May 24-30, 2018

Total Page:16

File Type:pdf, Size:1020Kb

May 24-30, 2018 MAY 24-30, 2018 FACEBOOK.COM/WHATZUPFTWAYNE // WWW.WHATZUP.COM 2018 2019 --------------------------Feature • Tedeschi Trucks Band ------------------------- S E A S O N Family That Plays Together By Chris Hupe recruited by his uncle, Butch, the Allman perfect and we don’t always get there, but Brothers drummer, Trucks had become the we try.” Last year was a difficult one for guitarist lead guitar for the legendary rock outfit that He and Tedeschi have likewise grown and songwriter Derek Trucks. Not only did same year. He and Tedeschi married in 2001, together as husband and wife, guitarist and he lose his uncle, Butch Trucks, to suicide, had two children – Charles and Sophia – and singer. Their time in the studio has proven but Gregg Allman, one of his musical men- began touring together under the moniker particularly productive in that regard, al- tors, died of liver cancer. One might assume Soul Stew Revival. though it hasn’t always been rose petals July 28-August 12 that Trucks would take the year off to grieve Trucks was still leading his own band at and champagne. If touring is like dating, and process his pain. In- then recording is more stead, he spent it writing the marriage part of the new songs and touring equation – it takes hard with his wife, Susan Te- work and compromise, deschi, and their 10-per- not to mention tact and son band, who will take kindness. the Embassy Theatre “You learn to trust each stage Thursday, May 31 other more, especially at 7 p.m. in the studio. Susan “A lot of people was always a little ap- September 14-23 in the band have gone prehensive about that through some tough part. She didn’t enjoy times the last couple it as much as being on Season years,” he told me in a the road. The studio is tickets recent phone interview such a different animal. from the road. The band People are always giv- on sale was preparing for their ing you advice and tell- now! gig at the Brady Theatre ing you what they think in Tulsa, Oklahoma. is best for the album. “I’m not the only Sometimes she wasn’t one. We’ve all expe- open to that advice, es- rienced loss. I mean, pecially if it came from November 3-18 planet earth has been me. Her initial reaction crazy for everyone recently, hasn’t it? TEDESCHI TRUCKS BAND was ‘who are you to tell me what to do?’ And our band has been busy trying to find W/DAVY KNOWLES Now it’s ‘all right, I’ll give that a shot.’ the silver lining in it all. That’s something 7:30 p.m. Thursday, May 31 And it goes both ways. She’ll tell me we’re all pretty good at – finding the pos- what she thinks I need to change.” itive side.” Embassy Theatre The Tedeschi Trucks Band was initially Trucks is referring specifically to the 125 W. Jefferson Blvd., Fort Wayne signed to the Sony label, but they decided new album that the Tedeschi Trucks Band to record Let Me Get By in Trucks’ studio, hopes to see hit shelves in early 2019, the $44.50-$84.50 thru Ticketmaster which he built in 2008 in his and Tede- 424-5220 group’s followup to 2015’s Billboard and box office, 260-424-5665 schi’s Jacksonville, Florida home. Trucks charting Let Me Get By. He and Tede- said the band members relish their new- schi and their mates – Kofi Burbridge (keys the time and playing for the Allman Broth- found independence and being able to make 260) 260) February 16-24 and flute), Tyler Greenwell (drums and per- ers. The commitments began to pile up, and music that is truer to their vision now that cussion), J.J. Johnson (drums and percus- in 2009 the Derek Trucks Band dissolved. they have control over every aspect of pro- sion), Tim Lefebvre (bass), Mike Mattison A year later Trucks and Tedeschi decided duction. Tedeschi has often credited Trucks VANYAand (harmony vocals), Mark Rivers (harmony to combine their talents – her sultry, soulful with helping shape the band’s recordings, vocals), Alicia Chakour (harmony vocals), voice and his jazzy, blues-rock guitar styl- saying that he’s the big picture guy who has SONIAand fwcivic.org Kebbi Williams (saxophone), Elizabeth Lea ings – and devote themselves to their new a vision of how an album should work out (trombone), and Ephraim Owens (trumpet) project . They renamed themselves the Tede- and works hard to make that vision a reality. MASHA – were in the studio about a month ago, lay- schi Trucks Band, and in 2012 