WINTER 2019 from the PRESIDENT Since When Does Winter Start in October in Macomb? Paper Or Talking to a Census Volunteer
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
@ 2015 Martin Woodside ALL RIGHTS RESERVED
@ 2015 Martin Woodside ALL RIGHTS RESERVED GROWING WEST: AMERICAN BOYHOOD AND THE FRONTIER NARRATIVE by MARTIN WOODSIDE A dissertation submitted to the Graduate School-Camden Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Doctor of Philosophy Graduate Program in Childhood Studies Written under the direction of Lynne Vallone And approved by ________________________________________ Lynne Vallone ________________________________________ Robin Bernstein ________________________________________ Holly Blackford ________________________________________ Daniel Thomas Cook ________________________________________ Susan Miller Camden, New Jersey May, 2015 ABSTRACT OF THE DISSERTATION Growing West: American Boyhood and the Frontier Narrative by Martin Woodside Dissertation Director: Lynne Vallone This dissertation examines how frontier narratives interacted with discourses of American boyhood to establish and inform notions of race, gender, and national identity in the second half of the nineteenth century. A rich academic conversation exists exploring connections between the mythic power of the American frontier and nineteenth century constructions of hegemonic masculinity; this project adds to that conversation by considering the dynamic relationship between frontier narratives and boyhood. This is a cultural history, assessing prominent nineteenth century cultural forms, such as the dime novel and the Wild West show, through the vivid interplay of frontier mythos and boyhood. Through this interplay, these cultural forms brought together late nineteenth century notions of child development, history, and frontier mythology to tell powerful stories about America’s past and create hopeful visions of its future. ii ACKNOWLEDGMENTS A number of people were indispensable to the completion of this project. I want to thank my friends and family for all of their support, especially my wife Lois, whose patience and encouragement during the writing process has been inestimable. -
Principles from Modern Imagetext Media -- Late 18Th Century to Present
Interface Rhetoric, or A Theory for Interface Analysis: Principles from Modern Imagetext Media -- Late 18th Century to Present Item Type text; Electronic Dissertation Authors Neill, Frederick Vance Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 30/09/2021 12:01:07 Link to Item http://hdl.handle.net/10150/194179 1 INTERFACE RHETORIC, OR A THEORY FOR INTERFACE ANALYSIS: PRINCIPLES FROM MODERN IMAGETEXT MEDIA —LATE 18TH CENTURY TO PRESENT by Frederick Vance Neill _____________________ A Dissertation Submitted to the Faculty of the DEPARTMENT OF ENGLISH In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY WITH A MAJOR IN RHETORIC COMPOSITION AND TEACHING OF ENGLISH In the Graduate College THE UNIVERSITY OF ARIZONA 2009 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by Frederick Vanc e Neill entitled Interface Rhetoric, or A Theory for Interface Analysis--Principles from Modern Imagetext Media—Late 18th Century to Present and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy _______________________________________________________________________ Date: April -
Twain Erratasheet Feb11 2015
Mark Twain’s America Errata Sheet The Library of Congress has determined and regrets that our regular and rigorous review processes were not followed in the editing of the recent publication "Mark Twain's America." The following credits and corrections have resulted from an ongoing cover-to-cover examination of the book. Should other errors be identified, they will be added to this list. “A Personal Chronology,” Timeline, pages 6 – 15: The principal source for this information, used without attribution, is R. Kent Rasmussen, Mark Twain A to Z: The Essential Reference to His Life and Writings (New York: Facts on File, 1995) Page 15, column 1: The birth date of Nina Gabrilowitsch, Twain’s granddaughter should be August 18, 1910, not April 18. Chapter One – River of Dreams Page 17 (picture caption): “... Clemens first saw the capital, in the 1850s ...” Clemens’s first visit was in 1854; it was a short visit of about 4 days. Page 22 (col. 2, lines 8-11): These lines should read: “Sam’s mother, Jane Lampton Clemens, had two daughters, Pamela and Margaret, and four other sons, Orion, Pleasant, Benjamin, and Henry. Margaret died at age nine and Benjamin at age ten; Pleasant lived only three months.” Page 22 (picture caption): Hannibal Journal should be Hannibal Journal and Western Union Page 27 (line 24) Joseph Arment should be Joseph Ament Page 27 (lines 31-32): Hannibal Journal should be Hannibal Journal and Western Union Page 32 (col. 2, picture caption): Sam persuaded his brother to join him as a mud clerk (more accurate than a “lowly worker”) on the Pennsylvania 1 Page 35 (col. -
Uprooted Study Guide
UPROOTED THEATRE study guide Type to enter text presents Mark Twain’s “The Adventures of Huckleberry Finn,” ! from Jim’s perspective, in a powerful new one-man show. Through the Eyes of Jim Written by Laura Lynn MacDonald Conceived & Directed by Marti Gobel Young Auditorium presents UPROOTED theatre’s Through the Eyes of Jim Wednesday, May 2nd. at 10am. This production is supported by the 2012 National Endowment for the Arts Big Read program in partnership with Arts Midwest. 1 Synopsis of Through the Eyes of Jim: Our story begins on a Saturday night, in a grove of Willow trees along the Mississippi River. The year is 1845. Jim, a recently freed slave, has just returned to the Watson Farm where he reunited with his wife and family after more than a year away. Tonight, Jim tells the story of his adventures to the Watson slaves who have gathered by the water to hear him. Jim's story takes us back to the Watson Farm, where Jim worked the hemp fields and provided for his wife and two young children. The owner of the farm has recently died and a fire has burned up the hemp crop. The loss of the crop means that several slaves will have to be sold down river. Jim, being a hard, loyal worker, is told he must move with the owner’s daughter (Miss Watson), to her sister’s in St. Petersburg, Missouri - twenty miles away. While living in St. Petersberg, Jim encounters Tom Sawyer and Huckleberry Finn. We learn that Jim is a gifted seer. -
