LIBERTY MEDIA CORPORATION (Exact Name of Registrant As Specified in Its Charter)
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Glenn-Garland-Editor-Credits.Pdf
GLENN GARLAND, ACE Editor Television PROJECT DIRECTOR STUDIO / PRODUCTION CO. WELCOME TO THE BLUMHOUSE: BLACK BOX Emmanuel Osei-Kuffour Amazon / Blumhouse Productions EP: Jay Ellis, Jason Blum, Aaron Bergman PARADISE CITY*** (series) Ash Avildsen Sumerian Films EP: Lorenzo Antonucci PREACHER (season 3) Various AMC / Sony Pictures Television EP: Sam Catlin, Seth Rogen, Evan Goldberg ALTERED CARBON** (series) Various Netflix / Skydance EP: Laeta Kalogridis, James Middleton, Steve Blackman STAN AGAINST EVIL (series) Various IFC / Radical Media EP: Dana Gould, Frank Scherma, Tom Lassally BANSHEE (series) Ole Christian Madsen HBO / Cinemax Magnus Martens EP: Alan Ball THE VAMPIRE DIARIES (series) Various CW / Warner Bros. Television EP: Julie Plec, Kevin Williamson Feature Films PROJECT DIRECTOR STUDIO / PRODUCTION CO. BROKE Carlyle Eubank Wild West Entertainment Prod: Wyatt Russell, Alex Hertzberg, Peter Billingsley THE TURNING Floria Sigismondi Amblin Partners 3 FROM HELL Rob Zombie Lionsgate FAMILY Laura Steinel Sony Pictures / Annapurna Pictures Official Selection: SXSW Film Festival Prod: Kit Giordano, Sue Naegle, Jeremy Garelick SILENCIO Lorena Villarreal 5100 Films / Prod: Beau Genot 31 Rob Zombie Lionsgate / Saban Films Official Selection: Sundance Film Festival Prod: Mike Elliot, Andy Gould THE QUIET ONES John Pogue Lionsgate / Exclusive Media LORDS OF SALEM Rob Zombie Blumhouse / Anchor Bay Entertainment LOVE & HONOR Danny Mooney IFC Films / Red 56 HALLOWEEN 2 Rob Zombie Dimension Films BUNRAKU* Guy Moshe Snoot Entertainment Official -
Portsmouth, NH October 14.15.16.17 2010 the Tenth Annual
The Tenth Annual Portsmouth, NH October 14.15.16.17 2010 nhfilmfestival.com october 14.15.16.17 2010 1 We have everything. That’s what makes us Rule. We love gear. Film or video, production or post. We get to play with all the latest technology and figure how to best put it to work for our incredibly creative customers. We sell, rent, install, integrate and architect all kinds of equipment and solutions. And guess what? We get to do it every day. Sweet! www.rule.com | 1.800.rule.com 2 The Tenth Annual Portsmouth, NH October 14.15.16.17 2010 WELCOME TO the 2010 neW hamPshiRe film FESTIVAL! You can call it our 10th anniversary or you can call it our 10th Jodi Foster. Our roster of anticipated short films, which include birthday; either way, a great celebration is in order! It is an Academy Award nominees and a new narrative film by James exceptional year for the New Hampshire Film Festival and we Franco, is also making waves. are proud and excited to have y ou here with us! To mark the festival’s special occasion, you may notice our Beginning with the festival’s strong and heartfelt kickoff during highlight on comedy, both on screen, live on stage, and through the week of September 11, 2001, we have been delighted and entertaining panel discussions. We are certain you’ll also take honored to present a full decade of film appreciation to New note of our new preferred restaurant program, emphasizing Hampshire and to the world. -
Concevoir Et Animer Pour L'acceptation De Robots
Concevoir et animer pour l’acceptation de robots zoomorphiques Adrien Gomez To cite this version: Adrien Gomez. Concevoir et animer pour l’acceptation de robots zoomorphiques. Art et histoire de l’art. Université Toulouse le Mirail - Toulouse II, 2018. Français. NNT : 2018TOU20048. tel- 02466318 HAL Id: tel-02466318 https://tel.archives-ouvertes.fr/tel-02466318 Submitted on 4 Feb 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Délivré par Université Toulouse – Jean Jaurès Adrien Gomez Le 30 Août 2018 Concevoir et Animer pour l’Acceptation de Robots Zoomorphiques École doctorale et discipline ou spécialité ED ALLPH@: Études audiovisuelles Unité de recherche LARA (Université Toulouse Jean Jaurès) – LIRMM (Université Montpellier) Directeur(s) de Thèse M. Gilles METHEL M. René Zapata Co-encadrant de Thèse M. Sébastien Druon Jury Chu-Yin Chen, Professeure, université Paris 8 Sylvie Lelandais, Professeure, Université Evry-Val d’Essonnes Gilles Methel, Professeur, Université Toulouse2-Jean Jaurès René Zapata, Professeur, LIRMM Montpellier Sébastien -
