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The Wire the Complete Guide
The Wire The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Tue, 29 Jan 2013 02:03:03 UTC Contents Articles Overview 1 The Wire 1 David Simon 24 Writers and directors 36 Awards and nominations 38 Seasons and episodes 42 List of The Wire episodes 42 Season 1 46 Season 2 54 Season 3 61 Season 4 70 Season 5 79 Characters 86 List of The Wire characters 86 Police 95 Police of The Wire 95 Jimmy McNulty 118 Kima Greggs 124 Bunk Moreland 128 Lester Freamon 131 Herc Hauk 135 Roland Pryzbylewski 138 Ellis Carver 141 Leander Sydnor 145 Beadie Russell 147 Cedric Daniels 150 William Rawls 156 Ervin Burrell 160 Stanislaus Valchek 165 Jay Landsman 168 Law enforcement 172 Law enforcement characters of The Wire 172 Rhonda Pearlman 178 Maurice Levy 181 Street-level characters 184 Street-level characters of The Wire 184 Omar Little 190 Bubbles 196 Dennis "Cutty" Wise 199 Stringer Bell 202 Avon Barksdale 206 Marlo Stanfield 212 Proposition Joe 218 Spiros Vondas 222 The Greek 224 Chris Partlow 226 Snoop (The Wire) 230 Wee-Bey Brice 232 Bodie Broadus 235 Poot Carr 239 D'Angelo Barksdale 242 Cheese Wagstaff 245 Wallace 247 Docks 249 Characters from the docks of The Wire 249 Frank Sobotka 254 Nick Sobotka 256 Ziggy Sobotka 258 Sergei Malatov 261 Politicians 263 Politicians of The Wire 263 Tommy Carcetti 271 Clarence Royce 275 Clay Davis 279 Norman Wilson 282 School 284 School system of The Wire 284 Howard "Bunny" Colvin 290 Michael Lee 293 Duquan "Dukie" Weems 296 Namond Brice 298 Randy Wagstaff 301 Journalists 304 Journalists of The Wire 304 Augustus Haynes 309 Scott Templeton 312 Alma Gutierrez 315 Miscellany 317 And All the Pieces Matter — Five Years of Music from The Wire 317 References Article Sources and Contributors 320 Image Sources, Licenses and Contributors 324 Article Licenses License 325 1 Overview The Wire The Wire Second season intertitle Genre Crime drama Format Serial drama Created by David Simon Starring Dominic West John Doman Idris Elba Frankie Faison Larry Gilliard, Jr. -
2015 Next Wave Festival DEC 2015
2015 Next Wave Festival DEC 2015 Shinique Smith, Abiding Light, 2015 Published by: Season Sponsor: #BAMNextWave #SteelHammer Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board Adam E. Max, Vice Chairman of the Board Katy Clark, President Joseph V. Melillo, Executive Producer Steel Hammer BAM Harvey Theater Dec 2—5 at 7:30pm; Dec 6 at 3pm Running time: one hour & 55 minutes, no intermission Julia Wolfe and SITI Company Bang on a Can All-Stars Directed by Anne Bogart Music & lyrics by Julia Wolfe Original text by Kia Corthron, Will Power, Carl Hancock Rux, and Regina Taylor Music performed by Bang on a Can All-Stars Play performed & created by SITI Company Scenic & costume design by James Schuette Lighting by Brian H Scott Sound design by Andrew Cotton and Christian Frederickson Choreography by Barney O’Hanlon Season Sponsor: Steel Hammer premiered at Actors Theatre of Louisville in the 2014 Humana Festival of New American Plays In memory of Robert W. Wilson, with gratitude for his visionary and generous support of BAM STEEL HAMMER Akiko Aizawa Ashley Bathgate Eric Berryman Robert Black Patrice Johnson Vicky Chow David Cossin Emily Eagen Chevannes Katie Geissinger Gian-Murray Gianino Barney O’Hanlon Molly Quinn Mark Stewart Ken Thomson Stephen Duff Webber Steel Hammer CAST Akiko Aizawa* Eric Berryman* Patrice Johnson Chevannes* Gian-Murray Gianino* Barney O’Hanlon* Stephen Duff Webber* BANG ON A CAN ALL-STARS Ashley Bathgate cello Robert Black bass Vicky Chow piano David Cossin -
Huntington Theatre Company Boston, MA 02115 March 2003 No Portion
