(Public Pack)Agenda Document for Planning Applications Committee
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St Thomas' Hospital
planning report GLA 5167/01 19 August 2019 St Thomas’ Hospital in the London Borough of Lambeth planning application no. 19/01397/FUL Strategic planning application stage 1 referral Town & Country Planning Act 1990 (as amended); Greater London Authority Acts 1999 and 2007; Town & Country Planning (Mayor of London) Order 2008. The proposal Demolition of existing single storey hospital building and erection of a new six storey (including plant level) hospital building (C2 use), alterations to existing access arrangements and associated public realm works. The applicant The applicant is Guy’s and St Thomas’ NHS Foundation Trust and the architect is ADP. Strategic issues Principle of development: The provision of modern purpose-built health facilities is supported in accordance with London Plan Policy 3.17 and draft London Plan Policy S2 (paras 22-25). Design and Heritage: The scheme is of high quality design. Whilst the proposal would result in some less than substantial harm to heritage assets, this would be outweighed by the public benefits. There is no adverse impact on protected views or river prospects. Inclusive design principles have been applied (paras 26-35). Transport: An additional long stay cycle parking space should be provided in accordance with draft London Plan Policy T5. A Delivery and Servicing Plan (DSP) and Construction Logistics Plan (CLP) should be secured by condition and discharged in consultation with TfL (paras 36-41). Sustainable Development: The applicant must provide further information relating to energy efficiency and flood risk in order to confirm compliance with the London Plan and draft London Plan energy and flood risk policies (paras 42-43). -
Post-War Public Art Protection, Care and Conservation
Post-War Public Art Protection, Care and Conservation In partnership with Summary Public art can be enjoyed by us all. Everyone can play a part in valuing and caring for it. This guidance is aimed at anyone who manages or has responsibility for post-war public art, including local authorities, charitable bodies, community groups, heritage professionals and custodians. Public art is defined here as fixed artworks which members of the public are able to access and enjoy, in public, semi-public or privately owned public space, whether outdoors or indoors. This document outlines good practice on the care and management of post-war public art, including regular maintenance and planned conservation work. It sets out the different ways that the best of our public art can be identified and protected and the statutory duties that relate to its ownership and care. Key principles include a clear understanding of ownership and lines of responsibility; inclusive and transparent decision making; regular condition checks to detect potential sources of harm; and engaging the public in valuing and caring for public art. This guidance document is part of Historic England’s range of practical guidance which helps people care for their historic places. It complements Historic England’s Introduction to Heritage Assets, Public Art 1945–95. This guidance note has been prepared by Geraint Franklin. First published by Historic England in September 2016. All images © Historic England unless otherwise stated. HistoricEngland.org.uk/images-books/publications/post-war-public-art-protection- care-conservation/ Front cover Detail of Magic Garden, a mixed-media mural of 1961 by the (Carr was one of the first artists to use screen printing in artist Francis Carr (1919-2013). -
Washington, DC 22–24 March 2012 Leonardo Da Vinci, Ginevra De’ Benci, Ca
The Renaissance Society of America Annual Meeting Program and Abstract Book Washington, DC 22–24 March 2012 Leonardo da Vinci, Ginevra de’ Benci, ca. 1474/78. Alisa Mellon Bruce Fund. Image courtesy of the National Gallery of Art, Washington. Contents The indexes in this book refer to five-digit panel numbers, not page numbers. Panels on Thursday have panel numbers that begin with the number 1; panels on Friday begin with the number 2; and pan- els on Saturday begin with the number 3. The black tabs on each page of the full program are an additional navigational aid: they pro- vide the date and time of the panels. RSA Executive Board.......................................................................5 Acknowledgments.............................................................................6 Book Exhibition and Registration ...................................................10 Business Meetings...........................................................................11 Plenaries, Awards, and Special Events.............................................12 Program Summary Thursday.................................................................................16 Friday.....................................................................................25 Saturday..................................................................................32 Full program with abstracts Thursday 8:30–10:00.......................................................................41 10:15–11:45.....................................................................74 -
