Teacher's Tool

Total Page:16

File Type:pdf, Size:1020Kb

Teacher's Tool LIMITED ENGAGEMENT EXHIBITION • JUNE 2017 – JULY 2018 Teacher’s Tool Kit GRADES 3-12 English Language Arts • Visual Art • Music • Social Studies CountryMusicHallofFame.org/Portal Teacher’s Tool Kit GRADES 3-12 Born in Ontario, Canada and raised in a remote northern Canadadian town called Timmins, Shania Twain overcame a difficult childhood through talent, determination, and hard work. She began singing in bars for tips at age eight and writing songs at ten. She reached a commercial peak with Come on Over (1997), which remains the best-selling album by a female in any genre. A new generation of artists, including Taylor Swift and Kelsea Ballerini, acknowledge Twain as a trailblazer. Begin by asking your students what they know about Shania Twain. Then select activities that best correspond with your curriculum. Log in to the Digital Resource Portal to find support materials for this tool kit. The portal also provides lesson guides, videos, powerpoints, and other matierals that bring the museum into your classroom. Register for free access at CountryMusicHallofFame.org/Portal. Honor your Heritage Visual Art – Music – Social Studies Shania Twain’s biological father abandoned the family when she was two. Two years later, her mother, Sharon, married Jerry Twain, a full-blooded Ojibwa Indian, who adopted Shania and her older sister. The family moved to Timmins, a gold-mining town in the remote wilderness of northern Ontario. Her father logged timber and mined, but work was seasonal. Twain and her four siblings grew up in poverty, often going hungry. Despite hardships, the family remained Above: Twelve-year-old Shania Twain and close-knit. At times the family lived with Jerry Twain’s parents her younger sister Carrie performing at the Opry North, Toronto, Canada, June 28, 1978. near the Ojibwa reserve. Twain’s step-grandmother supported her musical ambitions and made stage costumes for her performances Below: Twain wore this Alfred Leather hooded rawhide coat with fur trim and as a young child. fringe on the cover of her 1993 debut album. • Look at the image of Shania Twain and her sister Carrie performing on Opry North, a syndicated radio program out of Toronto. What style is the costume? What part of her family heritage is represented? • Compare the image of Shania Twain and her sister on Opry North with the image on the cover of Shania Twain, her debut album. How are these similar and different? How do they represent her family heritage? • Think about your family heritage. What customs or traditional dress does your family identify with? • Draw a stage costume that represents your family heritage. Teacher’s Tool Kit GRADES 3-12 Costume Cut-out Draw your own costume Teacher’s Tool Kit GRADES 3-12 Someone to Look Up To Music “I learned to think outside genre boxes and the status quo by watching her reinvent herself,” said Swift about Shania Twain. “I’ll always be grateful for the chances and risks she took.” Artists are influenced by those who came before them, pushed boundaries, and set examples. Shania Twain was a successful country artist with many crossover hits in pop radio. Taylor Swift and Kelsea Ballerini, two of today’s country-pop crossover artists, look to Shania Twain as a trailblazer. • Look at how Shania Twain’s image changed over the course of her career. • Watch the music videos for “Forever and for Always” by Shania Twain and “Love Story” by Taylor Swift. • Watch the music videos for “Love Me Like You Mean It” by Kelsea Ballerini and “Any Man of Mine” by Shania Twain. • Compare and contrast the styles, music videos, and the songs. Top: Shania Twain and Kelsea Ballerini at the opening of Twain’s exhibit at the Country Music Hall of Fame and Museum, June 27, 2017. Left: Taylor Swift wore this Sandi Spika-designed dress in the 2008 music video for “Love Story.” Above: Twain at Caesar’s Palace in Las Vegas, c. 2013. Photo by Denise Truscell / WireImage Teacher’s Tool Kit GRADES 3-12 Messaging through Music Videos English Language