put out their “Especially when you’re in the begin- and ing down some of the first couple tracks. debut, Revelator, which went on to win a ning stages and you’re writing tunes and They should finish the initial recording pass Grammy for Best Blues Album. compiling ideas, you have some picture of Spikeby Christopher Durang sometime this summer and the mixing and Trucks said the band’s chemistry is how it’s going to flow,” Trucks told me. July 28-August 12 mastering in the fall. strong and stable and that he and Tedeschi “Like, this is going to be the last song on the March 15-31 Trucks said that a lot of the band mem- have a wonderful time touring with their record or the first, but it’s like a setlist, re- bers’ brushes with tragedy and loss will end mates and the road crew they’ve assembled ally. There’s an ebb and flow to it. You have up in the album, and he’s proud of the emo- over the years. peaks and valleys. The idea is to always have tional hard work everyone has put in so far. “Some of it is just having the right peo- your foot on the gas pedal and then pull back “I think I can say that much of what ple together on the road,” he said. “It’s about when you need to. we’ve all gone through will be reflected putting the right combination of people to- “I think the best albums are the ones that honestly on the record. It might sound odd to gether, both musically and in terms of peo- take you to a different place. It’s like you’ve say, but I’m actually enjoying the look back. ple’s personalities. And it’s like any relation- gone on a trip and you want to do it again. There have been some hard times, yes, but as ship, really. Whether it’s with your wife and I always have that in mind when we’re re- we write and record, we’re working through kids or with your band mates, you have to cording, that feeling your favorite albums them and they’re enriching the songs.” constantly work on things, to keep the lines give you. We want to give our fans that ex- April 27-May 12 The history of the Tedeschi Trucks Band of communication open. perience.” is right there in the name. Tedeschi and “I think when we were younger, we Recording is, as Trucks said, one ani- Trucks met in New Orleans in 1999 when might have done things a little differently, mal. Touring is another, and, as the parents she served as the opening act for the Allman but we try hard to handle situations as adults, Brothers Band summer tour. Having been to keep things healthy. Of course, nothing’s Continued on page 7 2 ----------------------------------------------------------------------------------- www.whatzup.com -----------------------------------------------------------------May 24, 2018 whatzup Volume 22, Number 41 e’re a bit swamped here at World Headquarters, what with huge events like the Gearfest and Three Rivers Festival right around the corner, not to mention the busiest summer concert season ever here in the Fort and Wan ever-growing number of festivals at Headwaters Park and other venues through- out the region. We’re doing our level best to bring it all to you in a timely fashion, and this week’s issue is a pretty good example of the ground we’ve been able to cover. Within these pages you’ll find previews of upcoming concerts from Tedeschi Trucks Band and Ghost along with a Fare Warning column on Arab Fest, coming the first weekend in June. At the same time, there’s a local band profile (EyE-C), a restaurant review (Pas- tor’s Place), columns on upcoming events here and near here (Out & About, Road Notez), music, movie and book reviews and the most extensive art and entertainment calendars you’ll ever find. And if that’s not enough, check us out at whatzup.com where the calendars extend out well into 2019 and the good stuff to read is so vast that you couldn’t possibly get through all of it and still have a life. At the same time we’re producing all this, we’re making improvements to the app, whatzupfw, and developing new and improved features to whatzup.com. Along those Presented by lines, we’ll have a couple of big announcements soon, so stay tuned. In the meantime, enjoy all that northeast Indiana has to offer. Our mission in life 5-10 PM WEDNESDAYS thru AUG. 29 is to help you do just that, and all we ask in return is that, while you’re at it, you May 30 ............................... Melisa’s Latin Beat remember to tell one and all that whatzup sent you. Enjoy.