Exhibit C Form 10-K, Annual Report of Comcast
FILED 4-11-14 04:59 PM A1404013 Exhibit C Form 10-K, Annual Report of Comcast Corporation (February 12, 2014) Form 10-K Page 1 of 190 10-K 1 d666576d10k.htm FORM 10-K Table of Contents UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K (Mark One) _ ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 FOR THE FISCAL YEAR ENDED DECEMBER 31, 2013 OR TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 FOR THE TRANSITION PERIOD FROM TO Registrant; State of Incorporation; Address and Commission File Number Telephone Number I.R.S. Employer Identification No. 001-32871 COMCAST CORPORATION 27-0000798 PENNSYLVANIA One Comcast Center Philadelphia, PA 19103-2838 (215) 286-1700 333-174175 NBCUniversal Media, LLC 14-1682529 DELAWARE 30 Rockefeller Plaza New York, NY 10112-0015 (212) 664-4444 SECURITIES REGISTERED PURSUANT TO SECTION 12(b) OF THE ACT: Comcast Corporation – Title of Each Class Name of Each Exchange on which Registered Class A Common Stock, $0.01 par value NASDAQ Global Select Market Class A Special Common Stock, $0.01 par value NASDAQ Global Select Market 2.0% Exchangeable Subordinated Debentures due 2029 New York Stock Exchange 5.00% Notes due 2061 New York Stock Exchange 5.50% Notes due 2029 New York Stock Exchange 9.455% Guaranteed Notes due 2022 New York Stock Exchange NBCUniversal Media, LLC – NONE SECURITIES REGISTERED PURSUANT TO SECTION 12(g) OF THE ACT: Comcast Corporation – NONE NBCUniversal Media, LLC – NONE Indicate by check mark if the Registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. -
Downloading of Movies, Television Shows and Other Video Programming, Some of Which Charge a Nominal Or No Fee for Access
Table of Contents UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K (Mark One) ☒ ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 FOR THE FISCAL YEAR ENDED DECEMBER 31, 2011 OR ☐ TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 FOR THE TRANSITION PERIOD FROM TO Commission file number 001-32871 COMCAST CORPORATION (Exact name of registrant as specified in its charter) PENNSYLVANIA 27-0000798 (State or other jurisdiction of (I.R.S. Employer Identification No.) incorporation or organization) One Comcast Center, Philadelphia, PA 19103-2838 (Address of principal executive offices) (Zip Code) Registrant’s telephone number, including area code: (215) 286-1700 SECURITIES REGISTERED PURSUANT TO SECTION 12(b) OF THE ACT: Title of Each Class Name of Each Exchange on which Registered Class A Common Stock, $0.01 par value NASDAQ Global Select Market Class A Special Common Stock, $0.01 par value NASDAQ Global Select Market 2.0% Exchangeable Subordinated Debentures due 2029 New York Stock Exchange 5.50% Notes due 2029 New York Stock Exchange 6.625% Notes due 2056 New York Stock Exchange 7.00% Notes due 2055 New York Stock Exchange 8.375% Guaranteed Notes due 2013 New York Stock Exchange 9.455% Guaranteed Notes due 2022 New York Stock Exchange SECURITIES REGISTERED PURSUANT TO SECTION 12(g) OF THE ACT: NONE Indicate by check mark if the Registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. Yes ☒ No ☐ Indicate by check mark if the Registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Act. -
Unmasking the Devil: Comfort and Closure in Horror Film Special Features