© Huntington Theatre Company Boston, MA 02115 March 2003 No portion of this Teacher Curriculum Guide may be reproduced without written permission from the Huntington Theatre Company’s Department of Education. Inquiries should be directed to: Donna Glick, Director of Education Huntington Theatre Company 264 Huntington Avenue Boston, MA 02115 Limelight Nicholas Martin Michael Maso Norma Jean Calderwood Managing Director Artistic Director literary and curriculum guide for teachers BREATH, BY Kia Corthron DIRECTED BY Michael John Garcés Ramona Alexander Ramona Charles Erickson photo: T. Breath, Boom is sponsored by Student Matinee Series TEACHER LITERARY AND CURRICULUM GUIDE Breath, Boom By Kia Corthron STAFF TABLE OF CONTENTS This Teacher Literary and 2 The Story of Breath, Boom Curriculum Guide was prepared for 3 Kia Corthron the Huntington Theatre Company by 4 The Production History and Reviews Katy E. Doyle, 5 A Playright Who’s Unafraid to Teacher Advisory Council Member, Admit She’s Political by Don Shewey Education Consultant 8 The Rap on Girl Gangs Thabiti Brown, 10 Did You Know...? Teacher Advisory Council Member, 10 Themes and Related Works Codman Academy Charter School 11 Background and Objectives Kathleen Doyle, 11 Audience Etiquette Teacher Advisory Council Member, 12 Preparation Josiah Quincy Elementary School 14 Mastery Assessment With contributions by 15 For Further Exploration Scott Edmiston, 16 Questions for After Performance Literary Associate 17 Open Response and Writing Donna Glick, 18 Media Assessment Director of Education 19 Lesson Plans Linda Murphy, 21 Handout 1: Understanding Dialect Associate Director of Education 22 Handout 2: Domestic Violence Quiz The Huntington’s John Hancock Student Matinee Series is funded in part by a generous grant from the John Hancock Financial Services, Inc. -
Crime, Class, and Labour in David Simon's Baltimore
"From here to the rest of the world": Crime, class, and labour in David Simon's Baltimore. Sheamus Sweeney B.A. (Hons), M.A. (Hons) This thesis is submitted to Dublin City University for the award of Ph.D in the Faculty of Humanities and Social Sciences. August 2013 School of Communications Supervisors: Prof. Helena Sheehan and Dr. Pat Brereton I hereby certify that this material, which I now submit for assessment on the programme of study leading to the award of Ph.D is entirely my own work, and that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge breach any law of copyright, and has not been taken from the work of others save and to the extent that such work has been cited and acknowledged within the text of my work. Signed: ___________________________________ (Candidate) ID No.: _55139426____ Date: _______________ TABLE OF CONTENTS Introduction 1 Literature review and methodology 17 Chapter One: Stand around and watch: David Simon and the 42 "cop shop" narrative. Chapter Two: "Let the roughness show": From death on the 64 streets to a half-life on screen. Chapter Three: "Don't give the viewer the satisfaction": 86 Investigating the social order in Homicide. Chapter Four: Wasteland of the free: Images of labour in the 122 alternative economy. Chapter Five: The Wire: Introducing the other America. 157 Chapter Six: Baltimore Utopia? The limits of reform in the 186 war on labour and the war on drugs. Chapter Seven: There is no alternative: Unencumbered capitalism 216 and the war on drugs. -
Enacting Cultural Identity : Time and Memory in 20Th-Century African-American Theater by Female Playwrights
Enacting Cultural Identity: Time and Memory in 20th-Century African-American Theater by Female Playwrights Dissertation zur Erlangung des akademischen Grades des Doktors der Philosophie (Dr. phil.) vorgelegt von Simone Friederike Paulun an der Geisteswissenschaftliche Sektion Fachbereich Literaturwissenschaft Tag der mündlichen Prüfung: 13. Februar 2012 Referentin: Prof. Dr. Dr. h.c. Aleida Assmann Referentin: PD Dr. Monika Reif-Hülser Konstanzer Online-Publikations-System (KOPS) URL: http://nbn-resolving.de/urn:nbn:de:bsz:352-0-269861 Acknowledgements 1 Acknowledgements This dissertation would not have been possible without the guidance and support of several individuals who in one way or another contributed to the writing and completion of this study. It gives me a great pleasure to acknowledge the help of my supervisor Prof Dr. Aleida Assmann who has supported me throughout my thesis and whose knowledge, guidance, and encouragement undoubtedly highly benefited my project. I would also like to thank PD Dr. Monika Reif-Hülser for her sustained interest in my work. The feedback that I received from