Reading Groups Booklist Master May 20

Total Page:16

File Type:pdf, Size:1020Kb

Reading Groups Booklist Master May 20 Reading Groups Collection Multiple-Copy Titles Available for Loan Master list revised May 2021 Susan ABULHAWA Mornings in Jenin (2011, 352 pages) Palestine, 1948. A mother clutches her six-month-old son as Israeli soldiers march through the village of Ein Hod. In a split second, her son is snatched from her arms and the fate of the Abulheja family is changed forever. Forced into a refugee camp in Jenin , the family struggles to rebuild their world. Their stories unfold through the eyes of the youngest sibling, Amal, the daughter born in the camp who will eventually find herself alone in the United States; the eldest son who loses everything in the struggle for freedom; the stolen son who grows up as an Israeli, becoming an enemy soldier to his own brother. Mornings in Jenin is a novel of love and loss, war and oppression, and heartbreak and hope, spanning five countries and four generations of one of the most intractable conflicts of our lifetime. Claire ADAM Golden child (2019, 252 p) It's dark now; the bats are out. Insects knock against the light on the patio and the dog sits at the gate. A boy has not returned home and a family anxiously awaits. A father steps out into the night to search for his son. As the hours turn into days, this man will learn many things. He will learn about being a father to twin boys who are in no way alike. He will learn how dangerous hopes and dreams can be. He will learn truths about Trinidad, about his family, and himself. He will question received wisdom and question his judgement. He will learn about sacrifice and the nature of love - and he will be forced to act. Winner of the Desmond Elliott prize 2019 Peter ADAMSON The Kennedy moment (2018, 384 p) Dr Michael Lowell – a mild-mannered American, unshakeably decent and at the peak of his profession – is intrigued by Stephen Walsh's invitation to a reunion of Oxford college friends. At least he'll be able to catch up with cynical advertising genius Toby Jenks and frontline medic Hélène Hevré, comparing notes on mid-life frustrations and old ideals. He’ll also have to face Seema Mir, the serene young woman from Karachi who rejected him twenty years ago because he was 'just a little bit too dull’.He expects a congenial weekend; instead they seed a conspiracy that could rock the foundations of the US government. Moving between Oxford, New York, Washington, Geneva and Abidjan, this political thriller is the story of five people possessed by an extraordinary idea. Theirs is an 'unthinkable’ plan to save the lives of millions. But the risk is to their own lives is incalculable. Ayobami ADEBAYO Stay with me (2017, 298 pages) Yejide is hoping for a miracle, for a child. It is all her husband wants, all her mother-in-law wants, and she has tried everything - arduous pilgrimages, medical consultations, dances with prophets, appeals to God. But when her in- laws insist upon a new wife, it is too much for Yejide to bear. It will lead to jealousy, betrayal and despair. Unravelling against the social and political turbulence of '80s Nigeria, Stay with Me sings with the voices, colours, joys and fears of its surroundings. Ayobami Adebayo weaves a devastating story of the fragility of married love, the undoing of family, the wretchedness of grief and the all-consuming bonds of motherhood. It is a tale about our desperate attempts to save ourselves and those we love from heartbreak. Shortlisted for the Women’s Prize 2017, and the Wellcome Prize 2018. 1 Chimamanda ADICHIE Half of a Yellow Sun (2007, 448 pages) This is a heartbreaking, literary masterpiece. set in Nigeria during the 1960s, at the time of a vicious civil war in which a million people died and thousands were massacred in cold blood. The three main characters in the novel are swept up in the violence during these turbulent years. As these people's lives intersect, they have to question their own responses to the unfolding political events. This extraordinary novel is about Africa in a wider sense: about moral responsibility, about the end of colonialism, about ethnic allegiances, about class and race; and about the ways in which love can complicate all of these things. Chimamanda ADICHIE Purple Hibiscus (2003, 307 pages) A haunting tale of an Africa and an adolescence undergoing tremendous changes. The limits of fifteen-year-old Kambili's world are defined by the high walls of her family estate and the dictates of her repressive and fanatically religious father. Her life is regulated by schedules: prayer, sleep, study, and more