Unmasking the Devil: Comfort and Closure in Horror Film Special Features ZACHARY SHELDON While a viewer or critic may choose to concentrate solely on a film’s narrative as representative of what a film says, some scholars note that the inclusion of the supplementary features that often accompany the home release of a film destabilize conceptions of the text of a film through introducing new information and elements that can impact a film’s reception and interpretation (Owczarski). Though some special features act as mere advertising for a film’s ancillary products or for other film’s or merchandise, most of these supplements provide at least some form of behind-the-scenes look into the production of the film. Craig Hight recognizes the prominent “Making of Documentary” (MOD) subgenre of special feature as being especially poised to “serve as a site for explorations of the full diversity of institutional, social, aesthetic, political, and economic factors that shape the development of cinema as a medium and an art form” (6). Additionally, special features provide the average viewer access to the magic of cinema and the Hollywood elite. The gossip or anecdotes shared in interviews and documentaries in special features provide viewers with an “insider identity,” that seemingly involves them in their favorite films beyond the level of mere spectator (Klinger 68). This phenomenon is particularly interesting in relation to horror films, the success of which is often predicated on a sense of mystery or the unknown pervading the narrative so as to draw out visceral affective responses from the audience. The notion of the special feature, which unpacks and reveals the inner workings of the film set and even the film’s plot, seems contradictory to the enjoyment of what the horror film sets out to do. -
Activision Publishing Announces 10 Minute Solution, an Upcoming Video Game for Wii™ Based on Anchor Bay Entertainment's Hit Fitness Dvds
Activision Publishing Announces 10 Minute Solution, An Upcoming Video Game For Wii™ Based On Anchor Bay Entertainment's Hit Fitness DVDs Total-Body 10-Minute Workouts for a Healthier, Fitter You! MINNEAPOLIS, March 8, 2010 /PRNewswire via COMTEX News Network/ -- Activision Publishing, Inc. (Nasdaq: ATVI) today announced an agreement with Anchor Bay Entertainment to release 10 Minute Solution, a video game for Wii(TM) based on the popular exercise DVDs. Coming this Spring, 10 Minute Solution will bring focused exercise activities to fitness fans with busy schedules, in an affordable and fun way. "10 Minute Solution DVDs give users a unique fitness experience: customizable routines that fit into any lifestyle," said David Oxford, Activision Publishing. "We've taken this concept and combined it with the interactivity of the Wii, creating a new kind of workout that gets results." 10 Minute Solution combines the ease of the popular fitness DVDs with casual gaming fun. The game allows players to construct regimens from a wide variety of 10 minute routine blocks, organized into three main categories: cardio boxing, mixed games and aerobics. 10 Minute Solution is designed to captivate fitness enthusiasts and gamers alike with intense routines that play as a game, unlike other fitness games that simply have the player following a trainer on screen. The game is enhanced when played with the Wii Balance Board(TM), but still offers a fantastic workout without it. "Our legions of 10 Minute Solution DVD users will tell you these simple 10 minute exercises work," said Julie Cartwright, SVP Marketing at Anchor Bay Entertainment. -
Comcast Corp
COMCAST CORP FORM 10-K (Annual Report) Filed 02/12/14 for the Period Ending 12/31/13 CIK 0001166691 Symbol CMCSA SIC Code 4841 - Cable and Other Pay Television Services Industry Broadcasting & Cable TV Sector Services Fiscal Year 12/31 http://www.edgar-online.com © Copyright 2014, EDGAR Online, Inc. All Rights Reserved. Distribution and use of this document restricted under EDGAR Online, Inc. Terms of Use. Table of Contents UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K (Mark One) ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 FOR THE FISCAL YEAR ENDED DECEMBER 31, 2013 OR TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 FOR THE TRANSITION PERIOD FROM TO Registrant; State of Incorporation; Address and Commission File Number Telephone Number I.R.S. Employer Identification No. 001-32871 27-0000798 COMCAST CORPORATION PENNSYLVANIA One Comcast Center Philadelphia, PA 19103-2838 (215) 286 -1700 333-174175 14-1682529 NBCUniversal Media, LLC DELAWARE 30 Rockefeller Plaza