Arts – Visual Art "What Made You Say That," the first single from Twain's debut album, was a minor hit, but the music video propelled Twain's career in a new direction. Academy Award-winning actor Sean Penn saw the video and wanted to direct Twain's next music video. The first video also attracted the attention of rock music producer Robert John “Mutt” Lange who began working with Twain. From 1995-1998 Twain rebelled Above: Actor Sean Penn directs Twain in the music video against music industry conventions by using music for “Dance with the One That Brought You,” 1993. videos as her primary marketing tool instead of hitting Bottom Right: Twain wore this Prada leather jacket with the road for a concert tour. She wanted to accumulate this scarf in the music video for “You Win My Love,” 1996. enough original material to headline a full concert Below Left: Designer Marc Bouwer adjusts Twain’s before touring. The music videos kept her in the clothing on the set of the music video for “Man! I Feel Like a Woman!,” 1999. public eye until she had amassed a catalog of songs and her strategy helped fuel sales of four million albums in 10 months. • Watch the music videos for “You Win My Love” or “Man! I Feel Like a Woman!.” • Discuss how the words are represented in the video. Talk about interpretation such as car metaphors and themes such as female empowerment. • Listen to Twain’s June 2017 single “Life’s About to Get Good.” • Create a storyboard for a music video for “Life’s About to Get Good.” Teacher’s Tool Kit GRADES 3-12 Music Video Storyboard Draw a story for “Life’s About to Get Good” Teacher’s Tool Kit GRADES 3-12 Lyric Sheet Man! I Feel Like a Woman! Mutt Lange / Shania Twain Let's go girls, c'mon The best thing about being a woman Is the prerogative to have a little fun and I'm goin' out tonight, I'm feelin' alright I’m gonna let it all hang out Oh, oh, oh, go totally crazy, forget I'm a lady Wanna make some noise, really raise my voice Men's shirts, short skirts Yeah, I wanna scream and shout Oh, oh, oh, really go wild-yeah, doin' it in style Oh, oh, oh, get in the action, feel the attraction No inhibitions, make no conditions Color my hair, do what I dare Get a little outta line Oh, oh, oh, I wanna be free-yeah, I ain't gonna act politically correct to feel the way I feel I only wanna have a good time Man, I feel like a woman The best thing about bein’ a woman Is the prerogative to have a little fun and The best thing about bein' a woman Is the prerogative to have a little fun (fun) fun Oh, oh, oh, go totally crazy, forget I'm a lady Men's shirts, short skirts Oh, oh, oh, go totally crazy, forget I'm a lady Oh, oh, oh, really go wild-yeah, doin' it in style Men's shirts, short skirts Oh, oh, oh, get in the action, feel the attraction Oh, oh, oh, really go wild-yeah, doin' it in style Color my hair, do what I dare Oh, oh, oh, get in the action, feel the attraction Oh, oh, oh, I wanna be free-yeah, Color my hair, do what I dare to feel the way I feel Oh, oh, oh, I wanna be free-yeah, Man, I feel like a woman to feel the way I feel Man, I feel like a woman The girls need a break, tonight we're gonna take The chance to get out on the town I get totally crazy We don’t need romance, we only wanna dance Can you feel it? We’re gonna let our hair hang down Come, come, come on baby I feel like a woman Teacher’s Tool Kit GRADES 3-12 Lyric Sheet You Win My Love Mutt Lange Come on! You win my love You win my soul I'm lookin' for a lover You win my heart Who can rev his little engine up Yeah, you get it all He can have a '55 Chevy You win my love Or a fancy little pick-up truck You make my motor run If he's got a cool Cadillac You win my love With a jacuzzi in the back I'm in, oh yeah Yeah, you're number one 'Cause I'm a classy little chassis Oh oh oh yea Who's a huntin' for a heart to win Oh, but if you wanna win it I want a heartbreak Harley There's no speed limit A full of steam dream machine Just go faster, faster, don't be slow Or just a little late night Rev it up, rev it up 'til your engine blows Sexy long