Section 3: Architectural Styles Found in Kirkwood
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BUILDING CONSTRUCTION NOTES.Pdf
10/21/2014 BUILDING CONSTRUCTION RIO HONDO TRUCK ACADEMY Why do firefighters need to know about Building Construction???? We must understand Building Construction to help us understand the behavior of buildings under fire conditions. Having a fundamental knowledge of buildings is an essential component of the decisiondecision--makingmaking process in successful fireground operations. We have to realize that newer construction methods are not in harmony with fire suppression operations. According to NFPA 1001: Standard for FireFighter Professional Qualifications Firefighter 1 Level ––BasicBasic Construction of doors, windows, and walls and the operation of doors, windows, and locks ––IndicatorsIndicators of potential collapse or roof failure ––EffectsEffects of construction type and elapsed time under fire conditions on structural integrity 1 10/21/2014 NFPA 1001 Firefighter 2 Level ––DangerousDangerous building conditions created by fire and suppression activities ––IndicatorsIndicators of building collapse ––EffectsEffects of fire and suppression activities on wood, masonry, cast iron, steel, reinforced concrete, gypsum wallboard, glass and plaster on lath Money, Money, Money….. Everything comes down to MONEY, including building construction. As John Mittendorf says “ Although certain types of building construction are currently popular with architects, modern practices will be inevitably be replaced by newer, more efficient, more costcost--effectiveeffective methods ”” Considerations include: ––CostCost of Labor ––EquipmentEquipment -
Brief History of Architecture in N.C. Courthouses
MONUMENTS TO DEMOCRACY Architecture Styles in North Carolina Courthouses By Ava Barlow The judicial system, as one of three branches of government, is one of the main foundations of democracy. North Carolina’s earliest courthouses, none of which survived, were simple, small, frame or log structures. Ancillary buildings, such as a jail, clerk’s offi ce, and sheriff’s offi ce were built around them. As our nation developed, however, leaders gave careful consideration to the structures that would house important institutions – how they were to be designed and built, what symbols were to be used, and what building materials were to be used. Over time, fashion and design trends have changed, but ideals have remained. To refl ect those ideals, certain styles, symbols, and motifs have appeared and reappeared in the architecture of our government buildings, especially courthouses. This article attempts to explain the history behind the making of these landmarks in communities around the state. Georgian Federal Greek Revival Victorian Neo-Classical Pre – Independence 1780s – 1820 1820s – 1860s 1870s – 1905 Revival 1880s – 1930 Colonial Revival Art Deco Modernist Eco-Sustainable 1930 - 1950 1920 – 1950 1950s – 2000 2000 – present he development of architectural styles in North Carolina leaders and merchants would seek to have their towns chosen as a courthouses and our nation’s public buildings in general county seat to increase the prosperity, commerce, and recognition, and Trefl ects the development of our culture and history. The trends would sometimes donate money or land to build the courthouse. in architecture refl ect trends in art and the statements those trends make about us as a people. -
PRESERVATION DESIGN GUIDELINES HISTORICAL and ARCHITECTURAL SITES COMMISSION Preservation Design Guidelines for Decatur Historic Districts and Landmarks
CITY OF DECATUR Historical and Architectural Sites Commission PRESERVATION DESIGN GUIDELINES HISTORICAL AND ARCHITECTURAL SITES COMMISSION Preservation Design Guidelines for Decatur Historic Districts and Landmarks Prepared by City of Decatur Neighborhood Services Department One Gary K. Anderson Plaza Decatur, Illinois 62523-1196 Phone 217.424.2793 Published by Historical and Architectural Sites Commission 2008 Table of Contents CHAPTER 1 - INTRODUCTION Applying for a Certificate of Appropriateness (COA) ......................................................... 2 Approval Process ................................................................................................................. 3 How to use the Historic District Program Manual and Guidelines ...................................... 4 The Secretary of the Interior ................................................................................................ 5 Secretary of the Interior’s Standards for Rehabilitation .................................................... 5 CHAPTER 2 - NEIGHBORHOODS & ARCHITECTURE Residential Structures ........................................................................................................... 7 Architectural Styles of Decatur’s Residences ...................................................................... 8 Non-Contributing Structures .............................................................................................. 10 CHAPTER 3 - NEIGHBORHOOD SETTING Trees and Landscaping ...................................................................................................... -
