more than you think you are album download free More Than You Think You Are. Just stay all through the night And in the morning let me down Yeah, 'cause that's all that I need Yeah, 'cause that's all that I need Yeah, that's all that I need Right now, right now. Bright Lights. She got out of town On the railway, New York bound Took all except my name Another alien on Broadway. Well, some things in this world Just can't change Some things you can't see Until it gets too late. Baby, baby, baby When all your love is gone Who will save me from all I'm up against out in this world. And maybe, maybe, maybe You'll find something that's enough to keep you But if the bright lights don't receive you You should turn yourself around and come on home. I got a hole in me now I got a scar I can talk about She keeps a picture of me In her apartment in the city. But some things in this world man, they don't make sense But some things you don't leave until they leave you And then the things that you miss, you say. Baby, baby, baby When all your love is gone Who will save me from all I'm up against out in this world. And maybe, maybe, maybe You'll find something that's enough to keep you But if the bright lights don't receive you You should turn yourself around and come on home. Let that city take you in (Come on home) Let that city spit you out (Come on home) Let that city take you down, yeah For God sakes turn around. Baby, baby, baby When all your love is gone Who will save me from all I'm up against out in this world. Yeah well, maybe, maybe, maybe You'll find something that's enough to keep you But if the bright lights don't receive you Well, turn yourself around and come on home. Yeah, come on home Baby, baby, baby, baby Come on home Yeah, come on home Yeah, come on home Yeah, come on home Baby, baby, baby, baby Come on home. Well, I will do without The spaces in between If you can tell me now What it means to be. You have been found out I have been deceived By the one that I need. Tell me why you gotta be so cold How'd you get so high, why you're keeping me low You don't know, you don't know And tell me how we're gonna make it last You're ready to fly, I'm ready to crash Don't go, don't go, no. You will go without A better part of me And there will be no doubt Of what this all could mean. You will be found out I cannot believe In the one that I need. Tell me why you gotta be so cold? How'd you get so high, why you're keeping me low? You don't know, you don't know, you don't know And tell me how we're gonna make it last You're ready to fly, I'm ready to crash Don't go, yeah, don't go. And tell me why you gotta be so cold? How'd you get so high, why you're keeping me low? You don't know, you don't know, you don't know And tell me how we're gonna make it last? You're ready to fly, I'm ready to crash Don't go, yeah, don't go. And tell me why you gotta be so cold? Tell me anything about you I don't know Yeah, I don't know by now, know by now And tell me how we're gonna make it last You're ready to fly, I'm ready to crash Don't go, yeah, don't go. Could I Be You. Something is wrong with the some of us That I can't seem to erase How can I be the only one Without a smile on my face. Well now, you're laughing out loud At just the thought of being alive And I was wondering Could I just be you tonight. You show your pain like it really hurts And I can't even start to feel mine Well, I'm standing in place With my head first and I shake, I shake I see your progress stretched out for miles and miles. You're laughing out loud At just the thought of being alive, yeah And I was wondering Could I just be you tonight. This is the sound that I make These are the words I chose Somehow the right thing to say Just won't come out Just won't come out. And you're laughing out loud At the thought of being alive And I was wondering Could I just be you tonight And I was wondering Could I just be you tonight. And I was wondering And I was wondering Yeah, and I was wondering I was wondering, yeah. Disease. Feels like you made a mistake, you made somebody's heart break But now I have to let you go, I have to let you go You left a stain on every one of my good days But I am stronger than you know, I have to let you go. No one's ever turned you over, no one's tried to ever let you down Beautiful