DOCSLIB.ORG

Fifth Annual Media & Entertainment Law Symposium

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Fordham Media and Entertainment Law Society Fifth Annual Media & Entertainment Law Symposium Monday, February 11, 2019 9:30 a.m. – 2:30 p.m. Costantino Room PROGRAM 9:30 – 10 a.m. 12:45 – 1:15 p.m. Check-In & Welcome Keynote Address • Rich Ross ’86 – Former Group President, 10 – 11 a.m. Discovery Channels; Former Chairman, Mergers in Medialand: Walt Disney Studios; Former President, Major Deals & The Quest to Consolidate Disney Channels Worldwide • Sris Chatterjee – Fordham Gabelli School of Business Professor; Gabelli Chair in Global Security 1:15 – 2:15 p.m. Analysis Finance and Business Economics Curtain Up! Legal Fundamentals of Broadway • Ian John – Partner, Kirkland & Ellis LLP (and All That Follows) • Kimberly Pittman ’99 – Senior Vice President, • Jason Baruch – Partner, Sendroff & Baruch, LLP Associate General Counsel, Corporate and • Jason Cooper – Theatre Business Affairs Securities and Assistant Secretary, CBS Corporation Executive, Creative Artists Agency • Paul Washington ’95 – Resident Fellow, • Carol Kaplan – Partner, Loeb & Loeb LLP Fordham Corporate Law Center; • Susan Mindell – Partner, Levine Plotkin Adjunct Professor, Fordham Law School & Menin LLP • Moderator: Professor Caroline Gentile, • Tom Viertel – Executive Director, Fordham Law School Commercial Theater Institute 11 – 11:15 a.m. • Moderator: Seth Stuhl, Vice President, Break Business Affairs & Legal Counsel, Disney Theatrical Group 11:15 a.m. – 12:15 p.m. Fair Play: The Legal Impact of Recent Music 2:15 – 2:30 p.m. Legislation Closing Remarks • Sarah Howes – Director and Counsel of Government Affairs and Public Policy, SAG-AFTRA • Benjamin Semel – Partner, Pryor Cashman LLP • Alice Simmons – Associate, Business & Legal Affairs, Concord Music • David Wolfert – Co-Founder, MusicAnswers.org • Moderator: Professor Derek Dessler, Fordham Law School 12:15 – 12:45 p.m. Lunch CLE CREDIT CLE credit for the program is approved in accordance with the requirements of the New York State CLE Board for a maximum of 3 transitional and non transitional credits: (3.0) professional practice. CLE course materials available at: law.fordham.edu/clematerials For information contact [email protected] Jason Baruch Sris Chatterjee Partner, Sendroff & Baruch, LLP Professor; Gabelli Chair in Global Security Analysis Finance and Business Economics, Fordham Gabelli Jason Baruch, a regular lecturer for the Commercial School of Business Theater Institute (CTI), has served as production counsel for scores of stage productions in New York and around Sris Chatterjee is a full professor in the finance and the world, including musicals such as The Cher Show, The business economics area. Band’s Visit, Beautiful – The Carole King Musical, SpongeBob Squarepants, Rock of Ages and The Producers, and plays Professor Chatterjee has taught a variety of courses, such as Network starring Bryan Cranston, Lifespan of a including Mergers and Acquisitions, Principles of Modern Fact starring Daniel Radcliffe, Burn This starring Adam Finance and Behavioral Finance, at the undergraduate, Driver, Present Laughter starring Kevin Kline, An Act graduate and executive MBA levels. In 1995, he received of God starring Jim Parsons, Fully Committed starring Fordham’s Gladys and Henry Crown Award for Faculty Jesse Tyler Ferguson and Pulitzer Prize and Tony Award Excellence at the graduate school. winners Clybourne Park and I am My Own Wife. Jason also Professor Chatterjee got his undergraduate degree in represents many not-for-profit organizations in New York mechanical engineering from the Indian Institute of City such as The Brooklyn Academy of Music (BAM), Technology in Kharagpur and his postgraduate diploma Ars Nova and La Mama, as well as some of the most in management from the Indian Institute of Management, innovative and influential regional theaters around the Calcutta. He received his MPhil and PhD from Columbia country. In addition, Jason and his firm are legal counsel Business School. Before joining the Fordham faculty, to a tremendous roster of award-winning dramatists, Professor Chatterjee taught at the State University of directors and choreographers, designers, performers, New York at Buffalo, Rutgers University and Columbia orchestrators and arrangers. University. He has taught in the Key Training Program Jason is a co-chair of the Theater and Performing Arts at UBS Wealth Management, where he participated in committee of the Entertainment, Arts, Sports Law curriculum development and in writing training material. section of the New York State Bar Association, where he He also has taught in executive MBA programs at other organizes and participates in numerous lectures and panel schools. discussions about theater producing. He has served on Widely published, Professor Chatterjee’s main research