“A Morning in the Australian Bush”
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Whistler3 Frontcover
The Whistler is the occasionally issued journal of the Hunter Bird Observers Club Inc. ISSN 1835-7385 The aims of the Hunter Bird Observers Club (HBOC), which is affiliated with Bird Observation and Conservation Australia, are: To encourage and further the study and conservation of Australian birds and their habitat To encourage bird observing as a leisure-time activity HBOC is administered by a Committee: Executive: Committee Members: President: Paul Baird Craig Anderson Vice-President: Grant Brosie Liz Crawford Secretary: Tom Clarke Ann Lindsey Treasurer: Rowley Smith Robert McDonald Ian Martin Mick Roderick Publication of The Whistler is supported by a Sub-committee: Mike Newman (Joint Editor) Harold Tarrant (Joint Editor) Liz Crawford (Production Manager) Chris Herbert (Cover design) Liz Huxtable Ann Lindsey Jenny Powers Mick Roderick Alan Stuart Authors wishing to submit manuscripts for consideration for publication should consult Instructions for Authors on page 61 and submit to the Editors: Mike Newman [email protected] and/or Harold Tarrant [email protected] Authors wishing to contribute articles of general bird and birdwatching news to the club newsletter, which has 6 issues per year, should submit to the Newsletter Editor: Liz Crawford [email protected] © Hunter Bird Observers Club Inc. PO Box 24 New Lambton NSW 2305 Website: www.hboc.org.au Front cover: Australian Painted Snipe Rostratula australis – Photo: Ann Lindsey Back cover: Pacific Golden Plover Pluvialis fulva - Photo: Chris Herbert The Whistler is proudly supported by the Hunter-Central Rivers Catchment Management Authority Editorial The Whistler 3 (2009): i-ii The Whistler – Editorial The Editors are pleased to provide our members hopefully make good reading now, but will and other ornithological enthusiasts with the third certainly provide a useful point of reference for issue of the club’s emerging journal. -
Phenological Shifts Conserve Thermal Niches in North American Birds and Reshape Expectations for Climate-Driven Range Shifts
Phenological shifts conserve thermal niches in North American birds and reshape expectations for climate-driven range shifts Jacob B. Socolara,1, Peter N. Epanchinb, Steven R. Beissingerc,d, and Morgan W. Tingleya aDepartment of Ecology and Evolutionary Biology, University of Connecticut, Storrs, CT 06269; bOffice of Global Climate Change, US Agency for International Development, Washington, DC 20523; cDepartment of Environmental Science, Policy & Management, University of California, Berkeley, CA 94720; and dMuseum of Vertebrate Zoology, University of California, Berkeley, CA 94720 Edited by Hugh P. Possingham, University of Queensland, St. Lucia, Australia, and approved October 10, 2017 (received for review April 14, 2017) Species respond to climate change in two dominant ways: range another opportunity to track temperature by shifting thermally shifts in latitude or elevation and phenological shifts of life-history constrained life-history events (e.g., nesting in birds) to colder times events. Range shifts are widely viewed as the principal mechanism of year (Fig. 1). This might be the case even if the main adaptive for thermal niche tracking, and phenological shifts in birds and significance of phenological shifts involves resource tracking. other consumers are widely understood as the principal mecha- However, species do not have unrestricted flexibility to adjust nism for tracking temporal peaks in biotic resources. However, their phenology to track temperature. Phenological timing of life- phenological and range shifts each present simultaneous oppor- history events is not always behaviorally plastic or evolutionarily tunities for temperature and resource tracking, although the labile (21). Moreover, consumers face demographic consequences possible role for phenological shifts in thermal niche tracking has if reproduction is not adequately timed with peaks in biotic re- been widely overlooked. -
The Night Vigil of Shen Zhou
