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China - Peoples Republic Of
THIS REPORT CONTAINS ASSESSMENTS OF COMMODITY AND TRADE ISSUES MADE BY USDA STAFF AND NOT NECESSARILY STATEMENTS OF OFFICIAL U.S. GOVERNMENT POLICY Voluntary - Public Date: 12/21/2010 GAIN Report Number: CH106012 China - Peoples Republic of Post: Guangzhou A Snapshot of Guangdong Wood Market Report Categories: Market Development Reports Approved By: Jorge, Sanchez Prepared By: Ursula Chen Report Highlights: General Information: Industry value In 2005, China surpassed Italy and became the number one exporter of furniture in the world. Total production value exceeded $79 billion in 2007, up 26 percent from $63 billion in 2006. Exports for 2007 were at $23 billion, a 30 at $18 billion. In the province of Guangdong, there are some 2,000 furniture factories. Begun in the 1990’s, Taiwan and Hong Kong furniture makers moved their plants and businesses here, and the province has assumed a leading role in furniture making ever since, known for highest capacity in producing, selling, moving and exporting furniture. It accounted for one-third of the country’s furniture production and almost half of the country’s total export volume. Of the $23 billion export value of the country in 2007, Guangdong furniture took up 44 percent at $9 billion. Guangdong is such an important market for U.S. woods that in 2009, United States exported $523 million worth of woods, mostly coming to South China. United States ranked as second largest sawn wood supplier to China according to China Forestry Research Institute data. Product types Both American logs and lumbers are available in South China and the most popular species are cherry, maple, red oak, white oak, and black walnut. -
Protection and Transmission of Chinese Nanyin by Prof
Protection and Transmission of Chinese Nanyin by Prof. Wang, Yaohua Fujian Normal University, China Intangible cultural heritage is the memory of human historical culture, the root of human culture, the ‘energic origin’ of the spirit of human culture and the footstone for the construction of modern human civilization. Ever since China joined the Convention for the Safeguarding of the Intangible Cultural Heritage in 2004, it has done a lot not only on cognition but also on action to contribute to the protection and transmission of intangible cultural heritage. Please allow me to expatiate these on the case of Chinese nanyin(南音, southern music). I. The precious multi-values of nanyin decide the necessity of protection and transmission for Chinese nanyin. Nanyin, also known as “nanqu” (南曲), “nanyue” (南乐), “nanguan” (南管), “xianguan” (弦管), is one of the oldest music genres with strong local characteristics. As major musical genre, it prevails in the south of Fujian – both in the cities and countryside of Quanzhou, Xiamen, Zhangzhou – and is also quite popular in Taiwan, Hongkong, Macao and the countries of Southeast Asia inhabited by Chinese immigrants from South Fujian. The music of nanyin is also found in various Fujian local operas such as Liyuan Opera (梨园戏), Gaojia Opera (高甲戏), line-leading puppet show (提线木偶戏), Dacheng Opera (打城戏) and the like, forming an essential part of their vocal melodies and instrumental music. As the intangible cultural heritage, nanyin has such values as follows. I.I. Academic value and historical value Nanyin enjoys a reputation as “a living fossil of the ancient music”, as we can trace its relevance to and inheritance of Chinese ancient music in terms of their musical phenomena and features of musical form. -
Imported Furniture Market in China
IMPORTED FURNITURE MARKET IN CHINA FLANDERS INVESTMENT & TRADE MARKET SURVEY Imported Furniture Market in China December 2014 FIT Beijing Office Qin Li Market Information General Information In China, as living conditions continue to improve, people are becoming more and more willing to invest in home decoration. People’s increasing purchasing power has driven the furniture market to develop rapidly. From 2010 to 2013, the sales value of wholesalers and retailers above a certain scale in the industry (Turnover above RMB20 million/year) grew at an average annual rate of 41%. In 2013, the growth slowed down somewhat to 21%, with sales value reaching Rmb195.75 billion.∞ China is the biggest furniture manufacturers and exporter in the world, which has exported furniture and accessories valued at 52 billion USD in 2013. The US is still the biggest importer of Chinese furniture, which takes about 25% of the China’s total export. Malaysia, Japan, GB and Germany take the following positionsα. For the last decade, China witnessed a steady growth on furnishing importation. When it came to 2009, the world financial crisis led to a significant decline in the world trade and economic activities. However, it seems that there is no influence to the Chinese furniture importation market. In 2013, China imported furniture valued at only about 2.57 billion USD, increased with 10.11% compared with 2012. See following chart: Furniture import by China in 2011, 2012 and 2013. Remark: 1.) Blue line is 2011 import, red line is 2012 import, green line is 2013 import 2.) Numbers on left axis is import amount, unit is USD10million 3.) Number on bottom axis is month From the chart, the import of furniture kept rising since the second half of 2013 and reached to the top. -
