04 IS 2400 – Perspectives on India Fall 2018 Class Timings: 10.40Am-11.47Am MWF, Class Building: Mathematics and Science Center 185 Instructor: Dr
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Summerhill 11-01-11.Pmd
The Middle Class in India: An Overview RITA KOTHARI Sai Paranjapeís acclaimed film Katha (1983) shows the Indians. Hailing from small towns (Bunty aur Babli, 2005), protagonist Rajaram Pushottam Joshi living in a chawl or ëoldí middle-class families in Bombay (Rangeela, 1995) in Bombay in India of the 1980s. Dressed in a half-sleeved and Delhi (Oye Lucky! Lucky Oye!, 2008) and (Khosla Ka shirt and slightly shapeless trousers, he missed his first Ghosla, 2006). Raring to redefine themselves, they bus to work almost every single day. The city transport represent the expanding middle class. Shedding what bus required a passenger to muscle his way on board, they do not want (clerical jobs, restrictive circumstances) brutally elbowing aside anyone who got in the way. But and eagerly embracing all that India after liberalisation Rajaram was constrained by his own norms of civility had to offer (money, the English language, brand names, and fairness. So he got left behind at the bus stop, along career opportunities) they stand out by their desire to with an old toothless woman ó two timorous souls who do well.1 would not, or could not summon up the aggression and The class they represent is ëthe darling of the official ruthlessness demanded by metropolitan life. discourse and policy makersíand one that ësets the terms The visual imagery returns to the spectator as Rajaram of reference of Indian societyí (Jaffrelot and Van der Veer, goes through several comic-tragic travails; the mockery 2008 : 19). In the city of Ahmedabad where I live, this he evokes by putting up a Hindi (not English) name-plate class is the addressee for whom the new flyovers are on his door, his ineptness at wooing a girl or an built, and hoardings announcing posh houses with employer, and his overall belief that it was alright to attributes such as ëreal auraí and ëtruly eliteí and ësheer live in middle-class housing. -
Jodhaa Akbar
JODHAA AKBAR ein Film von Ashutosh Gowariker Indien 2008 ▪ 213 Min. ▪ 35mm ▪ Farbe ▪ OmU KINO START: 22. Mai 2008 www.jodhaaakbar.com polyfilm Verleih Margaretenstrasse 78 1050 Wien Tel.:+43-1-581 39 00-20 www:polyfilm.at [email protected] Pressebetreuung: Allesandra Thiele Tel.:+43-1-581 39 00-14 oder0676-3983813 Credits ...................................................2 Kurzinhalt...............................................3 Pressenotiz ............................................3 Historischer Hintergrund ........................3 Regisseur Ashutosh Gowariker..............4 Komponist A.R. Rahman .......................5 Darsteller ...............................................6 Pressestimmen ......................................9 .......................................................................................Credits JODHAA AKBAR Originaltitel: JODHAA AKBAR Indien 2008 · 213 Minuten · OmU · 35mm · FSK ab 12 beantragt Offizielle Homepage: www.jodhaaakbar.com Regie ................................................Ashutosh Gowariker Drehbuch..........................................Ashutosh Gowariker, Haidar Ali Produzenten .....................................Ronnie Screwvala and Ashutosh Gowariker Musik ................................................A. R. Rahman Lyrics ................................................Javed Akhtar Kamera.............................................Kiiran Deohans Ausführende Produzentin.................Sunita Gowariker Koproduzenten .................................Zarina Mehta, Deven Khote -
UTV Acquires the Feature Film Rights of Ashwin Sanghi's
