University of South Carolina Scholar Commons Theses and Dissertations 2014 The onscC ious Guitarist: Alexander Technique and Body Mapping for Guitarists Alma Sehic University of South Carolina Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the Music Performance Commons Recommended Citation Sehic, A.(2014). The Conscious Guitarist: Alexander Technique and Body Mapping for Guitarists. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/3570 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact
[email protected]. THE CONSCIOUS GUITARIST: ALEXANDER TECHNIQUE AND BODY MAPPING FOR GUITARISTS by Alma Sehic Bachelor of Arts William Carey College, 2006 Master of Music Appalachian State University, 2008 Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of Musical Arts in Music Performance School of Music University of South Carolina 2014 Accepted by: Christopher Berg, Major Professor Laury Christie, Committee Member Rebecca Hunter, Committee Member Robert Jesselson, Committee Member Lacy Ford, Vice Provost and Dean of Graduate Studies © Copyright by Alma Sehic, 2014 All Rights Reserved. ii ACKNOWLEDGEMENTS First of all, I would like to acknowledge the USC SPARC (Support to Promote Research and Creativity) Fellowship—for awarding funds to my project: Body Mapping for Guitarists. The project is featured under the body mapping chapters (chapters 4–8). As a trainee in Body Mapping, I would like to acknowledge the Andover Educators’ (AE) training sources used in this dissertation. These are the AE training manuals (based on the book and related course: What Every Musician Needs to Know About the Body by Barbara Conable); and William Conable’s images (anatomical charts) from the same book—available to trainees and licensed Andover Educators only.