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4 THE SUNDAY STAR, WASHINGTON, T>. C., MARCH 2, 1930. BROADWAYS Newest Cinderellas

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'¦ * &&ji§},.iHHKk; ¦"£ i % / iano percher Helen Morgan, who icon her way to Before the second act teas over Doris fame through a Canadian Carson had stopped the shotc. beatify contest. BY GILBERT SWAN. How Like Fickle Sketches by George Clark. Fame, a Fairy Godmother, ' Broadway * OMTS call them Cinde- rcilas” and some call them “show Has \ stoppers.” Dropped Wealth and Contracts Into \ A few are certain to appear each season, and the 1930 crop is now ready to step up and take its bow, its rewards, the Laps Pretty Miss Nobodies F rom and its moments of fame. of ¦''" V . V ’&'*«. Now a Broadway Cinderella, according to the .Jil3lM.W&mKaS&rM&: f definition of the gay white way, is a youngster who steps suddenly out of nowhere into in- Nowhere Who Have Stolen Shows stant popularity and success. While thousands plug steadily along, seldom passing the great middle-ground, and while others make a stow, steady way to the top—- Away From the Stars. one or two or three, whose names have never dignified a theater program, come fairly leaping out of a dramatic cast. And —presto! They Broadway didn’t. One day Guy Bolton and might think. It does happen. It happened to “stop the show!” Burt Kalmer—who were about to become pro- Doris Carson, for instance. Before the final curtain is rung down on a ducers—went “scouting.” They “caught” her Doris comes from a theatrical family. Her ¦ | premiere the whole house knows that a young act and gave her a chance in a musical father, comedy, James Carson, is a character actor of * Siy ? v |^« stranger has “stolen the evening.” By morning “Top Speed.” considerable standing who encouraged Doris 3