prayer. When Nigeria begins to fall apart during a military coup, Kambili's father, involved mysteriously in the political crisis, sends Kambili and her brother away to live with their aunt. In this house, full of energy and laughter, she discovers life and love – and a terrible, bruising secret deep within her family. Chimamanda ADICHIE Americanah (2014, 400 pages) A story of love and race centred around a young woman and man from Nigeria who face difficult choices and challenges in the countries they come to call home. Ifemelu - beautiful, self-assured - departs for America to study, and achieves success as a writer of an eye- opening blog about race in America. Obinze - the quiet, thoughtful son of a professor – grows to be a wealthy man in a newly democratic Nigeria. But when Ifemelu returns to Nigeria, and she and Obinze reignite their shared passion - for their homeland and for each other - they will face the toughest decisions of their lives. A richly told story of love and expectation set in today's globalized world. Cecelia AHERN Roar (Short stories) (2018, 357 p) With her trademark honesty, Cecelia Ahern gives us 30 stories, all titled 'The Woman Who-', that capture the different facets of women's lives. The stories capture the moments the characters are overwhelmed by guilt, confusion, frustration, intimidation, exhaustion - the private moments when they feel the need to roar. Mitch ALBOM Tuesdays with Morrie (Non-Fiction) (2003, 212 pages) Maybe it was a grandparent, or a teacher or a colleague; someone older, patient and wise, who understood you when you were young and searching, and gave you sound advice. For Mitch Albom, that person was Morrie Schwartz, his college professor from nearly 20 years ago. Maybe, like Mitch, you lost track of this mentor as you made your way, and the insights faded. Wouldn't you like to see that person again, ask the bigger questions that still haunt you? Mitch Albom had that second chance. He rediscovered Morrie in the last months of the older man's life. Knowing he was dying Morrie visited Mitch in his study every Tuesday, just as they used to back in college. Their rekindled relationship turned into one final "class": lessons in how to live. 2 Louisa May ALCOTT Little Women (2012, [1868], 432 pages) Christmas won't be the same this year for Meg, Jo, Beth and Amy, as their father is away fighting in the Civil War, and the family has fallen on hard times. But though they may be poor, life for the four March sisters is rich with colour, as they play games, put on wild theatricals, make new friends, argue, grapple with their vices, learn from their mistakes, nurse each other through sickness and disappointments, and get into all sorts of trouble. Naomi ALDERMAN The power (2016, 340 pages) In The Power the world is a recognisable place: there's a rich Nigerian kid who larks around the family pool; a foster girl whose religious parents hide their true nature; a local American politician; a tough London girl from a tricky family. But something vital has changed, causing their lives to converge with devastating effect. Teenage girls now have immense physical power - they can cause agonising pain and even death. And, with this small twist of nature, the world changes utterly. Winner of the 2017 Baileys Women's Prize for fiction Kitty ALDRIDGE A trick I learned from dead men (2013, 224 pages) The narrator of the book is twenty-something Lee Hart. He's not the sharpest tool in the box, but his life has been tough; his father left when he was young and his mother has recently died of cancer leaving him, his step-father a sofa-bound television make-over show addict and his deaf and wayward younger brother, Ned, to fend for themselves. Lee lands a job as a trainee at the local funeral home helping Derek prepare the dead for burial or cremation. Far from being a dead end job though, it is here that he learns, ironically, about life, and love in the form of the delivery girl from the local florists. Monica ALI Brick Lane (2003, 491 pages) Still in her teenage years, Nazneen finds herself in an arranged marriage with a disappointed man who is twenty years older. Away from the mud and heat of her Bangladeshi village, home is now a cramped flat in a high-rise block in London's East End. Nazneen is forced to depend on her husband, but unlike him she is practical and wise. She keeps in touch with her sister Hasina back in the village, but the rebellious Hasina has kicked against cultural tradition and run off in a 'love marriage' with the man of her dreams. When he suddenly turns violent, she is forced into the degrading job of garment girl in a cloth factory.