the boards and/or advisory boards of some of New York’s interest is corporate finance. His work has been most dynamic not-for-profit theater companies, including showcased in the Journal of Banking and Finance, Journal HERE Performing Arts Center, Naked Angels and Pipeline of Financial Economics, Financial Management and Journal Theater. In addition to theater, Jason represents many of Financial and Quantitative Analysis. His topics of focus clients in the music industry, including recording artists include corporate debt/equity ratio, the effect of interest- and the biggest music publishers in the business, as rate uncertainty on the valuation of subordinated debt, well as print authors. He also represents movie studios, restructuring of firms in financial distress, and innovative producers, writers, actors and other talent in the film and securities. Professor Chatterjee maintains a secondary television industry. research interest in futures and options, and he has Jason was awarded his B.A. in philosophy magna cum published several papers in the Journal of Futures Markets. laude from Yale College, his law degree (J.D.) cum laude Professor Chatterjee is an associate editor of the Journal from NYU Law School and his masters of laws (LL.M.) in of Financial Stability and the International Journal of Banking, international commercial law from the University of Hong Accounting and Finance. He also sits on the editorial board Kong. Jason is admitted to the bars in both California of the International Journal of Behavioural Accounting and and New York State. He founded Sendroff & Baruch LLP Finance. in 2007 with law partner Mark Sendroff. He has been selected as a Superlawyer® annually since 2013 and is listed as one of New York’s top entertainment attorneys Jason Cooper in Best Lawyers magazine annually since 2015 and is listed Theatre Business Affairs Executive, Creative Artists Agency in Chambers® USA Guide to the World’s Best Lawyers. www. sendroffbaruch.com. Jason Cooper is a Theatre Business Affairs Executive at leading entertainment and sports agency Creative Artists Agency (CAA). Cooper works in the New York office and collaborates with the company’s theatre agents in rep- resenting actors, directors, choreographers, playwrights, composers, and lyricists for theatrical productions off- television networks; software developers and publishers; and on Broadway, and around the world. filmmakers; visual artists; and galleries. These clients are based around the world and range from global corpora- Cooper began his career in the entertainment department tions and other established businesses, to small, entre- of Paul, Weiss, Rifkind, Wharton and Garrison, LLP. He preneurial startups, to investors. joined CAA in 2006. Cooper graduated from Harvard College with a degree in Social Studies and received his J.D. from Columbia Law Caroline Gentile School. Following law school, Cooper clerked for the Hon- Associate Professor, Fordham Law School orable Denise Cote of the Southern District of New York. Caroline M. Gentile is an Associate Professor of Law at Cooper has given seminars and appeared on panels at Fordham University School of Law, where she played an Columbia Law School, the New York University MFA integral role in the development of its Corporate Law Graduate Musical Theatre program, and the American Center and served, for two years, as the Center’s Aca- Bar Association’s Forum on the Entertainment and Sports demic Director. Professor Gentile teaches Corporations Industries. He currently serves on the board of New Dra- (Business Associations), Corporate Finance, Mergers and matists. Acquisitions, and Securities Regulation. Her research in- terests lie in the integration of economic analysis, princi- pally theories of the firm and finance theory, into the legal Derek Dessler analysis of the organization of business enterprises and Adjunct Professor, Fordham Law School the operation of the capital markets (including the market for sovereign bonds). Her work has been published in the Derek Dessler is an attorney with over 20 years of ex- Duke Law Journal, the Emory Law Journal, and the Journal of perience focusing on entertainment and media, new Law & Contemporary Problems. technology, the arts, and related intellectual property and corporate matters. Professor Gentile received her undergraduate degrees, summa cum laude, in Economics and Political Science from His work routinely includes matters at the intersection of The Ohio State University. She studied in the Law and intellectual property rights and new technology, and he Economics Program at Yale University, and she received regularly advises clients on issues relating to the ongoing her law degree from the Yale Law School, where she was convergence
Recommended publications
  • From Disney to Disaster: the Disney Corporation’S Involvement in the Creation of Celebrity Trainwrecks