her and the other members of Prof. Assmann’s research colloquium was a very fruitful source of inspiration for my work. The seeds for this study were first planted by Prof. David Krasner’s course on African- American Theater, Drama, and Performance that I attended while I was an exchange student at Yale University, USA, in 2005/2006. I am immensely grateful to him for introducing me to this fascinating field of study and for sharing his expert knowledge when we met again in December 2010. A further semester of residence as a visiting scholar at the African American Department at Yale University in 2010 enabled me to receive invaluable advice from Prof. -
The Six Poisons
The Six Poisons Dani Shapiro ISSUE NUMBER 69 The Six Poisons Dani Shapiro Emma is on her third chaturanga dandasana of the morning, hovering in push-up position an inch off the floor, when Guruji and Sharath enter the shala. It must be about five-thirty, judging from the thin, gray light seeping through the curtains that separate the shala from the waiting area. It’s already uncomfortably hot. Didn’t the guidebooks say that February in Mysore is usually mild—even chilly? A heat wave has been hanging around for weeks. Just standing in tadasana, sweat pours down the sides of her face, drips off her chin, pools between her breasts. “Chanting now,” says Guruji. The ten students in the shala stop what they’re doing and come to sit on their mats. Guruji tucks his tree trunk legs into lotus position. His brown belly puffs out, as hard as a turtle’s shell, above his black Calvin Klein briefs. His grandson, Sharath, settles next to him and closes his eyes. “Om astoma sadgamaya,” begins Guruji. Emma knows this chant from her classes in New York. Lead me from the unreal to the real. “Tamasoma jyotirgamaya,” the whole room fills with the sound of the Sanskrit words. From the darkness to the light. The skinny guy just to the side of each armpit, where we are said to store our grief. next to Emma with the rust-colored dreds rolls his r’s perfectly. He’s Each time Emma touches herself there, tears well up in her eyes. a rolfer from Salt Lake City—this, she discovered last night, when a The chanting comes to an end, and the tan guy rolls up his mat. -
Spring 2021 Nonfiction Rights Guide
Spring 2021 Nonfiction Rights Guide 19 West 21st St. Suite 501, New York, NY 10010 / Telephone: (212) 765-6900 / E-mail: [email protected] TABLE OF CONTENTS SCIENCE, BUSINESS & CURRENT AFFAIRS HOUSE OF STICKS THE BIG HURT BRAIN INFLAMMED HORSE GIRLS FIRST STEPS YOU HAD ME AT PET NAT RUNNER’S HIGH MY BODY TALENT MUHAMMAD, THE WORLD-CHANGER WINNING THE RIGHT GAME VIVIAN MAIER DEVELOPED SUPERSIGHT THE SUM OF TRIFLES THE KINGDOM OF CHARACTERS AUGUST WILSON WHO IS BLACK, AND WHY? CRYING IN THE BATHROOM PROJECT TOTAL RECALL I REGRET I AM ABLE TO ATTEND BLACK SKINHEAD REBEL TO AMERICA CHANGING GENDER KIKI MAN RAY EVER GREEN MURDER BOOK RADICAL RADIANCE DOT DOT DOT FREEDOM IS NOT ENOUGH HOW TO SAY BABYLON THE RISE OF THE MAMMALS THE RECKONING RECOVERY GUCCI TO GOATS TINDERBOX RHAPSODY AMERICAN RESISTANCE SWOLE APOCALYPSE ONBOARDING WEATHERING CONQUERING ALEXANDER VIRAL JUSTICE UNTITLED TOM SELLECK MEMOIR UNTITLED ON AI THE GLASS OF FASHION IT’S ALL TALK CHANGE BEGINS WITH A QUESTION UNTITLED ON CLASSICAL MUSIC MEMOIRS & BIOGRAPHIES STORIES I MIGHT REGRET TELLING YOU FIERCE POISE THE WIVES BEAUTIFUL THINGS PLEASE DON’T KILL MY BLACK SON PLEASE THE SPARE ROOM TANAQUIL NOTHING PERSONAL THE ROARING GIRL PROOF OF LIFE CITIZEN KIM BRAT DON’T THINK, DEAR TABLE OF CONTENTS, CONT. MINDFULNESS & SELF-HELP KILLING THATCHER EDITING MY EVERYTHING WE DON’T EVEN KNOW YOU ANYMORE SOUL THERAPY THE SCIENCE AND TECHNOLOGY OF GROWING YOUNG HISTORY TRUE AGE THE SECRETS OF SILENCE WILD MINDS THE SORCERER’S APPRENTICE INTELLIGENT LOVE THE POWER OF THE DOWNSTATE -
At Play Spring Summer 02