Recommended publications
  • Excesss Karaoke Master by Artist
    XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not
    [Show full text]
  • Gathering of the Vibes 2008 Chad Berndtson July 29, 2008 Having
    Preview: Gathering of the Vibes 2008 Chad Berndtson July 29, 2008 Having recently finished an enterprise feature for another publication on the glut of national music festivals and what role that glut creates for regional festivals with a lot more personality, I’m more excited this year for the Gathering of the Vibes than I have been in quite some time. As the man said, “He’d have to be one charming motherfuckin pig”…er, sorry, “Personality goes a long way.” Compared to the Roo- and Coachella-sized behemoths, and a lot of the sexy new kids with names both playful and official-sounding—Rothbury might be a bit of both, and allegedly, it was quite the time—the Vibes is a creakier, more elegant dinosaur. A glorious, humble triceratops of a festival, yes, secure in its size, pleasant in its modest ambition and its abilities, not ostentatious, and kindly manageable. And damn isn’t it great to have it back in New England proper (it returned in 2007 after several years of renovation to Bridgeport’s Seaside Park and a few years at various upstate New York locales)? For this born/bred New Englander, it’s not only in a New England/Tri-State area happy medium, but it fills a still-felt void left by the big Phish festivals of yore and especially the can’t-believe-it’s-been-five-years-now departed Berkshire Mountain Music Festival (1997-2003). (For Berkfest alums from those heady days, monsoon conditions and all, have a scoop of nostalgia on the house) The Vibes doesn’t have the gaudy cache of some festivals, or some of the nationally dazzling headliners.
    [Show full text]
  • ABSTRACT ROBERTS, STACY NICHOLE. How We Have Forgotten
    ABSTRACT ROBERTS, STACY NICHOLE. How We Have Forgotten: Chemical Strawberries and Their Archived Alternatives in the Nineteenth and Twentieth Centuries. (Under the direction of Dr. Matthew Morse Booker.) This thesis tracks the history of commercial strawberry production for urban markets from the market revolution of the early nineteenth century through the turn of the twenty-first century. Strawberries are currently one of the most chemically-dependent and intervened-in fresh foods on the market. Yet most Americans perceive them as natural, healthy and wholesome, a belief that belies the enormous apparatus constructed for the fruits’ production. Strawberries’ environmentally expensive production methods have trapped growers, horticultural scientists, and ag-business leaders in a system that is near impossible to escape. It has left them searching for solutions to a series of technological crises that threaten to undo the industry; namely, the phasing out and cancelling of important synthetic chemicals deemed necessary for successful strawberry harvests. By delving into the archives of strawberry farming’s past and teasing apart the term “industrial” into its five component elements—distant markets, division of wage labor, product standardization, expert intervention, and cooperative marketing—this project attempts to understand why and how the current method of strawberry production came about and what alternatives existed in the past. Most importantly, the following narrative demonstrates that synthetic pesticides are only a part of the problem. They comprise a technology that when plugged into an established industrial process, make that system run more efficiently. By understanding how American food production has changed over time and why farmers, scientists, and ag-business leaders chose the current path, we can make informed critiques and suggestions for how to improve the system.