    From Disney to Disaster: the Disney Corporation’S Involvement in the Creation of Celebrity Trainwrecks

    From Disney to Disaster: The Disney Corporation’s Involvement in the Creation of Celebrity Trainwrecks BY Kelsey N. Reese Spring 2021 WMNST 492W: Senior Capstone Seminar Dr. Jill Wood Reese 2 INTRODUCTION The popularized phrase “celebrity trainwreck” has taken off in the last ten years, and the phrase actively evokes specified images (Doyle, 2017). These images usually depict young women hounded by paparazzi cameras that are most likely drunk or high and half naked after a wild night of partying (Doyle, 2017). These girls then become the emblem of celebrity, bad girl femininity (Doyle, 2017; Kiefer, 2016). The trainwreck is always a woman and is usually subject to extra attention in the limelight (Doyle, 2017). Trainwrecks are in demand; almost everything they do becomes front page news, especially if their actions are seen as scandalous, defamatory, or insane. The exponential growth of the internet in the early 2000s created new avenues of interest in celebrity life, including that of social media, gossip blogs, online tabloids, and collections of paparazzi snapshots (Hamad & Taylor, 2015; Mercer, 2013). What resulted was 24/7 media access into the trainwreck’s life and their long line of outrageous, commiserable actions (Doyle, 2017). Kristy Fairclough coined the term trainwreck in 2008 as a way to describe young, wild female celebrities who exemplify the ‘good girl gone bad’ image (Fairclough, 2008; Goodin-Smith, 2014). While the coining of the term is rather recent, the trainwreck image itself is not; in their book titled Trainwreck, Jude Ellison Doyle postulates that the trainwreck classification dates back to feminism’s first wave with Mary Wollstonecraft (Anand, 2018; Doyle, 2017).
  • The Principality of Monaco Proudly Supports the World's Premiere Of

