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Sherlock Holmes and the Nazis: Fifth Columnists and the People’S War in Anglo-American Cinema, 1942-1943
Sherlock Holmes and the Nazis: Fifth Columnists and the People’s War in Anglo-American Cinema, 1942-1943 Smith, C Author post-print (accepted) deposited by Coventry University’s Repository Original citation & hyperlink: Smith, C 2018, 'Sherlock Holmes and the Nazis: Fifth Columnists and the People’s War in Anglo-American Cinema, 1942-1943' Journal of British Cinema and Television, vol 15, no. 3, pp. 308-327. https://dx.doi.org/10.3366/jbctv.2018.0425 DOI 10.3366/jbctv.2018.0425 ISSN 1743-4521 ESSN 1755-1714 Publisher: Edinburgh University Press This is an Accepted Manuscript of an article published by Edinburgh University Press in Journal of British Cinema and Television. The Version of Record is available online at: http://www.euppublishing.com/doi/abs/10.3366/jbctv.2018.0425. Copyright © and Moral Rights are retained by the author(s) and/ or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This item cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder(s). The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. This document is the author’s post-print version, incorporating any revisions agreed during the peer-review process. Some differences between the published version and this version may remain and you are advised to consult the published version if you wish to cite from it. Sherlock Holmes and the Nazis: Fifth Columnists and the People’s War in Anglo-American Cinema, 1942-1943 Christopher Smith This article has been accepted for publication in the Journal of British Film and Television, 15(3), 2018. -
The Evolution of Sherlock Holmes: Adapting Character Across Time
The Evolution of Sherlock Holmes: Adapting Character Across Time and Text Ashley D. Polasek Thesis submitted in fulfilment of the requirements for the degree of DOCTOR OF PHILOSOPHY awarded by De Montfort University December 2014 Faculty of Art, Design, and Humanities De Montfort University Table of Contents Abstract ........................................................................................................................... iv Acknowledgements .......................................................................................................... v INTRODUCTION ........................................................................................................... 1 Theorising Character and Modern Mythology ............................................................ 1 ‘The Scarlet Thread’: Unraveling a Tangled Character ...........................................................1 ‘You Know My Methods’: Focus and Justification ..................................................................24 ‘Good Old Index’: A Review of Relevant Scholarship .............................................................29 ‘Such Individuals Exist Outside of Stories’: Constructing Modern Mythology .......................45 CHAPTER ONE: MECHANISMS OF EVOLUTION ............................................. 62 Performing Inheritance, Environment, and Mutation .............................................. 62 Introduction..............................................................................................................................62 -
Scuttlebutt from the Spermaceti Press 2014
Jan 14 #1 Scuttlebutt from the Spermaceti Press Sherlockians (and Holmesians) gathered in New York to celebrate the Great Detective's 160th birthday during the long weekend from Jan. 15 to Jan. 19. The festivities began with the traditional ASH Wednesday dinner sponsored by The Adventuresses of Sherlock Holmes at O'Casey's and continued with the Christopher Morley Walk led by Jim Cox and Dore Nash on Thursday morning, followed by the usual lunch at McSorley's. The Baker Street Irregulars' Distinguished Speaker at the Midtown Executive Club on Thursday evening was James O'Brien, author of THE SCIENTIFIC SHER- LOCK HOLMES: CRACKING THE CASE WITH SCIENCE & FORENSICS (2013); the title of his talk was "Reassessing