Glossator: Practice and Theory of the Commentary 3 (2010) THE NIGHT VIGIL OF SHEN ZHOU J. H. Prynne On a cold night sleep is very sweet. I woke in the middle of the night, my mind clear and untroubled, and as I was unable to go to sleep again, I put on my clothes and sat facing my flickering lamp. On the table were a few folders of books. I chose a volume at random and began to read, but tiring I put down the book and sat calmly doing nothing [shushou weizuo]. A long rain had newly cleared, and a pale moon was shining through the window. All around was silence. Then after a long time absorbing the fresh brightness, I gradually became aware of sounds. Listening to the rustling of the wind stirring the bamboo gave one the feeling of going bravely and unwaveringly onward. Hearing the harsh snarling of dogs gave feelings of barring out evil, of opposing marauders. Hearing the sound of drums, large and small—the small ones thin, and the far ones clear and deep and uninterrupted—stirred restless thoughts that were lonely and sad. The official drum was very close, from three beats, to four and then five, gradually faster, hastening the dawn. Suddenly in the northeast the sound of a bell, a bell pure and clean through rain-cleared air, and hearing it came thoughts of waiting for the dawn, rising and doing. It was inevitable. My nature is such as to enjoy sitting in the night [yezuo]. So I often spread a book under the lamp going back and forth over it, usually stopping at the second watch. -
A New World Tragedy $13.95
... - Joumey to Nowhere A NEW WORLD TRAGEDY $13.95 Rarely does a book come along which so transcends its apparent subject that the reader is ultimately given something larger, richer, and more revealing than he might initially have imagined. Already published in Eng land to overwhelming acclaim (see back of jacket), Shiva Naipaul’s Journey to Nowhere is such a book — a “power ful, lucid, and beautifully written book” (The Spectator) that is destined to be one of the most controversial works of 1981. In it, this major writer takes us far beyond the events and surface details surrounding the tragedy of Jones town and the People’s Temple —and gives us his remark able, unique perspective on the deadly drama of ideas, environments, and unholy alliances that shaped those events both in Guyana and, even more significantly, in America. Journey to Nowhere is, on one level, a “brilliantly edgy safari” (New Statesman) inside the Third World itself—a place of increasing importance in our lives—and on another, a book about America, about the corrupt and corrupting ideologies and chi-chi politics of the past twenty years that enabled the Reverend Jim Jones and the Temple to flourish and grow powerful in California and Guyana. Drawing on interviews —with former members of the Temple, various officials, and such people as Buckmin ster Fuller, Huey Newton, Clark Kerr, and others —on documents, and most importantly, on his own strong, clear reactions to what he observed, Naipaul examines the Guyana of Forbes Bumham, the CIA stooge turned Third World socialist leader, whose stated ideals of socialism, racial brotherhood, and cooperative agricul tural enterprise coincided so neatly, we learn for the first time, with those of the People’s Temple — ideals that led all too easily to violence and death. -
Tropical Birding Tour Report
AUSTRALIA’S TOP END Victoria River to Kakadu 9 – 17 October 2009 Tour Leader: Iain Campbell Having run the Northern Territory trip every year since 2005, and multiple times in some years, I figured it really is about time that I wrote a trip report for this tour. The tour program changed this year as it was just so dry in central Australia, we decided to limit the tour to the Top End where the birding is always spectacular, and skip the Central Australia section where birding is beginning to feel like pulling teeth; so you end up with a shorter but jam-packed tour laden with parrots, pigeons, finches, and honeyeaters. Throw in some amazing scenery, rock art, big crocs, and thriving aboriginal culture you have a fantastic tour. As for the list, we pretty much got everything, as this is the kind of tour where by the nature of the birding, you can leave with very few gaps in the list. 9 October: Around Darwin The Top End trip started around three in the afternoon, and the very first thing we did was shoot out to Fogg Dam. This is a wetlands to behold, as you drive along a causeway with hundreds of Intermediate Egrets, Magpie-Geese, Pied Herons, Green Pygmy-geese, Royal Spoonbills, Rajah Shelducks, and Comb-crested Jacanas all close and very easy to see. While we were watching the waterbirds, we had tens of Whistling Kites and Black Kites circling overhead. When I was a child birder and thought of the Top End, Fogg Dam and it's birds was the image in my mind, so it is always great to see the reaction of others when they see it for the first time. -