Administration of Donald J. Trump, 2020 Executive Order 13967
Administration of Donald J. Trump, 2020 Executive Order 13967—Promoting Beautiful Federal Civic Architecture December 18, 2020 By the authority vested in me as President by the Constitution and the laws of the United States of America, it is hereby ordered as follows: Section 1. Purpose. Societies have long recognized the importance of beautiful public architecture. Ancient Greek and Roman public buildings were designed to be sturdy and useful, and also to beautify public spaces and inspire civic pride. Throughout the Middle Ages and the Renaissance, public architecture continued to serve these purposes. The 1309 constitution of the City of Siena required that "[w]hoever rules the City must have the beauty of the City as his foremost preoccupation . because it must provide pride, honor, wealth, and growth to the Sienese citizens, as well as pleasure and happiness to visitors from abroad." Three centuries later, the great British Architect Sir Christopher Wren declared that "public buildings [are] the ornament of a country. [Architecture] establishes a Nation, draws people and commerce, makes the people love their native country . Architecture aims at eternity[.]" Notable Founding Fathers agreed with these assessments and attached great importance to Federal civic architecture. They wanted America's public buildings to inspire the American people and encourage civic virtue. President George Washington and Secretary of State Thomas Jefferson consciously modeled the most important buildings in Washington, D.C., on the classical architecture of ancient Athens and Rome. They sought to use classical architecture to visually connect our contemporary Republic with the antecedents of democracy in classical antiquity, reminding citizens not only of their rights but also their responsibilities in maintaining and perpetuating its institutions. -
FRAMING GUIDELINES Cutting, Notching, and Boring Lumber Joists Joist Size Maximum Maximum Maximum Hole Notch Depth End Notch 2X4 None None None
FRAMING GUIDELINES Cutting, Notching, and Boring Lumber Joists Joist Size Maximum Maximum Maximum Hole Notch Depth End Notch 2x4 None None None 2x6 11/2 7/8 13/8 2x8 23/8 11/4 17/8 2x10 3 11/2 23/8 2x12 33/4 17/8 27/8 In joists, never cut holes closer than 2 inches to joist edges, nor make them larger than 1/3 the depth of the joist. Also, don’t make notches in the middle third of a span, where the bending forces are greatest. They should also not be deeper than 1/6 the depth of the joist, or 1/4 the depth if the notch is at the end of the joist. Limit the length of notches to 1/3 of the joist’s depth. Use actual, not nominal, dimensions. (“Field Guide to Common Framing Errors,” 10/91) Hole-Cutting Rules for Wood I-Joists Min. Distance from Inside Face of Support to Near Edge of Hole Do not cut holes larger Distance between hole Depth TJI/Pro 2” 3” 4” 5” 6” edges must be 2x (min.) than 11/2" in cantilever length of largest hole; 91/2” 150 1’-0” 1’-6” 3’-0” 5’-0” 6’-6” applies also to 11/2" holes 250 1’-0” 2’-6” 4’-0” 5’-6” 7’-6” L 2 x L 117/8” 150 1’-0” 1’-0” 1’-0” 2’-0” 3’-0” 250 1’-0” 1’-0” 2’-0” 3’-0” 4’-6” 350 1’-0” 2’-0” 3’-0” 4’-6” 5’-6” 550 1’-0” 1’-6” 3’-0” 4’-6” 6’-0” 14” 250 1’-0” 1’-0” 1’-0” 1’-0” 1’-6” 350 1’-0” 1’-0” 1’-0” 1’-6” 3’-0” 550 1’-0” 1’-0” 1’-0” 2’-6” 4’-0” 11/2" holes can be cut 16” 250 1’-0” 1’-0” 1’-0” 1’-0” 1’-0” anywhere in the web (11/2" knockouts Leave 1/8" (min.) of 350 1’-0” 1’-0” 1’-0” 1’-0” 1’-0” provided 12" o.c.) web at top and Min. -
Weights and Measures
Schedule of Values Yadkin County 2009 Architectural Terms Apartment hotel a building designed for non-transient residential use, divided into dwelling units similar to an apartment house, but having such hotel apartment hotel accommodations as room furnishings, lounges, public dining room, maid service, etc. Apartment house a multi-family residence containing three or more non-transient residential living units and generally providing them with a number of common facilities and services. Attic An unfinished or semi-finished portion of a building lying between the highest finished story and the roof and wholly within the roof framing. Basement a building story which is wholly or partly below the grade level. Bay (1) a horizontal area division of a building usually defined as the space between columns or division walls. (2) an internal recess formed by causing a wall to project beyond its general line. Bay window a window, or group of continuous windows, projecting from the main wall of a building. Beam a long structural load-bearing member which is placed horizontally or nearly so and which is supported at both ends or, infrequently, at intervals along its length. Beam, spandrel a wall beam supporting the wall, above, as well as the floor. Building any structure partially or wholly above ground which is designed to afford shelter to persons, animals, or goods. See also construction. Building, fireproof a building in which all parts carrying loads or resisting stresses and all exterior and interior walls, floors, and staircases are made of incombustible materials, and in which all metallic structural members are encased in materials which remain rigid at the highest probable temperature in case its contents are burned, or which provide ample insulation from such a temperature. -
