The Cathedral of All Saints Choir of Men & Boys
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Spring Term Calendar 2019 1.Pdf
1 HOMEWORK Recommended times: Years 7 & 8 20 minutes per subject (1 hour per night) Years 9 & 10 30 minutes per subject (1 – 1.5 hours per night) Year 11 40 minutes per subject (2 hours per night) Year 12 45 minutes per subject per night Year 13 60 minutes study per subject per night 2 Parents are asked to contact the Tutor if their son/daughter regularly spends far more or less time on homework than these guidelines. Homeworks MON TUES WED THURS FRI 1 2 3 We provide boys and girls aged 3 to 18 with an excellent standard of teaching and individual care, offering them a broad range of opportunities to develop every aspect of their potential. The Hereford Cathedral School culture produces well-balanced, confident and considerate young adults ready for the wider world. Aims of Hereford Cathedral School We hope that pupils will flourish and develop their potential in academic, spiritual, aesthetic, physical and personal terms. As part of an ancient Cathedral foundation, and as a Choir School, which has the privilege of a Cathedral as its chapel, we are a Christian School in the Anglican tradition, although we welcome and value those of other denominations and faiths. Each pupil is encouraged to consider seriously and openly the Christian tradition within which the School is founded. The School seeks: to meet pupils’ academic and personal needs and to promote the acquisition of moral values; to provide an environment in which pupils feel valued and learn to work co- operatively in a community; to provide a balanced, appropriate and challenging curriculum and a wide range of extra-curricular opportunities; to encourage pupils to achieve their academic potential and to foster a climate in which teaching and learning of high quality are given central priority; to ensure a high degree, within and outside the formal pastoral structure, of personal care, support and guidance; to respond to pupils’ aspirations and to be attentive to those of parents, and to their views. -
Unclassified Fourteenth- Century Purbeck Marble Incised Slabs
Reports of the Research Committee of the Society of Antiquaries of London, No. 60 EARLY INCISED SLABS AND BRASSES FROM THE LONDON MARBLERS This book is published with the generous assistance of The Francis Coales Charitable Trust. EARLY INCISED SLABS AND BRASSES FROM THE LONDON MARBLERS Sally Badham and Malcolm Norris The Society of Antiquaries of London First published 1999 Dedication by In memory of Frank Allen Greenhill MA, FSA, The Society of Antiquaries of London FSA (Scot) (1896 to 1983) Burlington House Piccadilly In carrying out our study of the incised slabs and London WlV OHS related brasses from the thirteenth- and fourteenth- century London marblers' workshops, we have © The Society of Antiquaries of London 1999 drawn very heavily on Greenhill's records. His rubbings of incised slabs, mostly made in the 1920s All Rights Reserved. Except as permitted under current legislation, and 1930s, often show them better preserved than no part of this work may be photocopied, stored in a retrieval they are now and his unpublished notes provide system, published, performed in public, adapted, broadcast, much invaluable background information. Without transmitted, recorded or reproduced in any form or by any means, access to his material, our study would have been less without the prior permission of the copyright owner. complete. For this reason, we wish to dedicate this volume to Greenhill's memory. ISBN 0 854312722 ISSN 0953-7163 British Library Cataloguing in Publication Data A CIP catalogue record for this book is available from the -
REACHING out a Celebration of the Work of the Choir Schools’ Association
REACHING OUT A celebration of the work of the Choir Schools’ Association The Choir Schools’ Association represents 46 schools attached to cathedrals, churches and college chapels educating some 25,000 children. A further 13 cathedral foundations, who draw their choristers from local schools, hold associate membership. In total CSA members look after nearly 1700 boy and girl choristers. Some schools cater for children up to 13. Others are junior schools attached to senior schools through to 18. Many are Church of England but the Roman Catholic, Scottish and Welsh churches are all represented. Most choir schools are independent but five of the country’s finest maintained schools are CSA members. Being a chorister is a huge commitment for children and parents alike. In exchange for their singing they receive an excellent musical training and first-class academic and all-round education. They acquire self- discipline and a passion for music which stay with them for the rest of their lives. CONTENTS Introduction by Katharine, Duchess of Kent ..................................................................... 1 Opportunity for All ................................................................................................................. 2 The Scholarship Scheme ....................................................................................................... 4 CSA’s Chorister Fund ............................................................................................................. 6 Finding Choristers ................................................................................................................. -