UTV acquires the Feature Film rights of Ashwin Sanghi’s ‘Chanakya’s Chant’ ~ A film based on the #1 National Bestseller to go on floors soon ~ Mumbai, Wednesday, June 15th, 2011: UTV Motion Pictures has acquired rights to Ashwin Sanghi’s national bestseller - Chanakya’s Chant, published by Westland. The interesting fast-paced story based on politics in two radically different eras will now be adapted into a film by the studio. Chanakya's Chant, a historical political thriller, released by Westland in January 2011, shot into the Top-5 Bestsellers of India within 2 weeks of its launch, proving that Chanakya’s neetis are as relevant today as they were in ancient times. The book narrates two parallel political tales, one in Chanakya’s puranic Bharat 2300 years ago and the other in post-independence contemporary India. While the ancient story is largely historical, based upon Chanakya’s rise to power and the clever tactics applied by him towards installing Chandragupta Maurya on the throne, the modern story is mostly fictional and tells the tale of Kanpur’s Pandit Gangasagar Mishra who draws inspiration from the master strategist Chanakya and employs his strategies in a modern context to get his protégée Chandini Gupta appointed to the highest office in India. On announcing the film, Siddharth Roy Kapur, CEO, UTV Motion Pictures, said "Chanakya’s Chant is one of those rare books with a storyline that has the potential to be translated into a superbly cinematic and immensely entertaining screenplay. The tale is about the underbelly of national politics which the book superbly exposes, where strategies developed by Chanakya 2300 years ago are still as valid in the modern day political scenario. -
Dil Se / from the Heart (1998, Mani Ratnam, India)
A Level Film Studies - Focus Film Factsheet Dil Se / From the Heart (1998, Mani Ratnam, India) Component 2: Global Filmmaking • Sumptuous colour cinematography by Perspectives (AL) Santosh Sivan covers the different regions of the Indian sub-continent evoking the Core Study Areas contrasting geographic and ethnic features. Key Elements of Film Form • After the interval the story moves to New Meaning & Response Delhi with consequent tighter framing. The Contexts of Film • In Dil Se the songs (apart from E Ajnabi) are fantasies bookended by realities. The Rationale for study cinematography signals the change between these two modes. During the dance sequences Dil Se demonstrates the key characteristics frequent use of camera zoom, moving of a mainstream Bollywood film: a two-part camera, change of camera angles echo the structure, big stars, spectacular song and dance rhythmic pattern of the song. At the ending sequences, themes of Indian identity and the of the film the cinematography is much more struggle between love and duty. However, it tied to the conventions of realism. goes against the usual Bollywood narrative in its mixing of a romantic obsessive love story with a Mise-en-Scène serious and thought provoking political thriller. • Lavish mise-en-scène in terms of the costumes as well as the scenery. During the song and dance sequences both change constantly STARTING POINTS - Useful which is one of the features of the Bollywood Sequences and timings/links film. In Satrangi Re Meghna starts off in black, then white, orange, yellow, green, red, Satrangi Re – a song and dance sequence inspired blue, white, purple then white again. -
India: Trade, Business and Human Rights Public Forum
India: Trade, Business and Human Rights Public Forum May 23, 2012 New York City Bar India: Remarks on a Story of Hope and Despair By Jaipat Singh Jain The story of India, as we know it, starts with a river deep in the Himalayas, called Indus. Long before the pyramids of Giza, before Mesopotamia, before the Mayan civilization – almost 10,000 years ago – there stood an enormously well-developed civilization on the banks of that river. We call it the Indus Valley Civilization. At its peak, it comprised of about 5 million people. For most of the modern times, however, the fact of the civilization was unknown to Western scholars. It was merely a subject of Indian religious scriptures, local stories and of myths. Then about a 100 years ago, its ruins were being dismantled to produce debris to lay the modern railways. Some archeologists objected. They found that Mohenjo-Daro, one of the uncovered parts of the Indus valley civilization, showed well-developed cities, with colleges, parks, communal baths, play grounds, language, arts, music, chariots, houses with kitchens, pottery and agriculture. The cities had sophisticated sewage system, with sewers large enough to walk in. All sewers were connected to city-wide drainage system. Each home had a latrine. I mention this because in today’s India, more than half of its people defecate in the open. Each city block had one or more water wells. Again, I mention this because today, almost 250 million Indians have to travel more than a quarter of a mile to get drinking water. -
