Entrevue Avec L6a Roback Une Femme Engagde Dans De Justes Causes, Une Mdmoire Contemporaine

Total Page:16

File Type:pdf, Size:1020Kb

Entrevue Avec L6a Roback Une Femme Engagde Dans De Justes Causes, Une Mdmoire Contemporaine Entrevue avec L6a Roback Une femme engagde dans de justes causes, une mdmoire contemporaine par Ghilb Bkte~ty-Sroka Le cure disait: uIl ne faut pas aller mariCe A 16 ans, furieuse parce qu'elle acheter chez les juifs, encouragez nevoulait pas s'attacher sivite. Quand In this article, the rea& is introduced plutBt monsieur Roy qui est un jelui aidemand4 pourquoi ellen'avait to Lta Robad, a grass-roots militant catholique, un Canadien frangais.~ pas protest&,elle m'a repondu :uMais ., ., firlcwishandhumanrt~hts,- .# wholeaves Nous etions les seuls juik, mais il ce ne sont pas des choses que Son w with the message that disait hnos parents!, Mon while it is important to pkre avait 13 ans de plus fight $r one? rights, it is qu'elle. C'etait courant A equa(ly important to ac- cette Cpoque. I1 Ctait un knowledge the humanness homme de savoir. of the oppressor. Lorsqu'il devait se rendre A Quebec acheter la Et si Lea Roback rencon- viande kascher, il oubliait trait Superwoman? souvent de rapporter ce Depuis une dizaine que maman lui avait d'annees, on assiste en demand6 mais il revenait France A la denonciation toujours avec un livre de 1'6croulement des dans sa poche. Pour lui, idea et de l'avilissement c'etait aussi important de la notion de culture. que la viande. Au Quebec, notre activ- A qucl age avez-vow iste nationale dedare tout dCcouvcrt l 'antishitisme de go que Sintelligence au Qulbec? nesaurait consentir A une Lors de notre arrivke h telle degradation. Beauport. On entendait Dans cette entrevue toutes sortes de commen- rtaliste bien avant le taires. Le cure n'avait ja- mais rencontrt de juif de rkfkrendum, lea Roback LBa Roback. 1991. d'~t tout. sa vie.*I1 ne s'imaginait Tout, haut et fort ! craignait que d'autres familles ne pas que nous etions des etres humains Cette femme qui n'a jamais hesit6 s'installent. Maman a eu dix enfants, comme tout le monde. Maman, qui h se prononcer croit fermement, h dont un, le dernier, est mort h la parlait bien franpis comme mon pkre, l'instar de Morgan Sportes, que le naissance. Pour elle, les enfants etaient nous disait toujours: uQuand on vous rB1e de Sintellectuelest d'etre le grain des cadeaux du bon Dieu. I1 faut dire crie ~Mauditsjuifs !H, rkpondez: de sable critique de toute societt. que chez nous, on sortait le bon Dieu uPourquoi dites-vous $a? Est-ce que Lire Lea Roback, c'est dejh l'avoir comme on sort un parapluie quand il nous vous appelons maudits Cana- adoptde. pleut. Nous avons donc et6 elevks diens franqais?~Les gens ne savaient dans cette grande famille. Nous etions pas quoi rdtorquer et partaient. Et Ghila: Lh Roback, nowsommes, hns heurew. puis graduellement, on a commence votreappartmzent rue Cbte-&-Neiges, Parlez-now unpnr dr vosparents.. h mieux se comprendre, A jouer avec mphnquumrtlmpopukaire. Vow-mime Papa etait jeune lorsqu'il est arrive les autres enfants. 2tes issue d'unefamille nombrrse, pas de Pologne vers 1889. I1 passait son Avez-vow rep unc tducationjuive? bien ride, d briginc juive. Comment temps A apprendre la Torah, le Tal- Oui, un rabbin venait meme nous avez-vow vCcu votw ntfance et, cn mud, la manikre de vivre. I1 Ctudiait. montrer A lire dans les livres. Pour pam'culicr, cesprfiugk qui ont dr tout Maman est nee elle aussi en Pologne, mon pkre, pour mon oncle qui etait temps assod les jui$ h l 'argent? prks de la frontikre allemande. Leur professeur A Harvard, il etait trts im- Lea: Je suis n6e A Montreal ainsi mariage a et4 arrange par un marieur. portant que nous connaissions nos que mon frkre ainC, rue Guilbeault A l'ige de 15 ans, maman Ctait si jolie anteddents, nos fetes. prts du boulevard St-Laurent et de la que ma grand-mere avait peur qu'elle J'imagine qu 'if n jl avaitpas a2 YM- rue Clark. Nous avons dCmCnagC h ne se fasse violer et elle a voulu lui goguc h Bcauport. DC qucllr &on Beauport quand j'ttais toute petite. trouver un mari nrbitoprcsto. On I'a partictjiez-vow aux Ptes juives? VOLUME 16, NUMBER 4 Mon &re et mon eremarchaient Quelquefois, je leur parlais en de mener 1 bien leur &he, sinon de Bcauport jusqu'a la synagogue de