Holmes the Scientist", and you will be able to read his paper in the next issue of The Baker Street Journal. The William Gillette Luncheon at Moran's was well attended, as always, and the Friends of Bogie's at Baker Street (Paul Singleton, Sarah Montague, and Andrew Joffe) entertained their audience with a tribute to an aged Sherlock Holmes and Dr. Watson. The luncheon also was the occasion for Al Gregory's presentation of the annual Jan Whimsey Award (named in memory of his wife Jan Stauber) honoring the most whimsical piece in The Serpentine Muse last year; the winners (Susan Rice and Mickey Fromkin) received certificates and shared a check for the Canonical sum of $221.17. And Otto Penzler's tradi- tional open house at the Mysterious Bookshop provided the usual opportuni- ties to browse and buy. The Irregulars and their guests gathered for the BSI annual dinner at the Yale Club, where John Linsenmeyer proposed the preprandial first toast to Marilyn Nathan as The Woman. -
Arts & Culture
B2 September 9, 2013 Arts & Culture www.TheEpochTimes.com/Arts SAMIRA BOUAOU/EPOCH TIMES Jesse Barnick (L) Brad Gibson (R) combating in Bartitsu on 18th Street, New York City, Aug. 18. Reviving Bartitsu, the Way English Gentlemen Fight SAMIRA BOUAOU/EPOCH TIMES BY AMELIA PANG Pennsylvania to New York City society is in Chicago, while who founded the Bartitsu Club EPOCH TIMES STAFF every month to train in Bar- a few others are scattered in of New York City in August 2011. titsu. It is a 19th century form remote places such as New Zea- “But once I knew enough people of martial arts that English gen- land. Many believe it is worth who wanted to learn, I hired an NEW YORK—They are lone war- tlemen and ladies learned to the long distance travel. instructor and brought him to riors forging a path for the revi- defend themselves with walk- “It’s never going to be like the New York.” talization of a lost art of combat. ing sticks and umbrellas. millions of people who practice It began as a modest group Some travel from as far away as The second closest Bartitsu karate,” said Rachel Klingberg, of dojo-less students, with var- ied martial arts experience, training in Central Park once a month. But as winter threatened to disperse the group, The Soci- ety for Martial Arts Instruction took the group in and offered them a dojo. Advertise in one of the city’s Today, New York’s Bartitsu club has taught around 150 highest quality arts sections students, with generally 12 stu- Jesse Barnick (L) and Rachel Klingberg (R) combating in Bartitsu dents per class. -
Power and Paranoia
Power and Paranoia: The Literature and Culture of the American Forties Course instructor: PD Dr. Stefan Brandt Ruhr-Universität Bochum Winter term 2009/10 Bibliography (selection) “A Life Round Table on the Pursuit of Happiness” (1948) Life 12 July: 95-113. Allen, Donald M., ed. The New American Poetry, 1945-1960. New York: Grove Press, 1960. “Anatomic Bomb: Starlet Linda Christians brings the new atomic age to Hollywood” (1945) Life 3 Sept.: 53. Asimov, Isaac. “Robbie.” [Originally published as “Strange Playfellow” in 1940]. In: I, Robot. New York: Gnome Press, 1950. 17-40. ---. “Runaround.” [1942]. In: I, Robot, 41-62. Auden, W.H. The Age of Anxiety: A Baroque Eclogue. New York: Random House, 1947. Auster, Albert, and Leonard Quart. American Film and Society Since 1945. London and Basingstoke: Macmillan, 1984. Balio, Tino. The American Film Industry. Madison: University of Wisconsin Press, 1976. Barson, Michael, and Steven Heller. Red Scared: The Commie Menace in Propaganda and Popular Culture. San Francisco: Chronicle Books, 2001. Behlmer, Rudy, ed. Inside Warner Brothers 1935-1951. New York: Viking, 1985. Belfrage, Cedric. The American Inquisition: 1945-1960. Indianapolis and New York: Bobbs-Merrill, 1973. Berman, Greta, and Jeffrey Wechsler. Realism and Realities: The Other Side of American Painting, 1940-1960. An Exhibition and Catalogue. New Brunswick, N.J.: Rutgers Univ. Art Gallery, State Univ. of New Jersey, 1981. Birdwell, Michael E. Celluloid Soldiers: The Warner Bros. Campaign Against Nazism. New York: New York University Press, 1999. Boddy, William. “Building the World’s Largest Advertising Medium: CBS and Tele- vision, 1940-60.” In: Balio, ed., Hollywood in the Age of Television, 1990. -
