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Brian Wilson's Spacious Estate in West Suburban St
May 24, 1998---- The backyard of Brian Wilson's spacious estate in west suburban St. Charles overlooks a calm pond. A playground set stands near the water. Wilson slowly walks out of the basement studio in the home he shares with wife Melinda and daughters Daria, 2, and Delanie, 6 months old. Wilson squints into the midday sun. He looks at a playground slide. Then he looks at a swing set. Wilson elects to sit down on the saddle swing. In a life of storied ups and downs, Wilson's career is on the upswing. The June release of ``Imagination'' (Giant Records) is a return to 1966's ``Pet Sounds'' in terms of orchestration and instrumentation, with its the ambitious patterns of tympanies and snare drums. But equally important are Wilson's vocals, which are the smoothest and most soulful since 1970's ``Sunflower.'' Wilson, 55, has suddenly defied age. Mick Jagger and Pete Townshend are brittle rock 'n' roll barnacles. Ray Davies and Paul McCartney have matured gracefully. Yet here's Wilson singing with effervescent hope on ``Dream Angel,'' which he co-wrote with his co-producer Joe Thomas and Jim Peterik of Survivor and Ides of March fame. The song was inspired by Wilson's new daughters. They make him happy. He says that is why he is writing happy music. On ``Dream Angel,'' Wilson even returned to the tight, late '50s harmonies of the Dell Vikings (``Come Go With Me'') and the Four Freshmen - happy-go-lucky voices that influenced the Beach Boys when they were young. -
Meet Our 2018 El Camino College Distinguished Alumni
Meet our 2018 El Camino College Distinguished Alumni The El Camino College Foundation is proud to announce the 2018 Distinguished Alumni. These individuals have furthered their educational and career goals and have proven to be outstanding in their field, as well as recognized for achievements in business, volunteerism and philanthropy. Distinguished Alumni Award We’re proud to announce that we will also honor one area EL CAMINO COLLEGE philanthropist and one local corporate partner with the first ever 2018 Distinguished Alumni Gratitude Awards. This award recognizes long time support of El Camino & Gratitude Awards Dinner students to help ensure they have a more successful and productive educational experience. Please join us to celebrate and recognize these Friday, February 1, 2019 6:00 pm deserving recipients. Torrance Marriott For more details visit www.elcaminocollegefoundation.org Rocky Chavez Dan Keenan Sherry Kramer Brian Wilson Assemblymember Dan Keenan Sherry Kramer Brian Wilson Rocky Chavez Gratitude Award Recipients Dan Keenan is Senior Vice President Since 2006, Sherry Kramer has Brian Wilson is most famously Rocky Chávez began his career in at Keenan & Associates in Torrance and been the Director of Community Affairs known as the founder of the Beach Frances Ford public service after graduating from works closely with public agencies and and Government Relations for Continental Boys, an iconic American band that Frances Ford has a passion for helping students at El Camino El Camino College and then Chico State, Keenan & Associates benefit consultants Development Corporation, a commercial created the sounds of Southern College. Her late husband Warren was a Chemistry professor for 36 when he joined the United States Marine to design and implement retirement real estate business which also includes California. -
October 1-31, 2015