    The Principality of Monaco Proudly Supports the World's Premiere Of

    THE PRINCIPALITY OF MONACO PROUDLY SUPPORTS THE WORLD PREMIERE OF DISNEYNATURE’S OCEANS “...We all share the environment; its protection is our duty.” H.S.H. Prince Albert II of Monaco HOLLYWOOD, California – April 19, 2010 – As 2010 marks the 100th anniversary of Monaco’s world­renowned Oceanographic Museum and Aquarium, it is especially fitting that the Principality, the Prince Albert II of Monaco Foundation and the Oceanographic Institute Foundation Albert I, Prince of Monaco – all proud, longtime supporters of OCEANS – joined to celebrate the world premiere of this extraordinary motion picture. The star­studded blue carpet screening of “Disneynature’s Oceans” at the legendary El Capitan Theatre included the film’s narrator, Pierce Brosnan, the duo who sing the film’s theme song, “Make A Wave”, Demi Lovato and Joe Jonas ­ along with his brothers Nick and Kevin ­ renowned oceanographer and National Geographic Explorer­in­Residence, Sylvia Earle, the grandson and granddaughter of famed ocean explorer Jacques­Yves Cousteau, Fabien & Celine Cousteau, the world’s foremost ocean artist, Wyland along with some of the film’s crew members and high­ranking executives from the Walt Disney Company, including president and CEO Bob Iger, chairman of the Walt Disney Studios Rich Ross and president Alan Bergman and executive vice president and general manager of Disneynature Jean­Francois Camilleri. Representing the Principality of Monaco was Maguy Maccario, vice president of the US chapter of the Prince’s Foundation and consul general in New York. Stars who brought along their children included Brothers & Sister star Gilles Marini, actress and model Amber Valetta, actress Lolita Davidovich and film director husband Ron Shelton, and actress Joely Fisher.
  • Bob Iger Kevin Mayer Michael Paull Randy Freer James Pitaro Russell

    Bob Iger Kevin Mayer Michael Paull Randy Freer James Pitaro Russell

    APRIL 11, 2019 Disney Speakers: Bob Iger Chairman and Chief Executive Officer Kevin Mayer Chairman, Direct-to-Consumer & International Michael Paull President, Disney Streaming Services Randy Freer Chief Executive Officer, Hulu James Pitaro Co-Chairman, Disney Media Networks Group and President, ESPN Russell Wolff Executive Vice President & General Manager, ESPN+ Uday Shankar President, The Walt Disney Company Asia Pacific and Chairman, Star & Disney India Ricky Strauss President, Content & Marketing, Disney+ Jennifer Lee Chief Creative Officer, Walt Disney Animation Studios ©Disney Disney Investor Day 2019 April 11, 2019 Disney Speakers (continued): Pete Docter Chief Creative Officer, Pixar Kevin Feige President, Marvel Studios Kathleen Kennedy President, Lucasfilm Sean Bailey President, Walt Disney Studios Motion Picture Productions Courteney Monroe President, National Geographic Global Television Networks Gary Marsh President & Chief Creative Officer, Disney Channel Agnes Chu Senior Vice President of Content, Disney+ Christine McCarthy Senior Executive Vice President and Chief Financial Officer Lowell Singer Senior Vice President, Investor Relations Page 2 Disney Investor Day 2019 April 11, 2019 PRESENTATION Lowell Singer – Senior Vice President, Investor Relations, The Walt Disney Company Good afternoon. I'm Lowell Singer, Senior Vice President of Investor Relations at THe Walt Disney Company, and it's my pleasure to welcome you to the webcast of our Disney Investor Day 2019. Over the past 1.5 years, you've Had many questions about our direct-to-consumer strategy and services. And our goal today is to answer as many of them as possible. So let me provide some details for the day. Disney's CHairman and CHief Executive Officer, Bob Iger, will start us off.
  • On the Disney Channel's Hannah Mont

    On the Disney Channel's Hannah Mont

    Tween Intimacy and the Problem of Public Life in Children’s Media: “Having It All” on the Disney Channel’s Hannah Montana Tyler Bickford Contradictions of public participation pervade the everyday lives of con- temporary children and those around them. In the past two decades, the children’s media and consumer industries have expanded and dramat- ically transformed, especially through the development and consolida- tion of “tweens”—people ages nine to thirteen, not yet “teenagers” but no longer quite “children”—as a key consumer demographic (Cook and Kaiser 2004). Commentators increasingly bemoan the destabilization of age identities, pointing to children’s purportedly more “mature” taste in music, clothes, and media as evidence of a process of “kids getting older younger” (Schor 2004), and to adults’ consumer practices as evidence of their infantilization (Barber 2007). Tween discourses focus especially on girls, for whom the boundary between childhood innocence and adolescent or adult independence is fraught with moral panic around sexuality, which only heightens anxieties about changing age identities. Girls’ consumption and media participation increasingly involve per- formances in the relatively public spaces of social media, mobile media, and the Internet (Banet-Weiser 2011; Bickford, in press; Kearney 2007), so the public sphere of consumption is full of exuberant participation in mass-mediated publics. Beyond literal performances online and on social media, even everyday unmediated consumption—of toys, clothes, food, and entertainment—is fraught with contradictory meanings invoking children’s public image as symbols of domesticity, innocence, and the family and anxiety about children’s intense affiliation with peer com- munities outside the family (Pugh 2009).
  • P25-26 Layout 1