stretch limousine Oh but if you wanna win it You win my love Babe, there’s no speed limit You win my soul Just go faster, faster, don’t be slow You win my heart Rev it up, rev it up ‘til your engines blow Yeah, you get it all You win my love You win my love You make my motor run You win my soul You win my love You win my heart Yeah, you're number one Yeah, you get it all You win my love Oh, I'm a crazy little lady You make my motor run Yeah, the kind you just can't slow down, oh no You win my love I need a '65 cylinder, racy little run around town Yeah you're number one Oh, but if you wanna win it You win my love Babe, there's no speed limit You win my love Just go faster, faster, don't be slow Oh, you win my love Rev it up, rev it up 'til your engine blows You win my love I said you win my love You win my love You win my love I said you win my love Teacher’s Tool Kit GRADES 3-12 Lyric Sheet Any Man of Mine Mutt Lange / Shania Twain This is what a woman wants Any man of mine better walk the line Any man of mine better be proud of me Better show me a teasin', squeezin', pleasin' Even when I'm ugly he still better love me kinda time And I can be late for a date that's fine I need a man who knows, how the story goes But he better be on time He's gotta be a heartbeatin', fine-treatin', breathtakin', earthquakin', kind Any man of mine'll say it fits just right Any man of mine When last year's dress is just a little too tight And anything I do or say better be okay Let me here you say yeah (yeah)
Recommended publications
  • Excesss Karaoke Master by Artist
    XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not
    [Show full text]
  • Wedding Verses
    Front or Inside Wedding Verse Examples To have and to hold Two hearts that beat as one... As the tress burst into color from this day forward and the autumn season arrives we pledge our faith, our love, our lives. A new day How beautiful is the day A new life that is touched by Love Together... As autumn leaves turn their brilliant hue we will join and say I Do Our life together begins this day This day our hearts are joined as one Love lights the hearts Two lives, two hearts This day, I will marry my friend, of those who share it joined together in friendship the one who shares my dreams united forever in Love. The daisies of the field are as fresh One love that is shared by two... and perfect as our love... Yesterday’s memories lead to tomorrow’s dreams. Each of us a half...incomplete As gentle as a butterfly, together we are as one love emerged from our hearts At last my love has come along. and together, we soar Etta James, “At Last” This day I will marry my friend, the one I laugh with, live for, dream with, love Take my hand and I know this love of mine will never die. say you will follow me The Beatles, “And I Love Her” With an endless love we’ll share our thoughts, The path that leads to Love can touch us one time our dreams, ourselves happiness is so narrow that and last for a lifetime two cannot walk on it, And never let go till we’re gone.
    [Show full text]
  • Endless Summer Song List
    ENDLESS SUMMER BAND MASTER SONG LIST 30's-40's continued… continued… B FLAT BLUES BEGIN THE BEGUINE GET READY SIXTEEN CANDLES BUGLE BOY GIVE ME SOME LOVING SOUL & INSPIRATION CAB DRIVER GREAT BALLS O FIRE SOUL MEDLEY CHATANOOGA CHO CHO GREEN RIVER SOULMAN DANNY BOY HAND JIVE STAND BY ME FLY ME TO THE MOON HANG ON SLOOPY STOP IN THE NAME OF LOVE GIRL FROM IPANEMA HANKY PANKY SUMMER TIME BLUES HELLO DOLLY HARD DAYS NIGHT SURFIN USA HIT THE ROAD JACK HEAR U KNOCKIN SWEET SOUL MUSIC IN THE MOOD HOLD ON IM COMING TEDDY BEAR MACK THE KNIFE HOUNDOG TEQUILA MISTY I FALL TO PIECES THE LETTER MONA LISA I FEEL GOOD THE STROLL MOONLIGHT SERENADE I FOUGHT THE LAW THE WANDERER MR SANDMAN I GET AROUND THE WAY YOU LOOK TONIGHT ON BROADWAY I HEARD IT THROUGH THE GRAPEVINE THINK SATIN DOLL I SAW HER STANDING THERE TICKET TO RIDE SAVE THE LAST DANCE FOR ME ITS MY PARTY TRAVELING BAND SENTIMENTAL JOURNEY ITS ALL RIGHT TUTTI FRUTTI SHADOW OF YOUR SMILE JAILHOUSE ROCK TWIST STRING OF PEARLS JENNY TAKE A RIDE UNCHAINED MELODY TAKE THE A - TRAIN JIM DANDY VIVA LAS VEGAS THAT SUNDAY THAT SUMMER JOHNNY B GOOD WAKE UP LIL SUSIE THAT’S LIFE KANSAS CITY WHAT A WONDERFUL WORLD UNFORGETTABLE KNOCK ON WOOD WHEN A MAN LOVES A WOMAN WHY HAVENT I LA BAMBA WHOLE LOTTA SHAKING GOIN' ON 50's-60's LAND OF 1000 DANCES WILD THING All SHOOK UP LETS TWIST AGAIN WOOLY BULLY ARE YOU LONESOME TONIGHT LION SLEEPS TONIGHT AT THE HOP LOCOMOTION BABY LOVE LOUIE LOUIE BARBARA ANN LOVIN FEELIN BLACK IS BLACK LUCILLE BORN TO BE WILD MIDNIGHT HOUR BOYFRIENDS BACK MONY MONY BROWN EYED GIRL