Jazz Drums Thelonious Monk Institute of Jazz Online Jazz Handbook
Jazz Drums Thelonious Monk Institute of Jazz Online Jazz Handbook welcome to the drums chapter of the Thelonious Monk Institute of Jazz’s Online Jazz Handbook! When learning jazz, there is no substitute for listening to the classic recordings and understanding the lineage. Please refer often to the albums listed at the end of this chapter for great examples of the material listed below. Don’t forget to practice with a metronome: This is important for drummers at all levels when learning new styles and ideas! Introduction: The drums can be heard in almost every style of music, and just like every instrument, the style helps dictate the specific roll of the instrument. For example, in traditional Afro-Cuban ensembles, the many drummers and percussionists create the main body of music that the bass, guitar, vocals, and other instruments float above. On the opposite side of that, you might hear an orchestra in which the only job of the percussionists is to create interesting sounds and colors on top of a the string section. In jazz, the drummer plays both a crucial part in creating a strong foundation, and helping add color and shape to the music. The first step is creating that strong foundation with the ride cymbal! Getting Started with the Ride Cymbal: Since the 1930’s and the beginning of the be-bop era, the main focal point on a jazz drum kit has been the ride cymbal. The phrasing of the ride cymbal is based around the quarter note, however instead of thinking in eighth notes (like most rock music on the radio today), we want to think in eighth note triplets. -
Michael Wollny & Vincent Peirani
Michael Wollny & Vincent Peirani Tandem ACT 98 25-2 German release date: 30.09.2016 Impromptu meetings can have far-reaching consequences. These two much-lauded, and exceedingly busy musicians German pianist Michael Wollny and French accordionist Vincent finally found some time together during which they could let Peirani quite literally got to know each other on stage during the their musical paths coincide. In “Tandem” they are to be heard ACT20 Jubilee Night at the “New Morning” club in Paris in 2012. exploring and expoiting all the sound possibilities of their instruments. Before performing together that night, they had exchanged little more “I hear Vincent's playing less and less as an accordion, and more as than a peremptory handshake. However, those who heard their first an orchestra with thousands of possibilities,” says Wollny. And Peirani spontaneous jam as a duo certainly won’t have forgotten the sheer loves the impressive freedom this duo provides. With a gleam in his excitement, and it has certainly stayed in the minds of both of the eyes he says: “Michael can text on his mobile and play the piano at the musicians. “It was like we used to play for decades together! No need same time. Everything is possible with him. The sky is the limit for to talk, no need to look at each other, we just breathed together…” Michael!” Wollny is also full of praise for his colleague: “With Vincent you can roam freely across a whole gamut of styles and moods, and nothing For their rehearsal time at Schloss Elmau , both of them had gets in the way. -
AUSTRALIA Queensland & Top End June 22 – July 4, 2013
