100 Entertainment Studies Enroll at uclaextension.edu or call (800) 825-9971 Acting for the Camera I X 410.3 Theater 4 units Art & Craft of Participants learn to get comfortable in front of the lens. Entertainment Exercises begin with on-camera interviews so that ENTERTAINMENT students can view their screen images in playback. For more information call (310) 825-9064, email Instruction focuses on understanding technical and [email protected], or visit emotional adjustments required for working in front of entertainment.uclaextension.edu. the camera in a relaxed and truthful way and developing STUDIES intimacy with the camera. Topics include the difference Space is limited; early enrollment is highly between frame sizes and learning to hit marks. Partici- recommended. Visitors are not permitted at pants hone their acting techniques through scene-study 100 Acting some courses. For online course technical guidelines and sensory and moment-to-moment exer- requirements, see page 4. cises, as well as monologue work. Some exercises are 102 Cinematography performed on camera with emphasis on close-ups, 102 Development simple scenes, and basic camera moves. The instructor Acting critiques individual students’ work during playback. 103 Directing Enrollment limited. Students are recorded on camera 104 Post-Production Acting Techniques: The Fundamentals during several sessions; those wishing to keep a copy 105 Producing X 407.5 Theater 4 units of their work must bring a flash drive to each session. In this introduction to acting, participants learn funda- Internet access required to retrieve course materials. 106 The Business & Management of Entertainment mental performance techniques and exercises, includ- Reg# 264262CA 107 The Music Business ing relaxation, concentration, sense memory, emotional Through Feb 29: $635 / After: $695 recall, improvisation, character tasks, and text analysis, Westwood: B17 1010 Westwood Center 108 Music Production and then apply these techniques by rehearsing and Tue 7-10pm, Mar 29-Jun 14, 12 mtgs 109 Film Scoring performing monologues and two-character scenes. No refund after Apr 1. In-class partner work and weekly assignments are Beverly Sanders, actor whose 35-year career spans required. Enrollment limited. Internet access required television, film, stage, and more than 300 national to retrieve course materials. commercials. Ms. Sanders’s feature films include Reg# 264260CA Beaches, And Justice for All, Magic, and The Flintstones Through Feb 29: $635 / After: $695 in Viva Rock Vegas. Her many television credits include Westwood: 204AB Extension Lindbrook Center Baywatch, The Mary Tyler Moore Show, Home Improve- Wed 7-10pm, Mar 30-Jun 15, 12 mtgs ment, Rhoda, Lotsa Luck, Charmed, Veronica Mars, No refund after Apr 4. Providence, and HBO’s Entourage. Ms. Sanders Eric Scott Gould, actor, director, screenwriter, and received the UCLA Extension Department of the Arts producer. As an actor, Mr. Gould has performed in more Instructor of the Year Award in 2011. than 50 stage productions in New York City, Los Ange- les, and regional theater. On television, he has appeared Acting for the Camera II on shows such as Curb Your Enthusiasm (HBO), Num- X 410.5 Theater 4 units b3rs (CBS), The District (CBS), Diagnosis Murder (CBS), Building on the skills learned in Acting for the Camera Another World (NBC), and recurred on Without A Trace I, you prepare for work professionally by practicing in (CBS) for the first four seasons. all styles that you may audition—features, sitcoms, TV drama, and commercials. Focusing on the flexibility of Voice and Movement for the the actor in front of the camera, you develop camera Screen Actor techniques in scene study using scripts from TV series, sitcoms, and films. You also learn blocking and conti- X 422.12 Theater 4 units nuity with emphasis on master, two-shots, and close- This holistic approach to movement, voice, and speech ups. You perform individual and ensemble scenes aims at liberating and enhancing the performer’s natu- increasing in complexity in terms of emotion and ral capacity for moving, sounding, and speaking as UCLAxFilmFest subtext, and the final project is a three-person scene. applied to performance on camera. Using techniques The material from the final project is edited and developed by Alexander, Spolin, and Sills, participants Are you working on a short film? Want to see your work screened at becomes the basis for developing your show reel. learn to feel the way the human body naturally functions the Laemmle Theater in NoHo? Enter UCLAxFilmFest, the inaugural Prerequisite: X 410.3 Acting for the Camera I or previ- when it is free of adverse conditioning. Exercises in ous acting on camera experience. Enrollment limited. UCLA Extension Entertainments Studies film festival! posture and breathing, tonal quality, pitch range, projec- Students are recorded on camera during several ses- tion, and body characterization lead to enhanced sions; those wishing to keep a copy of their work must Besides the chance to see your film character portrayal, emotional truth, and increased bring a flash drive to each session. Internet access energy and mental alertness. Participants experiment on the big screen, participating required to retrieve course materials. filmmakers will have the opportu- with vocal and body energies, discover numerous choices in communicating text, and find new ways of Reg# 264264CA nity to attend a filmmaking panel tapping into the imagination and soul of a character. Through Feb 29: $635 / After: $695 and network with peers and indus- Enrollment limited. Required Text: The Use & Training Westwood: B17 1010 Westwood Center try professionals. Awards will be of the Human Voice, (3rd ed.) by Arthur Lessac. Internet Wed 7-10pm, Mar 30-Jun 15, 12 mtgs access required to retrieve course materials. No refund after Apr 4. presented for Best Film, Audience Scott Paulin, actor and director whose extensive film Reg# 264261CA Choice, and more! and television acting credits include The Right Stuff, Cat Through Feb 28: $635 / After: $695 People, NCIS, CSI: Crime Scene Investigation, Boston Westwood: 202 Extension Lindbrook Center Application Deadline for Film Legal, Lost, JAG, and 24. His television directing credits Mon 7-10pm, Mar 28-Jun 13 Submissions: Tuesday, March 1 include multiple episodes of Early Edition; Melrose ✷✷Sat 2-5pm, May 21, 12 mtgs Place; Beverly Hills, 90210; and Northern Exposure; (no mtg 5/30) Film Festival Date: Saturday, May 7 among many others. Mr. Paulin received the UCLA No refund after Mar 31. Extension Department of the Arts Outstanding Instructor The festival will take place at Toni Attell, Emmy-nominated actor, comedian, and mime of the Year Award in 2013. whose background includes a variety of work in theater, the Laemmle Theater in North Wendy Phillips, actor who has worked extensively in film, and television. Ms. Attell has opened for Jay Leno, Hollywood and will be free and television dramas, sitcoms, feature films, and indepen- Steve Martin, and Robin Williams, and has guest-starred dent cinema. Ms. Phillips played the female lead in open to the public. on numerous television dramas and sitcoms. seven network television series; guest-starred or had recurring roles on such shows as Joan of Arcadia, Studio 60 on the Sunset Strip, Big Love, and ER; and played principal roles in such feature films as Bugsy and I Am Sam. Ms. Phillips received the UCLA Extension Department of the Arts Outstanding Instructor of the Year Award in 2013.