WORKPACK Sherlock.Pdf
Music: Marcelo Andino Workpack: Eugenia Dell’Osa - Mariela Salto - Silvia Montimurro - Ana Laura Zanfranceschi Directed by Gonzalo Berón OBRA REGISTRADA LEVEL “Sherlock” is aimed at A2 and B1 levels. Teatro Ludé (ex Santa María) Montevideo 842 - CABA Main Office: Marcelo T. de Alvear 1252 (C1058AAT) 3rd floor 303 - CABA Tels.: 0810-6666-BAP (227) / (011) 5246-6017 / (011) 15-3477-5206 www.baplayers.com [email protected] /baplayers @buenosairesplayers 1 A note to teachers Our dear fellow teachers, In the workpack you are about to start using you will find a series of activities to be used with your students both before and after watching the BAP play of your choice. You will find that most of the activities have been graded according to levels, which might imply age or language development or both. You will also come across different types of activities, which in most cases we have decided to categorize as follows: The Story; Characters; Words, Words, Words!; Grammar & Structures; Drama Games & Activities. In many cases, however, as in the classroom and in life, categories tend to merge and combine and evolve, so that one activity may lend itself to something else. Towards the end of the pack you will see the Teacher’s Corner, where we have grouped some ideas we felt like sharing with you alone, and not with all your students. All these are simply suggestions. You are the one who knows your students, so please feel free to play around with this workpack as much as you want to. Have a magical BAP experience, and do let us know what worked best for you and your students! All our love, The Teachers Team www.baplayers.com [email protected] /baplayers @buenosairesplayers 2 CHARACTERSCHARACTERS SHERLOCK HOLMES JOAN WATSON JAMES martin IRENE ADLER MR.MR. -
Young Sherlock Holmes (1985)
Young Sherlock Holmes (1985) Young Sherlock Holmes is a 1985 American mystery adventure film directed by Barry Levinson and written by Chris Columbus, based on the characters created by Sir Arthur Conan Doyle. Friendship is at the core of Young Sherlock Holmes, an imaginative recreation of how Sherlock Holmes and John Watson became friends. Their personalities are diametrically opposed. Holmes is independent and daring, and Watson is a “play it by the book” medical student, staunchly averse to risk, always worried about jeopardizing his academic future. However, he admires Holmes’s adventurous spirit. Despite their differences, their affection for one another grows and is celebrated in the many detective novels of Sir Arthur Conan Doyle. The film begins in Victorian England on a dark night when we see a hooded assassin use a blowpipe to shoot a dart into an unsuspecting man. The dart causes the man to hallucinate and commit suicide. Two more people die under similar circumstances; and Holmes, a friend of one of the victims, tries to piece together clues to find the murderer. This leads to all sorts of escapades in which he and Watson put themselves in danger as they discover an Egyptian cult bent on taking revenge for a wrong committed many years earlier. At the end of their adventure, Holmes and Watson take leave of one another, and Watson realizes he forgot to thank him. Watson reflects: “He had taken a weak, frightened boy and made him into a courageous, strong man. My heart soared.” The friendship has transformed Watson and for that he is eternally grateful. -
Writer's Guide to the World of Mary Russell