    [Show full text]
  • Keith Hill on Keith Hill
    June 1, 2015, Issue 450 Addressing SaladGate Six pages of in-depth reporting on Women In Country and a post-CRS panel write-up in which Keith Hill urged slashing female- voiced songs made nary a ripple outside the business a few months back. But the consultant’s lettuce-and-tomatoes analogy last week in this space touched off a social and, eventually, major media tidal wave. Go figure. We’ll get to Hill in the next story (right), after female PDs and MDs weigh in with their thoughts on a well-known though still confounding reality. In full disclosure, some of the women we contacted declined to contribute for lack of time or lack of what they felt would be helpful feedback. Some passed because they weren’t comfortable publicly commenting in a “no-win argument.” And some came to us asking to be part of the conversation. Lost In Translation: “I don’t think he phrased what he was trying to say especially well,” says Scripps/ Spark Plug: Big Spark/Star Farm’s Olivia Lane hosts industry Tulsa OM and KVOO PD Jules Riley, whose pros at Handlebar J in Phoenix over the weekend. Pictured station has averaged 9% female current/ (front, l-r) are Big Spark’s Dennis Kurtz, Handlebar J’s Ray Herndon, Susan Pohlman (wife of KMLE/Phoenix’s Tim recurrent airplay and 14% in gold since Jan.1, Pohlman), KIIM/Tucson’s Buzz Jackson and wife Dena, KTGX/ according to Mediabase 24/7. “It did strike a Tulsa’s Kristina Carlyle, Lane, KTEX/McAllen’s JoJo Cerda little bit of a nerve.
    [Show full text]
  • Narrative Representations of Gender and Genre Through Lyric, Music, Image, and Staging in Carrie Underwood’S Blown Away Tour
    COUNTRY CULTURE AND CROSSOVER: Narrative Representations of Gender and Genre Through Lyric, Music, Image, and Staging in Carrie Underwood’s Blown Away Tour Krisandra Ivings A Thesis Presented In Partial Fulfillment of the Requirement for the Degree Master of Arts in Music with Specialization in Women’s Studies University of Ottawa © Krisandra Ivings, Ottawa, Canada, 2016 Abstract This thesis examines the complex and multi-dimensional narratives presented in the work of mainstream female country artist Carrie Underwood, and how her blending of musical genres (pop, rock, and country) affects the narratives pertaining to gender and sexuality that are told through her musical texts. I interrogate the relationships between and among the domains of music, lyrics, images, and staging in Underwood’s live performances (Blown Away Tour: Live DVD) and related music videos in order to identify how these gendered narratives relate to genre, and more specifically, where these performances and videos adhere to, expand on, or break from country music tropes and traditions. Adopting an interlocking theoretical approach grounded in genre theory, gender theory, narrative theory in the context of popular music, and happiness theory, I examine how, as a female artist in the country music industry, Underwood uses genre-blending to construct complex gendered narratives in her musical texts. Ultimately, I find that in her Blown Away Tour: Live DVD, Underwood uses diverse narrative strategies, sometimes drawing on country tropes, to engage techniques and stylistic influences of several pop and rock styles, and in doing so explores the gender norms of those genres. ii Acknowledgements A great number of people have supported this thesis behind the scenes, whether financially, academically, or emotionally.