girl, bless your heart. I got a disease deep inside me, makes me feel uneasy, baby I can't live without you, tell me what I am supposed to do about it Keep your distance from it, don't pay no attention to me I got a disease. Feels like you're making a mess, you're hell on wheels in a black dress You drove me to the fire and left me there to burn. Every little thing you do is tragic, all my life, oh was magic Beautiful girl, I can't breathe. I got a disease deep inside me, makes me feel uneasy, baby I can't live without you, tell me what I am supposed to do about it Keep your distance from it, don't pay no attention to me I got a disease. I think that I'm sick But leave me be while my world is coming down on me You taste like honey, honey, tell me can I be your honey? Be, be strong, keep telling myself it that won't take long till I'm free of my disease, yeah well free of my disease Free of my disease. I got a disease deep inside me, makes me feel uneasy, baby I can't live without you, tell me what I am supposed to do about it Keep your distance from it, don't pay no attention to me I got a disease. I think that I'm sick But leave me be while my world is coming down on me You taste like honey, honey, tell me can I be your honey? Be, be strong, keep telling myself it that won't take long till I'm free of my disease, yeah free of my disease Set me free of my disease. Downfall. I wonder how you sleep I wonder what you think of me If I could go back Would you have ever been with me? I want you to be unused I want you to remember I want you to believe in me I want you on my side. Come on and lay it down I've always been with you Here and now Give all that's within you Be my savior And I'll be your downfall. There we go again Ashamed of bein' broken in We're gettin' off track I wanna get you back again. I want you to trouble me I wanted you to linger I want you to agree with me I want so much, so bad. Come on and lay it down I've always been with you Here and now An' give all that's within you Be my savior And I'll be your downfall. Yeah, be my savior Only love can save us now Don't lay me down Only love can save us now I'll be your downfall Ah, love can save us now Don't save me now. Lay it down I've always been with you Hear me now An' with all that's within you Be my savior And I'll be your downfall. Now I'm back on my own Hear my feet, they're really made of stone Man, I make you go where I go Well hell, you, can I take you home. Well, I'm comin' home on my back Kissing me, your lips painted black Saying oh oh oh, oh oh oh, oh oh oh Let me be your downfall Oh oh oh, oh oh oh, oh oh oh Let me be your downfall, baby. What you want, what you got, live your life in a crawl space I'll help you out but you don't want a chance at a better life You said you never took a ride and now you wanna play Well, it's a big, big city let me show you around some time Oh, some time. And now you crossed that line, you can't come back Tell me how does it feel now? It's too late too much to forget about can't stop now How does it feel now? I'm only asking because I wanna know How you wanna feel? Well, I'm a wreck, I'm a mess, I'm a spot on the pavement Well I'm a number on your wall I make you so tired And I don't think I like this game no more It goes around and 'round and 'round, I'll tell you one more time Yeah, one more time. And now you crossed that line, you can't come back Tell me how does it feel now? It's too late too much to forget about can't stop now How does it feel now? I'm only asking because I wanna know How you wanna feel? How you wanna feel? And now you crossed that line, you can't come back Tell me how does it feel now? It's too late too much to forget about can't stop now How does it feel now? Well I'm only asking because I wanna know How you wanna feel? How you wanna feel? How you wanna feel? Hand Me Down. Someday they'll find your small town world on a big town avenue Gonna make you like the way they talk when they're talking to you Gonna make you break out of the shell 'cause they tell you to Gonna make you like the way they lie better than the truth They'll tell you everything you wanted someone else to say They're gonna break your heart, yeah. From what I've seen You're just a one more hand me down 'Cause no one's tried to give you what you need