    P25-26 Layout 1

    SUNDAY, AUGUST 13, 2017 TV PROGRAMS 18:33 Key And Peele 22:00 Bunk'd 07:40 Counting Cars 10:12 Game Shakers 19:00 Lucky Them 18:56 Lip Sync Battle 22:25 Miraculous Tales Of Ladybug And 08:05 Counting Cars 10:36 Regal Academy 20:45 Masaan 19:19 Lip Sync Battle Cat Noir 08:30 Pawn Stars 11:00 Winx Club 22:20 Mambo Kings 19:43 Disaster Date 22:50 Lolirock 08:55 Pawn Stars 11:24 SpongeBob SquarePants 20:05 Ridiculousness Arabia 23:10 Sabrina Secrets Of A Teenage 09:20 Storage Wars Miami 11:48 Teenage Mutant Ninja Turtles 00:10 The Night Crew 20:30 Comedy Central Presents Comedy Witch 00:00 Famously Single 09:45 Storage Wars Miami 12:12 The Loud House 02:05 Blackhat 3alwagef 23:35 Binny And The Ghost 10:10 American Pickers 12:36 Breadwinners 04:18 The Call Up 00:55 Hollywood Medium With Tyler 21:00 The Daily Show With Trevor Noah Henry 11:00 The Curse Of Oak Island 13:00 School Of Rock 06:10 I Am Number Four 21:30 The Half Hour 11:50 Duck Dynasty 13:24 Hunter Street 00:40 Pooh's Heffalump Movie 08:00 Maze Runner: The Scorch Trials 01:50 E! News 22:00 The Half Hour 02:50 Celebrity Style Story 12:15 Duck Dynasty 13:48 Nicky, Ricky, Dicky & Dawn 01:55 Hocus Pocus Alfie Atkins 10:15 Blackhat 22:25 Chappelle's Show 12:40 Counting Cars 14:12 Henry Danger 03:10 Ghosthunters On Icy Trails 12:30 Mission To Mars 03:20 Celebrity Style Story 22:50 Live At The Apollo 03:50 Rob & Chyna 13:05 Counting Cars 14:36 The Thundermans 04:50 Ratchet And Clank 14:25 I Am Number Four 23:40 The Daily Show With Trevor Noah 00:00 Henry Hugglemonster 13:30 Ice Road Truckers
  • Fact Book 2010