    [Show full text]
  • THE MUSICAL FEATURES of 2015'S TOP-RANKED COUNTRY SONGS
    THE MUSICAL FEATURES OF 2015’s TOP-RANKED COUNTRY SONGS By Mason Taylor Allen Senior Honors Thesis Department of Music University of North Carolina at Chapel Hill April 22, 2016 Approved: Dr. Jocelyn R. Neal, Thesis Advisor Dr. Allen Anderson, Reader Dr. Andrea Bohlman, Reader © 2016 Mason Taylor Allen ALL RIGHTS RESERVED ii ABSTRACT Mason Taylor Allen: The Musical Features of 2015’s Top-Ranked Country Songs Under the direction of Dr. Jocelyn R. Neal The 2015 top-ten country songs analyzed in this study are characterized by the various formats of their song form, harmonies, and lyrics. This thesis presents a comprehensive study of the structure and narratives in sixty-seven songs that summarizes the distinctive features within those domains of contemporary commercial country music. A detailed description of the norm along with identifiable trends emerges. The song form that features most prominently in this repertory includes a verse-chorus-bridge form with three iterations of the chorus, an intro and outro section, and instrumental sections immediately following each chorus. The top-ten country songs have varying degrees of departure from this typical model. Primary features of the harmonies of these top songs include the frequent use of a double-tonic complex, the absence of a 5-1 authentic cadence, the same chord progression throughout the verse, chorus, and bridge, and the use of only two chords throughout the song. Lyrical analyses show that 2015 songs are continuing the traditional themes about romantic attraction, love, heartache, good times and partying, home, family, nostalgia, religion, and inspiration, within the context of small-town country life that this genre has used for years.
    [Show full text]
  • News Spinzone
    "NEWS! "SPIN ZONE ! "CALENDARS! "CHART DATA ! "NO. 1 SONG! VOICES OF SECONDARY RADIO! " COVERING THE SECONDARY RADIO MARKET SINCE 2002 REPORTING ! PANEL! " Thursday, May 7, 2015 " SPINZONE CHART NEWS" " Toby Keith Adds More ‘Good Times’ To Tour Top Ten— Tim McGraw has the song at top of the MusicRow For The 2015 Toby Keith Good CountryBreakout Chart this week with “Diamond Rings And Times & Pick Up Lines Tour Old Barstools.” Eric Paslay holds strong at No. 2 with “She presented by Ford F-Series, Keith Don’t Love You.” Carrie Underwood’s “Little Toy Guns” moves tapped newcomer Chris Janson up one spot to No. 3, followed by Florida Georgia Line’s as his opening act on more than “Sippin’ On Fire” at No. 4. Brad Paisley remains at No. 5 with 20 tour dates this summer. Janson “Crushin’ It” while Kelsea Ballerini moves up one to No. 6 joins other artists, including Eli with “Love Me Like You Mean It.” Little Big Town is still Young Band and Colt Ford, who moving “Girl Crush” up the chart; this week they are at No. 7. will occasionally join the tour’s Brantley Gilbert jumps “One Hell Of An Amen” up two spots lineup. To read more and to see the full list of dates, click HERE. " to No. 8. Canaan Smith inally reaches the top 10 with “Love … You Like That” landing at No. 9. Blake Shelton also shows up in the top 10 for the Eirst time at No. 10 with “Sangria.” Butler And McCoy Receive No. 1 " Challenge Coin Greatest Gainers— Blake Shelton moves into the top 10 Songwriters Bart Butler after 352 new spins on “Sangria.” Zac Brown Band’s “Loving and Larry McCoy You Easy” received 335 additional plays this week.