Movie Show Times: October 1-31, 2015 Phone: (954) 262-2602, Email: [email protected] , www.nova.edu/sharksunitedtv 2015 1:30 AM 3:30 AM 6:00 AM 8:00 AM 10:30 AM 12:30 PM 3:00 PM 5:00 PM 7:30 PM 9:30 PM 11:30 PM One Flew Over the Pitch Perfect 2 Shutter Island Extinction Furious 7 The Age of Adeline Ghostbusters Moneyball American Psycho Barely Lethal Friday the 13th Oct. 1 Cuckoo's Next Oct. 2 Beetle Juice 42 Hotel Transylvania Girl Interrupted Amityville Horror Love & Mercy Hot Pursuit The Soloist Animals Pitch Perfect 2 Extinction Oct. 3 The Age of Adeline Furious 7 Ghostbusters Shutter Island American Psycho Moneyball Barely Lethal 42 Friday the 13th Beetle Juice Hotel Transylvania One Flew Over the Amityville Horror Girl Interrupted Hot Pursuit Love & Mercy Animals The Soloist Pitch Perfect 2 Extinction The Age of Adeline Ghostbusters Oct. 4 Cuckoo's Next Oct. 5 American Psycho Moneyball Barely Lethal 42 Friday the 13th Girl Interrupted Beetle Juice Love & Mercy Hotel Transylvania Amityville Horror Hot Pursuit Oct. 6 Animals The Soloist Pitch Perfect 2 Moneyball Extinction Shutter Island The Age of Adeline Furious 7 Ghostbusters American Psycho Barely Lethal One Flew Over the Friday the 13th Beetle Juice Girl Interrupted Hotel Transylvania Love & Mercy Amityville Horror The Soloist Hot Pursuit Animals Pitch Perfect 2 Oct. 7 Cuckoo's Next One Flew Over the Extinction Shutter Island The Age of Adeline Furious 7 Ghostbusters American Psycho Moneyball Barely Lethal Friday the 13th Beetle Juice Oct. 8 Cuckoo's Next Oct. -
I AM BRIAN WILSON Brian Wilson October 11Th, 2016
I AM BRIAN WILSON Brian Wilson October 11th, 2016 OVERVIEW: As a cofounding member of The Beach Boys in the 1960s, Brian Wilson created some of the most groundbreaking and timeless music ever recorded. Derailed in the 1970s by mental illness, excessive drug use, and the shifting fortunes of the band’s popularity, Wilson came back again and again over the next few decades, surviving and ultimately thriving. In his memoir entitled I Am Brian Wilson, he details the exhilarating highs and lows of his life from his failing memory, including the sources of his creative inspiration throughout the decades. - - - - - - - - - EARLY LIFE: Brian Wilson was born on June 20th, 1942 to Audree and Murry Wilson. Growing up in Hawthorne, California, Wilson exhibited unusual musical abilities, such as being able to hum the melody from When the Caissons Go Rolling Along after only a few verses had been sung by his father before the age of one. Surprisingly, a few years later, he was discovered to have diminished hearing in his right ear. The exact cause of this hearing loss is unclear, though theories range from him simply being born partially deaf to a blow to the head from his father, or a neighborhood bully, being to blame. While Wilson’s father was a reasonable provider, he was often abusive. A minor musician and songwriter, he also encouraged his children in this field in numerous ways. At an early age, Brian was given six weeks of lessons on a toy accordion and, at seven and eight, sang solos in church with a choir. -
Wouldn't It Be Nice
wouldn’t it be nice by lewis shiner hat if? It’s not just science fiction and fantasy that asks this w question, it’s all of fiction. What if a young student murdered his landlady to prove his moral superiority? What if a woman survived the Civil War and three marriages only to find true love too late? It’s also the question by which we transform ourselves. What if I quit my job and moved to the desert? What if I turned myself loose to create “a teenage symphony to God?” The Icarus who attempted that teenage symphony in 1966 is now 53. For Brian Wilson it’s been thirty years of struggle: with drugs and diet, with people who want to run his life for him, with the intensity of his own feelings. The good news is that Wilson’s life is finally his own again. He is newly married to a woman named Melinda, who is calm and sweet and loving with him. He has a new house in the safety of a gated community high above the city. And he is back in the public eye with two new albums and a movie on the Disney channel. The film is I Just Wasn’t Made For These Times, directed by producer-of-the- moment Don Was. The soundtrack is a kind of Best of Brian Wilson, live in the studio with crack session players like Jim Keltner, Benmont Tench, and Waddy Wachtel. This is not only a wonderful album in its own right, it represents a healing of other wounds. -
Pet Sounds”—The Beach Boys (1966) Added to the National Registry: 2004 Essay by Tom Smucker (Guest Post)*