0352.1.00.Pdf
helicography Before you start to read this book, take this moment to think about making a donation to punctum books, an independent non-profit press, @ https://punctumbooks.com/support/ If you’re reading the e-book, you can click on the image below to go directly to our donations site. Any amount, no matter the size, is appreciated and will help us to keep our ship of fools afloat. Contri- butions from dedicated readers will also help us to keep our commons open and to cultivate new work that can’t find a welcoming port elsewhere. Our ad- venture is not possible without your support. Vive la Open Access. Fig. 1. Hieronymus Bosch, Ship of Fools (1490–1500) helicography. Copyright © 2021 by Craig Dworkin. This work carries a Cre- ative Commons BY-NC-SA 4.0 International license, which means that you are free to copy and redistribute the material in any medium or format, and you may also remix, transform and build upon the material, as long as you clearly attribute the work to the authors (but not in a way that suggests the authors or punctum books endorses you and your work), you do not use this work for commercial gain in any form whatsoever, and that for any remixing and trans- formation, you distribute your rebuild under the same license. http://creative- commons.org/licenses/by-nc-sa/4.0/ First published in 2021 by dead letter office, babel Working Group, an imprint of punctum books, Earth, Milky Way. https://punctumbooks.com The babel Working Group is a collective and desiring-assemblage of scholar– gypsies with no leaders or followers, no top and no bottom, and only a middle. -
St Thomas' Hospital, 249 Westminster Bridge Road (Bishops)
ADDRESS: St Thomas' Hospital 249 Westminster Bridge Road London SE1 7EH Application Number: 19/01397/FUL Case Officer: Jeffrey Holt Ward: Bishops Date Received: 10 April 2019 Proposal: Demolition of existing single storey hospital building and erection of a new six storey (including plant level) hospital building (C2 use), alterations to existing access arrangements and associated public realm works. Applicant: Agent: Guy's And St Thomas' NHS Foundation Trust Ben Stalham GL Hearn 65 Gresham Street LONDON EC2V 7NQ RECOMMENDATION 1. Resolve to grant conditional planning permission subject to the completion of an unilateral undertaking under Section 106 of the Town and Country Planning Act 1990 (as amended) containing the planning obligations listed in this report and any direction as may be received following further referral to the Mayor of London. 2. Agree to delegate authority to the Assistant Director of Planning, Transport and Development to: a. Finalise the recommended conditions as set out in this report, addendums and/or PAC minutes; and b. Negotiate, agree and finalise the planning obligations as set out in this report, addendums and/or PAC minutes pursuant to Section 106 of the Town and Country Planning Act 1990 (as amended). 3. In the event that the committee resolves to refuse planning permission and there is a subsequent appeal, delegated authority is given to the Assistant Director of Planning, Transport and Development, having regard to the heads of terms set out in this report, addendums and/or PAC minutes, to negotiate and complete a document containing obligations pursuant to Section 106 of the Town and Country Planning Act 1990 (as amended) in order to meet the requirement of the Planning Inspector. -
Drawing-Futures.Pdf