    [Show full text]
  • CODE BLEU Thank You for Joining Us at Our Showcase This Evening
    PRESENTS… CODE BLEU Thank you for joining us at our showcase this evening. Tonight, we are featuring Code Bleu, led by Sean and Faith Gillen. Performing together for over twenty years, Code Bleu has become one of the most sought – after orchestras in New York. Code Bleu possesses a unique blend of fun, excitement and elegance that will leave your guests endlessly raving about your wedding. Featuring eight powerful lead vocalists, horns, keyboards, guitar, bass, drums and percussion, they can reproduce virtually any musical style. Code Bleu Members: • ELECTRIC, ACOUSTIC GUITARS, VOCALS………………………..………SEAN GILLEN • VOCALS AND MASTER OF CEREMONIES……..………………………….FAITH GILLEN • VOCALS AND KEYBOARDS..…………………………….……………………..RICH RIZZO • VOCALS AND PERCUSSION…………………………………......................SHELL LYNCH • KEYBOARDS AND VOCALS………………………………………..………….…DREW HILL • BASS……………………………………………………………………….….......DAVE ANTON • DRUMS AND SEQUENCING………………………………………………..JIM MANSFIELD • SAXOPHONE, VOCALS, FLUTE, AND GUITAR….……………ANTHONY POLICASTRO • VOCALS………………………………………………………………….…….PAMELA LEWIS • TRUMPET AND VOCALS……………….…………….………………….ALYSON GORDON www.skylineorchestras.com (631) 277 – 7777 #Skylineorchestras DANCE : BURNING DOWN THE HOUSE – Talking Heads BUST A MOVE – Young MC A GOOD NIGHT – John Legend CAKE BY THE OCEAN – DNCE A LITTLE LESS CONVERSATION – Elvis CALL ME MAYBE – Carly Rae Jepsen A LITTLE PARTY NEVER KILLED NOBODY – Fergie CAN’T FEEL MY FACE – The Weekend A LITTLE RESPECT – Erasure CAN’T GET ENOUGH OF YOUR LOVE – Barry White A PIRATE LOOKS AT 40 – Jimmy Buffet CAN’T GET YOU OUT OF MY HEAD – Kylie Minogue ABC – Jackson Five CAN’T HOLD US – Macklemore & Ryan Lewis ACCIDENTALLY IN LOVE – Counting Crows CAN’T HURRY LOVE – Supremes ACHY BREAKY HEART – Billy Ray Cyrus CAN’T STOP THE FEELING – Justin Timberlake ADDICTED TO YOU – Avicii CAR WASH – Rose Royce AEROPLANE – Red Hot Chili Peppers CASTLES IN THE SKY – Ian Van Dahl AIN’T IT FUN – Paramore CHEAP THRILLS – Sia feat.
    [Show full text]
  • AXS TV Schedule for Mon. April 22, 2019 to Sun. April 28, 2019 Monday
    AXS TV Schedule for Mon. April 22, 2019 to Sun. April 28, 2019 Monday April 22, 2019 4:00 PM ET / 1:00 PM PT 6:00 AM ET / 3:00 AM PT Rock Legends Smart Travels Europe Amy Winehouse - Despite living a tragically short life, Amy had a significant impact on the music Out of Rome - We leave the eternal city behind by way of the famous Apian Way to explore the industry and is a recognized name around the world. Her unique voice and fusion of styles left a environs of Rome. First it’s the majesty of Emperor Hadrian’s villa and lakes of the Alban Hills. musical legacy that will live long in the memory of everyone her music has touched. Next, it’s south to the ancient seaport of Ostia, Rome’s Pompeii. Along the way we sample olive oil, stop at the ancient’s favorite beach and visit a medieval hilltop town. Our own five star villa 4:30 PM ET / 1:30 PM PT is a retreat fit for an emperor. CMA Fest Thomas Rhett and Kelsea Ballerini host as more than 20 of your favorite artists perform their 6:30 AM ET / 3:30 AM PT newest hits, including Carrie Underwood, Blake Shelton, Keith Urban, Jason Aldean, Luke Bryan, Rock Legends Dierks Bentley, Thomas Rhett, Chris Stapleton, Kelsea Ballerini, Jake Owen, Darius Rucker, Broth- Pearl Jam - Rock Legends Pearl Jam tells the story of one of the world’s biggest bands, featuring ers Osborne, Lauren Alaina and more. insights from music critics and showcasing classic music videos.