Recommended publications
  • The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information
    Cambridge University Press 978-1-107-15962-4 — The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information The Cambridge Companion to Canadian Literature This fully revised second edition of The Cambridge Companion to Canadian Literature offers a comprehensive introduction to major writers, genres, and topics. For this edition several chapters have been completely re-written to relect major developments in Canadian literature since 2004. Surveys of ic- tion, drama, and poetry are complemented by chapters on Aboriginal writ- ing, autobiography, literary criticism, writing by women, and the emergence of urban writing. Areas of research that have expanded since the irst edition include environmental concerns and questions of sexuality which are freshly explored across several different chapters. A substantial chapter on franco- phone writing is included. Authors such as Margaret Atwood, noted for her experiments in multiple literary genres, are given full consideration, as is the work of authors who have achieved major recognition, such as Alice Munro, recipient of the Nobel Prize for literature. Eva-Marie Kröller edited the Cambridge Companion to Canadian Literature (irst edn., 2004) and, with Coral Ann Howells, the Cambridge History of Canadian Literature (2009). She has published widely on travel writing and cultural semiotics, and won a Killam Research Prize as well as the Distin- guished Editor Award of the Council of Editors of Learned Journals for her work as editor of the journal Canadian
    [Show full text]
  • Writing Here1
    WRITING HERE1 W.H. NEW n 2003, for the BC Federation of Writers, Susan Musgrave assembled a collection of new fiction and poetry from some fifty-two IBC writers, called The FED Anthology.2 Included in this anthology is a story by Carol Matthews called “Living in ascii,” which begins with a woman recording her husband’s annoyance at whatever he sees as stupidity (noisy traffic and inaccurate grammar, for instance, and the loss of his own words when his computer apparently swallows them). This woman then tells of going to a party, of the shifting (and sometimes divisive) relationships among all the women who were attending, and of the subjects they discussed. These included a rape trial, national survival, men, cliffs, courage, cormorant nests, and endangered species. After reflecting on the etymology of the word “egg” (and its connection with the word “edge”), she then declares her impatience with schisms and losses, and her wish to recover something whole. The story closes this way: “If I were to tell the true story, I would write it not in words but in symbols, [like an] ... ascii printout. It would be very short and very true. It would go like this: moon, woman, woman; man, bird, sun; heart, heart, heart, heart, heart; rock, scissors, paper. The title would be egg. That would be the whole story.”3 This egg is the prologue to my comments here. So is the list of disparate nouns – or only seemingly disparate, in that (by collecting them as she does) the narrator connects them into story.
    [Show full text]
  • UC Riverside UC Riverside Previously Published Works
    UC Riverside UC Riverside Previously Published Works Title “Short Story Collections and Crowded Selves: Madeleine Thien’s Simple Recipes and Jeremy Tiang’s It Never Rains On National Day” Permalink https://escholarship.org/uc/item/7w141141 Author Gui, W Publication Date 2017-05-18 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Crowded Selves — Singapore Unbound https://singaporeunbound.org/blog/2017/5/16/rsa... HOME ABOUT LITERARY FESTIVAL READING SERIES G AU DY BOY SP BLO G OPPORTUNITIES PRESS JO IN US Crowded Selves MAY 18, 2017 IN FICTION, CRITICIM “Short Story Collections and Crowded Selves: Madeleine Thien’s Simple Recipes and Jeremy Tiang’s It Never Rains On National Day” by Weihsin Gui Introduction How does a short story collection create connections between the different stories contained between its covers? And how do these connections represent the knotted relationships between North American and Asian cultures and the people who live and move between them? This essay examines two short story collections, Simple Recipes by Madeleine Thien and It Never Rains On National Day by Jeremy Tiang. Thien, whose parents came from Malaysia and Hong Kong, is a Canadian writer whose latest novel Do Not Say We We Have Nothing was shortlisted for the 2016 1 of 18 1/2/18, 9:31 AM Crowded Selves — Singapore Unbound https://singaporeunbound.org/blog/2017/5/16/rsa... Man Booker Prize. Tiang is a Singaporean currently living in both the USA and UK who has translated several works of fiction from Chinese into English and whose debut short story collection was a finalist for the 2016 Singapore Literature Prize.