So lay all your troubles down I am with you now. Somebody ought to take you in, try to make you love again Try to make you like the way they feel when they're under your skin Never once did think they'd lie when they're holding you You wonder why they haven't called, when they said they'd call you You start to wonder if you're ever gonna make it by You'll start to think you were born blind. From what I've seen You're just a one more hand me down 'Cause no one's tried to give you what you need So lay all your troubles down I am with you now. I'm here for the hard times The straight to your heart times Whenever it ain't easy You can stand up against me And maybe rely on me And cry on me, yeah Oh, no, no, no. Some day they'll open up your world Shake it down on a drawing board Do their best to change you They still can't erase you. From what I've seen You're just a one more hand me down 'Cause no one's tried to give you what you need So lay all your troubles down I am with you now, lay them down on me, oh yeah. You're just one more hand me down And all those knots don't give you what you need So lay all your troubles down on me. Hang out my window and over your head Stare at your feelings to see where they end You're waiting here for someone else to break you From the inside You've been so composed. We all know there's always something tearing you apart It's always so much longer than you counted on And it hits you so much harder than you thought But you don't worry, you don't worry 'Cause you've got soul. You're so heavy, you're so misunderstood And I spent all my wishes, wishing times were good When I still could Wait around here for someone else to take me Past the good side You've been here so longer. We all know there's always something tearing you apart It's always so much longer than you counted on And it hits you so much harder than you thought But you don't worry, you don't worry 'Cause darling, you've got so much soul Darling, you've got so much soul. There's always something tearing you apart It's always so much longer than you counted on And it hits you so much harder than you thought Than you ever thought it would But you don't worry and you don't worry You don't worry, you don't worry You don't worry, you don't worry 'Cause you've got soul. The Difference. Slow dancing on the boulevard In the quiet moments while the city's still dark Sleepwalking through the summer rain and the tired spaces You could hear her name when she was warm and tender. And you held her arms around you There was nothing but her love and affection She was crazy for you Now she's part of something that you lost. And for all you know This could be The difference between what you need And what you wanna be Hey, what you wanna be. Night swimming in her diamond dress Making small circles move across the surface Stand watching from the steady shore Feeling wide open and waiting for. Something warm and tender Now she's moving further from you There was nothing that could make it easy on you Every step you take reminds you that she's walking wrong, wrong. Yeah, for all you know This could be The difference between what you need And what you want. Every word you never said Echoes down your empty hallway And everything that was your world Just came down. Day breaking on the boulevard Feel the sun warming up your second hand heart Light swimming right across your face And you think maybe someday, yeah Maybe someday. For all you know Yeah, this could be The difference between what you need And what you want. Yeah, for all you know For all you know Yeah, for all that you know This is what you wanna be Girl, what you wanna be. Unwell. All day starin' at the ceilin' makin' friends with shadows on my wall All night hearing voices tellin' me that I should get some sleep Because tomorrow might be good for somethin' Hold on, feelin' like I'm headed for a breakdown And I don't know why. But I'm not crazy, I'm just a little unwell I know, right now you can't tell But stay a while and maybe then you'll see A different side of me. I'm not crazy, I'm just a little impaired I know, right now you don't care But soon enough you're gonna think of me And how I used to be, me. I'm talkin' to myself in public, dodging glances on the train And I know, I know they've all been talkin' about me