“Pet Sounds”—The Beach Boys (1966) Added to the National Registry: 2004 Essay by Tom Smucker (guest post)* Album cover Original label The Beach Boys Released in May of 1966, “Pet Sounds” was initially understood by some as a new pop music paradigm, for others as a rock betrayal, for a few as a source of personal solace. In the USA, it was also a financial disappointment, a potentially career collapsing abandonment of the Beach Boys surf, car, and summer songs. Across the Atlantic in the UK, the album received a crucially different debut. Keith Moon of The Who helped Bruce Johnston of the Beach Boys set up a publicized pre-release “Pet Sounds” enthusiastic listen in London for John Lennon and Paul McCartney. With that recognition established, the LP and the Beach Boys continued their overseas ascent in esteem and popularity while dropping out of favor, if not out of sight, in the United States. As had been his practice previously in the studio, Brian Wilson worked out the instrumental tracks with the cream of LA studio musicians, the so-called “Wrecking Crew,” while the rest of the group was on tour, returning to add their complex yet heartfelt vocal harmonies on the top. In “Pet Sounds,” these tracks were packed with found sounds, countermelodies, and an unpredictable variety of instrumentation that gave each cut a distinctive signature while still part of a coherent whole. Brian was composing using the modern mid-1960s recording studio as his instrument. It was this example that inspired George Martin and the Beatles to expand their exploration of the studio with their own sensibility for “Sgt. -
Love and Mercy September 27 & 28, 2015
ciné SARNIA presents Love and Mercy September 27 & 28, 2015 Please check our web site at www.cinesarnia.com for upcoming films and other information Director: Bill Pohlad Cast:: John Cusack, Paul Dano, Elizabeth Banks, Paul Giamatti Year: 2013 Runtime: 120 minute Country: USA Language: English Upcoming Films Oct. 18 & 19 : Phoenix Nov. 8 & 9: A Brilliant Young Mind Nov. 22 & 23: Infinitely Polar Bear Dec 6 & 7: Learning to Drive Love and Mercy You have to love a biopic that shakes things up. Just like Brian Wilson, the Beach Boys innovator whose gifts as singer, songwriter and producer were based on experimentation. Instead of one actor to portray Wilson, sidelined by drugs and mental illness, director Bill Pohlad gives us two, both superb in different ways. Paul Dano, who put on pounds to further the moon-faced likeness, plays Wilson during the 1960s, at the height of his artistic creativity. John Cusack, who looks distractingly unlike Wilson, plays the shaken genius during the 1980s, when he barely emerged from the pill-induced haze created by therapist Eugene Landy (a full-tilt Paul Giamatti). His rescuer is Cadillac saleswoman Melinda Ledbetter (Elizabeth Banks), who became his second wife. Does Ledbetter's consulting credit skew the film dramatically? Maybe. But the whip-smart script, by Oren Moverman and Michael Alan Lerner, neatly sidesteps cliché. So does Dino Jonsater's editing, which shuns the linear to skip between time periods until juxtaposition yields clarity. Musically, the film is a miracle, right and riveting in every detail. Just watch Wilson in the studio, coaxing musicians on "Good Vibrations" and Pet Sounds , which uses whistles, bicycle bells and barking dogs to approach what Wilson hears in his head. -
ARMISTICE DAY No.15 My Fervent Hope That the Situation Will Not Johnston’S Touring Jukebox (Or the Beach Drag on Too Long