    [Show full text]
  • Драбкина И.В. Esther Freud the Sea House New.Pdf
    ГБОУ ВПО САМАРСКИЙ ГОСУДАРСТВЕННЫЙ УНИВЕРСИТЕ'1’ Esther Freud “The Sea House” Учебное пособие вопросы и задания к практическим занятиям и задания для самостоятельной работы для студентов старших курсов бакалавриата направления 032700 «Филология» (профиля подготовки - «Зарубежная филология») Самара, 2014 МИМИСТ1-РСТВО ОБРАЗОВАНИЯ И НАУКИ РОС'СИИСКОИ <1>БДЕРЛЦИМ Фсдералыкк' 1чх:уларствсн1юс обрадотгтсяьнос учреждение высшего 11р<лфессиоиальиого обртования «С:ЛМЛРСКИЙ !'0('УДЛРСГВ1:ННЫЙ УНИВГРСИ’ПГГ.. Esther Freud “The Sea House” Учебное пособие вопросы и задания к практическим занятиям и задания для самостоятельной работы по углубленному курсу ОИЯ для студен тов старших курсов направления 032700 «Филология» (профиля подготовки «Зарубежная филология») Ивлатсльство “Сама|'>ский университет" 2014 иеччтасчпся по ртш'ппю Реоакциопио-т^атеаьском cownnt С аиарскоро госуОарствошоРо университета Вопросы и чадапия к практическим чанятиям и чадапия самостоятельной работы к книге ичвесмюй современной британской нисателышцы 'Зсгер Фрейд ‘The Sea House” (2003) включают перечень вопросов, рассмафивасмых иа практических чанячиях, и комплекс упражнений для самостоятельной работы спрановедческого, кулы урологического и аналитического хараюера, а гакже чадания. нредначначенныс для самоконтроля студентов и акгивичации навыков перевода. За.дания. представлент1ые в рачработке, поощряют работу студентов с инфор.манией в глобальных компьютерных сетях, юговиость понять и восгфииячь национальные 1ра;чиции, зтнокулыуру, социальные структуры и анчроиосферу иностранного
    [Show full text]
  • Reading Groups Collection Multiple-Copy Titles Available for Loan Master List Revised May 2019
    Reading Groups Collection Multiple-Copy Titles Available for Loan Master list revised May 2019 Susan ABULHAWA - Mornings in Jenin (2011, 352 pages) Palestine, 1948. A mother clutches her six-month-old son as Israeli soldiers march through the village of Ein Hod. In a split second, her son is snatched from her arms and the fate of the Abulheja family is changed forever. Forced into a refugee camp in Jenin , the family struggles to rebuild their world. Their stories unfold through the eyes of the youngest sibling, Amal, the daughter born in the camp who will eventually find herself alone in the United States; the eldest son who loses everything in the struggle for freedom; the stolen son who grows up as an Israeli, becoming an enemy soldier to his own brother. Mornings in Jenin is a novel of love and loss, war and oppression, and heartbreak and hope, spanning five countries and four generations of one of the most intractable conflicts of our lifetime. Ayobami ADEBAYO - Stay with me (2017, 298 pages) Yejide is hoping for a miracle, for a child. It is all her husband wants, all her mother-in-law wants, and she has tried everything - arduous pilgrimages, medical consultations, dances with prophets, appeals to God. But when her in- laws insist upon a new wife, it is too much for Yejide to bear. It will lead to jealousy, betrayal and despair. Unravelling against the social and political turbulence of '80s Nigeria, Stay with Me sings with the voices, colours, joys and fears of its surroundings. Ayobami Adebayo weaves a devastating story of the fragility of married love, the undoing of family, the wretchedness of grief and the all-consuming bonds of motherhood.