yiddiih, mais iis me rtpondaient en qu'elles s'en aillent. Des jcunes qui Quebec. Pour les grandes fetes, il anglais. J'essayais de leur faire sont dans Ies syndicats viennent nous arrivait aussi de Faire le voyage comprendre que 16 cents I'heure souvent me voir et me posent des avec maman et d'y rester deux jours. d'augmentation ne leur enlhrerait questions. Je leur rdponds: U I1 n'y a Aujourd'hui, aprls toutes ces annies rien. 11s me rdpondaient: uC'est pas pas 36 mtthodes. On est 121 pour de militantisme, sur ksquehs now vos &res!n reprknter des travailleurs qui sont ahns&illcurs rmir,que reprircnte Comment arriviez-vous h les sans voix pour se defendre., pour VOW bfait d'itre juive? convaincre? Au &but du jlm qui vous a itt Jesuis trts fitred'etre juive. Quand Le Fait de ne pas etre seule, de consam4 Des lumihdam ka grande j'entends des commentaires anti-sb devoir parler au nom de toutes cclles noirceur, on entend une trls belk qui n'osaient pas, me mwiquc juive ainsi qu 'une phrase: donnait du courage. *L2mh.ique estsourcede bonheurpour /e suis tdsfikc d Ytrejuive. Quund j htend drr tprouvient hu tour. w fit-ce votre auk? respect pour I'em- Aujourd'hui, lavieest trts difficile. : commentaires anti-shnites, je rCpond rLe bon ployeur uniquement Je ne voudrais pas etre h la place des Dieu que vous priez danr votre religion catholique parce que c'ttait un jeunes car ils n'ont meme plus cette ttait un jug^ Les premiers temps, je mefichais, patron. Moi, je leur possibilitd de se retrousser les manches disais : uLe patron a et de dire: uqa va marchew I1 n'y a m~bily U lhrt et h muni2re de seficher. besoin de nous. S'il ne pas d'avenir et c'est cruel. nous avait pas, il serait Le Qdbec est tout de mime un obligt? de prendre le paradis par rapport h certains pays mites, je rtponds aux gens : uLe bon fer h repasser ou le bdai. C'at pas le d'enfn: Dieu quevous pria dans voue religion bon Dicu!, Ellescraignaientdeperdre Les jeunes comprennent cela aussi catholiquedtait un juif?, Les premiers leur emploi. J'essayais de leur Faire mais je trouve que nous leur avons temps, je me fichais, mais il y a I'm comprendre que si nous nous laissd beaucoup de salet& nettoyer. et la manikre de se Wer. Maman dis- soutenions,personne ne perdrait rien. Beaucoup de juif, etpas seukment ait toujours: uSi on sc Weavec un Vow est-il arrivi d'tprouver &S des anglophones, quittent k Qdbec, sourite,lesgenscomprennentplusvite.~ dificulth h devcnir mmbre An d'une part h cause de li'nstabilitt Avez-vous des contacts avec la syndicatparce que vous Itice juive? politiqw et d'autre partparce qu 'ilr ne communautijuive montriakzise? Non. Les juifi ont fondt plusieurs sjsententpas h lhise. Croyez-vow qu 2 Bien sOr! J'ai des amis juifs qui syndicats au Quebec, dans le domaine plus ou moins brhe ichtance, il nj viennent me voir, on se tdldphone du vetement par exemple. Les pa- aura plus de juif au Qutbcc, comme constamment. Je ne pourrais pasvivre trons, les tailleurs, les ouvrikres dtaient c'est k cas drzpays arabes dbir ils sont sans lien avec la communautd. Je vais juifi. Pour ce qui est des grosses in- partis parce qu 'ilr ttaientpmlcuth ? aussi de temps en temps A la dustries, il y avait des kossais, Bob Oh non! Je ne crois pas. I1 n'y a pas bibliothkque juive, au Centre Saidye Haddow en particulier. I1 ne m3chait de comparaison entre la situation au Bronfman. pas ses rnots. I1 avait une vdritable Quebec et celle qui prdvalait dans ces Pensca-vow que pour Zttc accreptke conscience ouvrikre et luttait pour pays arabes. par h Qurbicois, ilfaih rqeter son que I'ouvrier gagne suffisamment Mais Mordecai Richkr a fait une idmtiti? d'argent pour vivre. analyse trls polhnique sur kz sociitC Non, jamais. I1 ne hut pas chercher Autrefois souflait CC vent qulbicoise, dam kzqueh ilsoutientque midi h quatone heures: on m'accepte rholutionnaire dam ks syndicats: on ks anglophones, ksjuifj et ks minoritCs comme je suis, juive, ou on ne lutcait afin a5 difdre h ouvrim. visibks ont &S dzficultts h survivre. Ce m'accepte pas. C'est tout. Mais je Aujourd'hui, on a I'impression que ks n 'estpas votre opinion? remarque que mes amis qui ne sont syndcats sont trls corporatistes, qu'iL Je pense que Mordecai Richler n'est pas juifi comprennent cela trts bien. cherchent plutat h difindre leur pas honnete avec lui-meme et avec les Vowavcetravaillitrlsjeunert mmt port.feuih que celui du prohriat. juifi. Ses ddclarations desservent la beaucoup de luttes, notammtntdans ks Qu 'mpensca-vow? communautd plutBt qu'elles ne la milieux syndicaux. Vow est-il arrivi Je ne crois pas. I1 hut bien se dire servent. Cet homme n'est qu'insulte, par k passi a2 devoir combattre des que les gens qui militent dans les un cul intelligent, comme on dit h mphyeursjuif? syndicats sont des etres humains NewYork. Je medemande si, lorsqu'il Oui, surtout dans le secteur comme tout le monde.