Integrating Chinese and Western Pursuit of Excellence
2021 4th International Workshop on Advances in Social Sciences (IWASS 2021) Integrating Chinese and Western Pursuit of Excellence Jing Zeng1, Huijun Shen2 1Arts College of Sichuan University, PhD student 2College of Forestry, Sichuan Agricultural University, Wenjiang 611130, China Keywords: Shanghai furniture, Chinese and western combination, “innovation and progress” Abstract: “ShangHai furniture” was born under the combined effect of the localization of Western-style furniture and the westernization of faithful furniture. It is the most representative fusion of China and the West. This article analyzes the contribution of “Shanghai style furniture” to the fusion of Chinese and Western furniture and its positive effect on China's modern furniture innovation based on the four stages of “Shanghai style furniture”: “germination”, “development”, “rejuvenation” and “innovation”. 1. Introduction ShangHai furniture is the product of ShangHai culture, which generally refers to the combination of Chinese and Western style furniture. It is a combination of the advantages of Western-style furniture. During the Republic of China, the beach was born and the place where all the nations came together, thus forming this vast and profound furniture. Shanghai style furniture is the product of the collision between Chinese and Western cultures, and it is partially integrated, so it has dual characteristics of Chinese and Western cultures. Although it is ordinary daily necessities, it is the bearer of China's historical culture. Since ancient times, the Chinese nation has firmly believed in the idea of “harmony and difference” and “tolerance is greater”. Among the furniture, no one can better interpret the harmony culture than Shanghai furniture. Therefore, since its birth, it has become the spokesperson for the fusion of Chinese and Western furniture. -
160330 PR 3D-Veneer China and World Website
P R E S S RELEASE Danzer 3D-Veneer Exhibited In China Adoption in China completes Danzer 3D-Veneer’s world-wide use. Guangzhou, China , March 2016 – At this year’s 37th China International Furniture Fair (CIFF ) in Guangzhou in March , several Chinese furniture companies exhibit pieces made from Danzer 3D -Veneer . This completes the innovative material’s geographic trail of success: from first 3D -Veneer applications more than ten years ago in Europe to the material’s establishment in North America five years ago , now to products with 3D -Veneer in Asia. A total of eight new products with 3D-Veneer have been introduced to the Chinese market by the three local companies QuMei, Inovation and 5th Season. On display at CIFF Guangzhou in March and also at CIFF Shanghai in September 2015 were chairs, lounge chairs and a barstool, as well as accessories like a lamp and table ware. Some of the products have been designed locally; some products have been designed by European Designers like Hans Sandgreen Jacobsen or Renè Chyba. The launch of 3D-Veneer products to the domestic Chinese market completes the worldwide adoption of the material, after Thai company Hove D.K. had been producing and marketing products with Danzer 3D-Veneer in Asia before already. The geographic expansion out of Europe gained momentum five years ago, when US office furniture company Hermann Miller decided to deploy the new possibilities given by 3D- Veneer to introduce the classic Eames Plastic Side Chair also in wood. The launch of this iconic piece of furniture sparked much interest in the furniture industry and resulted in various 3D-Veneer projects with other North American companies. -
47Th CIFF Guangzhou 2021. Combining Business with the Culture of Good Design
CIFF 2021 | press release March 2021 47th CIFF Guangzhou 2021. Combining business with the culture of good design Here we are! 750,000 square metres of exhibition space, 4,000 exhibitors, 300,000 visitors and more than 20 inspiring design exhibitions and about 100 conferences. The 47th edition of CIFF is about to open its doors in Guangzhou over two phases, from 18 to 21 March and from 28 to 31 March. Over the years, besides being the leading business platform in Asia, CIFF is 47th CIFF Guangzhou 2021 China Import and Export increasingly becoming a place for meeting and dialogue: a reference point Fair Complex & PWTC EXPO for design, good living and smart working where communication comes Guangzhou Pazhou, China to life starting from the products to face what people really need. March 18-21, 2021 And so, design events and conferences are multiplying from edition to March 28-31, 2021 edition, giving more space to renowned designers, trend experts, design 48th CIFF Shanghai 2021 brands, but even media, trade associations, academies, young talents and National Exhibition & all those who still dream of designing. Convention Center (Shanghai) Shanghai Hongqiao, China September 3-6, 2021 www.ciff.furniture media contact: Ms. Betty Ye Tel. + 86 020 89128349 [email protected] Ms. Jasmine Chen Tel. + 86 020 89128280 Between real and virtual, without neglecting the commercial and business [email protected] aspects, CIFF creates culture to increase understanding and new solutions to offer people ever higher living standards. The products are thus highlighted with respect to their most important prerogatives, details, materials and, first of all, quality. -