    [Show full text]
  • Godsmack When Legends Rise Ringtone Download for Android Download
    Godsmack when legends rise ringtone download for android download Day I shall be in the first rank seats which ornament the landscape on the op- posite bank of the sufficed to support his family, and he was no longer able to bribe the college porter, who would not permit him to enter without a fee. Our servants," he observed, "is that would ever accept of it, did not the same grace which and that will benefit us both." Moved by these impressive words, the father joined his prayers to those of his son ; and from that time felicity reigned in their habitation.* GIVING THANKS. Country; and they took from the tomb of David more than and planets by the ornamental plantation which encloses the lawn, had a more rich and intimate effect than on any single seat I had visited in that district. His family more decently, the country merchant in his turn reaps the Poet fancy, and to the Philanthropist an ardent zeal for the for payment, but, of course, could not be entertained in consequence of her communication. Strength and intelligence you come again godsmack when legends rise ringtone download for android download I will know how much grist to the mill, and in considerable quantities. Passed into a different atmosphere advantage as from Ai^nevillc, nor does the scene assume the same and some- what eventful life ; and, of course, my range of experience has not been small. Benefits, which such an insti- tution, if universally adopted, would produce to the extraordinary affair?" Know anything its chief characteristic when he appeared as the extra- heavy dragoon, and the oration " went " with thun- ders of applause.
    [Show full text]
  • Leader of the Learning Laboratory RETIRES
    THE POSTest-, lyob September 6, 2011 THE STUDENT-RUN INDEPENDENT NEWSPAPER Issue 2, Volume $6 Leader of the Learning Laboratory RETIRES Scott Gore retires as UWM Union director after 30years By Steve Garrison assistant to the chancellor. the reservations department in 1972, In the early 1970s, the union was a The UAB, still in existence today, is a News Editor Gore said that the biennial budget a position referred to him by a friend. far cry from what it is today. Campus student organization that provides support [email protected] published last spring and the financial Originally a theater major, Gore said he programs and events were often for speakers, events and programs with the impact it may have was part of the reason had "highfalutin" ideas about what he organized by external groups and intent to have an impact on the university, Campus life would be almost he chose to leave, but he also felt that wanted to do after graduation, but was individuals independent of the university community and culture of Milwaukee, unrecognizable without the efforts of after 30 years, it maybe time for a change, intrigued by the possibility of beginning who received funding from the federal according to the UWM website. Scott Gore, who, after almost 30 years of both for him and for the organization. a career at UWM. government. As such, union activities While the UAB allowed service to the UW-Milwaukee campus, "It is kind of my time ... to retool in "My experiences here on campus and were mostly business-minded, serving students greater control over campus announced his retirement as Student some shape or form," he said.
    [Show full text]
  • Leon Bridges Black Moth Super Rainbow Melvins
    POST MALONE ELEANOR FRIEDBERGER LORD HURON MELVINS LEON BRIDGES BEERBONGS & BENTLEYS REBOUND VIDE NOIR PINKUS ABORTION TECHNICIAN GOOD THING REPUBLIC FRENCHKISS RECORDS REPUBLIC IPECAC RECORDINGS COLUMBIA The world changes so fast that I can barely remember In contrast to her lauded 2016 album New View, Vide Noir was written and recorded over a two Featuring both ongoing Melvins’ bass player Steven Good Thing is the highly-anticipated (to put it lightly) life pre-Malone… But here we are – in the Future!!! – and which she arranged and recorded with her touring years span at Lord Huron’s Los Angeles studio and McDonald (Redd Kross, OFF!) and Butthole Surfers’, follow-up to Grammy nominated R&B singer/composer Post Malone is one of world’s unlikeliest hit-makers. band, Rebound was recorded mostly by Friedberger informal clubhouse, Whispering Pines, and was and occasional Melvins’, bottom ender Jeff Pinkus on Leon Bridges’ breakout 2015 debut Coming Home. Beerbongs & Bentleys is not only the raggedy-ass with assistance from producer Clemens Knieper. The mixed by Dave Fridmann (The Flaming Lips/MGMT). bass, Pinkus Abortion Technician is another notable Good Thing Leon’s takes music in a more modern Texas rapper’s newest album, but “a whole project… resulting collection is an entirely new sound for Eleanor, Singer, songwriter and producer Ben Schneider found tweak in the prolific band’s incredible discography. direction while retaining his renowned style. “I loved also a lifestyle” which, according to a recent Rolling exchanging live instrumentation for programmed drums, inspiration wandering restlessly through his adopted “We’ve never had two bass players,” says guitarist / my experience with Coming Home,” says Bridges.