Information for the Writer of Mary Russell Fan Fiction Or What Every Writer needs to know about the world of Mary Russell and Sherlock Holmes as written by Laurie R. King in what is known as The Kanon By: Alice “…the girl with the strawberry curls” **Spoiler Alert: This document covers all nine of the Russell books currently in print, and discloses information from the latest memoir, “The Language of Bees.” The Kanon BEEK – The Beekeeper’s Apprentice MREG – A Monstrous Regiment of Women LETT – A Letter of Mary MOOR – The Moor OJER – O Jerusalem JUST – Justice Hall GAME – The Game LOCK – Locked Rooms LANG – The Language of Bees GOTH – The God of the Hive Please note any references to the stories about Sherlock Holmes published by Sir Arthur Conan Doyle (known as The Canon) will be in italics. The Time-line of the Books BEEK – Early April 1915 to August of 1919 when Holmes invites the recovering Russell to accompany him to France and Italy for six weeks, to return before the beginning of the Michaelmas Term in Oxford (late Sept.) MREG – December 26, 1920 to February 6, 1921 although the postscript takes us six to eight weeks later, and then several months after that with two conversations. LETT – August 14, 1923 to September 8, 1923 MOOR – No specific dates given but soon after LETT ends, so sometime the end of September or early October 1923 to early November 1923. We know that Russell and Holmes arrived back at the cottage on Nov. 5, 1923. OJER – From the final week of December 1918 until approx. -
Case 1:15-Cv-00432-WPL-KBM Document 1 Filed 05/21/15 Page 1 of 24
Case 1:15-cv-00432-WPL-KBM Document 1 Filed 05/21/15 Page 1 of 24 IN THE UNITED STATES DISTRICT COURT FOR THE DISTRICT OF NEW MEXICO CONAN DOYLE ESTATE LTD. Plaintiff, v. No.1:15-CV-432 MIRAMAX, LLC, ROADSIDE ATTRACTIONS LLC, PENGUIN RANDOM HOUSE LLC, MITCH CULLIN, WILLIAM CONDON, Defendants. COMPLAINT FOR INJUNCTION AND DAMAGES Plaintiff Conan Doyle Estate Ltd. (CDEL) alleges as follows for its Complaint against Defendants Penguin Random House, Roadside Attractions, LLC, Miramax, LLC, Mitch Cullin, and William Condon. INTRODUCTION 1. This action for copyright infringement arises from unauthorized copying by Mitch Cullin—in his novel A Slight Trick of the Mind and in the motion picture Mr. Holmes based on the novel—of original Sherlock Holmes stories written by Sir Arthur Conan Doyle (Conan Doyle). The remaining defendants have participated in copying these protected stories in the infringing movie, have published and distributed the infringing novel and motion picture, and have titled the movie so as to confuse consumers and unfairly trade on CDEL’s goodwill. 2. Defendant Mitch Cullin grew up in Santa Fe, New Mexico, and through his father became acquainted with the noted Sherlockian scholar and collector John Bennett Shaw, who also lived in Santa Fe. Defendant Cullin had access to all of Conan 1 Case 1:15-cv-00432-WPL-KBM Document 1 Filed 05/21/15 Page 2 of 24 Doyle’s works in Mr. Shaw’s library. Cullin’s dedication of A Slight Trick of the Mind included a dedication to “the late John Bennett Shaw, who once left me in charge of his library.” It is apparent from A Slight Trick of the Mind—a story of Sherlock Holmes in retirement—that Mr. -
Glorious Technicolor: from George Eastman House and Beyond Screening Schedule June 5–August 5, 2015 Friday, June 5 4:30 the G
Glorious Technicolor: From George Eastman House and Beyond Screening Schedule June 5–August 5, 2015 Friday, June 5 4:30 The Garden of Allah. 1936. USA. Directed by Richard Boleslawski. Screenplay by W.P. Lipscomb, Lynn Riggs, based on the novel by Robert Hichens. With Marlene Dietrich, Charles Boyer, Basil Rathbone, Joseph Schildkraut. 35mm restoration by The Museum of Modern Art, with support from the Celeste Bartos Fund for Film Preservation; courtesy The Walt Disney Studios. 75 min. La Cucaracha. 1934. Directed by Lloyd Corrigan. With Steffi Duna, Don Alvarado, Paul Porcasi, Eduardo Durant’s Rhumba Band. Courtesy George Eastman House (35mm dye-transfer print on June 5); and UCLA Film & Television Archive (restored 35mm print on July 21). 20 min. [John Barrymore Technicolor Test for Hamlet]. 1933. USA. Pioneer Pictures. 35mm print from The Museum of Modern Art. 5 min. 7:00 The Wizard of Oz. 1939. USA. Directed by Victor Fleming. Screenplay by Noel Langley, Florence Ryerson, Edgar Allan Woolf, based on the book by L. Frank Baum. Music by Harold Arlen, E.Y. Harburg. With Judy Garland, Frank Morgan, Ray Bolger, Bert Lahr, Ray Bolger, Margaret Hamilton, Billie Burke. 35mm print from George Eastman House; courtesy Warner Bros. 102 min. Saturday, June 6 2:30 THE DAWN OF TECHNICOLOR: THE SILENT ERA *Special Guest Appearances: James Layton and David Pierce, authors of The Dawn of Technicolor, 1915-1935 (George Eastman House, 2015). James Layton and David Pierce illustrate Technicolor’s origins during the silent film era. Before Technicolor achieved success in the 1930s, the company had to overcome countless technical challenges and persuade cost-conscious producers that color was worth the extra effort and expense. -