RACE, SPACE, and PLACE: the RELATION BETWEEN ARCHITECTURAL MODERNISM, POST-MODERNISM, URBAN PLANNING, and GENTRIFICATION Keith A
RACE, SPACE, AND PLACE: THE RELATION BETWEEN ARCHITECTURAL MODERNISM, POST-MODERNISM, URBAN PLANNING, AND GENTRIFICATION Keith Aoki * [Cite as: 20 Fordham Urb. L.J. 699 (1993)] Introduction Gentrification in United States urban housing markets of the 1970s, 1980s, and 1990s continues to be a controversial and complex phenomenon. [FN1] During the past twenty years, gentrification's effects on the core cities of the U.S. have been analyzed and evaluated many times over. [FN2] Descriptions of gentrification have spanned the ideological *700 spectrum, from laudatory embraces of gentrification as the solution to urban decline to denunciatory critiques of gentrification as another symptom of the widening gulf between the haves and the have- nots in America. [FN3] This Article critiques gentrification, adding an additional explanatory element to the ongoing account of the dynamics of American cities in the 1990s. The additional element is the relevance of a major aesthetic realignment in architecture and urban planning from a modernist to a post-modernist ideology in the 1970s and 1980s. This shift involved an aesthetic and economic revaluation of historical elements in older central city buildings, which accelerated the rate of gentrification, displacement, and abandonment. This Article describes how certain shifts in the aesthetic ideology [FN4] of urban planners and architects affected suburban and urban spatial distribution in the United States during the nineteenth and twentieth centuries. These ideological shifts arose from deeply embedded American attitudes toward city and rural life that had emerged in American town planning and architectural theory and practice by the mid-nineteenth century. Part I of this Article examines the emergence of an anti-urban Arcadian strand in nineteenth century American town planning rhetoric. -
Single Family Residence Design Guidelines
ADOPTED BY SANTA BARBARA CITY COUNCIL IN 2007 Available at the Community Development Department, 630 Garden Street, Santa Barbara, California, (805) 564-5470 or www.SantaBarbaraCA.gov 2007 CITY COUNCIL, 2007 ARCHITECTURAL BOARD OF REVIEW, 2007 Marty Blum, Mayor Iya Falcone Mark Wienke Randall Mudge Brian Barnwell Grant House Chris Manson-Hing Dawn Sherry Das Williams Roger Horton Jim Blakeley Clay Aurell Helene Schneider Gary Mosel SINGLE FAMILY DESIGN BOARD, 2010 UPDATE PLANNING COMMISSION, 2007 Paul R. Zink Berni Bernstein Charmaine Jacobs Bruce Bartlett Glen Deisler Erin Carroll George C. Myers Addison Thompson William Mahan Denise Woolery John C. Jostes Harwood A. White, Jr. Gary Mosel Stella Larson PROJECT STAFF STEERING COMMITTEE Paul Casey, Community Development Director Allied Neighborhood Association: Bettie Weiss, City Planner Dianne Channing, Chair & Joe Guzzardi Jaime Limón, Design Review Supervising Planner City Council: Helene Schneider & Brian Barnwell Heather Baker, Project Planner Planning Commission: Charmaine Jacobs & Bill Mahan Jason Smart, Planning Technician Architectural Board of Review: Richard Six & Bruce Bartlett Tony Boughman, Planning Technician (2009 Update) Historic Landmarks Commission: Vadim Hsu GRAPHIC DESIGN, PHOTOS & ILLUSTRATIONS HISTORIC LANDMARKS COMMISSION, 2007 Alison Grube & Erin Dixon, Graphic Design William R. La Voie Susette Naylor Paul Poirier & Michael David Architects, Illustrations Louise Boucher H. Alexander Pujo Bill Mahan, Illustrations Steve Hausz Robert Adams Linda Jaquez & Kodiak Greenwood, -
Truss Terminology
TRUSS TERMINOLOGY BEARING WIDTH The width dimension of the member OVERHANG The extension of the top chord beyond the providing support for the truss (usually 3 1/2” or 5 1/2”). heel joint. Bearing must occur at a truss joint location. PANEL The chord segment between two adjacent joints. CANTILEVER That structural portion of a truss which extends PANEL POINT The point of intersection of a chord with the beyond the support. The cantilever dimension is measured web or webs. from the outside face of the support to the heel joint. Note that the cantilever is different from the overhang. PEAK Highest point on a truss where the sloped top chords meet. CAMBER An upward vertical displacement built into a truss bottom chord to compensate for defl ection due to dead load. PLATE Either horizontal 2x member at the top of a stud wall offering bearing for trusses or a shortened form of connector CHORDS The outer members of a truss that defi ne the plate, depending on usage of the word. envelope or shape. PLUMB CUT Top chord cut to provide for vertical (plumb) TOP CHORD An inclined or horizontal member that establishes installation of fascia. the upper edge of a truss. This member is subjected to compressive and bending stresses. SCARF CUT For pitched trusses only – the sloping cut of upper portion of the bottom chord at the heel joint. BOTTOM CHORD The horizontal (and inclined, ie. scissor trusses) member defi ning the lower edge of a truss, carrying SLOPE (PITCH) The units of horizontal run, in one unit of ceiling loads where applicable. -