The Armistice Day Newsletter No.15 It’s terrifically bad form to be apologising On Canada Day (July 1), we shall be with only two issues under my belt, but it is bopping to Mike Love and Bruce ARMISTICE DAY No.15 my fervent hope that the situation will not Johnston’s Touring Jukebox (or the Beach drag on too long. Now that I have secured Boys, as they insist on calling themselves) employment which commences on July 2, at Toronto’s Molson Amphitheatre. Since A Diplomacy zine from Stephen Agar, 47 Preston Drove, Brighton, BN1 6LA. the likelihood that a new (or at least a it’s also my mother-in-law’s birthday, I am Email [email protected]. Web page: http://www.armisticeday.com. reliable, refurbished) computer will grace working on some way of lessening my guilt This rather thin issue is free to current subscribers the Gooch study very soon has gone from and her annoyance at being placed second negligible to probable. in importance to a raucous pop band (her words). I can get Mike Love’s autograph Let’s talk Editorial easily enough, but choosing the words I’d DIVERSIONS Regrets. I have so many tantalising topics like him to write is a tricky task. After all, Well, this issue is already two weeks late, to cherry pick from Ontario’s rich history, it Myra is scarcely going to be impressed by so faced with the choice of delaying it by Volume II : Issue 3 : July 2002 saddens me to report that I simply cannot the fact that I can get backstage and chat another 10-14 days and doing a full issue, Rip Gooch take the risk of working on disposable with the Lovester and his comrades. -
IN MY ROOM Feuille D'information Consacrée À Brian Wilson Et Aux Beach Boys N° 8 – Printemps / Été 2007
IN MY ROOM Feuille d'information consacrée à Brian Wilson et aux Beach Boys N° 8 – Printemps / Été 2007 Lonely Sea Edito La période 1961 / 1964 Après le sourire de Brian, le début des années Au fil du temps ... repères biographiques 70, le Christmas Album, les deux numéros consacrés à Dennis Wilson, la période Brian's à 1960 : naissance des protagonistes, don Back et les 40 ans de Pet Sounds, nous De 1941 pour la musique de Brian, influence des Four continuons notre progression irrationnelle en Freshmen et de Chuck Berry, père violent, jaloux mais ambitieux, Hawthorne High School, cours de musique, premières tentatives, abordant les tout débuts du groupe. Pourquoi Kenny & The Kadets, Carl & The Passions ... pas, après tout ! Les frères Wilson, le cousin Mike Love et l'ami Al Profitons de l'instant pour saluer la première 1961 Jardine répètent ensemble dans la maison familiale à amicale contribution à d'un grand Hawthorne (Californie). Ils choisissent le nom de The Pendletones. In My Room Murry Wilson, le père, devient leur manager. Ils enregistrent des démos spécialiste, M. Kingsley Abbott. (« Surfin' » & « Luau ») sous la houlette de l'éditeur Hite Morgan dans ses studios le 15 septembre. Première session « professionnelle » Quant à vous, chers abonnés, à vous de jouer ... d'enregistrement au World Pacific Studio le 3 octobre. bonne lecture ! 8 décembre : sortie du simple « Surfin' » / « Luau » sur Candix Records (Candix 331) sous le nom de « The Beach Boys », choisi par le label. Enjoy ! 23 décembre, premier concert au Rendezvous Ballroom Balboa de Newport Beach (Californie) Charlie Dontsurf 17 février : Le simple entre 1962 Capitol, sort le 4 mars . -
Pages 2925-3068)
Pennsylvania Bulletin Volume 40 (2010) Repository 6-5-2010 June 5, 2010 (Pages 2925-3068) Pennsylvania Legislative Reference Bureau Follow this and additional works at: https://digitalcommons.law.villanova.edu/pabulletin_2010 Recommended Citation Pennsylvania Legislative Reference Bureau, "June 5, 2010 (Pages 2925-3068)" (2010). Volume 40 (2010). 23. https://digitalcommons.law.villanova.edu/pabulletin_2010/23 This June is brought to you for free and open access by the Pennsylvania Bulletin Repository at Villanova University Charles Widger School of Law Digital Repository. It has been accepted for inclusion in Volume 40 (2010) by an authorized administrator of Villanova University Charles Widger School of Law Digital Repository. Volume 40 Number 23 Saturday, June 5, 2010 • Harrisburg, PA Pages 2925—3068 See Part II page 3041 Part I for the State Board of Crane Operators’ Agencies in this issue Crane Operators; Initial Rulemaking The Courts Department of Banking Department of Education Department of Environmental Protection Department of Health Department of Public Welfare Executive Board Fish