Communicating War Through the Contemporary British Military Memoir: the Censorships of Genre, State, and Self
Newcastle University ePrints Jenkings KN, Woodward R. Communicating War through the Contemporary British Military Memoir: the Censorships of Genre, State, and Self. Journal of War & Culture Studies 2014, 7(1), 5-17. Copyright: © W. S. Maney & Son Ltd 2014 MORE OpenChoice articles are open access and distributed under the terms of the Creative Commons Attribution Non-Commercial License 3.0. DOI link to published article: http://dx.doi.org/10.1179/1752628013Y.0000000007 Further information on publisher website: http://www.maneyonline.com/ Date deposited: 9th October 2014 Version of article: Published This work is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License ePrints – Newcastle University ePrints http://eprint.ncl.ac.uk journal of war & culture studies, Vol. 7 No. 1, February, 2014, 5–17 Communicating War through the Contemporary British Military Memoir: the Censorships of Genre, State, and Self K. Neil Jenkings and Rachel Woodward School of Geography, Politics and Sociology, Newcastle University, UK This paper is about military memoirs—the published autobiographical reflec- tions of those who have participated in armed conflict—as a mechanism for communication about war. In this paper, we consider the controls exerted by functions of genre, military organizational censorship and self-censorship as influences on the possibilities for the military memoir for communicating war. Drawing on memoirs published about experiences with the British Armed Forces from 1980 to the present and interviews with a sample of authors of memoirs, the paper considers the factors which shape and con- strain the accounts these memoirs contain. We look first at the conventions of the genre, considering how authors may or may not accept or reject its established modes and forms, and consider censorship as a capacity of the conventions of the genre.
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