    Fact Book 2010

    Fact Book 2010 Fact Book 2010 MANAGEMENT TEAM Board of Directors 3 Senior Corporate Officers 4 Principal Businesses 5 OPERATIONS DATA Studio Entertainment 6 Parks and Resorts 8 Consumer Products 11 Media Networks 12 Interactive Media 15 COMPANY HISTORY 2010 17 2009 - 1999 18 - 21 1998 - 1923 22 - 25 Table of Contents 2 BOARD OF DIRECTORS Susan E. Arnold John E. Bryson John S. Chen Judith L. Estrin Robert A. Iger Director since 2007 Director since 2000 Director since 2004 Director since 1998 Director since 2000 Steve Jobs Fred H. Langhammer Aylwin B. Lewis Monica C. Lozano Robert W. Matschullat Director since 2006 Director since 2005 Director since 2004 Director since 2000 Director since 2002 John E. Pepper, Jr. Sheryl Sandberg Orin C. Smith Chairman of the Board Director since 2010 Director since 2006 since 2007 Management Team 3 SENIOR CORPORATE OFFICERS Robert A. Iger President and Chief Executive Officer Jay Rasulo Senior Executive Vice President and Chief Financial Officer Alan N. Braverman Senior Executive Vice President, General Counsel and Secretary Jayne Parker Executive Vice President and Chief Human Resources Officer Christine M. McCarthy Executive Vice President, Corporate Real Estate, Sourcing, Alliances, and Treasurer Kevin A. Mayer Executive Vice President, Corporate Strategy and Business Development Zenia B. Mucha Executive Vice President, Corporate Communications Ronald L. Iden Senior Vice President, Global Security Brent A. Woodford Senior Vice President, Planning and Control Management Team 4 PRINCIPAL BUSINESSES STUDIO ENTERTAINMENT Rich Ross Chairman, The Walt Disney Studios PARKS AND RESORTS Thomas O. Staggs Chairman, Walt Disney Parks and Resorts Worldwide MEDIA NETWORKS George W.
  • Stanley S. Hubbard, Chair

    Stanley S. Hubbard, Chair

    OnBroadcasters The Foundation ofAir America Spring 2008 Mission Statement The mission of the Broadcasters Foundation of America is to improve the quality of life and maintain the personal dignity of men and women in the radio and television broadcast profession who find themselves in acute need. The foundation reaches out across the country to identify and provide an anonymous safety net in cases of critical illness, advanced age, death of a spouse, accident and other serious misfortune. 2008 Golden Mike Table Of Contents Page 2008 Golden Mike ....... 3-37 3 2008 Pioneer Awards ...40-48 2008 Offshore Weekend .................50-51 Taishoff Foundation Underwrites Annual Report ...............54 Message from the President ................55 On The Air Volume 12 • Issue 1 • Spring 2008 © On the Air is a free news and feature publication, offered to Broadcasters Foundation of America members and friends and is published three times a year by the : Broadcasters Foundation of America Seven Lincoln Avenue Second Floor Greenwich, CT 06830 www.broadcastersfoundation.org Ward L. Quaal Gordon H. Hastings, Publisher Jamie Russo, Creative Director For feature story contributions or to request another copy of this publication, please call the Broadcasters Foundation of America at 203-862-8577, or you may email any questions and/or 2008 Ward L. Quall Pioneer Awards comments to Gordon H. Hastings at [email protected] Page 40 The 2007 Pioneer Awards 3 On The Air Summer 2007 2007 Celebrity Golf Wee Burn Challenges Record Field The Darien Connecticut Club Praised Among The Very Best 4 On The Air Summer 2007 Broadcasters Foundation of America President Gordon Hastings, Anne Sweeney, Foundation Chair Phil Lombardo and Anne’s daughter Rosemary “I’m so grateful to see so many friends here, so many people I’ve met and learned from.
  • Sex-On-Tv-4-Full-Report.Pdf

    Sex-On-Tv-4-Full-Report.Pdf

    SEX ON TV 2005 A KAISER FAMILY FOUNDatION REPORT DALE KUNKEL, PH.D., KEREN EYAL, PH.D., KELI FINNERTY, ERICA BIELY, & EdWARD DONNERSTEIN, PH.D. UNIVERSITY OF ARIZONA NOVEMBER 2005 ACKNOWLEDGMENTS The authors wish to convey their appreciation and gratitude to a number of individuals who have made significant contributions to this study. At the University of Arizona, Brian Atkinson served as our technology director, and expertly supervised the project’s transition to the digital environment, which required all new equipment for recording, storage, and playback of over 1000 programs. Nic Schoenfeld managed the collection of the program sample adeptly, and Zhongxiang (Edward) Xia devised a sophisticated software interface to track the status of each show from its initial recording to the completion of its coding and analysis. Carey Willets accomplished all administrative and financial aspects of the project helpfully and efficiently. And finally, Priya Raman provided valuable assistance writing many of the scene examples included in the report as illustrations of key content categories. We thank all of them for their efforts and generous contributions. At the Kaiser Family Foundation, Vicky Rideout has been the leader of this project since its inception. This project now ranks as one of the longest-running studies in the realm of media and social effects research, its value growing with each replication that affords stable and precise comparisons of industry trends over time. We greatly appreciate Vicky’s leadership, and the foundation’s continued participation in this research effort.W e also thank Theresa Boston for her excellent supervision of the final report document throughout the publication process.
  • Big Media, Little Kids: Media Consolidation & Children's