Sunrise Birding LLC AUSTRALIA Queensland & Top End June 22 – July 4, 2013 TRIP REPORT Sunrise Birding LLC, PO Box 274, Cos Cob, CT 06807 USA www.sunrisebirding.com 203.453.6724 Sunrise Birding LLC www.sunrisebirding.com AUSTRALIA Queensland & Top End TRIP REPORT June 22 – July 4, 2013 Leaders: Gina Nichol, Steve Bird & Barry Davies HIGHLIGHTS : BIRDS MAMMALS • Rainbow Pitta • Duck-billed Platypus • Gouldian Finch • Sugar Gliders • Hooded Parrot • Striped Possum • Golden Bowerbird • Dingo • Australian Bustard • Small-eared Rock Wallaby • Papuan Frogmouth • Tawny Frogmouth MOMENTS & EXPERIENCES • Chowchilla • Thousands of Brown Noddies and • Spotted Harrier Sooty Terns at Michaelmas Cay • Chestnut-quilled Rock Pigeon • Tawny Frogmouths too close to • Pied Heron believe • Black-necked Stork • Tens of thousands of ducks and • Black-breasted Buzzard geese at Hasties Swamp • Beach Stone Curlew • The Chowchilla dawn chorus • Northern Rosella • Wompoo Fruit Dove on a nest • Double-eyed Fig Parrot • Golden Bowerbird male preening • Lovely Fairywren above our heads! • White-lined Honeyeater • Spotted Harrier flying along with • Fernwren the bus at close range • Arafura Fantail • Victoria's Riflebird displaying • Barking Owl • Aboriginal Art at Kakadu • Victoria's Riflebird Rarities • Cotton Pygmy Goose at Catana Wetland • Freckled Duck at Hastie’s Swamp • Masked Booby at Michaelmas Cay Day 1, June 22 – Cairns area Paul, Darryl, Gina and Steve arrived on the previous day and this morning before breakfast, we walked from our hotel to the Cairns Esplanade before breakfast. Just outside the hotel were male and female Brown Sunrise Birding LLC, PO Box 274, Cos Cob, CT 06807 USA www.sunrisebirding.com 203.453.6724 Honeyeaters and flocks of Rainbow Lorikeets flying over as we crossed the streets heading toward the waterfront. -
Top End Adventure 29Th August – 4Th September 2018
Tracks Birding - Trip Report Top End: August - September 2018 Northern Territory: Top End Adventure 29th August – 4th September 2018 Do I need to say anything more? Gouldian Finch, bird of the trip. Tour Leader: Laurie Ross All photos in this report were taken by Laurie Ross @ Tracks Birding & Photography Tours www.tracksbirding.com.au 0476 110 084 [email protected] 1 Page Tracks Birding - Trip Report Top End: August - September 2018 INTRODUCTION Darwin and the Top End have to be the most under-rated places to bird on the planet and shouldn’t be overlooked by interstate or international birders. On this seven-day tour you have the opportunity to see over 200 species in a week and explore a huge variety of habitats. From the Mangroves, beaches and monsoon forests around Darwin city, world class wetlands like Fogg Dam and Mamukala, Adelaide River and South Alligator River Floodplains, the Sandstone Escarpments of Kakadu National Park to the Outback grassy plains of Victoria River and Timber Creek. Just some of the bird highlights include local endemics like Chestnut-quilled Rock-pigeon, Banded Fruit-dove, White- lined Honeyeater and the beautiful Hooded Parrot, rarities like Yellow-rumped Mannikin, Chestnut-backed Button-quail, Northern Shrike-tit and Red Goshawk and for the colorful bird fans, Purple-crowned Fairy-wren, Rainbow Pitta and of course the spectacular Gouldian Finch. ITINERARY; 29th August Darwin - Mary River Resort 30th August Mary River Resort - Jabiru (Kakadu National Park) 31st August Jabiru – Yellow Water – Pine Creek 1st September Pine Creek – Edith Falls – Katherine – Victoria River 2nd September Victoria River – Gregory National Park – Timber Creek 3rd September Timber Creek - Katherine 4th September Katherine – Darwin www.tracksbirding.com.au 0476 110 084 [email protected] 2 Page Tracks Birding - Trip Report Top End: August - September 2018 DAY 1 - 29th August 2018 After introductions we hit the road to start birding, first stop was Buffalo Creek. -
Birds and Landscape Change: Benchmarking Study of Birds in Revegetated Sites Near Bacchus Marsh, Victoria