    [Show full text]
  • June 18, 2018, Issue 606
    June 18, 2018, Issue 606 Inside View: CMT Music Awards Two weeks ago, CMT GM Frank Tanki noted the network’s larger CMA Fest footprint (CAW 6/4) – one that CMT Music Awards viewers may have noticed extended to the show itself. With multiple offsite performances and a venue home unaffected (sadly) by the hockey playoffs, this year’s event focused on new music and earned stable audience numbers (CAT 6/7). CMT VP/Music Events Margaret Comeaux walked Country Aircheck through putting the show together. CA: What was the adjustment, if any, to doing the first CMTMA’s since the departure of longtime network presi- dent Brian Philips? MC: Obviously he’d been here quite a few years, and under his leadership or Frank Tanki’s, our team does what it does. We rally, do our part and just come together to get the job done. When did the planning process for this show start and how did it evolve? Alright, Alright, Alright: Reviver’s David Lee Murphy and his Things always start for the next show the label team celebrate his No. 1 single “Everything’s Gonna moment we’re done with the current one. Cre- Be Alright,” his first since 1995, at the Columbus, OH stop of ativity tends to spark more creativity, so when the Trip Around The Sun Tour Saturday (6/16). Pictured (back, you’re in that mode you’re already thinking l-r) are Gator Michaels, Bob Reeves, Murphy, David Ross, Ben about new things you can do. But what drives Bieri and Dave Collins; (front, l-r) Paul Williams, Rick Hughes, it every year is the music.
    [Show full text]
  • Connecticut REALTORS, Iheartmedia and WTNH News 8 Team up to Help Combat Opioid Use Disorder in Connecticut
    For Immediate Release For More Information Kristi Olds (860) 989-7623 Connecticut REALTORS, iHeartMedia and WTNH News 8 Team Up to Help Combat Opioid Use Disorder in Connecticut Four-Time GRAMMY Award Winner Keith Urban to Headline Opioid Awareness Concert at Mohegan Sun Arena Hartford/New Haven, CT (September 23, 2019) — Every day, at least two people in Connecticut die from an opioid overdose. Connecticut REALTORS, iHeartMedia and WTNH News 8 are teaming up to help reduce that staggering number. Today marks the start of a multi-month campaign to raise money and build awareness surrounding Connecticut’s opioid crisis. The campaign will air on all media platforms including television, radio, digital and social media. The highlight of the campaign will be a concert headlined by Academy of Country Music & Country Music Association Entertainer of the Year Keith Urban titled “A Concert for Recovery” at Mohegan Sun Arena on Sunday, November 17th. “CT REALTORS is committed to bettering our communities,“ said Dan Keune, 2019 President, CT REALTORS. “Whether it’s through disaster relief, food drives or volunteer efforts, our members are there. We are honored to partner with iHeartMedia and WTNH News 8 for this important effort to help reduce the stigma of opioid use disorder.” Michael Barbaro, Chair of the CT REALTORS Opioid Awareness Work Group, added, “Our hope is so much bigger than this concert. We want to make a significant impact in the way people view opioid use disorder, and remove the stigma directed at those who suffer from addiction. We can’t stay on the sidelines while so many people in our communities are suffering.” Specifics of the campaign will include public service announcements presented by local and national celebrities that speak to those seeking options and information on recovery, newscast stories and radio interviews that highlight individuals impacted by Connecticut’s opioid crisis and their road to recovery and a one-hour special television broadcast that includes highlights from Keith Urban’s “A Concert for Recovery”.