Recommended publications
  • August 25, 2007
    KlezNews קלעזנײַעס 25th August, 2007 דעם 25סטן אױגוסט 2007 What do You Think of This!: Closing Observations Beading at Klez Kanada from Chaiyalla by Richard Kurtz Well dear readers, time goes by quickly when you are having fun, when you are The art room on the second floor of surrounded by wonderful music created by musicians who play with their hearts the Retreat Centre has been brimming and souls; passionate dancers, engaging people. We are wise indeed to have made with activity all week long. Under the a conscious choice to spend the third week of August in these surroundings. Each year is qualitatively different. Thursday night, while I was listening to a talented guidance of art director Emily trio, one of whom was playing a saw, I had epiphony. The change that we often Sokolov, staff member Vera Sokolow talk about needing to happen is happening all around us. We are living in a ka- and Fellowship recipient Robin Young, leidoscope of change. All of the music that we are hearing contains the building more people participated in the art blocks of the old newly configured. The music is a metaphor for life. Each day, program than ever before—about 50 each moment requires a different response. As one of my colleagues once said to adults and 20 children this year. me “each day is an extistential crisis”. Even those who claim that they are exis- The most common phrase that I tentially challenged feel it, even though they may not have the words for it. heard while the artist formed their One of my greatest learnings this summer, is how important it is to having ongo- creations was, “What do you think?” ing shared tasks and dialogues be it through the language of music, dance, words All three instructors acknowledged with people of all ages who share the same passions and interests.
    [Show full text]
  • Filming Politics: Communism and the Portrayal of the Working Class at the National Film Board of Canada, 1939-1946
    University of Calgary PRISM: University of Calgary's Digital Repository University of Calgary Press University of Calgary Press Open Access Books 2007 Filming politics: communism and the portrayal of the working class at the National Film Board of Canada, 1939-1946 Khouri, Malek University of Calgary Press Khouri, M. "Filming politics: communism and the portrayal of the working class at the National Film Board of Canada, 1939-1946". Series: Cinemas off centre series; 1912-3094: No. 1. University of Calgary Press, Calgary, Alberta, 2007. http://hdl.handle.net/1880/49340 book http://creativecommons.org/licenses/by-nc-nd/3.0/ Attribution Non-Commercial No Derivatives 3.0 Unported Downloaded from PRISM: https://prism.ucalgary.ca University of Calgary Press www.uofcpress.com FILMING POLITICS: COMMUNISM AND THE PORTRAYAL OF THE WORKING CLASS AT THE NATIONAL FILM BOARD OF CANADA, 1939–46 by Malek Khouri ISBN 978-1-55238-670-5 THIS BOOK IS AN OPEN ACCESS E-BOOK. It is an electronic version of a book that can be purchased in physical form through any bookseller or on-line retailer, or from our distributors. Please support this open access publication by requesting that your university purchase a print copy of this book, or by purchasing a copy yourself. If you have any questions, please contact us at [email protected] Cover Art: The artwork on the cover of this book is not open access and falls under traditional copyright provisions; it cannot be reproduced in any way without written permission of the artists and their agents. The cover can be displayed as a complete cover image for the purposes of publicizing this work, but the artwork cannot be extracted from the context of the cover of this specific work without breaching the artist’s copyright.