I can hear them whisper, and it makes me think There must be somethin' wrong with me Out of all the hours thinkin', somehow I've lost my mind. But I'm not crazy, I'm just a little unwell I know, right now you can't tell But stay a while and maybe then you'll see A different side of me. I'm not crazy, I'm just a little impaired I know, right now you don't care But soon enough you're gonna think of me And how I used to be. I've been talkin' in my sleep Pretty soon they'll come to get me Yeah, they're takin' me away. I'm not crazy, I'm just a little unwell I know, right now you can't tell But stay a while and maybe then you'll see A different side of me. I'm not crazy, I'm just a little impaired I know, right now you don't care But soon enough you're gonna think of me And how I used to be yeah, how I used to be. How I used to be Well, I'm just a little unwell How I used to be, how I used to be I'm just a little unwell. You're So Real. Yes I am I hope you think you beat me Hope I start talking crazy Before you understand me. Are we through? You think that I'm beneath you But you like the things that I do Wrap 'em up and take 'em with you. I'm alright Hope I can sleep for one night If not to cool my insides Maybe to calm my backside. Rain on me I got a weakness in me I think that weakness feeds me I don't think you think you need me. Sunshine, you're the best time, I ever ever had But I think I made you feel bad A black fly on your necktie And time after time. But when the sun starts sinkin' On your beautiful soul Make you cry, cry baby Make you feel so cold. Don't you know it's alright? Sometimes you just got to show how you feel 'Cause that's you baby Hell, you're so real. Run this round in your head Like you don't know what's on the inside You don't know me too well You ain't seen my bad side. Shame on me Shame on the things that I be If you could complicate me If you could get inside me. Sometimes you're the best time I've ever, ever known A pretty girl with a wicked smile on But I've cried for the last time Something just don't feel right. Hell, when the sun starts sinkin' On your beautiful soul Make you cry, cry baby Make you feel so cold. Don't you know it's alright? Sometimes you just got to show how you feel 'Cause that's you baby Hell, you're so real. You always know Just who you are You never needed someone else To realize yourself. Hell, when the sun starts sinkin' On your beautiful soul Make you cry, cry baby Make you feel so cold. Don't you know it's alright? Sometimes you just got to show how you feel 'Cause that's you baby Hell, you're so real. Yeah, baby, you're so real Yeah, baby, you're so real, so real, so real I've gotta yeah, yeah, yeah, oh. More Than You Think You Are. More Than You Think You Are is a English album released on Dec 2012. More Than You Think You Are Album has 12 songs sung by Matchbox Twenty. Listen to all songs in high quality & download More Than You Think You Are songs on Gaana.com. Related Tags - More Than You Think You Are, More Than You Think You Are Songs, More Than You Think You Are Songs Download, Download More Than You Think You Are Songs, Listen More Than You Think You Are Songs, More Than You Think You Are MP3 Songs, Matchbox Twenty Songs. More Than You Think You Are. The best proof that Matchbox Twenty is not the Rob Thomas project? Their third album, More Than You Think You Are. If this was simply the work of Thomas, this album would likely be more like their very fine second album, a savvy mainstream pop record that casually displayed his songwriting skills and was casually eclectic. This? This sounds like the effort of a band who not only wants to rock again, but feels compelled to rock again, to prove that they are indeed a band. Perhaps this would have worked if they had either a strong set of songs or a sinewy, persuasive production. They have neither. The songs lack hooks, as if melody would be too commercial, while the production has its sights on the radio, resulting in tuneless songs that are polished for mainstream consumption. It's a weird miscalculation, a regression to the faceless post-alternative rock of their debut. It's a shame, really -- as the years since Yourself or Someone Like You have proven, no matter how disparaged they were in 1996, they did this post-alternative mainstream