    [Show full text]
  • Longlisted & Shortlisted Books 1994-2018
    Longlisted & Shortlisted Books 1994-2018 www.scotiabankgillerprize.ca # The Boys in the Trees, Mary Swan – 2008 13 Ways of Looking at a Fat Girl, Mona Awad - 2016 Brother, David Chariandy – 2017 419, Will Ferguson - 2012 Burridge Unbound, Alan Cumyn – 2000 By Gaslight, Steven Price – 2016 A A Beauty, Connie Gault – 2015 C A Complicated Kindness, Miriam Toews – 2004 Casino and Other Stories, Bonnie Burnard – 1994 A Fine Balance, Rohinton Mistry – 1995 Cataract City, Craig Davidson – 2013 The Age of Longing, Richard B. Wright – 1995 The Cat’s Table, Michael Ondaatje – 2011 A Good House, Bonnie Burnard – 1999 Caught, Lisa Moore – 2013 A Good Man, Guy Vanderhaeghe – 2011 The Cellist of Sarajevo, Steven Galloway – 2008 Alias Grace, Margaret Atwood – 1996 Cereus Blooms at Night, Shani Mootoo – 1997 Alligator, Lisa Moore – 2005 Childhood, André Alexis – 1998 All My Puny Sorrows, Miriam Toews – 2014 Cities of Refuge, Michael Helm – 2010 All That Matters, Wayson Choy – 2004 Clara Callan, Richard B. Wright – 2001 All True Not a Lie in it, Alix Hawley – 2015 Close to Hugh, Mariana Endicott - 2015 American Innovations, Rivka Galchen – 2014 Cockroach, Rawi Hage – 2008 Am I Disturbing You?, Anne Hébert, translated by The Colony of Unrequited Dreams, Wayne Johnston – Sheila Fischman – 1999 1998 Anil’s Ghost, Michael Ondaatje – 2000 The Colour of Lightning, Paulette Jiles – 2009 Annabel, Kathleen Winter – 2010 Conceit, Mary Novik – 2007 An Ocean of Minutes, Thea Lim – 2018 Confidence, Russell Smith – 2015 The Antagonist, Lynn Coady – 2011 Cool Water, Dianne Warren – 2010 The Architects Are Here, Michael Winter – 2007 The Crooked Maid, Dan Vyleta – 2013 A Recipe for Bees, Gail Anderson-Dargatz – 1998 The Cure for Death by Lightning, Gail Arvida, Samuel Archibald, translated by Donald Anderson-Dargatz – 1996 Winkler – 2015 Curiosity, Joan Thomas – 2010 A Secret Between Us, Daniel Poliquin, translated by The Custodian of Paradise, Wayne Johnston – 2006 Donald Winkler – 2007 The Assassin’s Song, M.G.
    [Show full text]
  • Lucian Freud Portraits Free
    FREE LUCIAN FREUD PORTRAITS PDF Sarah Howgate,Michael Auping,John Richardson | 256 pages | 09 Feb 2012 | National Portrait Gallery Publications | 9781855144415 | English | London, United Kingdom Lucian Freud: The Self-portraits Lucian Freud, renowned for his unflinching observations of anatomy and psychology, made even the beautiful people including Kate Moss look ugly. One of the late Lucian Freud Portraits most celebrated portraitists, Freud painted only those closest to him: friends and family, wives and mistresses, and, last but not least, himself. His insightful series of self-portraits spanned over six decades. Unusual among artists with such long careers, his style remained remarkably consistent. Perhaps inevitably, the psychic intensity of his portraits, and his notoriously long sessions with sitters have been compared with the psychoanalytic practice of his famous grandfather, Sigmund Freud. Lucian Freud was born into an artistic middle-class Jewish family. His father Ernst was an architect, his mother Lucie Brasch studied art history, and his grandfather was the paradigm-shifting psychoanalyst Sigmund Freud. InFreud and his family left Berlin to escape Hitler and settled in London. Typical of Freud's early period, Girl with a White Dog was created using a sable brush, which he used to apply the paint with linear precision, almost like a drawing. The subtle shading evokes a host of textures exuding softness, warmth, and the absence of immediate tension. The robe has slipped off the sitter's shoulder, exposing her right breast. Coupled with the absent Lucian Freud Portraits of the woman and the dog, the muted colors and faint contours give this composition an overall flatness.