Location of Choir and Musical Instruments, January 2012
ARCHDIOCESE OF PHILADELPHIA Office for Liturgical Music 222 North Seventeenth Street ! Philadelphia, Pennsylvania 19103-1299 215-587-3696 www.ArchPhilaMusic.org www.CathedralPhilaConcerts.org LOCATION OF CHOIR AND MUSICAL INSTRUMENTS COMMENTARY OFFICE FOR WORSHIP ARCHDIOCESE OF PHILADELPHIA Sacrosanctum Concilium, the document of the Second Vatican Council on the Sacred Liturgy, speaks clearly of the importance of music in the liturgy and, while urging that “choirs … be diligently promoted,” insists that “religious singing by the people … be skillfully fostered.” Implicit is the recognition of the special service and gift given to the people of God by skilled ministers of music who are, at the same time, members of the community at prayer. Subsequent Church documents and statements by the United States Conference of Catholic Bishops support, develop, and expand upon Sacrosanctum Concilium regarding music ministers. In particular, they speak of the proper location of the choir, cantor, and other musicians in the church building itself -- as both musicians and members of the assembly. The Office for Worship of the Archdiocese of Philadelphia, based upon the norms expressed in liturgical documents regarding the placement of musicians, offers the following guidelines to pastors, musicians, and worship committees. Musicians (choir, cantor, instrumentalists), recognized and appreciated for the special gift they bring to the celebration of the Sacred Liturgy, must be located in the church in such a way that they are also clearly perceived to be members of the worshipping assembly. While lending their special training and skill, they must also be servants of the Sacred Liturgy and members of the community at prayer. -
Centenary Celebration Report
Celebrating 100 years CHOIR SCHOOLS’ ASSOCIATION CONFERENCE 2018 Front cover photograph: Choristers representing CSA’s three founding member schools, with lay clerks and girl choristers from Salisbury Cathedral, join together to celebrate a Centenary Evensong in St Paul’s Cathedral 2018 CONFERENCE REPORT ........................................................................ s the Choir Schools’ Association (CSA) prepares to enter its second century, A it would be difficult to imagine a better location for its annual conference than New Change, London EC4, where most of this year’s sessions took place in the light-filled 21st-century surroundings of the K&L Gates law firm’s new conference rooms, with their stunning views of St Paul’s Cathedral and its Choir School over the road. One hundred years ago, the then headmaster of St Paul’s Cathedral Choir School, Reverend R H Couchman, joined his colleagues from King’s College School, Cambridge and Westminster Abbey Choir School to consider the sustainability of choir schools in the light of rigorous inspections of independent schools and regulations governing the employment of children being introduced under the terms of the Fisher Education Act. Although cathedral choristers were quickly exempted from the new employment legislation, the meeting led to the formation of the CSA, and Couchman was its honorary secretary until his retirement in 1937. He, more than anyone, ensured that it developed strongly, wrote Alan Mould, former headmaster of St John’s College School, Cambridge, in The English -
Tittler on Keene and Burns and Saint, 'St. Paul's: the Cathedral Church of London, 604-2004'
H-Albion Tittler on Keene and Burns and Saint, 'St. Paul's: The Cathedral Church of London, 604-2004' Review published on Thursday, September 1, 2005 Derek Keene, Arthur Burns, Andrew Saint, eds. St. Paul's: The Cathedral Church of London, 604-2004. Yale University Press: New Haven and London, 2004. xvi + 538 pp. $125.00 (cloth), ISBN 978-0-300-09276-9. Reviewed by Robert Tittler (Department of History, Concordia University, Montreal) Published on H-Albion (September, 2005) Essay collections on the history of English cathedrals have recently become something of a fashion, with significant volumes being published over the last few years on Norwich Cathedral by Ian Atherton et al. (1996), Rochester Cathedral by Philip McAleer (1999), and Hereford Cathedral by Gerald Aylmer et al. (2000). Yet given its far greater prominence and centrality in the history of the nation, not to mention the affluence and influence of its patronal community, no such work has, or is likely to measure up to the length, weight, and virtual grandeur of this volume celebrating the fourteen-hundredth anniversary of St. Paul's Cathedral. At 538 pages, 42 chapters from 46 contributors, and 389 images, many in color, this volume requires additional digits for any standard scale by which its production might be measured. Somewhat more open to speculation are questions about what it actually offers, how it will be used, and by whom. In order to orient the reader to its layout and guide him or her through the whole, the editors have sensibly divided the work into three parts. -