representing the american theatre byy DRAMATISTS publishing and licensing the workss Obie Award Winner Pamela Gien PLAY SERVICE, INC. of new and established playwrights.. Julia Miles on the state of Women Playwrights the Wit initiative a tpIssuel 8, Spring/Summera 2002y WOMEN PLAYWRIGHTS A scene from Kia Corthron’s A scene from La Femme Kia While we usually do one-on- one interviews here at DPS, with scheduling conflicts, Director of Professional Rights Robert Lewis Vaughan and playwright Kia Corthron ended up communicating by e-mail. Robert asked several seemingly small questions to get the ball rolling, and he and Kia planned to talk in Seeking the Genesis person later — to finish off the interview. But that wasn’t necessary. Kia answered the questions (or as she put it, “Those weren’t small questions, those were BIG questions!”). Obviously we here at DPS love Kia’s writ- ing, and we decided to just let her tell you all about her- self in her own words. We’re sure you’ll fall in love . Photo by Joan Marcus with her too — Continued on page 2 I grew up in Cumberland, a factory/mill town in Circle Rep LAB; and afterwards was produced by stu- his hide, he came from the South and went back down Western Maryland. The skinny part of Maryland, kiss- dents at Ramapo, a small state college in New Jersey. I South. For good. That was husband number one. They ing Pennsylvania and West Virginia. From my house it did massive rewrites every time. Ultimately I submit- was three. -
Supported by the JCC Patrons of the Arts Underwritten by the Eleanor
Milton Levit Family Campus 5601 S. Braeswood Houston, Texas 77096 713.729.3200 Underwritten by the jcchouston.org Eleanor and Frank Freed Foundation Center for Jewish Supported by the Living and Learning JCC Patrons of the Arts Advance ticket purchases online at jcchouston.org 1 Become a JCC Patron of the Arts at jcchouston.org 2010 JEWISH BOOK & ARTS FAIR STEERING COMMITTEE AdvanceTicket CHAIR CO-CHAIR Purchase Recommended Patti Hanfling Deborah Kaplan Bookstore Volunteer Family Day & Children’s Inside the Authors Studio Set Design Managers Programming Debra Dluhy Susan Schneider Save Money on Programs Linda Chess Donna Silverman Robin Greenspan Library Liaison Set Up/Take Down Buy a Book & Arts Fair Series Pass Louise Kershman Film Diane Gelman Elinor and Jack Goldberg for Admission to all Programs Ruth Morris Susan Schneider Sheila Sack Irene Weingarten Niche Marketing Special Needs Initiatives Carol Sternberg Leah Gross Annette Kavin $50 JCC Member/$70 Public Cynthia Stetzer Hospitality $10 Discount for Seniors/Students on Series Passes Beverly Sufian Carolyn Kaplan Patron Brunch Teen Involvement $2 Discount for Seniors/Students on Single Tickets Sarah and Denis Braham Michelle Renfrow Brochure Hosts Marci Gilbert Susan Altschuler Patron Campaign Volunteer Recruiters Joyce Gilbert Vicky and Michael Richker Cindy Fox NO Community Partners Ellen Grabois SS Lillie Hurwitz CHARGE PA Liz Aussenberg Leah Lax Program Committee Chairs Lolly Friedman Miller FOR Robin Greenspan Shirley Warshaw Gerald Blumenthal Tracy Stein ERIES S Brooke Feather Lauren Vines OPENING SS Community Read Ali Katz NIGHT PA Sue Goott Gordon Sack ERIES ERIES Mignon Wolf S Online JEWISH COMMUNITY CENTER jcchouston.org Arts & Culture President Executive Vice President Center for Jewish Living Steering Committee Dan C. -
Program Book
January 11, 2019 Faculty Paul Finger, M.D. - Ophthalmic Oncology Bradley Fouraker M.D. Ron Gentile, M.D. - Retina Robert Osher, M.D. - Cataract Herbst Lecture Ken Rosenthal, M.D. - Cataract Sunil Srivastava, M.D. - Uveitis CSEP Scientific Programs and Technology Expo Vision Quest PROGRAMRegistration BOOKPacket Aqua Turf Club • 556 Mulberry Street, Plantsville, CT Quality Matters and M.D. Makes a Difference www.connecticutsocietyofeyephysicians.com Eye M.D. Education Mission Statement: We are committed to advancing the highest standards of eye care through continuing education activities. The CSEP Semi-annual Scientific Education Programs are dedicated to improving and protecting our patient’s vision and eye health by presenting advances in the diagnosis and treatment of eye disease. Our target audience includes ophthalmologists and their staff, including office managers and technicians. Activities range from didactic lectures to participatory activities, and whenever possible are approved for CME credit. We expect that our audience will incorporate best practices, as