    [Show full text]
  • Golden Man Booker Prize Shortlist Celebrating Five Decades of the Finest Fiction
    Press release Under embargo until 6.30pm, Saturday 26 May 2018 Golden Man Booker Prize shortlist Celebrating five decades of the finest fiction www.themanbookerprize.com| #ManBooker50 The shortlist for the Golden Man Booker Prize was announced today (Saturday 26 May) during a reception at the Hay Festival. This special one-off award for Man Booker Prize’s 50th anniversary celebrations will crown the best work of fiction from the last five decades of the prize. All 51 previous winners were considered by a panel of five specially appointed judges, each of whom was asked to read the winning novels from one decade of the prize’s history. We can now reveal that that the ‘Golden Five’ – the books thought to have best stood the test of time – are: In a Free State by V. S. Naipaul; Moon Tiger by Penelope Lively; The English Patient by Michael Ondaatje; Wolf Hall by Hilary Mantel; and Lincoln in the Bardo by George Saunders. Judge Year Title Author Country Publisher of win Robert 1971 In a Free V. S. Naipaul UK Picador McCrum State Lemn Sissay 1987 Moon Penelope Lively UK Penguin Tiger Kamila 1992 The Michael Canada Bloomsbury Shamsie English Ondaatje Patient Simon Mayo 2009 Wolf Hall Hilary Mantel UK Fourth Estate Hollie 2017 Lincoln George USA Bloomsbury McNish in the Saunders Bardo Key dates 26 May to 25 June Readers are now invited to have their say on which book is their favourite from this shortlist. The month-long public vote on the Man Booker Prize website will close on 25 June.
    [Show full text]
  • Anti-Semitic Representation in the Finkler Question by Howard Jacobson: an Analysis
    INTERNATIONAL JOURNAL OF RESEARCH CULTURE SOCIETY ISSN: 2456-6683 Volume - 2, Issue - 3, Mar – 2018 UGC Approved Monthly, Peer-Reviewed, Refereed, Indexed Journal Impact Factor: 3.449 Publication Date: 31/03/2018 Anti-Semitic Representation in the Finkler Question by Howard Jacobson: An Analysis SMITA DEVI Designation of Author: Research Scholar Department of English Lovely Professional University, Phagwara, Punjab Email – [email protected] Abstract: Every individual wants to live a contented and peaceful life. The constitution in fact allows individuals to have all the prerequisites. However, Jews were often deprived of such free space. The world history depicts Jews as swindler. They are considered as the Dhimi members of the society. They are always sidelined and ignored in gentile society. Julian Treslove one of the central characters of The Finkler Question tried to assimilate in the Jewish society but faced anti-Semitic hostility. The study is an attempt to understand the problems of British Jews. This study will try to explore hostility against Jews. It will try to explore issues related to anti-semitic prejudice and its consequences. Key Words: Anti-Semitism, Other, Hostility. 1. INTRODUCTION: God is the creator of the world. He made all his creations as unique and one. All the creations are fulfilled with positive qualities. As every action has opposite reactions similarly, the creations of God reflect the hidden negative attributes. Forgetting the fact, that we all are the children of one creator individuals created their own groups, religions, society, customs etc. Moreover, they are in a race to prove one is superior and the others are inferior ones.