Herefordshire News Sheet
CONTENTS EDITORIAL ........................................................................................................................... 2 PROGRAMME – WINTER – JULY TO DECEMBER 1978 .................................................... 3 FIELD MEETING AT LONGTOWN AND CRASSWALL, 19TH MARCH, 1978 ....................... 4 THE GRANDMONTINE PRIORY OF ST MARY AT CRASWALL.......................................... 5 LONGTOWN CASTLE ........................................................................................................ 10 IN SEARCH OF ST ETHELBERT’S WELL, HEREFORD .................................................... 14 NOTES ON MILLS FROM ESTATE LEDGERS .................................................................. 16 EXCAVATIONS AT THE COUNTY HOSPITAL, BURIAL GROUND OF ST GUTHLAC’S MONASTERY – MAY 1978 ................................................................................................. 16 EWYAS HAROLD ............................................................................................................... 17 FORGE GARAGE, WORMBRIDGE .................................................................................... 20 MEMBERS OF THE COMMITTEE ELECTED FOR 1978 ................................................... 23 ACTIVITIES OF OTHER SOCIETIES ................................................................................. 23 HAN 35 Page 1 HEREFORDSHIRE ARCHAEOLOGICAL NEWS WOOLHOPE CLUB ARCHAEOLOGICAL RESEARCH SECTION No. 35 June 1978 EDITORIAL Many members will probably have seen photographs of -
The Acoustics of the Choir in Spanish Cathedrals
acoustics Article The Acoustics of the Choir in Spanish Cathedrals Alicia Alonso * , Rafael Suárez and Juan J. Sendra Instituto Universitario de Arquitectura y Ciencias de la Construcción, Escuela Técnica Superior de Arquitectura, Universidad de Sevilla, Seville 41012, Spain; [email protected] (R.S.); [email protected] (J.J.S.) * Correspondence: [email protected]; Tel.: +34-954-559-51 Received: 13 November 2018; Accepted: 4 December 2018; Published: 6 December 2018 Abstract: One of the most significant enclosures in worship spaces is that of the choir. Generally, from a historical point of view, the choir is a semi-enclosed and privileged area reserved for the clergy, whose position and configuration gives it a private character. Regarding the generation and transformation of ecclesial interior spaces, the choir commands a role of the first magnitude. Its shape and location produce, on occasions, major modifications that significantly affect the acoustics of these indoor spaces. In the case of Spanish cathedrals, whose design responds to the so-called “Spanish type”, the central position of the choir, enclosed by high stonework walls on three of its sides and with numerous wooden stalls inside, breaks up the space in the main nave, thereby generating other new spaces, such as the trascoro. The aim of this work was to analyse the acoustic evolution of the choir as one of the main elements that configure the sound space of Spanish cathedrals. By means of in situ measurements and simulation models, the main acoustic parameters were evaluated, both in their current state and in their original configurations that have since disappeared. -
John Hendrix Keywords Architecture As Cosmology
John Hendrix Keywords Architecture as Cosmology: Lincoln Cathedral and English Gothic Architecture architecture, cosmology, Lincoln Cathedral, Lincoln Academy, English Gothic Architecture, Robert Grosseteste (Commentary on the Physics, Commentary on the Posterior Analytics, Computus Correctorius, Computus Minor, De Artibus Liberalibus, De Calore Solis, De Colore, De Generatione Sonorum, De Generatione Stellarum, De Impressionibus Elementorum, De Iride, De Libero Arbitrio, De Lineis, De Luce, De Motu Corporali at Luce, De Motu Supercaelestium, De Natura Locorum, De Sphaera, Ecclesia Sancta, Epistolae, Hexaemeron), medieval, University of Lincoln, Early English, Decorated, Curvilinear, Perpendicular, Catholic, Durham Cathedral, Canterbury Cathedral, Anselm of Canterbury, Gervase of Canterbury, Thomas Becket, Becket’s Crown, Trinity Chapel, Scholasticism, William of Sens, William the Englishman, Geoffrey de Noyers, Saint Hugh of Avalon, Saint Hugh’s Choir, Bishop’s Eye, Dean’s Eye, Nikolaus Pevsner (Buildings of England, Cathedrals of England, Leaves of Southwell, An Outline of European Architecture), Paul Frankl (Gothic Architecture), Oxford University, Franciscan School, Plato (Republic, Timaeus), Aristotle (De anima, De Caelo, Metaphysics, Physics, Posterior Analytics), Plotinus (Enneads), Wells Cathedral, Ely Cathedral, Hereford Cathedral, Lichfield Cathedral, Winchester Cathedral, Beverley Minster, Chester Cathedral, York Minster, Worcester Cathedral, Salisbury Cathedral, Southwell Minster, Gloucester Cathedral, Westminster Abbey, Elias -