Samuel Langhorne Clemens: a Centennial for Tom Sawyer; An
I.0 2 2 1.8 1,2 5 DOCUNENT RESUME ED 137 806 CS 2t13 310 AUTHOR Haviland, Virginia, Comp.; Coughlan, Margaret N., Comp. TITLE Samuel Langhorne Clemens: A Centennial tor Tom Sawyer; An Annotated, Seleced Bibliogrophy. INSTITUTION Library of Congress, Washington, D.C. Children's Book Section. PUB DATE 76 NOTE 66p.; All reproductions of illustrations, drawings, and woodcuts have been removed due to copyright restrictions AVAILABLE FROMSuperintenaent of Documents, U.S. GoT.ernment Printing Office, Washington, D.C. 20402 (Stock No. 030-001-00070-2, $.25) EDRS PRICE MF-$0.83 HC-3.50 Plus Postage. DESCRIPTORS *American Literature; *Annotated Bibliographies; IChildrens Literature; *Fiction; *Nineteenth Century Literature IDENTIFIERS *Twain (Mark) ABSTRACT This annotated bibliography, prepared by the Children's Book Section of the Library of Congress to celebrate the centennial of "The Adventures of Tom Sawyer," lists editions of the Mark Twain classics most widely read by young people, biographical or autobiographical and travel works significant for relevent background, and miscellaneous items which are related to Clemens' writing of fiction and which reflect his personality. Foreign-language editions, biocritical works, and bibliographies are also listed. Contemporary book reviews are quoted in annotations for first editions of the famous stories. (JM) *********************************************************************** Documents acquired by ERIC include many informal unpublished * * materials not available from other sources. ERIC makes every effort * * to obtain the best copy available. Nevertheless, items of marginal * * reproducibility are often encountered and this affects the quality * * of the microfiche and hardcopy reproductions ERIC makes available * * via the ERIC Document Reproduction Service (EDRS). EDRS is not * responsible for the quality of the original document. -
Children's Books
Children’s Books Children’s Books 32 Saint George Street London W1S 2EA +44 20 7493 0876 [email protected] www.shapero.com 1. ALDIN, C E cil . A Gay Dog. The Story of a Foolish Year. 2. ANDERSEN, H ans C hris T ian . A Picture Book London, William Heinemann, 1905. Without Pictures... From the German Translation of De La Motte Fouque by Meta Taylor. London, David Bogue, 1847. £275 [ref: 99529] [ref: 95401] ‘Mr. Aldin’s “gay dog” is a bull terrier owned by an actress. £275 And the creature is as veritable a bit of canine irresponsibility The first English translation of Hans Christian Andersen’s Book Review Digest and pomposity as one could imagine.’ ( , Billedbog Uden Billeder. Vol. II, 1906) First English edition; small 8vo; age toned, rear inner joint cracked First edition; 4to (310 x 250 mm.); title printed in red & black but sound; original decorated boards by Leighton and son, Angel with publisher’s device, 24 full-page colour illustrations by Aldin, Street, Strand (small label to rear paste-down), contemporary endpapers a little discoloured, otherwise internally near-fine; Edinburgh bookseller’s small label to upper pastedown, publisher’s cloth-backed pictorial boards, mild dust-soiling, rubbing spine darkened, covers worn, otherwise a very good copy. to extremities, otherwise very good. Shapero Rare Books 3 3. ANDERSON, IsaBEL; [ELLIOTT, John (illUSTraTor)]. 4. ARDIZZONE, E DWard ( ill U S T raTor ); REEVES, The Great Sea Horse. London, Frederick Warne & Co., [1909]. J I M ( AUT hor ). The Angel and the Donkey. London, Hamish Hamilton, 1969. -
Travel and Exploration
Travel and Exploration Can it Be pofible for A natural1 man Totraueil nimbler then Tom Corycte can ? No :though You ihould tie to his horne-peec'd Shoes, wings fzther'd mcre then Mer- crrry did vie, Perchaunce hee borrowed Fo7tunatas Hatte, for wings fince Bladuds tine Were out of da-k His purfe he hath to prbt Whac hez did write, e!fe who had read of tlee, 0 Wandering Wight ? Whb elf! had hiowne whht thou H& felt and ieene, where and with whom; and how firr~ Thou hait becne? Erz thou t3 O~~smbecouldfi thy Tro- phyes b;kg ? Thy hungiy prapies in his Egge I fifi& At thy requcfi, elie in another fzflllon. I would Haue pointcd zit thy commendation : Thy other Heliconian friends bring itore of Sdt, of Pepper, acd Vineger iowre, to furniih thy Italian Eanquet forth, whereby is Plainly fhovrn thy wondrous worth. Feat Ccryatc, fcat the world Still with thy trauel, diicharge The PreiTe, and care Not then who CaeulI. Travel and Exploration: A Catalogue of The Providence Athenaeum Collection Compiled by Carol S. Cook The Providence Athenaurn Providence, Rhode Island 1988 Design by Risa Gilpin Word processing and typesetting by Verbatim, Inc. Printed by the Town Press. The major funding for this publication was provided by the Rhode Island Committee for the Humanities, an affiliate of the National Endowment for the Humanities. Copyright O The Providence Athemum, 1988 CONTENTS Foreword by Sally Duplaix ................................................................................................Page ix The Library Committee by Elmer M. Blistein ................................................................................x Preface by Carol S. Cook ..........................................................................................................xi Acknowledgements ..................................................................................................................xii Chronicles (catalogue numbers 1-15).....................................................................................