    Big Media, Little Kids: Media Consolidation & Children's

    DOCUMENT RESUME ED 475 660 PS 031 233 AUTHOR Glaubke, Christina Romano; Miller, Patti TITLE Big Media, Little Kids: Media Consolidation & Children's Television Programming. INSTITUTION Children Now, Oakland, CA. PUB DATE 2003-05-21 NOTE 17p.; Additional support provided by the Philadelphia Foundation and Atlantic Philanthropies. AVAILABLE FROM Children Now, 1212 Broadway, Suite 530, Oakland, CA 94612. Tel: 510-763-2444; Fax: 510-763-1974; e-mail: [email protected]; Web site: http://www.childrennow.org. For full text: http://www.childrennow.org/media/fcc-03/fcc-ownership-study- 05-21-03.pdf. PUB TYPE Reports Research (143) EDRS PRICE EDRS Price MF01/PC01 Plus Postage. DESCRIPTORS *Centralization; *Childrens Television; Comparative Analysis; Mergers; *Programming (Broadcast); Television Research IDENTIFIERS California (Los Angeles); Federal Communications Commission ABSTRACT The Federal Communications Commission is currently considering modifying or eliminating existing media ownership rules. Children's advocates are concerned that any changes to these rules could negatively affect the already limited amount and types of programming available for children. Children Now conducted the first study to examine the availability and diversity of children programming in an increasingly consolidated media marketplace. Los Angeles was selected as a case study for this research because it is the second largest media market in the country, and two duopolies now exist among its television stations. The study compared the children's programming schedules from 1998, when the market's seven major commercial broadcast television stations were owned by seven different companies, to 2003, after consolidation reduced the number to five. The findings suggest that changes to the current ownership policies will have a serious impact on the availability and diversity of children's programming.
  • The Reign of Franchise Filmmaking in Hollywood

    The Reign of Franchise Filmmaking in Hollywood

    국제학논총 제33집 pp.109-132. The Reign of Franchise Filmmaking in Hollywood 1)Joo, Jeongsuk* <Abstract> This paper examines the heightened efforts by Hollywood major studios to produce tentpole and franchise films both as one of the most significant trends in Hollywood film production especially since the late 2000s and as an important matter that affects what people around the world see on the big screen. It explores how faltering DVD revenue and the recession in the late 2000s made the studios extremely cost-conscious and profit-hungry, while also elevating the importance of international markets. In this context, the studios further focused on the production of tentpole franchises as the most profitable and safest choice, which led to the intensification in their production of these. The paper also looks at Disney as the foremost instance of the studios’ franchise strategy and how such a change has been shaping the Hollywood film industry since the late 2000s. By examining the altered production landscape dominated by expensive franchises and the changes this has brought, the paper hopes to reveal the limited nature of even the commercial films that come out of Hollywood and the choices at the box office, as well as the current state of Hollywood filmmaking and the forces that have been driving the Hollywood film industry in recent years. Keywords: Hollywood Film Industry, Major Studios, Tentpole, Franchise, Disney * Associate Professor of Department of International Trade and Commerce, Jungwon University ([email protected]). 110 ∙ 국제학논총 제33집 1. Introduction This paper aims to explore how Hollywood major studios’ film production has come to narrow down to mostly tentpoles (big-budget mega-hits that are so profitable as to lift up a studio’s bottom-line for the entire year) and franchise films (ones that are based on the existing materials like comic books or that expand hit films, largely tentpoles, in an ever-widening range of products including, but surely not limited to, sequels, spinoffs, consumer products, and theme park attractions).
  • Rich Ross Group President Discovery Channel, Animal Planet and Science Channel