rock thing better than many bands, because they didn't hesitate to embrace the mainstream. Here, they try for credibility and lose the very things that proved their strengths in the past. More Than You Think You Are (Deluxe) (Édition StudioMasters) Purchase and download this album in a wide variety of formats depending on your needs. Buy the album Starting at £11.99. More Than You Think You Are (Deluxe) (Édition StudioMasters) Copy the following link to share it. You are currently listening to samples. Listen to over 70 million songs with an unlimited streaming plan. Listen to this album and more than 70 million songs with your unlimited streaming plans. 1 month free, then £14,99/ month. Matt Serletic, Producer - Rob Thomas, Lead Vocals, Writer - Matchbox Twenty, Performance, MainArtist - Stephen Marcussen, MasteringEngineer - JIM SCOTT, MixingEngineer - Greg Collins, MixingEngineer, RecordingEngineer - Kyle Cook, Writer - Chris Testa, AssistantEngineer - Pat Woodward, AdditionalEngineer, AssistantEngineer - Stewart Whitmore, MasteringEngineer - Jon Belec, AssistantEngineer - Mark Dodson, Editing Engineer, Pro-Tools Engineer, AdditionalEngineer - Melonie Daniels, Background Vocals - Brian Yale, Bass Guitar - Paul Doucette, Drums, Percussion, Writer - Bill Synan, AssistantEngineer - Craig Poole, Guitar Technician - Cheryl Pepsii Riley, Background Vocals - Tony Adams, Drum Technician - Sebastian Nicolet, AssistantEngineer. © 2002 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. ℗ 2002 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. Matt Serletic, Producer - Rob Thomas, Lead Vocals, Writer - Sarah Adams, Viola - Matchbox Twenty, Performance, MainArtist - Crystal Garner, Viola - Barry Finclair, Violin - Stephen Marcussen, MasteringEngineer - MICK JAGGER, Writer - JIM SCOTT, MixingEngineer - Greg Collins, MixingEngineer, RecordingEngineer - Jan Mullen, Violin - Chris Testa, AssistantEngineer - Pat Woodward, AdditionalEngineer, AssistantEngineer - Stewart Whitmore, MasteringEngineer - Donna Tecco, Violin - Ricky Sortomme, Violin - Sue Pray, Viola - Vaneese Thomas, Background Vocals - Jon Belec, AssistantEngineer - Mark Dodson, Editing Engineer, Pro-Tools Engineer, AdditionalEngineer - Carol Webb, Violin, Strings Concertmaster - Enrico DiCecco, Violin - Jonathan Dinklage, Violin - Brian Yale, Bass Guitar - Paul Doucette, Drums, Percussion - Lydia Mann-Jaime, Background Vocals - Bill Synan, AssistantEngineer - Craig Poole, Guitar Technician - Vincent Lionti, Viola - Maura Giannini, Violin - Tony Adams, Drum Technician - Sebastian Nicolet, AssistantEngineer. © 2002 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. ℗ 2002 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. Matt Serletic, Producer - Rob Thomas, Piano, Lead Vocals, Writer - David Campbell, String Arranger - Matchbox Twenty, Performance, MainArtist - Stephen Marcussen, MasteringEngineer - Greg Leisz, Pedal Steel Guitar - JIM SCOTT, MixingEngineer - Greg Collins, MixingEngineer, RecordingEngineer - Chris Testa, AssistantEngineer - Pat Woodward, AdditionalEngineer, AssistantEngineer - Stewart Whitmore, MasteringEngineer - Jon Belec, AssistantEngineer - Mark Dodson, Editing Engineer, Pro-Tools Engineer, AdditionalEngineer - Brian Yale, Bass Guitar - Paul Doucette, Drums, Percussion - Bill Synan, AssistantEngineer - Craig Poole, Guitar Technician - Tony Adams, Drum Technician - Sebastian Nicolet, AssistantEngineer. © 2002 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. ℗ 2002 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. Matt Serletic, Producer - Rob Thomas, Lead Vocals, Writer - Matchbox Twenty, Performance, MainArtist - Stephen Marcussen, MasteringEngineer - JIM SCOTT, MixingEngineer - Greg Collins, MixingEngineer, RecordingEngineer - Kyle Cook, Banjo - Chris Testa, AssistantEngineer - Pat Woodward, AdditionalEngineer, AssistantEngineer - Stewart Whitmore, MasteringEngineer - Jon Belec, AssistantEngineer - Mark Dodson, Editing Engineer, Pro-Tools Engineer, AdditionalEngineer - Brian Yale, Bass Guitar - Paul Doucette, Drums, Percussion - Eric Ralske, French Horn - Jerome Ashby, French Horn - Bill Synan, AssistantEngineer - Craig Poole, Guitar Technician - Tony Adams, Drum Technician - Sebastian Nicolet, AssistantEngineer. © 2002 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. ℗ 