grow west Birds and Landscape Change: Benchmarking study of birds in revegetated sites near Bacchus Marsh, Victoria. 1 Birds and Landscape Change: bench- marking study of birds in revegetated sites near Bacchus Marsh, Victoria. Richard H. Loyn, Edward G. McNabb, Charles E. Silveira, Marilyn Hewish, Dean Hewish and Jennifer Sheridan. Arthur Rylah Institute for Environmental Research Department of Sustainability & Environment PO Box 137 Heidelberg VIC 3084 For The Grow West Project Port Phillip and Westernport CMA February 2007 2 Summary Bird surveys were conducted on 78 sites in the heavily cleared landscape near Bacchus Marsh (west of Melbourne, Victoria) to document the bird fauna in the early stages of the Grow West revegetation program. Surveys were conducted in summer 2005/06 and winter 2006. The sites represented eight habitats in the landscape (cleared farmland; landcare revegetation or farm forestry aged 0-2 years; landcare revegetation or farm forestry aged 4- 8 years; revegetation aged 10-50 years; remnant forest patches in farmland; and extensive forest). Forest and woodland birds were most common in the latter three habitats, and their numbers increased with stand age in plantations. Open-country birds were most common in remnant forest patches (which they used for nesting and shelter) and were also common in paddocks (where they dispersed to feed), and less so in revegetation aged 0-2 years (with some exceptions, e.g. Richard’s Pipit Anthus novaeseelandiae). Some bird species retain precarious footholds in the entire landscape, and were found at few sites in low numbers. Some of these species favoured revegetation aged 4-8 years (e.g. -
Alabama Summer Bedding Plant Performance in 1997
AV 4F 47 '1 A~ ~/ -~ ~' CONTENTS GREENHOUSE CROPS Effects of Foliar Application of Growth Regulators on Coreopsis rosea ............ ........ ................... 2 BA Application Promotes Offset Formation in Hosta Cultivars ............ .... .... ........................ 3 Presence of Offsets Reduces Hosta's Response to Benzyladenine ............................... 4 Plant Growth Retardants Affect Growth and Flowering of Achillea x 'Coronation Gold' in 6-inch Pots.......... 5 Plant Growth Retardants Reduce Peduncle Elongation of Achillea x 'Coronation Gold' in 4-inch Pots .......... 6 Using Plant Growth Retardants to Produce Coreopsis verticillata 'Moonbean' as a Greenhouse Pot Crop ...... 8 Application Timing of B-Nine and Cutless after Shearing Affects Growth and Flow ering of 'M oonbeam ' ................................................................................. ........... ............. 10 Shasta Daisy Response to Photoperiod and Vernalization ............................................ 12 Alabama Winter Bedding Plant Performance, 1996-97 .................................................... 14 Alabama Summer Bedding Plant Performance in 1997 ............................. ..................... 16 Herbaceous Perennial Variety Trials in Central Alabama, 1996-97 .............................. 18 1997 Poinsettia Cultivar Evaluations for Gulf Coast Greenhouse Conditions ............................................ 23 INSECT, DISEASE, AND WEED CONTROL Reduced Herbicide Use with Recycled Paper ........................................................... -
How to Read a Poem by Julie Patterson
Share: Tweet 2 Share: Tweet 2 How to Read a Poem by Julie Patterson Quick Links Readers and writers have strong - and disparate - opinions about the "right" way to read a poem. Worse yet, there's wide disagreement among accomplished and highly educated poets, too. There's really only one point we all agree on - poems are meant to be read aloud. Beyond that, it gets dicey, but here are some things to consider. Former poet laureate Billy Collins says, "Obviously, poems come in lines, but pausing at the end of every line will create a choppy effect and interrupt the flow of the poem's sense. Readers should pause only where there is punctuation, just as you would when reading prose, only more slowly." Look at the text of his poem "You, Reader" (at left) as you listen to him read it, and you'll see what he means. Julie Patterson is associate director and writer-in-residence at the Indiana Partnership for Young Writers. Her poems, essays and articles have appeared in literary journals, magazines and newspapers throughout the U.S. She has a Master of Fine Arts degree in creative writing from Lesley University. Billy Collins reads "You, Reader" You, Reader by Billy Collins Yet poet Georgia Heard says, "...after every single line, my voice is going to stop a little-because in poetry, blank I wonder how you are going to feel space means silence" (For the Good of the Earth and when you find out Sun). that I wrote this instead of you, that it was I who got up early Clearly other poets agree with Heard.