3 The Past, Present and Futures of Drawing Professor Frédéric Migayrou & Professor Bob Sheil 5 Drawing Futures Laura Allen & Luke Caspar Pearson 7 Augmentations Madelon Vriesendorp Grégory Chatonsky Matthew Austin & Gavin Perin ecoLogicStudio & Emmanouil Zaroukas Sophia Banou HipoTesis Damjan Jovanovic Adam Marcus Elizabeth Shotton Norell / Rodhe Thomas Balaban & Jennifer Thorogood Andrew Walker Peter Behrbohm David S. Goodsell 69 Deviated Histories Pablo Bronstein Jessie Brennan Jana Cˇulek Konrad Buhagiar, Guillaume Dreyfuss Penelope Haralambidou & Ephraim Joris Simon Herron Benjamin Ferns Adrianne Joergensen Parsa Khalili Thi Phuong-Trâm Nguyen Eric Mayer Alessandro Ayuso Oğul Öztunç Jamie Barron Drawing Architecture Studio 139 Future Fantasticals Neil Spiller Matthew Butcher Nat Chard Bryan Cantley Massimo Mucci Pablo Gil Martínez Joseph Altshuler & Julia Sedlock Ryota Matsumoto Anna Andronova Tom Ngo Kirsty Badenoch You + Pea Adam Bell Syd Mead Kyle Branchesi 205 Protocols Hsinming Fung Ryan Luke Johns Harshit Agrawal & Arnav Kapur Keith Krumwiede Ray Lucas Chee-Kit Lai Ann Lui Carl Lostritto Dominique Cheng Alison Moffett Bernadette Devilat Matthew Parker Owen Duross Snezana Zlatkovic Anna Hougaard Nicholas de Monchaux 281 Biographies The Bartlett School of Architecture University College London 140 Hampstead Road London NW1 2BX bartlett.ucl.ac.uk/architecture of drawing. We could name more, from Team X to the The Past, Present and techno-utopias of the Metabolists and Archigram, or the radical architectural dystopias of Archizoom Futures of Drawing or Superstudio. Even critics of these movements understood the value of the drawing as a conceptual A conference on drawing in a world in which architecture tool – witness, again, the work of Aldo Rossi, Massimo is almost entirely based on computation might seem Scolari and La Tendenza, the diverse explorations something of a paradox. -
Marcus Harvey Marcus Harvey
FREE THE SOUND ED SYKES ED MARCUS HARVEY AND THE FURY MARCUS HARVEY PHOTOGRAPHED IN LONDON BY BY LONDON IN PHOTOGRAPHED HARVEY MARCUS 20| HOT&COOL ART A l an Rankle FRANÇOIS MORELLET PASTORAL LES RÈGLES DU JEU COLLATERALCOLLATERAL Art Bermondsey Project Space 4 –30 April 2016 3 trames de carrés réguliers pivotées sur le côté, 1970, Silkscreen on board, 80 x 80 cm 2014 Oil on canvas (detail) 2014 5 APRIL – 27 MAY 2016 CATALOGUE AVAILABLE. TEXTS BY SERGE LEMOINE & HANS ULRICH OBRIST THE MAYOR GALLERY CURRENT EXHIBITION: Untitled Painting (de Loutherbourg) 21 CORK STREET, FIRST FLOOR, LONDON W1S 3LZ ATTILA KOVÁCS IN ASSOCIATION WITH TEL: +44 (0) 20 7734 3558 FAX: +44 (0) 20 7494 1377 INDUCTION Art Bermondsey Project Space, 183-185 Bermondsey Street London SE1 3UW [ adjacent to White Cube Bermondsey ] [email protected] www.mayorgallery.com 09 FEB - 31 MAR 2016 Telephone +44 (0) 20 3441 5152 Website project-space.london THE ART BERMONDSEY PROJECT SPACE IS A NON-COMMERCIAL, NOT-FOR-PROFIT ARTS PLATFORM SPONSORED BY OLYMPUS IN ASSOCIATION WITH STATE MAGAZINE 14:35 acrylic on canvas on acrylic Catauro the Philosopher the Catauro CARLOS PUENTE PUENTE CARLOS CARLOS PUENTE Shadows of Spain 1 March - 1 April 2016 Art Bermondsey Project Space 183-185 Bermondsey Street (adjacent to White Cube) London SE1 3UW A NOT-FOR-PROFIT LONDON EXHIBITION PLATFORM SUPPORTING THE FUSION OF ART, PHOTOGRAPHY & CULTURE March – April Vigo Gallery vigogallerycom vigogallery 4 | STATE 20 www.state-media.com Telephone 0203 441 5152 [email protected] www.project-space.london STEPHEN NEWTON >> DIARY NOTES Abstract Realism COVER IMAGE CASH IN THE ATTIC barbarians are still in the ascendant. -
Lijst Van Lantaarnplaatjes Ivens & Co
RSSM ; ; 4"i - : YORK & SON Have now removed from 67 Lancaster Road, Notting Hill, to more central premises YORK. HOUSE, 3 Emperor’s Gate, South Kensington, LONDON, S.W. The Map on the back of the cover of this Catalogue shows how easily it is reached from all parts. Gloucester Road Station on The Piccadilly Tube Railway, The Metropolitan Railway, and The District Railway, is only 4 minutes’ walk from York House. Emperor’s Gate is close to the South Kensington Natural History Museum, only a few minutes further West along the Cromwell Road, and therefore not far from South Kensington Station. Besides supplying the Slides of their own manufacture mentioned in this Catalogue, YORK 6c SON are now SOLE WHOLESALE AGENTS for the well-known Slides of WILSON BROS, of ABERDEEN (Trade Mark G.W.W.—Registered), and keep a stock of 33,000 G.W.W. Slides ready for delivery. (j.ifVAV. Catalog uc on application. ... ..,. .. .. .. CLASSIFIED INDEX General Catalogue of Lantern Slides. For Alphabetical Index see page ix. of Set. of in .2 P in o o5 Subject. Catalogue. “Icj Reading. Subject. Number Cj U3 Price Page B O 'C (U Slides 3 T3 tea *P3 *6 s. d. BRITISH ISLES—ENGLAND. Shakespeare’s Avon . 50 0 6 s. d. | 225 Coast Scenery London and Neighbourhood 1282 1-10, 2S9 of Devon and Cornwall . 60 0 6 250 South Kensington Museum 110 — 53, 54 Franco-British Exhibition . 66 1 0 British Museum 129 — 54, 55 308 Oxford and its Colleges . 50 1 0 277 ,, ,, Lecture 50 0 6 106 Zoological — Cambridge and its Colleges 50 1 0 2S9 Gardens .