The Design Meaning and Method of Grain in Chinese Aesthetic Taste
International Journal of Culture and History, Vol. 2, No. 2, June 2016 The Design Meaning and Method of Grain in Chinese Aesthetic Taste Zou Weihua wood but also pay attention to maintaining the surface Abstract—Knowing the design meaning and method of grain characteristics of material itself. They thought that the in Chinese aesthetic taste could make a significant effect to the surface characteristics of material itself can better express a design of new Chinese style furniture products. According to kind of unique natural beauty, at the same time their emotion the differences of sawn direction of ring and the ring of different is reflected in the unique surface texture of natural materials kind of wood, could generate various grains which main include straight grain, cured grain, coarse grain and fine grain. Each by their cultural imagination. wood grain has own unique original form of grain and design Wood as the main raw materials embodied the pursuit of meaning. Grain’s artificial integration form becomes a kind of Chinese “natural” aesthetic thought. Chinese traditional way that can get perfect texture in new Chinese furniture aesthetic thought Emphasize should respect the material own products and can ensure quality of entire wood. In grain’s characteristics, make full use of and show material natural artificial integration form, the method of design main include beauty. The natural beauty of grain rich decoration form of the integrated design about straight grain, cured grain, coarse grain, fine grain. Chinese traditional furniture. Ming style furniture with ability to rosewood, ebony, beech, and so on, these woods not Index Terms—Chinese aesthetic, original form, artificial only have good properties, but also beautiful textures. -
CIFF Press Release
CIFF 2020 | press release January 2020 Innovation Driven, Design Inspired. CIFF Guangzhou 2020 reveals the new era of Chinese furniture design The 45th edition of CIFF will be the most important furniture design event in China. “Innovation Driven, Design Inspired” is the new CIFF strategy, which will see a growing presence of companies that invest in design and innovation, with the aim of making the event increasingly more enticing also at an international level. 45th CIFF Guangzhou 2020 China Import and Export Fair Complex & PWTC EXPO Guangzhou, China March 18-21, 2020 March 28-31, 2020 46th CIFF Shanghai 2020 National Exhibition & Convention Center (Shanghai) Shanghai Hongqiao, China CIFF Guangzhou 2020 will be held in two stages organised by product September 7-10, 2020 sector: the first, from 18th to 21st March, dedicated to home, outdoor and leisure furniture, furnishing accessories and fabrics; the second, from 28th www.ciff.furniture to 31st March, for office furniture and chairs, hotel furniture, metal furniture, furniture for public spaces and waiting areas, accessories, media contact: materials and machinery for the furniture industry. Ms. Betty Ye Tel. + 86 020 89128349 Covering a total area of 760,000 square meters, the fair will host more [email protected] than 4,300 exhibitors, attracting over 300,000 professional visitors Mr. Jun Chen from 200 regions and countries around the world. Tel. + 86 020 89128065 [email protected] The best platform for quality exports Since it began the economic reform process forty years ago, China has experienced rapid and continuous economic growth and is now both the largest furniture consumer market in the world and the largest China Foreign Trade Guangzhou Exhibition General Corp. -
A Chinese Scroll Through Time
The Newsletter | No.59 | Spring 2012 20 | The Review A Chinese scroll through time The Night Banquet is a tenth century hand scroll attributed to the painter Gu Hongzhong. A well-known statesman Han Xizai [902-970] is the main character, depicted in a number of scenes on this scroll. Han was famous for his parties, as we can read in an imperial painting catalogue from around 1120: “Rumors circulated inside the court and [Southern Tang Emperor Li Yu] regretted not being able to see Han’s famous parties with his own eyes.” The emperor found a solution for his problem, and sent the painter Gu Hongzhong to act as his spy. Lucien van Valen Lee, De-Nin D. 2010. The focus in one of the chapters is called “The Confucian gaze”, Above and below: One of the last examples in the book is Zhang Daqian, as The Night Banquet: a Chinese scroll through time. which is mainly concerned with the more or less proper con- Details from the he had the scroll for a period of time before it returned to the University of Washington Press, duct of the people in the scene. This Confucian gaze represents painting on the scroll. collection of what is now the Palace Museum in Beijing. Zhang 172 pp. hardcover, ISBN: 9780295990729 the critical approach of a viewer as he sees the Night Banquet added several seals and two of his friends added colophons and in light of virtue and conduct. Parallel to that is another view: seals. They are in all likelihood the last persons to do so. -