2002 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. Matt Serletic, Producer, Keyboards, Writer, Congas - Rob Thomas, Lead Vocals, Writer - Matchbox Twenty, Performance, MainArtist - Stephen Marcussen, MasteringEngineer - JIM SCOTT, MixingEngineer - Greg Collins, MixingEngineer, RecordingEngineer - Chris Testa, AssistantEngineer - Pat Woodward, AdditionalEngineer, AssistantEngineer - Stewart Whitmore, MasteringEngineer - Jon Belec, AssistantEngineer - Mark Dodson, Editing Engineer, Pro-Tools Engineer, AdditionalEngineer - Brian Yale, Bass Guitar - Paul Doucette, Drums, Percussion - Bill Synan, AssistantEngineer - Craig Poole, Guitar Technician - Tony Adams, Drum Technician - Sebastian Nicolet, AssistantEngineer. © 2002 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. ℗ 2002 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. Matt Serletic, Producer - Rob Thomas, Lead Vocals, Writer - Matchbox Twenty, Performance, MainArtist - Stephen Marcussen, MasteringEngineer - JIM SCOTT, MixingEngineer - Greg Collins, MixingEngineer, RecordingEngineer - Chris Testa, AssistantEngineer - Pat Woodward, AdditionalEngineer, AssistantEngineer - Stewart Whitmore, MasteringEngineer - Jon Belec, AssistantEngineer - Mark Dodson, Editing Engineer, Pro-Tools Engineer, AdditionalEngineer - Brian Yale, Bass Guitar - Paul Doucette, Drums, Percussion, Synthesizer - Bill Synan, AssistantEngineer - Craig Poole, Guitar Technician - Tony Adams, Drum Technician - Sebastian Nicolet, AssistantEngineer. © 2002 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. ℗ 2002 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. Matt Serletic, Producer - Rob Thomas, Lead Vocals, Writer - Matchbox Twenty, Performance, MainArtist - Stephen Marcussen, MasteringEngineer - Greg Leisz, Pedal Steel Guitar - JIM SCOTT, MixingEngineer - Greg Collins, MixingEngineer, RecordingEngineer - Kyle Cook, Piano, Lead Guitar, Background Vocals - Chris Testa, AssistantEngineer - Pat Woodward, AdditionalEngineer, AssistantEngineer - Stewart Whitmore, MasteringEngineer - Jon Belec, AssistantEngineer - Mark Dodson, Editing Engineer, Pro-Tools Engineer, AdditionalEngineer - Brian Yale, Bass Guitar - Paul Doucette, Drums, Percussion, Mellotron - Bill Synan, AssistantEngineer - Craig Poole, Guitar Technician - Tony Adams, Drum Technician - Sebastian Nicolet, AssistantEngineer. © 2002 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. ℗ 2002 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. Matt Serletic, Producer - Rob Thomas, Lead Vocals - Matchbox Twenty, Performance, MainArtist - Stephen Marcussen, MasteringEngineer - JIM SCOTT, MixingEngineer - Greg Collins, MixingEngineer, RecordingEngineer - Chris Testa, AssistantEngineer - Pat Woodward, AdditionalEngineer, AssistantEngineer - Stewart Whitmore, MasteringEngineer - Jon Belec, AssistantEngineer - Mark Dodson, Editing Engineer, Pro-Tools Engineer, AdditionalEngineer - Brian Yale, Bass Guitar - Paul Doucette, Drums, Acoustic Guitar, Electric Guitar, Percussion, Piano, Writer, Clavinet - Bill Synan, AssistantEngineer - Craig Poole, Guitar Technician - Tony Adams, Drum Technician - Sebastian Nicolet, AssistantEngineer. © 2002 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. ℗ 2002 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. Matt Serletic, Producer, Writer - Rob Thomas, Lead Vocals, Writer - Matchbox Twenty, Performance, MainArtist - Stephen Marcussen, MasteringEngineer - JIM SCOTT, MixingEngineer - Greg Collins, MixingEngineer, RecordingEngineer - Chris Testa, AssistantEngineer - Pat Woodward, AdditionalEngineer, AssistantEngineer - Stewart Whitmore, MasteringEngineer - Jon Belec, AssistantEngineer - Mark Dodson, Editing Engineer, Pro-Tools Engineer, AdditionalEngineer - Brian Yale, Bass Guitar - Paul Doucette, Drums, Percussion - Bill Synan, AssistantEngineer - William Richardson, Tenor Vocals - Craig Poole, Guitar Technician - Latasha Jordan, Alto Vocals - Ahmed Wallace, Tenor Vocals - Tony Adams, Drum Technician - Takeytha Johnson, Soprano Vocals - Joel Lester, Tenor Vocals - Steven Spradley, Tenor Vocals - Tyrone Flowers, Tenor Vocals - Sebastian Nicolet, AssistantEngineer - Suquilah Stillwell, Soprano Vocals - Angie Wint, Alto Vocals - Dejahnee Richardson, Alto Vocals - Kiesha Alson, Soprano