    [Show full text]
  • Schedule of Courses Spring 2021 Spring 2021 Courses at a Glance
    Schedule of Courses Spring 2021 Spring 2021 Courses at a Glance Spring 2021 Courses at a Glance MONDAY, 10 AM–12 NOON 104 Braiding Sweetgrass: Thinking about Nature and Humankind Fred Chanania 300 China and the US: Relations Since 1776 Easley Hamner 105 Eudora Welty’s Stories and Reflections on Writing Joanne Carlisle 301 Ninth Street Women: Heroines of Abstract Expressionism and Beyond 106 Population Matters Laura Becker Mary Jo Bane *302 The First Artists: Cave Art 203 New England Trees and Forests: Then and Now Ron Ebert Fred Chanania 303 The Harlem Renaissance 204 Old Problems/New Voices: 2020 African-American Novels Martha Vicinus Linda Sultan 100 The Makioka Sisters: A Japanese Tale of Love and Cultural Upheaval 205 Richard III: Villain or Victim? Barbara Burr and Winthrop Burr Jennifer Huntington 101 Writing Epidemics 206 Truman’s Decision Burns Woodward Joan McGowan 200 Listening for America: Gershwin to Sondheim TUESDAY, 1 PM–3 PM Steven Roth 314 A Perspective on the Development of Homo Sapiens MONDAY, 1 PM–3 PM Jeffrey Berman 304 Balzac’s Lost Illusions 315 Conversations with Joan Didion Andrea Gargiulo Randy Cronk 305 Existential Questions 316 Deliberative Democracy: Can We Have Democracy without Amanda Gruber Elections? Helena Halperin *306 Great Decisions 2021 Carol Kunik and Dottie Stephenson 317 How Hemingway Became Hemingway Susan Ebert *307 Reading or Rereading The Odyssey in a New Translation Marcia Folsom *318 Literary Portraits of White Supremacy: Paton, Wright, and Gordimer 308 The Long Evolution of Spin: Where Have
    [Show full text]
  • 65825 NPG - Lucian Freud Portraits Guide TEXT.Indd 1 09/02/2012 09:28 Man in a Chair
    Lucian Freud (1922–2011) was one of the great realist painters of the twentieth century. Freud had a life-long preoccupation with the human face and figure. Family, friends and lovers were his subjects and, sometimes, when no-one else was available, himself. Sitters were drawn from all walks of life, from the aristocracy to the criminal underworld, but he rarely took on commissions. Freud’s portraits often record the life of a relationship. Highly personal and private, they are an enigmatic record of time spent behind the closed door of the studio. The paintings demonstrate the unrelenting observational intensity of his work. The exhibition spans seven decades and is arranged broadly chronologically, beginning with his early explorations of the portrait. ‘I work from people that interest me and that I care about, in rooms that I live in and know’ Lucian Freud 65825 NPG - Lucian Freud Portraits Guide TEXT.indd 1 09/02/2012 09:28 MAN IN A CHAIR This is a portrait of Baron Hans Heinrich Thyssen-Bornemisza. Like so many of the paintings in this exhibition, it makes reference to the traditions of historical portraiture, in this case Diego Velázquez, while remaining thoroughly contemporary. This is a private view of a powerful figure; his gaze is downward and he sits beside the painter’s discarded rags, his feet cropped from the lower edge of the composition. Freud pays attention to the cut of the suit and the fabric is rendered in as much detail as flesh. Oil on canvas, 1983–5 Thyssen-Bornemisza Collections 65825 NPG - Lucian Freud Portraits Guide TEXT.indd 2 09/02/2012 09:28 I Freud’s fi rst subjects included self-portraits, portraits of his friend, the patron and collector peter watson, and his tutor, the painter Cedric Morris.
    [Show full text]
  • ETD Template
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by D-Scholarship@Pitt “The World Goes One Way and We Go Another”: Movement, Migration, and Myths of Irish Cinema by Dana C. Och B.A. in English, University of Pittsburgh, 1996 M.A. in English, University of Pittsburgh, 1999 Submitted to the Graduate Faculty of Department of English in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2006 UNIVERSITY OF PITTSBURGH FACULTY OF ARTS AND SCIENCES This dissertation was presented by Dana C. Och It was defended on 8-31-06 and approved by Dr. Nancy Condee Dr. Adam Lowenstein Dr. Colin MacCabe Dr. Marcia Landy Dissertation Director ii Copyright © by Dana C. Och 2006 iii “The World Goes One Way and We Go Another”: Movement, Migration and Myths of Irish Cinema Dana C. Och, Ph.D. University of Pittsburgh, 2006 The dissertation considers Irish films through the valence of movement and migration to conceptualize a cinema that can account for how films function locally and transnationally. I consider various forms of migration in films produced in Ireland to interrogate how identity and the nation are presented. Considering forms of migration opens a different approach to the films that enables questioning of the myths of the nation-state within globalized capital and culture. In Ireland, the land has given shape to the physical boundaries of imagined identity; land is understood as a material trace denoting a linear history of invasion, conquest, and ultimately independence – an evolution from colonial oppression to postcolonial identity.
    [Show full text]