A Failed Peripheral Hegemonic State with a Limited Mandate of Heaven: Politico-Historical Reflections of a ∗ Survivor of the Southern Tang
DOI: 10.6503/THJCS.201806_48(2).0002 A Failed Peripheral Hegemonic State with a Limited Mandate of Heaven: Politico-Historical Reflections of a ∗ Survivor of the Southern Tang Li Cho-ying∗∗ Institute of History National Tsing Hua University ABSTRACT This article focuses on the concepts the Diaoji litan 釣磯立談 author, a survivor of the Southern Tang, developed to understand the history of the kingdom. It discusses his historical discourse and shows that one of its purposes was to secure a legitimate place in history for the Southern Tang. The author developed a crucial concept, the “peripheral hegemonic state” 偏霸, to comprehend its history. This concept contains an idea of a limited mandate of heaven, a geopolitical analysis of the Southern Tang situation, and a plan for the kingdom to compete with its rivals for the supreme political authority over all under heaven. With this concept, the Diaoji author implicitly disputes official historiography’s demeaning characterization of the Southern Tang as “pseudo” 偽, and founded upon “usurpation” 僭 and “thievery” 竊. He condemns the second ruler, Li Jing 李璟 (r. 943-961) and several ministers for abandoning the first ruler Li Bian’s 李 (r. 937-943) plan, thereby leading the kingdom astray. The work also stresses the need to recruit authentic Confucians to administer the government. As such, this article argues that the Diaoji should be understood as a politico-historical book of the late tenth century. Key words: Southern Tang, survivor, Diaoji litan 釣磯立談, peripheral hegemonic state, mandate of heaven ∗ The author thanks Professors Charles Hartman, Liang Ken-yao 梁庚堯, and the two anonymous reviewers for their thoughtful comments. -
Interpretation of Hakka Furniture from Visual Semiotics
E3S Web of Conferences 189, 03015 (2020) https://doi.org/10.1051/e3sconf/202018903015 ASTFE 2020 Interpretation of Hakka furniture from visual semiotics Juan Xie1,*, Wen Zhang2 1Gannan normal University, Fine art college, 341412 Ganzhou City Jiangxi Province, China 2Gannan normal University, Fine art college, 341412 Ganzhou City Jiangxi Province, China Abstract. Furniture is kind of a symbol or a system composed of symbols, and the profound cultural meaning of what furniture contains can be expressed through the use of furniture symbols, including the regional attributes and cultural connotations of furniture. Hakka furniture is a member of the traditional furniture, with its distinctive style and extremely high artistic and aesthetic value. In this paper, from the perspective of semiotics, using Pierce's classification of semiotics, combined with the characteristics of Hakka furniture, Hakka furniture symbols to interpret its hidden behind the social significance and aesthetic value. 1 Background of Hakka furniture values, as well as their willingness to refine their qualities and pursue a better life. Hakka's initial furniture "Hakka" is a branch of the Han nationality. Hakka folk were mostly practical, and by the Ming dynasty there art was developed on the basis of the mainstream culture was a high level of woodworking and lacquering, which of the Han nationality. about 1000 years ago, the people enabled them to manufacture higher-grade wooden in the cultural core area fled to the mountainous areas in furniture and export wood products such as tables and the South in order to avoid the war and settled down. in chairs, screens, teapots, and cabinets. -
Monitoring of the Chinese Furniture Sector
MONITORING OF THE CHINESE FURNITURE SECTOR March 2000 Union Européenne de l'Ameublement in cooperation with ID Consulting Co-funded by the Asia-Invest Programme Asia-Invest Furniture Project Monitoring of the Chinese Furniture Sector Table of contents Index of Tables Executive Summary Objectives and methodology Chapter 1 Introduction Page 4 1.1 Economic and political outlook 4 1.2 Background 5 Chapter 2 Regulation structure and policy Page 8 2.1 Key government policies 8 2.2 China National Furniture Association - CNFA 9 Chapter 3 The furniture industry Page 10 3.1 Natural resources 10 3.2 Local & foreign manufacturers 11 3.3 Wooden furniture 15 3.4 Metal furniture 16 3.5 Plastic furniture 17 3.6 Other furniture 18 3.7 Geographic location 19 3.7.1 Guangdong province 20 3.7.2 Shanghai 20 3.8 Foreign trade 22 Chapter 4 The furniture market Page 33 4.1 Construction plans 33 4.2 Office furniture 34 4.3 Household furniture 36 4.3.1 Living room furniture 40 4.3.2 Dining room furniture 40 4.3.3 Bedroom furniture 41 4.3.4 Kitchen furniture 41 4.3.4 Children furniture 42 4.4 Contract furniture 42 4.5 Hotel furniture 43 4.6 Marketing of furniture in China 43 4.6.1 Wooden furniture 43 4.6.2 Metal furniture 45 4.7 Design 45 © U.E.A. Asia-Invest Furniture Project Monitoring of the Chinese Furniture Sector Index of tables Table 1-1 Population in Asian countries Table 1-2 China GDP growth Table 1-3 Some economic indicators for China Table 2-1 The key actors of China furniture industry Table 3-1 The legal status of Chinese furniture manufacturers Table