and Boat Commission Health Care Cost Containment Council Independent Regulatory Review Commission Insurance Department Pennsylvania Gaming Control Board Pennsylvania Public Utility Commission State Board of Crane Operators State Board of Medicine State Board of Pyschology Susquehanna River Basin Commission Detailed list of contents appears inside. PRINTED ON 100% RECYCLED PAPER Latest Pennsylvania Code Reporters (Master Transmittal Sheets): No. 427, June 2010 published weekly by Fry Communications, Inc. for the PENNSYLVANIA Commonwealth of Pennsylvania, Legislative Reference Bu- BULLETIN reau, 641 Main Capitol Building, Harrisburg, Pa. 17120, (ISSN 0162-2137) under the policy supervision and direction of the Joint Committee on Documents pursuant to Part II of Title 45 of the Pennsylvania Consolidated Statutes (relating to publi- cation and effectiveness of Commonwealth Documents). -
Surfin' USA (1963)
MUSC-21600: The Art of Rock Music Prof. Freeze Surfin’ U.S.A. (1963) The Beach Boys LISTEN FOR • Lyrics highlight hot surf spots • Rich back-up vocals • Ringing falsetto hook • Surf-oriented instrumentals • Modeled on “Sweet Little Sixteen” (Chuck Berry, 1958) CREATION Songwriters Brian Wilson, Chuck Berry Label, Record Capitol 4932 Musicians Mike Love (lead vocal), David Marks (rhythm guitar), Brian Wilson (bass guitar, organ, vocals), Carl Wilson (lead guitar, vocals), Dennis Wilson (vocals, drums) Producer Nik Venet Recording January 1963 Charts Pop 3, R&B 20 MUSIC Genre Surf rock Form Simple verse Key E-flat major Meter 4/4 MUSC-21600 Listening Guide Freeze “Surfin’ U.S.A.” (The Beach Boys, 1963) LISTENING GUIDE Time Form Lyric Cue Listen For 0:00 Intro (4) • Chuck Berry-style guitar intro with heavy reverb 0:03 Verse 1 w/refrain (16) “If everybody had” • Lead vocal with “oo” backups • Stop time with bass drum beats that continues. 0:23 • Refrain. 0:27 Verse 2 w/refrain (16) “You’d catch ‘em” • Backup vocals sing “inside, outside U.S.A.” • Band plays in regular time to add rhythmic drive. 0:43 • Falsetto hook “everybody’s gone surfin’” gives impression of chorus 0:47 • Refrain. 0:50 Verse 3 w/refrain (16) “We’ll all be” • As verse 1, in stop time. 1:15 Verse 4 w/refrain (16) “At Haggerties” • As verse 2, regular time. 1:32 • Falsetto hook. 1:35 • Refrain. 1:39 Instr. verse w/refrain (16) • Electric organ solo, guitar solo. 1:56 • Falsetto hook. 1:59 • Sung refrain. -
Brian Wilson
Volume ! La revue des musiques populaires 10 : 2 | 2014 Composer avec le monde Kirk CURNUTT, Brian Wilson Daniel Harrison Electronic version URL: http://journals.openedition.org/volume/4094 DOI: 10.4000/volume.4094 ISSN: 1950-568X Printed version Date of publication: 10 June 2014 Number of pages: 228-233 ISBN: 978-2-913169-35-7 ISSN: 1634-5495 Electronic reference Daniel Harrison, « Kirk CURNUTT, Brian Wilson », Volume ! [Online], 10 : 2 | 2014, Online since 30 June 2014, connection on 10 December 2020. URL : http://journals.openedition.org/volume/4094 ; DOI : https://doi.org/10.4000/volume.4094 L'auteur & les Éd. Mélanie Seteun 228 Notes de lecture Kirk Curnutt, Brian Wilson, Icons of Pop Music, Halstead & Lang, Equinox Publishing, 2012. Finally, the Professors Brian’s work, often using terms, snatches of of English have gotten lyric, song titles, and other saved bits of text to Brian Wilson! This is produced by Brian and the Beach Boys, as well great news, since we as their spokesmen, chroniclers, and critics. don’t need any more (Thanks to previous authors and collectors, chronologies, antho- the documentary record of Brian’s professional logies, mythologies, career, at least, is extremely rich.) From his own psychologies, or hagio- training, Curnutt makes us aware of aspects graphies. The main of Brian’s work that invite questions about facts of his biography race, gender, and social positioning. What’s a to date are settled, and white “glee club” doing with Chuck Berry licks? those few in dispute What’s up with Brian’s falsetto? What’s so great are both long-standing and familiar to fans.