New York, NY 10112-0015 (212) 664 -4444 SECURITIES REGISTERED PURSUANT TO SECTION 12(b) OF THE ACT: Comcast Corporation – Title of Each Class Name of Each Exchange on which Registered Class A Common Stock, $0.01 par value NASDAQ Global Select Market Class A Special Common Stock, $0.01 par value NASDAQ Global Select Market 2.0% Exchangeable Subordinated Debentures due 2029 New York Stock Exchange 5.00% Notes due 2061 New York Stock Exchange 5.50% Notes due 2029 New York Stock Exchange 9.455% Guaranteed Notes due 2022 New York Stock Exchange NBCUniversal Media, LLC – NONE SECURITIES REGISTERED PURSUANT TO SECTION 12(g) OF THE ACT: Comcast Corporation – NONE NBCUniversal Media, LLC – NONE Indicate by check mark if the Registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. -
One Piece Collection 10
31 Southampton Row, London WC1B 5HJ Tel: 0203 585 1396 Web: fetch.fm PRESS RELEASE One Piece Collection 10 RELEASE INFORMATION On DVD from Monday 15th June 2015 Distributor Manga Entertainment ________________________________________________ Fast sell: Certificate 12 ________________________________________________ A new setting, a new adventure! It’s a crisis for Luffy and his Release date 15th June, 2015 now not so merry men, as – horrors – they’re told their ship is ________________________________________________ no longer seaworthy! With shocking rifts in the crew, trusted Price £34.99 allies jumping ship, a new enemy who’s a cyborg strongman, and an angry city calling for their heads, can the hapless Hats CONTACT/ORDER MEDIA ever catch a break? Kelly Jade - [email protected] Key talent: Production Studio, Toei (Dragon Ball Z, Yu-Gi-Oh, Fist of the North Star, Sailor Moon) Original manga, Eiichiro Oda Character Design, Noboru Koizumi We like it because: There’s a brand-new fun setting – a city that’s a water park – to keep us entertained, even while the crew is put mercilessly through the wringer! There are unthinkable catastrophes for Luffy and co, a powerful new enemy (Franky) and dramatic developments to change the whole course of One Piece. Hot Quotes: ‘Collection 10 features gorgeous animation that is in many ways even better than what came before with a clean vibrancy to the now widescreen art style. It’s like the whole universe of the show has opened up and is even larger now than it was before.’ – DVD Talk ‘This is a darker, more powerful, more evilly addictive show than One Piece has been in a long, long time.’ Anime News Network ‘Very enjoyable and a lot of fun.’ Fandompost About Anchor Bay/Manga Entertainment Anchor Bay Entertainment is a leading home entertainment company. -
How to Train Your Dragon Spy Next Door
2010 Best of Fest Nominees Title Institution SERIES, AGES 2-5 Wow! Wow! Wubbzy! Anchor Bay Entertainment FEATURE FILM, AGES 2-5 Curious George: A Very Monkey Christmas Universal Studios Home Entertainment Curious George: Follow That Monkey Universal Studios Home Entertainment INDEPENDENT SHORT, AGES 2-5 Eco Beeps with Skip & Molly: Plastic Bags Magic Drawer Productions Sheepies NMG Tails of Abbygail: Finding Betty Kid Vid Entertainment Tails of Abbygail: My Friend Swiss Kid Vid Entertainment SERIES, AGES 5-8 Strawberry Shortcake 20th Century Fox Home Entertainment WordGirl Scholastic Media SHORT AGES 5-8 Great Joy Weston Woods/Scholastic Productions The North Star Fablevision/Scholastic Safety Smart: In the Water Disney Educational Productions FEATURE FILM, AGES 5-8 Barbie in a Mermaid Tale Universal Studios Home Entertainment Barbie: A Fashion Fairytale Universal Studios Home Entertainment Lego: The Adventures Of Clutch Powers Universal Studios Home Entertainment Tinker Bell and the Great Fairy Rescue Walt Disney Studios Home Entertainment INDEPENDENT SHORT AGES 5-8 Gus Outdoors: Gull Island Sand Pictures Pups of Liberty Picnic Productions Sneeze Me Away Ryan Grobins SHORT AGES 5-12 Goosebumps: Go Eat Worms 20th Century Fox Home Entertainment Goosebumps: The Blog That Ate Everyone 20th Century Fox Home Entertainment Tom & Jerry Meet Sherlock Holmes Warner Home Video FEATURE FILM, AGES 5-12 Furry Vengeance Summit Entertainment How to Train Your Dragon Paramount Opposite Day Anchor Bay Entertainment Shrek Forever After Paramount Spy Next Door, The Lionsgate INDEPENDENT SHORT, AGES 5-12 Beans Bad Sparkle Productions Great Race, The Martin Humphreys Milton 4.0 Kathleen Espiritu Ride of the Mergansers Steve Furman World Without Numbers, A Mitchell Rose INDEPENDENT SHORT SHORTS, AGES 5-12, ANIMATION Cuento de la C (The Story of C) Carlos Navarro Gorilla in the Greenhouse: The Great Pacific Garbage Patch Sustainlane Media Iwanna Wanda In Don't Wanna Brush Splash Studios, Inc. -