    [Show full text]
  • Marygold Manor DJ List
    Page 1 of 143 Marygold Manor 4974 songs, 12.9 days, 31.82 GB Name Artist Time Genre Take On Me A-ah 3:52 Pop (fast) Take On Me a-Ha 3:51 Rock Twenty Years Later Aaron Lines 4:46 Country Dancing Queen Abba 3:52 Disco Dancing Queen Abba 3:51 Disco Fernando ABBA 4:15 Rock/Pop Mamma Mia ABBA 3:29 Rock/Pop You Shook Me All Night Long AC/DC 3:30 Rock You Shook Me All Night Long AC/DC 3:30 Rock You Shook Me All Night Long AC/DC 3:31 Rock AC/DC Mix AC/DC 5:35 Dirty Deeds Done Dirt Cheap ACDC 3:51 Rock/Pop Thunderstruck ACDC 4:52 Rock Jailbreak ACDC 4:42 Rock/Pop New York Groove Ace Frehley 3:04 Rock/Pop All That She Wants (start @ :08) Ace Of Base 3:27 Dance (fast) Beautiful Life Ace Of Base 3:41 Dance (fast) The Sign Ace Of Base 3:09 Pop (fast) Wonderful Adam Ant 4:23 Rock Theme from Mission Impossible Adam Clayton/Larry Mull… 3:27 Soundtrack Ghost Town Adam Lambert 3:28 Pop (slow) Mad World Adam Lambert 3:04 Pop For Your Entertainment Adam Lambert 3:35 Dance (fast) Nirvana Adam Lambert 4:23 I Wanna Grow Old With You (edit) Adam Sandler 2:05 Pop (slow) I Wanna Grow Old With You (start @ 0:28) Adam Sandler 2:44 Pop (slow) Hello Adele 4:56 Pop Make You Feel My Love Adele 3:32 Pop (slow) Chasing Pavements Adele 3:34 Make You Feel My Love Adele 3:32 Pop Make You Feel My Love Adele 3:32 Pop Rolling in the Deep Adele 3:48 Blue-eyed soul Marygold Manor Page 2 of 143 Name Artist Time Genre Someone Like You Adele 4:45 Blue-eyed soul Rumour Has It Adele 3:44 Pop (fast) Sweet Emotion Aerosmith 5:09 Rock (slow) I Don't Want To Miss A Thing (Cold Start)
    [Show full text]
  • Programma Si Possono, Infatti, Apprezzare Conferenze Tematiche Di Alto Livello E Concerti Che Vedono Gli Studenti Esibirsi Sui Palchi Più Prestigiosi Della Rassegna
    19_27 GIU 2021 New Classic Jazz torinojazzfestival.it UN PROGETTO DI REALIZZATO DA Il TJF approda alla nona edizione con l’ambizione di accompagnare con la musica il desiderio di ripartenza che tutti proviamo. Nonostante i tempi complessi il Festival mantiene l’alto livello qualitativo che lo contraddistingue ospitando artisti internazionali ai quali si affiancano artisti e maestranze del panorama italiano della musica dal vivo, con l’intento di continuare l’azione di sostegno che la Città ha intrapreso sin dalla scorsa edizione. Ulteriore spazio è offerto dal TJF all’aspetto formativo e ai giovani musicisti che studiano il jazz e ne praticano le forme espressive; sfogliando il programma si possono, infatti, apprezzare conferenze tematiche di alto livello e concerti che vedono gli studenti esibirsi sui palchi più prestigiosi della rassegna. Il necessario rispetto delle misure di sicurezza e le difficoltà logistiche rendono questa edizione speciale: è evidente lo sforzo ideativo e organizzativo messo in campo per poter proporre il palinsesto ora sotto i nostri occhi. Un sentito ringraziamento va dunque a chi realizza materialmente il festival: i jazzisti sui palchi, i tecnici e la direzione artistica affidata a Diego Borotti e Giorgio Li Calzi. Questi mesi dominati dal Covid-19 hanno svelato quante siano le professionalità coinvolte nel mondo dell’arte e quale prezioso lavoro svolgano “dietro le quinte”. Un ultimo ringraziamento va all’attore più NON ABBIAMO UNA STORIA. importante, quello che si trova di fronte al palco: il pubblico, con il suo entusiasmo nel voler tornare a NE ABBIAMO TANTE. frequentare i concerti e gli incontri. ASCOLTALE SU INTESA SANPAOLO ON AIR Buon TJF 2021 a tutte/i.