    [Show full text]
  • Seam Stress: Garment Work and Gendered Labour Struggle in 1980S Montreal
    Seam Stress: Garment Work and Gendered Labour Struggle in 1980s Montreal Leona Siaw A Thesis in The Department of Geography, Planning & Environment Presented in Partial Fulfillment of the Requirements For the Degree of Master of Science (Geography, Planning & Environment) at Concordia University Montreal, Quebec, Canada August 2020 Ó Leona Siaw, 2020 CONCORDIA UNIVERSITY School of Graduate Studies This is to certify that the thesis prepared By: Leona Siaw Entitled: Seam Stress: Garment Work and Gendered Labour Struggle in 1980s Montreal and submitted in partial fulfillment of the requirements for the degree of Master of Science (Geography, Planning and Environment) complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final Examining Committee: Dr. Norma Rantisi Chair Dr. Steven High Examiner Dr. Christopher Hurl External Examiner Dr. Ted Rutland Supervisor Approved by Craig Townsend Chair of Department Approved by Pascale Sicotte Dean of Faculty Date ABSTRACT Seam Stress: Garment Work and Gendered Labour Struggle in 1980s Montreal Leona Siaw Montreal’s garment industry was the largest in Canada until most of its factories closed or relocated in the 1980s and 1990s, but it did not go out quietly. Staring down the barrel of rapid, state-sanctioned deindustrialization, 9,500 members of the Quebec ILGWU, most of them immigrant women, launched an industry-wide strike in August of 1983, the first in 43 years, as well as the last. Using the strike as a springboard, this thesis combines oral history interviews and archival material with historical, geographical, and feminist literatures to understand how women workers experienced and contested garment deindustrialization in 1980s Montreal.
    [Show full text]
  • Society Pages
    T HE L ITERARY AND H ISTORICAL S OCIETY OF Q UEBEC SOCIETY PAGES P UBLISHED Q UARTERLY ▪ N UMBER 1 2 ▪ S UMMER 2006 “Oh dear! Oh dear! I shall be late!” said the Rabbit, taking a watch out of his waistcoat-pocket. Alice started to her feet and, burning with curiosity, ran after him through the city streets towards an imposing stone building. The building had peculiar traces of sawed-off prison bars in its windows. “How curious!” she thought. The first thing Alice noticed upon entering was a group of bald-faced dowdies and frumps pontificating among each other in the corner. “How insufferably dull they all seem,” thought Alice. Far more interesting were the portraits on the olive green walls. This queer-looking party of bearded faces stared down at her. Above them reigned the king of all portraits: Joseph Morrin, MD, esq., sitting stoically in full colour and gazing into the future for posterity. “What do we have here,” said a faded portrait of Cyrille Tessier, esq. in a round mahogany frame. “A little girl! What are you looking for, little girl?” “Would you kindly tell me,” said Alice, a little timidly, “where the White Rabbit skittered off to?” Major Petry’s portrait changed from its regular charcoal calm to a impatient sanguine red: “The rabbit, she says! I believe he passed through that curtain into the library.” The frumpies and dowdies turned towards Alice, as if to scold her. “Oh dear,” she thought as she ran up the staircase to the right. She escaped by pulling a makeshift curtain before a pair of imposing doors.
    [Show full text]
  • Annexe 4 Inventaire Des Fonds D'archives Syndicaux
    Annexe 4 Inventaire des fonds d’archives syndicaux Table des institutions, des fonds et séries d’archives Assemblée nationale (Archives de l’) ............................................................................................ 71 Fonds Denise Carrier-Perreault ............................................................................................... 71 Fonds Hélène Robert ............................................................................................................... 73 Fonds Albert Khelfa ................................................................................................................ 75 Fonds Guy Bisaillon ............................................................................................................... 77 Bibliothèque et Archives Canada ................................................................................................... 79 Canadian Union of Public Employees fonds .......................................................................... 79 Communications and Electrical Workers of Canada fonds .................................................... 82 International Union of Electrical, Radio and Machine Workers of America fonds ............... 85 United Electrical, Radio and Machine Workers of Canada fonds .......................................... 87 Communications Union Canada fonds ................................................................................... 89 Canadian Paperworkers Union fonds .....................................................................................