    [Show full text]
  • Shana Petrone to Tennessee Ernie Ford
    Sound Extreme Entertainment Karaoke Show with Host 828-551-3519 [email protected] www.SoundExtreme.net In The Style Of Title Genre Shana Petrone This Time Country Shane McAnally Are Your Eyes Still Blue Country Shane McAnally Run Away Country Shane McAnally Say Anything Country Shane Minor I Think You're Beautiful Country Shane Minor Ordinary Love Country Shane Minor Slave To The Habit Country Shangri-las, The Leader Of The Pack Country & Pop Shania Twain Ain't No Particular Way Country Shania Twain Any Man Of Mine Country & Pop Shania Twain C'est La Vie Country Shania Twain Come On Over Country & Pop Shania Twain Don't Country Shania Twain Don't Be Stupid (You Know I Love You) Country & Pop Shania Twain Forever And For Always Country & Pop Shania Twain God Bless The Child Country Shania Twain Home Ain't Where His Heart Is (Anymore) Country Shania Twain Honey I'm Home Country & Pop Shania Twain I Ain't Goin' Down Country Shania Twain I Ain't No Quitter Country Shania Twain If It Don't Take Two Country Shania Twain If You Wanna Touch Her, Ask Country Shania Twain If You're Not In It For Love (I'm Outta Here) Country & Pop Shania Twain I'm Gonna Getcha Good! Country & Pop Shania Twain I'm Holdin' On To Love (To Save My Life) Country Shania Twain I'm Jealous Country Shania Twain I'm Not In The Mood (To Say No)! Country Shania Twain In My Car (I'll Be The Driver) Country Shania Twain Is There Life After Love? Country Shania Twain It Only Hurts When I'm Breathing Country Shania Twain Juanita Country Shania Twain Ka-Ching Country Sound Extreme Entertainment www.SoundExtreme.net www.SoundExtremeWeddings.com www.CrocodileSmile.net 360 King Rd.
    [Show full text]
  • Shania Twain: Sound and Style Groundbreaker
    Country Music Hall of Fame® and Museum • Words & Music • Grades 7-12 Shania Twain: Sound and Style Groundbreaker You can easily measure Shania Twain’s career by the numbers. With eighty-five million in album sales, she is country music’s best-selling female artist. But numbers don’t begin to express Twain’s importance. She achieved her success in the mid-1990s with groundbreaking force, using a distinctive voice, a glamorous style, and most of all, a catchy pop-country sound to draw millions of new fans into country music. Among her admirers are the latest generation of country artists, particularly women, who say she strongly influenced their careers. “She grew country music around the world,” Carrie Underwood says. “There was nobody else that looked or felt or sounded like her.” Born Eilleen Regina Edwards on August 28, 1965, in Windsor, John “Mutt” Lange, a producer who worked with rock bands. Ontario, Canada, Twain began her life with hardship and loss. Her The two joined forces and co-wrote ten of the twelve tracks father abandoned the family when she was a toddler. Her mother, for Twain’s next album, The Woman in Me, and by its release in Sharon, moved to Timmins, Ontario, and remarried, and her 1995, they were married. stepfather, Jerry Twain, adopted her and her two sisters. The couple The album, which includes rock, as well as pop sounds, quickly constantly struggled with poverty. became a sensation, selling more than twelve million copies. At age three, Twain was singing along to country songs with a Lange then produced and helped Twain write her third album, voice that showed unusual ability.
    [Show full text]
  • Dolly Parton Interview
    This interview with DOLLY PARTON was conducted by the Library of Congress on February 19, 2016. Dolly Parton LOC: As “Coat of Many Colors” was based upon a childhood experience, what inspired you in 1971 to finally put that story to music? DP: I can’t say I have a distinct memory of sitting down and saying, “Now’s the time to write a song about this experience.” Really none of my songs come from that intentional of a place. Ideas, melodies and certain lines sit with me until a moment comes and everything just starts to come together. Obviously this experience had a big impact on me so the painful part of the memory would come to the surface every now and again, then I would push it back down and then it would come around the bend once again. So each time I would be dialed into the memory, a line or the melody would come together. One day I was on the bus and the moment came where all of the lines to the song started to flow but I didn’t have anything to write down the words. So I looked up and there was a dry cleaner tag on one of Porters outfits so I just ripped it off and started to put pen to paper. I still have that dry cleaner receipt at my museum in Dollywood. What is really remarkable about the whole journey was the fact that I carried that hurt for so long but, once I wrote the song, I felt released from the hurt.
    [Show full text]