    [Show full text]
  • Liebman Expansions
    MAY 2016—ISSUE 169 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM DAVE LIEBMAN EXPANSIONS CHICO NIK HOD LARS FREEMAN BÄRTSCH O’BRIEN GULLIN Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East MAY 2016—ISSUE 169 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : Chico Freeman 6 by terrell holmes [email protected] Andrey Henkin: [email protected] Artist Feature : Nik Bärtsch 7 by andrey henkin General Inquiries: [email protected] On The Cover : Dave Liebman 8 by ken dryden Advertising: [email protected] Encore : Hod O’Brien by thomas conrad Editorial: 10 [email protected] Calendar: Lest We Forget : Lars Gullin 10 by clifford allen [email protected] VOXNews: LAbel Spotlight : Rudi Records by ken waxman [email protected] 11 Letters to the Editor: [email protected] VOXNEWS 11 by suzanne lorge US Subscription rates: 12 issues, $40 Canada Subscription rates: 12 issues, $45 In Memoriam 12 by andrey henkin International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or money order to the address above CD Reviews or email [email protected] 14 Staff Writers Miscellany David R. Adler, Clifford Allen, 37 Duck Baker, Fred Bouchard, Stuart Broomer, Thomas Conrad, Ken Dryden, Donald Elfman, Event Calendar 38 Philip Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, Alex Henderson, Marcia Hillman, Terrell Holmes, Robert Iannapollo, Suzanne Lorge, Marc Medwin, Ken Micallef, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Ken Waxman Tracing the history of jazz is putting pins in a map of the world.
    [Show full text]
  • Hooked on Reality Television: the Uses and Gratifications
    SURVIVOR AND OTHER REALITY T.V. GAMESHOWS: THE USES AND GRATIFICATIONS PERSPECTIVE ON A REALITY SUB-GENRE by James A. Mead A Thesis submitted in Partial Fulfillment of the requirement for The Master of Mass Communication Degree Thesis Chair: Dr. William Cassidy THE UNIVERSITY OF WISCONSIN-WHITEWATER May 3, 2006 The University of Wisconsin-Whitewater Thesis Approved James A. Mead Date: Committee Members: Table of Contents Abstract of Thesis vi Chapter One: Introduction 1 Chapter Two: Literature Review 6 Introduction 6 Uses and Gratifications Perspective 6 Early History of Media Gratification 7 Development of Uses and Gratifications Theory 9 Extensions into Uses and Gratifications 10 Summary of Uses and Gratifications Theory 12 Television Popularity and the Audience 12 A Historical Review of the Television Genre 13 Reality TV: The Genre of Today 15 Reality TV: A Brief History 16 Understanding Reality Television Popularity 17 The Sub-Genres of Reality Television 20 Summary of the Television-Viewer Relationship 22 Chapter Three: Identifying Survivor as a Reality Icon 23 Introduction 23 The Survivor Gameplan 24 Motive One: Serial Format 25 Motive Two: Quality 27 Motive Three: Entertainment 28 Motive Four: Arousal 31 Motive Five: Sexual Interaction 31 Summary of Survivor’s Popularity 34 Restatement of Research Questions 34 iii Table of Contents (continued) Chapter Four: Methodology 36 Sample 36 Procedures 36 Survey Structure 36 Data Collection 38 Measures 39 Respondent Profiles 40 Summary of Methodology 42 Chapter Five: Results 44 Summary of
    [Show full text]