Cathedral Statistics 2019
Cathedral Statistics 2019 Research and Statistics Church House Great Smith Street London SW1P 3AZ Tel: 020 7898 1547 Published 2020 by Research and Statistics. Copyright © Research and Statistics 2020 All rights reserved. This document is available on line at https://www.churchofengland.org/researchandstats Any reproduction of the whole or any part of the document should reference: Church of England Research and Statistics, Great Smith Street, London SW1P 3AZ Email: [email protected] Twitter: @cofestats The opinions expressed in this booklet are those of the authors and do not necessarily reflect the official policy of the General Synod or National Church Institutions of the Church of England. 1 Summary This report presents information about worship and other activities taking place in Church of England cathedrals from 1st January to 31st December 2019. Data are collected from all 42 mainland Church of England cathedrals and from Westminster Abbey, through an annual cathedral statistics survey. Among other things, the survey asks about attendance at Sunday and midweek services; Easter and Christmas services; school visits; baptisms, marriages, and funerals; musical activities and volunteering. For reference, the survey form and guidance notes can be found in Appendix 2. Worship attendance (page 7) • A total of 37,300 people per week (82% adults and 18% children aged under 16) were reported attending usual cathedral services in 2019, a similar number to 2018 (37,100). Total weekly attendance is 13% larger in 2019 than it was a decade ago in 2009. • Weekly attendance at usual cathedral services is split fairly evenly between Sunday (47%) and midweek (53%) services. -
Altar Server Guidelines for St. John the Baptist Catholic Church
Altar Server Guidelines for St. John the Baptist Catholic Church Altar Servers Guidelines: St. John the Baptist, Dunnellon PRELIMINARIES: General Information Number of Servers Needed: Generally at weekend Masses, in the Catholic World, Altar Servers number from 2-6 servers. For pastoral reasons of promoting Children and Youth Ministry in the parish, as far as possible, we’ll need 3-5 “youth” Altar Servers for the Sunday 10.30 am Mass: three servers, if no incense is used and five servers if incense is used. If incense is NOT USED, we need only the Server Captain/Cross Bearer and the two Acolytes (Candle Bearers). If incense is USED, we need five servers, while three performs the roles already stated, the remaining two (only very mature and capable teenagers) will play the role of the Thurifer and the Incense Boat Bearer. In any case, three servers: the Server Captain/Cross Bearer and the two Acolytes sit on the altar, while the Thurifer and the Incense Boat Bearer both sit at the Baptistry area. NOTE: As a general rule, when the congregation stands or kneels, the Servers stand (except during the Consecration of the Bread and Wine: At this time, the servers should kneel, unless they are adults with knee problem). While standing and/or walking the Servers are to hold their hands in the praying position. The praying position is with palms of the hands together, fingers extended, thumbs crossed, hands chest high such that finger tips are about shoulder high. When the congregation sits, the Servers sit. In the sitting position the Servers’ hands should be on their laps. -
The Unifying Role of the Choir Screen in Gothic Churches Author(S): Jacqueline E
Beyond the Barrier: The Unifying Role of the Choir Screen in Gothic Churches Author(s): Jacqueline E. Jung Source: The Art Bulletin, Vol. 82, No. 4, (Dec., 2000), pp. 622-657 Published by: College Art Association Stable URL: http://www.jstor.org/stable/3051415 Accessed: 29/04/2008 18:56 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=caa. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit organization founded in 1995 to build trusted digital archives for scholarship. We enable the scholarly community to preserve their work and the materials they rely upon, and to build a common research platform that promotes the discovery and use of these resources. For more information about JSTOR, please contact [email protected]. http://www.jstor.org Beyond the Barrier: The Unifying Role of the Choir Screen in Gothic Churches JacquelineE. Jung Thomas Hardy's early novel A Laodicean (first published in in church rituals, "anti-pastoral devices"4 designed to prevent 1881) focuses on the relationship between Paula Power, a ordinary people from gaining access to the sacred mysteries.