Spectacle Spaces: Production of Caste in Recent Tamil Films
South Asian Popular Culture ISSN: 1474-6689 (Print) 1474-6697 (Online) Journal homepage: http://www.tandfonline.com/loi/rsap20 Spectacle spaces: Production of caste in recent Tamil films Dickens Leonard To cite this article: Dickens Leonard (2015) Spectacle spaces: Production of caste in recent Tamil films, South Asian Popular Culture, 13:2, 155-173, DOI: 10.1080/14746689.2015.1088499 To link to this article: http://dx.doi.org/10.1080/14746689.2015.1088499 Published online: 23 Oct 2015. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rsap20 Download by: [University of Hyderabad] Date: 25 October 2015, At: 01:16 South Asian Popular Culture, 2015 Vol. 13, No. 2, 155–173, http://dx.doi.org/10.1080/14746689.2015.1088499 Spectacle spaces: Production of caste in recent Tamil films Dickens Leonard* Centre for Comparative Literature, University of Hyderabad, Hyderabad, India This paper analyses contemporary, popular Tamil films set in Madurai with respect to space and caste. These films actualize region as a cinematic imaginary through its authenticity markers – caste/ist practices explicitly, which earlier films constructed as a ‘trope’. The paper uses the concept of Heterotopias to analyse the recurrence of spectacle spaces in the construction of Madurai, and the production of caste in contemporary films. In this pursuit, it interrogates the implications of such spatial discourses. Spectacle spaces: Production of caste in recent Tamil films To foreground the study of caste in Tamil films and to link it with the rise of ‘caste- gestapo’ networks that execute honour killings and murders as a reaction to ‘inter-caste love dramas’ in Tamil Nadu,1 let me narrate a political incident that occurred in Tamil Nadu – that of the formation of a socio-political movement against Dalit assertion in December 2012. -
List of Organisations/Individuals Who Sent Representations to the Commission
1. A.J.K.K.S. Polytechnic, Thoomanaick-empalayam, Erode LIST OF ORGANISATIONS/INDIVIDUALS WHO SENT REPRESENTATIONS TO THE COMMISSION A. ORGANISATIONS (Alphabetical Order) L 2. Aazadi Bachao Andolan, Rajkot 3. Abhiyan – Rural Development Society, Samastipur, Bihar 4. Adarsh Chetna Samiti, Patna 5. Adhivakta Parishad, Prayag, Uttar Pradesh 6. Adhivakta Sangh, Aligarh, U.P. 7. Adhunik Manav Jan Chetna Path Darshak, New Delhi 8. Adibasi Mahasabha, Midnapore 9. Adi-Dravidar Peravai, Tamil Nadu 10. Adirampattinam Rural Development Association, Thanjavur 11. Adivasi Gowari Samaj Sangatak Committee Maharashtra, Nagpur 12. Ajay Memorial Charitable Trust, Bhopal 13. Akanksha Jankalyan Parishad, Navi Mumbai 14. Akhand Bharat Sabha (Hind), Lucknow 15. Akhil Bharat Hindu Mahasabha, New Delhi 16. Akhil Bharatiya Adivasi Vikas Parishad, New Delhi 17. Akhil Bharatiya Baba Saheb Dr. Ambedkar Samaj Sudhar Samiti, Basti, Uttar Pradesh 18. Akhil Bharatiya Baba Saheb Dr. Ambedkar Samaj Sudhar Samiti, Mirzapur 19. Akhil Bharatiya Bhil Samaj, Ratlam District, Madhya Pradesh 20. Akhil Bharatiya Bhrastachar Unmulan Avam Samaj Sewak Sangh, Unna, Himachal Pradesh 21. Akhil Bharatiya Dhan Utpadak Kisan Mazdoor Nagrik Bachao Samiti, Godia, Maharashtra 22. Akhil Bharatiya Gwal Sewa Sansthan, Allahabad. 23. Akhil Bharatiya Kayasth Mahasabha, Amroh, U.P. 24. Akhil Bharatiya Ladhi Lohana Sindhi Panchayat, Mandsaur, Madhya Pradesh 25. Akhil Bharatiya Meena Sangh, Jaipur 26. Akhil Bharatiya Pracharya Mahasabha, Baghpat,U.P. 27. Akhil Bharatiya Prajapati (Kumbhkar) Sangh, New Delhi 28. Akhil Bharatiya Rashtrawadi Hindu Manch, Patna 29. Akhil Bharatiya Rashtriya Brahmin Mahasangh, Unnao 30. Akhil Bharatiya Rashtriya Congress Alap Sankyak Prakosht, Lakheri, Rajasthan 31. Akhil Bharatiya Safai Mazdoor Congress, Jhunjhunu, Rajasthan 32. Akhil Bharatiya Safai Mazdoor Congress, Mumbai 33. -