MPAA Rating Bulletin #2256
CLASSIFICATION AND RATING ADMINISTRATION Motion Picture Association of America, Inc. 15301 Ventura Boulevard, Sherman Oaks, California 91403 (818) 995-6600 FAX (818) 285-4406 Internet Address: http://www.mpaa.org JOAN E. GRAVES Chairman 1/23/2013 BULLETIN NO: 2256 MOTION PICTURES RATED BY THE CLASSIFICATION AND RATING ADMINISTRATION The following feature-length motion pictures have been reviewed and rated by the Classification and Rating Administration pursuant to the Motion Picture Classification and Rating program. Each of the designated ratings is defined as follows under the Motion Picture Classification and Rating program. G: GENERAL AUDIENCES. All ages admitted. PG: PARENTAL GUIDANCE SUGGESTED. Some material may not be suitable for children. PG-13: PARENTS STRONGLY CAUTIONED. Some material may be inappropriate for children under 13. R: RESTRICTED. Under 17 requires accompanying parent or adult guardian. NC-17: NO ONE 17 AND UNDER ADMITTED. Title Distributor Rating 36 Saints - Rated R for violence. 36 Saints The Movie LLC - [Production Co.] R Amazing Adventures Of The Living Corpse Anchor Bay Entertainment R - Rated R for some horror images and violence. At Any Price - Rated R for sexual content Sony Pictures Classics R including a strong graphic image, and for language. Common Man, A - Rated PG-13 for some Anchor Bay Entertainment PG-13 violence and brief strong language. 1 Dark Skies - Rated PG-13 for violence, terror Weinstein Company, LLC, The PG-13 throughout, sexual material, drug content and language - all involving teens. Dinosaur Project, The - Rated PG-13 for Viva Pictures Distribution, LLC PG-13 some violence, terror and a brief suggestive image. -
The Hollywood Cinema Industry's Coming of Digital Age: The
The Hollywood Cinema Industry’s Coming of Digital Age: the Digitisation of Visual Effects, 1977-1999 Volume I Rama Venkatasawmy BA (Hons) Murdoch This thesis is presented for the degree of Doctor of Philosophy of Murdoch University 2010 I declare that this thesis is my own account of my research and contains as its main content work which has not previously been submitted for a degree at any tertiary education institution. -------------------------------- Rama Venkatasawmy Abstract By 1902, Georges Méliès’s Le Voyage Dans La Lune had already articulated a pivotal function for visual effects or VFX in the cinema. It enabled the visual realisation of concepts and ideas that would otherwise have been, in practical and logistical terms, too risky, expensive or plain impossible to capture, re-present and reproduce on film according to so-called “conventional” motion-picture recording techniques and devices. Since then, VFX – in conjunction with their respective techno-visual means of re-production – have gradually become utterly indispensable to the array of practices, techniques and tools commonly used in filmmaking as such. For the Hollywood cinema industry, comprehensive VFX applications have not only motivated the expansion of commercial filmmaking praxis. They have also influenced the evolution of viewing pleasures and spectatorship experiences. Following the digitisation of their associated technologies, VFX have been responsible for multiplying the strategies of re-presentation and story-telling as well as extending the range of stories that can potentially be told on screen. By the same token, the visual standards of the Hollywood film’s production and exhibition have been growing in sophistication.