Pevsner's Architectural Glossary
Glossary pages new extra text:Layout 1 10/9/10 16:22 Page 1 PEVSNER’S ARCHITECTURAL GLOSSARY Glossary pages new extra text:Layout 1 10/9/10 16:22 Page 2 Nikolaus and Lola Pevsner, Hampton Court, in the gardens by Wren's east front, probably c. Glossary pages new extra text:Layout 1 10/9/10 16:22 Page 3 PEVSNER’S ARCHITECTURAL GLOSSARY Yale University Press New Haven and London Glossary pages new extra text:Layout 1 10/9/10 16:22 Page 4 Temple Street, New Haven Bedford Square, London www.pevsner.co.uk www.lookingatbuildings.org.uk www.yalebooks.co.uk www.yalebooks.com for Published by Yale University Press Copyright © Yale University, Printed by T.J. International, Padstow Set in Monotype Plantin All rights reserved. This book may not be reproduced in whole or in part, in any form (beyond that copying permitted by Sections and of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publishers Glossary pages new extra text:Layout 1 10/9/10 16:22 Page 5 CONTENTS GLOSSARY Glossary pages new extra text:Layout 1 10/9/10 16:22 Page 6 FOREWORD The first volumes of Nikolaus Pevsner’s Buildings of England series appeared in .The intention was to make available, county by county, a comprehensive guide to the notable architecture of every period from prehistory to the present day. Building types, details and other features that would not necessarily be familiar to the general reader were explained in a compact glossary, which in the first editions extended to some terms. -
1 Dataset Illustration
1 Dataset Illustration The images are crawled from Wikimedia. Here we summary the names, index- ing pages and typical images for the 66-class architectural style dataset. Table 1: Summarization of the architectural style dataset. Url stands for the indexing page on Wikimedia. Name Typical images Achaemenid architecture American Foursquare architecture American craftsman style Ancient Egyptian architecture Art Deco architecture Art Nouveau architecture Baroque architecture Bauhaus architecture 1 Name Typical images Beaux-Arts architecture Byzantine architecture Chicago school architecture Colonial architecture Deconstructivism Edwardian architecture Georgian architecture Gothic architecture Greek Revival architecture International style Novelty 2 architecture Name Typical images Palladian architecture Postmodern architecture Queen Anne architecture Romanesque architecture Russian Revival architecture Tudor Revival architecture 2 Task Description 1. 10-class dataset. The ten datasets used in the classification tasks are American craftsman style, Baroque architecture, Chicago school architecture, Colonial architecture, Georgian architecture, Gothic architecture, Greek Revival architecture, Queen Anne architecture, Romanesque architecture and Russian Revival architecture. These styles have lower intra-class vari- ance and the images are mainly captured in frontal view. 2. 25-class dataset. Except for the ten datasets listed above, the other fifteen styles are Achaemenid architecture, American Foursquare architecture, Ancient Egyptian architecture, -
Glossary of Architectural Terms Apex
Glossary of Architectural Terms Apex: The highest point or peak in the gable Column: A vertical, cylindrical or square front. supporting member, usually with a classical Arcade: A range of spaces supported on piers capital. or columns, generally standing away from a wall Coping: The capping member of a wall or and often supporting a roof or upper story. parapet. Arch: A curved construction that spans an Construction: The act of adding to a structure opening and supports the weight above it. or the erection of a new principal or accessory Awning: Any roof like structure made of cloth, structure to a property or site. metal, or other material attached to a building Cornice: The horizontal projecting part crowning and erected over a window, doorway, etc., in the wall of a building. such a manner as to permit its being raised or Course: A horizontal layer or row of stones retracted to a position against the building, when or bricks in a wall. This can be projected or not in use. recessed. The orientation of bricks can vary. Bay: A compartment projecting from an exterior Cupola: A small structure on top of a roof or wall containing a window or set of windows. building. Bay Window: A window projecting from the Decorative Windows: Historic windows that body of a building. A “squared bay” has sides at possess special architectural value, or contribute right angles to the building; a “slanted bay” has to the building’s historic, cultural, or aesthetic slanted sides, also called an “octagonal” bay. If character. Decorative windows are those with segmental or semicircular in plan, it is a “bow” leaded glass, art glass, stained glass, beveled window.