Aspirational Movie List
SL Title Year Type Rating Ratings 1 3 Idiots 2009 Feature 8.5 155,763 2 Like Stars on Earth 2007 Feature 8.5 71,581 3 Rang De Basanti 2006 Feature 8.4 57,061 4 Gangs of Wasseypur 2012 Feature 8.4 32,853 5 Lagaan: Once Upon a Time in India 2001 Feature 8.2 54,714 6 Mughal-E-Azam 1960 Feature 8.4 3,425 7 A Wednesday 2008 Feature 8.4 30,560 8 Udaan 2010 Feature 8.4 23,017 9 Swades 2004 Feature 8.4 47,326 10 Dil Chahta Hai 2001 Feature 8.3 38,159 11 Pyaasa 1957 Feature 8.4 2,677 12 Black Friday 2004 Feature 8.6 6,126 13 Sholay 1975 Feature 8.6 21,695 14 Anand 1971 Feature 8.9 7,826 15 Special 26 2013 Feature 7.9 22,078 16 Queen 2014 Feature 8.5 28,304 17 Andaz Apna Apna 1994 Feature 8.8 22,766 18 Haider 2014 Feature 8.5 28,728 19 Guru 2007 Feature 7.8 10,337 20 Dev D 2009 Feature 8.1 16,553 21 Paan Singh Tomar 2012 Feature 8.3 16,849 22 Chakde! India 2007 Feature 8.4 34,024 23 Sarfarosh 1999 Feature 8.1 11,870 24 Mother India 1957 Feature 8 3,882 25 Bhaag Milkha Bhaag 2013 Feature 8.4 30,313 26 Barfi! 2012 Feature 8.3 43,308 27 Zindagi Na Milegi Dobara 2011 Feature 8.1 34,374 28 PK 2014 Feature 8.4 55,878 29 Baby 2015 Feature 8.4 20,504 30 My Name Is Khan 2010 Feature 8 56,169 31 The Legend of Bhagat Singh 2002 Feature 8.1 5,481 32 Munna Bhai M.B.B.S. -
Bio Dillywood 21Pd
164 WEST 25TH ST. SUITE 4F, NEW YORK, NY 10001 USA [email protected] • TEL +1.646.202.9478 • FAX +1.815.550.2861 Dillywood, Inc. is a motion picture production company based in New York that develops and produces film and media projects with a distinctly international focus. Founded in 2004 by producers Anadil Hossain and Driss Benyaklef, the company has been built on their hybrid cultural backgrounds and breadth of experience in film, media, advertising, web content, and large-scale corporate event production. Since then, the company has worked on a gamut of productions in over 25 countries on five continents, establishing long-standing networks in places such as India, U.K., Jordan, Morocco, Kenya, and Hong Kong. The company also has a wide range of experience and know-how working across the US and North America. Dillywood has worked with directors such as Mira Nair (The Namesake, The Reluctant Fundamentalist), Doug Liman (Fair Game), and Wes Anderson (The Darjeeling Limited). Most recently, Dillywood worked on the international segment of Jobs, the biopic of Steve Jobs, starring Ashton Kutcher, and directed by Joshua Stern. The company serves as a creative and logistical bridge between filmmakers and settings, crews, and governments where the films are shot. Dillywood pioneered how large-scale Indian films are shot in the US by producing the US segment of Kal Ho Naa Ho, the first major Indian film to shoot almost entirely in the US. Subsequently, Dillywood worked on the productions of acclaimed directors Karan Johar (Kabhie Alvida Naa Kehna), Rakeysh Mehra (Delhi 6), and with the director of Oscar-nominated Lagaan, Ashutosh Gowariker (Swades, What’s Your Raashee). -
Higher Secondary: SET
RRB PSC Higher Secondary: SET 1. The 190th member of United Nations 6. The world’s biggest Information Technology and tele- (a) Switzerland (b) East Timor communications trade fair-Ce BIT was held in (c) Tuvalu (d) None of these (a) Hannover (b) Shanghai 2. The first American Woman to climb the Everest from (c) New York (d) None of these both North and South faces 7. Gone with the Wind is a book written by (a) Susan Ershler (b) Ellen Miller (a) Rajani Kothari (b) Margaret Mitchell (c) Ang Rita (d) None of these (c) Sheila Gujral (d) None of these 3. The retired IAS officer who has been appointed as the 8. The first summit of the Conference on Interaction chief co-ordinator of relief operations in Gujarat and Confidence Building Measures in Asia (CICA) (a) K.P.S. Gill (b) S.M.F. Bokhari was held in (a) Beijing (b) Kathmandu (c) Sudha Murthy (d) None of these (c) Almatty (d) None of these 4. The Indian Army Chief who has been conferred the title 9. The Indian who has been appointed as the Under-Sec- of honorary general of the Royal Nepalese Army by retary General for Public Information in the United Na- king Gyanendra tions. (a) A.R. Gandhi (b) S. Padmanabhan (a) R.K. Laxman (b) Shashi Tharoor (c) S. Krishnaswamy (d) None of these (c) B.P. Singh (d) None of these 5. The winner of the Miss Universe title 2002 10. The newly appointed President of ‘FIFA’ (a) Oxana Fedorova (b) Justine Pasek (a) Jacques Rogge (b) Sepp Blatter (c) Ling Zhou (d) None of these (c) Sen Ruffianne (d) None of these Answers & Explanations 1. -
Magazine1-4Final.Qxd (Page 3)
SUNDAY, AUGUST 14, 2016 (PAGE 4) BOLLYWOOD-BUZZ BEAUTY TIPS "There is no competition between actors in the film industry" He was present throughout with us during picturisation, bytes, songs and also in the selection of costumes. You are playing a Parsi character in the film, so did you research on Parsi rituals? The film is not based on Paris religion so I didn't have to learn Paris' language. I just played the character in the film. My best friend and manager are also Parsi, so from them I learned about Parsi. From 'Airlift' to 'Rustom', the time gap between one film to the other is very less, how do you manage time in a year as you are doing so many films back to back? See a film needs only forty Shahnaz Husain Dusky / Olive: (Slightly dark) to forty five days for shoot- Dusky, or olive complexions, look better with brown- ing. I do four films now every Raksha Bandhan is one of the important festivals, ish beige shades for Foundation. It should be a colour that year though earlier I used to when brothers and sisters celebrate the loving bond will add some glow to the skin. For blushers, avoid mauves do six films. After doing four between them. Like all festive occasions, girls love to dress and light pink. Go with darker pink, or even some brown films also, I get around hun- up and look their best. However, make-up is all about shades. A highlighting powder will help to add glow. Try dred days to spend with fam- choosing the right shades of colour cosmetics. -
Library Catalogue
Id Access No Title Author Category Publisher Year 1 9277 Jawaharlal Nehru. An autobiography J. Nehru Autobiography, Nehru Indraprastha Press 1988 historical, Indian history, reference, Indian 2 587 India from Curzon to Nehru and after Durga Das Rupa & Co. 1977 independence historical, Indian history, reference, Indian 3 605 India from Curzon to Nehru and after Durga Das Rupa & Co. 1977 independence 4 3633 Jawaharlal Nehru. Rebel and Stateman B. R. Nanda Biography, Nehru, Historical Oxford University Press 1995 5 4420 Jawaharlal Nehru. A Communicator and Democratic Leader A. K. Damodaran Biography, Nehru, Historical Radiant Publlishers 1997 Indira Gandhi, 6 711 The Spirit of India. Vol 2 Biography, Nehru, Historical, Gandhi Asia Publishing House 1975 Abhinandan Granth Ministry of Information and 8 454 Builders of Modern India. Gopal Krishna Gokhale T.R. Deogirikar Biography 1964 Broadcasting Ministry of Information and 9 455 Builders of Modern India. Rajendra Prasad Kali Kinkar Data Biography, Prasad 1970 Broadcasting Ministry of Information and 10 456 Builders of Modern India. P.S.Sivaswami Aiyer K. Chandrasekharan Biography, Sivaswami, Aiyer 1969 Broadcasting Ministry of Information and 11 950 Speeches of Presidente V.V. Giri. Vol 2 V.V. Giri poitical, Biography, V.V. Giri, speeches 1977 Broadcasting Ministry of Information and 12 951 Speeches of President Rajendra Prasad Vol. 1 Rajendra Prasad Political, Biography, Rajendra Prasad 1973 Broadcasting Eminent Parliamentarians Monograph Series. 01 - Dr. Ram Manohar 13 2671 Biography, Manohar Lohia Lok Sabha 1990 Lohia Eminent Parliamentarians Monograph Series. 02 - Dr. Lanka 14 2672 Biography, Lanka Sunbdaram Lok Sabha 1990 Sunbdaram Eminent Parliamentarians Monograph Series. 04 - Pandit Nilakantha 15 2674 Biography, Nilakantha Lok Sabha 1990 Das Eminent Parliamentarians Monograph Series.