible for the plights of the Aboriginals as it is clear in the play.
    [Show full text]
  • Yvette Nolan: Playwright in Context
    University of Alberta Yvette Nolan: Playwright in Context bY Valerie Shantz A thesis submitted to the Facultv of Graduate Studies and Research in partial fulfillment of the recpirements for the degree of Master of Arts Department of Drama Edmonton, Alberta Spring, 1998 National tibrary Bibliothèque nationale du Canada Acquisitions and Acquisitions et Bibliographie Services services bibliographiques 335 Wellington Street 395. rue Wellington Ottawa ON KIA ON4 Ottawa ON KIA ON4 Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sell reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/film, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantid extracts fiom it Ni la these ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. This thesis is concerned with providing a critical context for my work with Yvette Kolan, a Winnipeg based playwright. I chose to pursue this topic because as a drarnahirg and academic 1 have found few models on which to base our relationdup. My underlying assumptions were that in approachmg a dramatic text, a writer and her drarnaturg represent an ongoing histon of sirnilar relatiowhips.
    [Show full text]
  • Resources Pertaining to First Nations, Inuit, and Metis. Fifth Edition. INSTITUTION Manitoba Dept
    DOCUMENT RESUME ED 400 143 RC 020 735 AUTHOR Bagworth, Ruth, Comp. TITLE Native Peoples: Resources Pertaining to First Nations, Inuit, and Metis. Fifth Edition. INSTITUTION Manitoba Dept. of Education and Training, Winnipeg. REPORT NO ISBN-0-7711-1305-6 PUB DATE 95 NOTE 261p.; Supersedes fourth edition, ED 350 116. PUB TYPE Reference Materials Bibliographies (131) EDRS PRICE MFO1 /PC11 Plus Postage. DESCRIPTORS American Indian Culture; American Indian Education; American Indian History; American Indian Languages; American Indian Literature; American Indian Studies; Annotated Bibliographies; Audiovisual Aids; *Canada Natives; Elementary Secondary Education; *Eskimos; Foreign Countries; Instructional Material Evaluation; *Instructional Materials; *Library Collections; *Metis (People); *Resource Materials; Tribes IDENTIFIERS *Canada; Native Americans ABSTRACT This bibliography lists materials on Native peoples available through the library at the Manitoba Department of Education and Training (Canada). All materials are loanable except the periodicals collection, which is available for in-house use only. Materials are categorized under the headings of First Nations, Inuit, and Metis and include both print and audiovisual resources. Print materials include books, research studies, essays, theses, bibliographies, and journals; audiovisual materials include kits, pictures, jackdaws, phonodiscs, phonotapes, compact discs, videorecordings, and films. The approximately 2,000 listings include author, title, publisher, a brief description, library
    [Show full text]