Vocals - Kiesha Richardson, Soprano Vocals - Lakeesha Stillwell, Alto Vocals - Rudy Michel, Choir Contractor - Stephanie Rice-Anderson, Soprano Vocals - Tyann Brown, Alto Vocals. © 2002 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. ℗ 2002 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. Matt Serletic, Producer, Background Vocals - Rob Thomas, Writer, Background Vocals - Matchbox Twenty, Performance, MainArtist - Stephen Marcussen, MasteringEngineer - JIM SCOTT, MixingEngineer - Greg Collins, MixingEngineer, RecordingEngineer - Kyle Cook, Writer, Background Vocals - Chris Testa, AssistantEngineer - Pat Woodward, AdditionalEngineer, AssistantEngineer - Stewart Whitmore, MasteringEngineer - Jon Belec, AssistantEngineer - Mark Dodson, Editing Engineer, Pro-Tools Engineer, AdditionalEngineer - Adam Gaynor, Background Vocals - Brian Yale, Bass Guitar - Paul Doucette, Drums, Percussion, Writer - Bill Synan, AssistantEngineer - Craig Poole, Guitar Technician - Bill Draheim, Background Vocals - Tony Adams, Drum Technician - Sebastian Nicolet, AssistantEngineer. © 2002 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. ℗ 2002 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. Matt Serletic, Producer - Rob Thomas, Lead Vocals, Writer - Matchbox Twenty, Performance, MainArtist - Stephen Marcussen, MasteringEngineer - JIM SCOTT, MixingEngineer - Greg Collins, MixingEngineer, RecordingEngineer - Chris Testa, AssistantEngineer - Pat Woodward, AdditionalEngineer, AssistantEngineer - Stewart Whitmore, MasteringEngineer - Jon Belec, AssistantEngineer - Mark Dodson, Editing Engineer, Pro-Tools Engineer, AdditionalEngineer - Brian Yale, Bass Guitar - Paul Doucette, Drums, Percussion, Mellotron - Bill Synan, AssistantEngineer - Craig Poole, Guitar Technician - Tony Adams, Drum Technician - Sebastian Nicolet, AssistantEngineer. © 2002 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. ℗ 2002 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. Matt Serletic, Producer - Rob Thomas, Lead Vocals, Writer - Matchbox Twenty, Performance, MainArtist - Stephen Marcussen, MasteringEngineer - JIM SCOTT, MixingEngineer - Greg Collins, MixingEngineer, RecordingEngineer - Chris Testa, AssistantEngineer - Pat Woodward, AdditionalEngineer, AssistantEngineer - Stewart Whitmore, MasteringEngineer - Jon Belec, AssistantEngineer - Mark Dodson, Editing Engineer, Pro-Tools Engineer, AdditionalEngineer - Brian Yale, Bass Guitar - Paul Doucette, Drums, Percussion - Bill Synan, AssistantEngineer - Craig Poole, Guitar Technician - Tony Adams, Drum Technician - Sebastian Nicolet, AssistantEngineer. © 2002 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. ℗ 2002 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. Matt Serletic, Producer - Rob Thomas, Lead Vocals, Writer - Matchbox Twenty, Performance, MainArtist - Stephen Marcussen, MasteringEngineer - JIM SCOTT, MixingEngineer - Greg Collins, MixingEngineer, RecordingEngineer - Chris Testa, AssistantEngineer - Pat Woodward, AdditionalEngineer, AssistantEngineer - Stewart Whitmore, MasteringEngineer - Jon Belec, AssistantEngineer - Mark Dodson, Editing Engineer, Pro-Tools Engineer, AdditionalEngineer - Brian Yale, Bass Guitar - Paul Doucette, Drums, Percussion - Bill Synan, AssistantEngineer - Craig Poole, Guitar Technician - Tony Adams, Drum Technician - Sebastian Nicolet, AssistantEngineer. © 2002 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. ℗ 2002 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. More Than You Think You Are. On their third album, More Than You Think You Are , Matchbox Twenty build upon the arena rock that brought them massive success while adding a few fresh touches, including keyboards, some pedal steel guitar, and even a full choir on one song. Rob Thomas’ dramatic and powerful vocals remain central to their overall sound, but this is no one-man show; the band’s versatility keeps the songs interesting and dynamic, giving these tunes the space to breath and leaving room for catchy riffs and piano fills that help the songs to soar. Whether it’s a rocker (“Feel”), radio- friendly pop (“Disease,” which was co-written by Thomas and Mick Jagger), or a power ballad (“Hand Me Down,” “The Difference”), this quintet knows how to deliver melodic and straightforward rock with a punch.