How to Observe Paintings Like Sherlock Holmes by Hiroyuki Iwane, FSPE
How to Observe Paintings like Sherlock Holmes by Hiroyuki Iwane, FSPE If you like Sudoku puzzles, I would like to I experienced a similar phenomenon myself. suggest another fun leisure activity. This one is When I was teaching body languages and facial performed in a museum and will exercise both expressions to a class, I did an experiment. your brain and your body, improving your blood Similar to Holmes, I said to the class, “You circulation as you walk around the museum. have frequently seen traffic lights on the street, You may say, “I do not know anything about haven’t you? How often? Raise your hand if it art.” No problem at all. You don’t need to have is more than a million.” They all raised their any prerequisite knowledge. The object is to hands. Then I asked, “Will you tell me which observe paintings like Sherlock Holmes. But picture is the correct one?” I showed two pictures instead of observing a crime scene like him, we of traffic lights, but one had the red and green will observe paintings and photographs in the lights in the opposite places. Surprisingly—or, museum, because, even if we have a scientific perhaps, as I expected—more than half of them background, most of us can agree that we are were not sure which one was the right picture. more comfortable observing paintings than The colors of a traffic light may be important, observing dead bodies. The aim of this activity is but the order of the colors does not seem to be the same as that of a Sudoku puzzle: to give your essential for us anymore. -
An Analysis of the Perennial Big-Screen Representations of the Famed Detective, Sherlock Holmes Brody Challinor College of Dupage
ESSAI Volume 11 Article 12 Spring 2013 An Analysis of the Perennial Big-Screen Representations of the Famed Detective, Sherlock Holmes Brody Challinor College of DuPage Follow this and additional works at: http://dc.cod.edu/essai Recommended Citation Challinor, Brody (2013) "An Analysis of the Perennial Big-Screen Representations of the Famed Detective, Sherlock Holmes," ESSAI: Vol. 11, Article 12. Available at: http://dc.cod.edu/essai/vol11/iss1/12 This Selection is brought to you for free and open access by the College Publications at DigitalCommons@COD. It has been accepted for inclusion in ESSAI by an authorized administrator of DigitalCommons@COD. For more information, please contact [email protected]. Challinor: An Analysis of the Perennial Big-Screen Representations of An Analysis of the Perennial Big-Screen Representations of the Famed Detective, Sherlock Holmes by Brody Challinor (English 1154) n the 1939 movie, The Adventures of Sherlock Holmes, Conan Doyle‘s famous detective [Basil Rathbone] finds himself up against his greatest nemesis, Professor Moriarty, [George Zucco] I whom he must fight on two different fronts; protecting a young lady and her brother from the deadly implications of a series of cryptic notes, while simultaneously protecting the Crown Jewels. This portrayal of the character was released to a backdrop of a world in tension, hitting theaters on the first official day of World War II, once Nazi Germany invaded Poland. In sharp contrast to its predecessor, however, the 1979 Murder by Decree pitted Holmes [Christopher Plummer] against what some might call the ‗phantom‘ menace of a fictionalized Jack the Ripper, following hot on the heels of both the Watergate scandal as well as the American feminist movement.