    [Show full text]
  • Jewish Public Library Annual Report 2018
    2 th 1 8 Jewish Public Library Annual Report 2018 1 Contents Message from the President and the Executive Director 3 Special Projects and Library Outreach 6 The Norman Berman Children’s Library 8 The Archives of the Jewish Public Library 10 Cultural Programmes 2017-2018 11 Fundraising 15 Statistics 17 Executive, Board of Directors and Library Committees 19 2 President Howard Krosnick Executive Director Michael Crelinsten Message from the President and the Executive Director The Jewish Public Library continues to welcome over Our Archives are partnering with the Pointe-à-Callière 100,000 visitors a year and to offer an exceptional array Museum on two exhibits. One is a permanent exhibit of programmes and services developed by our excep- entitled “Les Bâtisseurs de Montréal”, which is a visual tional staff. By way of example, following are some journey into Montreal’s past under French and British highlights of the 2017 – 2018 programming year. regimes. The second is a 10-year exhibit looking at the history of Montreal from the village of Hochelaga to a Our Norman Berman Children’s Library is thriving under 21st century metropolis. the leadership of Talya Pardo and her staff. The recent Montreal YA Festival was ground breaking, not only for We have been working closely with professors at the Over 100,000 the Library but, indeed, for our country – it is the first University of Sherbrooke, as well as the Directeur des visitors a year and only Young Adult festival of its kind in Canada. Made services d’accueil et d’éducation interculturelle at the possible through a grant from Marilyn Takefman, it drew Ministère de l’Éducation et de l’Enseignement supérieur.
    [Show full text]
  • Communist Organizing in the Needle Trades, the Dressmakers' Campaign, 1928-1937
    The Promise: Communist Organizing in the Needle Trades, the Dressmakers' Campaign, 1928-1937 Mercedes Steedman The Industrial Union of Needle Trades Workers was more democratic [than the ILGWU] because we used to have local [Executive] meetings set up twice a month. Twice a month we would meet, regardless of for what, and then we used to have shop meetings. With the problems in the shop, we used to call the entire shop together and discuss the problem that's facing them, and so on. There used to be fights between the working people in the shops. We used to call a shop meeting to straighten it out... The industrial union was different because a meeting of the shop takes in all the pressers, cutters, finishers and operators, you know. Max Dolgoy.1 THE INDUSTRIAL UNION of Needle Trades Workers (IUNTW), led by the Communist Party of Canada (CFC), was the first union to succeed in organizing large numbers of women workers in the dress trade. While its success can be explained by the lack of any concerted effort on the part of the other unions, another explanation, which will be advanced here, is that the shop-focused structure of the Communist unions, which allowed rank and file control over shop issues, was more accessible to women than that of any other union. It is possible that the form of unionism espoused by the IUNTW offered a more active role to women workers than did the craft-dominated International Ladies Garment Workers Union (ILGWU). The bureaucratization of the union movement in the late 1930s and 1940s was not gender neutral, according to American social historian Elizabeth Faue.
    [Show full text]
  • Communism and the Portrayal of the Working Class at the National Film Board of Canada, 1939-1946
    University of Calgary PRISM: University of Calgary's Digital Repository University of Calgary Press University of Calgary Press Open Access Books 2007 Filming politics: communism and the portrayal of the working class at the National Film Board of Canada, 1939-1946 Khouri, Malek University of Calgary Press Khouri, M. "Filming politics: communism and the portrayal of the working class at the National Film Board of Canada, 1939-1946". Series: Cinemas off centre series; 1912-3094: No. 1. University of Calgary Press, Calgary, Alberta, 2007. http://hdl.handle.net/1880/49340 book http://creativecommons.org/licenses/by-nc-nd/3.0/ Attribution Non-Commercial No Derivatives 3.0 Unported Downloaded from PRISM: https://prism.ucalgary.ca University of Calgary Press www.uofcpress.com FILMING POLITICS: COMMUNISM AND THE PORTRAYAL OF THE WORKING CLASS AT THE NATIONAL FILM BOARD OF CANADA, 1939–46 by Malek Khouri ISBN 978-1-55238-670-5 THIS BOOK IS AN OPEN ACCESS E-BOOK. It is an electronic version of a book that can be purchased in physical form through any bookseller or on-line retailer, or from our distributors. Please support this open access publication by requesting that your university purchase a print copy of this book, or by purchasing a copy yourself. If you have any questions, please contact us at [email protected] Cover Art: The artwork on the cover of this book is not open access and falls under traditional copyright provisions; it cannot be reproduced in any way without written permission of the artists and their agents. The cover can be displayed as a complete cover image for the purposes of publicizing this work, but the artwork cannot be extracted from the context of the cover of this specific work without breaching the artist’s copyright.
    [Show full text]