presented, into their daily practice. Specific competency, performance and patient outcome goals that will result from the program will be proposed by the presenters and evaluated by the participants. The CSEP Annual Scientific Education Programs are an opportunity for ophthalmologists to identify and discuss critical issues facing their profession. These programs are designed to present recent advances in the diagnosis and treatment of eye disease, offering symposia, scientific papers and videos. The CSEP programs are designed to meet the clinical and educational needs of its members and the objectives set forth by the CSEP education committee. Vincent deLuise, M.D. CSEP Education Chair Reviewed 6-8-18 Special Acknowledgment and Thanks to our Sponsors Titanium Genentech Regeneron Healthcare Solutions, Inc. -
Also Inside Dani Shapiro’S DNA Revelation & 10 Books for New Year’S Resolutions
® BookPageDISCOVER YOUR NEXT GREAT BOOK JAN 2019 The spirited new novel from Lyndsay Faye ricochets from Prohibition-era Harlem to a dangerous Portland, Oregon also inside Dani Shapiro’s DNA revelation & 10 books for New Year’s resolutions 1 New Year. New Stories. M BookPage® JANUARY 2019 cover book reviews Lyndsay Faye checks in to The Paragon Hotel 12 17 FICTION top pick: Late in the Day by Tessa Hadley features 23 NONFICTION New Year, New You 14 top pick: The Unwinding of the Miracle by Julie Yip-Williams Books for your best year yet 13 Dani Shapiro 16 28 YOUNG ADULT 13 Does DNA make a family? top pick: The Gilded Wolves by Roshani Chokshi Madhuri Vijay 19 An odyssey through northern India 13 31 CHILDREN’S Appalachian ction 21 top pick: My Heart by Corinna Luyken Tales of the mountains 13 A.J. Jacobs 25 columns Meet the author of Thanks a Thousand 13 4 Whodunit Finance 26 5 Lifestyles 13 Money matters 5 Cooking Karen M. McManus 27 6 Audio A tiny town with deadly secrets 13 7 Cozies 8 Well Read Middle grade adventures 30 9 Book Clubs Fantastical high jinks for young readers 13 10 Romance Lindsay Moore 31 11 The Hold List Meet the author-illustrator of Sea Bear 13 Cover credit Kaitlin Kall from the editor In October, BookPage celebrated 30 years in publication—no small accomplishment given the changes experienced by both books and magazines in the digital age. While change can be difficult, it can also reinvigorate. I’m proud to introduce a big change for BookPage—a redesign of our print edition. -
Inheritance by Dani Shapiro a Moving Memoir That Explores Family Secrets and What Family Means As the Popularity of DNA Analysis Continues to Grow
Inheritance by Dani Shapiro A moving memoir that explores family secrets and what family means as the popularity of DNA analysis continues to grow. Why you'll like it: Candid. Thought-provoking. Engaging. About the Author: Dani Shapiro was born on April 10,1962 in New Jersey. She attended Sarah Lawrence College where she studied under Grace Paley. She began writing for the screen and adapted Oscar Wilde's "The Happy Prince" for HBO. She has also been a professor of creative writing at Wesleyan University and an instructor at Columbia University. She has since written five novels and 3 memoirs. Her novels include: Playing with Fire, Fugitive Blue, Picturing the Wreck, Family History and Black and White. Her memoirs are Hourglass, Slow Motion, Devotion, and Inheritance. Questions for Discussion: 1. The title of the book is Inheritance. What does it mean, in the context of the memoir? 2. Shapiro chose two quotes for her epigraph, one from Sylvia Plath and the other from George Orwell. What do they mean individually, and how does each affect your understanding of the other? 3. “You’re still you,” Shapiro reminds herself. What does she mean by this? 4. Much of Shapiro’s understanding of herself comes from what she believes to be her lineage. “These ancestors are the foundation upon which I have built my life,” she says on page 12. Would Shapiro feel so strongly if her father’s ancestors weren’t so illustrious? How does Shaprio’s understanding of lineage change over the course of the book? 5. Judaism is passed on from mother to child – the father’s religion holds no importance.