    Rich Ross Group President Discovery Channel, Animal Planet and Science Channel

    Rich Ross Group President Discovery Channel, Animal Planet and Science Channel Rich Ross serves as Group President of Discovery Channel, Animal Planet and Science Channel and oversees all creative and brand strategy, development, production, marketing and day-to-day operations for all three networks. Ross is based in Los Angeles and reports to David Zaslav, President and CEO of Discovery Communications. Ross earlier served as President of Discovery Channel. During his tenure, Discovery set records in a wide range of demos including millennials, core viewers, women, kids, and families, most recently in 2015 as Discovery delivered its best summer on record. Also in 2015, Ross led the network to its highest rated SHARK WEEK, its best second quarter during 2Q15 and its best quarter ever during 1Q15. NAKED AND AFRAID XL stands as the #1 unscripted freshman series on cable for 2015 to date. Before joining Discovery, Ross served as CEO of Shine America, where he drove the ongoing commercial strategy of US operations. He oversaw all aspects of production, distribution and marketing of original programming across broadcast, cable and digital platforms, including such programs as MasterChef and MasterChef Junior (FOX) and Peabody Award-winning The Bridge (FX). Prior to joining Shine America, Ross had a successful career at The Walt Disney Company from 1996 to 2012, most recently in the role as Chairman of The Walt Disney Studios from 2009- 2012, where he oversaw worldwide production, distribution and marketing for the company’s range of live-action and feature-animated film labels, including Walt Disney, Disney-Pixar and Marvel, and worked with leading filmmakers and focused on branded content.

  • View the Video Overview

    tuck cover4:Layout 1 7/16/10 11:16 AM Page 2 fold fold fold turn the page here PARTICIPANTS Steve Abraham Theresa Page Global Leader, Media & Entertainment SVP, Mobile Entertainment IBM Global Business Services GMR Marketing Lars Albright T’05 Robert Quicksilver D’77 VP, Business Development Chief Content Officer Quattro Wireless Tidal TV Jeff Bartlett Rich Ross President and GM President, Disney Channels Worldwide Hearst-Argyle/WMUR-TV Disney-ABC Television Group Tony Bates Jed Simmons T’87 SVP and GM, Service Provider Group Chief Operations Officer Cisco Systems Next New Networks Glenn Britt D’71, T’72 Melody Tan Chairman and CEO SVP, Strategy and Business Operations VIDEO Time Warner Cable for Content Distribution and Marketing Suranga Chandratillake MTV and BET Networks Founder and CEO Blair Westlake blinkx Corporate VP, Media and Entertainment Justin Denison Microsoft SVP Strategy and Market Intelligence Bob Zitter Samsung Telecommunications America EVP, Technology and CTO Keval Desai HBO Director Product Management Google Carrie Ferman T’04 Director Strategic Initiatives NBC Universal Jonathan Hurd This DVD presentation, produced by the Center for Digital Strategies, features Director Altman Vilandrie & Co. CONTRIBUTORS highlights and interviews from the 2008–2009 Britt Technology Impact Series. For additional information and to access our archive of Radio Tuck and Tuck TV Joel Hyatt D’72 Andy Chapman interviews, visit our website: www.tuck.dartmouth.edu/digitalstrategies Co-Founder and CEO Managing Director Current TV MindShare North America Jane Applegate, writer/producer Yvette Kanouff Jennifer E. Childs, program manager Bruce Leichtman Chief Strategy Officer President and Principal Analyst SeaChange International Barbara J.