For more information, visit entertainment.uclaextension.edu/uclaxfilmfest. Enroll at uclaextension.edu or call (800) 825-9971 Entertainment Studies 101 Delivering Memorable Auditions Reg# 264277CA for Film and Television: A Workshop Through Feb 29: $635 / After: $695 for Actors in Cold Reading and Westwood: 202 Extension Lindbrook Center Thu 7-10pm, Mar 31-Jun 16, 12 mtgs Entertainment Studies Interview Techniques No refund after Apr 5. X 438.8 Theater 4 units Andrea Morgan, dialect coach for film, television, and Become an actor who gets noticed! Delivering a memo- stage actors who has worked with such actors as Saf- rable performance during an audition can be the key to Certificates fron Burrows, Joseph Fiennes, Anna Friel, and Jacque- getting parts and being called for future projects. Hone line Bisset. Ms. Morgan has coached actors on such your craft and gain valuable information in this course, Gain the Skills to Take Your Career to the Next Level television series as Pushing Daisies and The Sarah where you perform film and television scenes on cam- Connor Chronicles. She also is the artistic director and era for video playback and critique by the instructor. You co-founder of Chrysalis Stage, a nonprofit theater learn to make better choices, to trust yourself to make company in Whittier. quicker choices, to confront your fear of auditioning, to create a good atmosphere in the auditioning room, and to develop a winning audition work ethic. Cold reading Pursuing a Career in Voice Overs techniques and exercises as well as the actor’s inter- X 433 Theater 4 units view also are covered. Enrollment limited. Students are Do people say you have a wonderful voice? Or are you recorded on camera during several sessions; those an actor missing out on opportunities in this exciting wishing to keep a copy of their work must bring a flash field? Gain a comprehensive understanding of the tools drive to each session. Internet access required to needed to excel in TV and radio commercials, anima- retrieve course materials. tion, narration for documentaries, and other areas of voice over work. Instruction includes breath and micro- Reg# 264276CA phone technique, script analysis, finding characters Through Feb 28: $635 / After: $695 spontaneously, and how to keep it fun—even when the Westwood: B17 1010 Westwood Center pressure’s on. You also learn how to pursue a career in Mon 7-10pm, Mar 28-Jun 13, 12 mtgs voice over. Enrollment limited. Students record voice (no mtg 5/30; 1 mtg to be arranged) over exercises directly onto their own recording devices. No refund after Mar 31. Required text: Voiceovers: Techniques and Tactics for Henry LeBlanc, actor whose TV credits include appear- Success (2nd ed.) by Janet Wilcox. Internet access ances on ER, JAG, 24, Everybody Loves Raymond, Law required to retrieve course materials. & and Order, Scrubs, Judging Amy, The Practice, and Strong Medicine, as well as regular appearances on Reg# 264278CA The Jay Leno Show and The Bold and the Beautiful. Mr. Through Feb 29: $635 / After: $695 LeBlanc’s film credits include lead roles in numerous Westwood: B17 1010 Westwood Center independent films, such as Custom Mary, Resilience, Thu 7-10pm, Mar 31-Jun 16, 12 mtgs West New York, Antebody (Worldfest Gold Jury Winner), No refund after Apr 5. The Hit, Fortune’s 500, and El Gusano. Janet Wilcox, writer, producer, and actor with extensive experience on both sides of the microphone. Ms. Wilcox The Working Actor: has written and produced promos for HBO, ABC, and The History Channel, among others. As a voice over Get the Audition, Book the Job talent, she has been heard on Lifetime, HBO, E!, X 438.40 Film & Television 4 units ­Cinemax, and AMC. She is the author of Voiceovers: This interactive course provides you with career strate- Techniques and Tactics for Success. Ms. Wilcox gies that help generate audition opportunities and skills received the UCLA Extension Department of the Arts Interested in becoming a director? Want a career as a movie that increase your ability to book the job. Learn how to Outstanding Instructor of the Year Award in 2012. ­producer or executive? Are you interested in behind-the-scenes identify your unique product, position it strategically in the marketplace, and develop effective auditioning and positions such as director of photography? meeting techniques. Topics include self-marketing; Acting for the Non-Professional X 406.51 Theater 4 units networking; headshots and résumés; cold reading; Enroll in one of our 11 Entertainment Studies Certificates. Primarily for nonactors, this course also provides an obtaining and working with the five areas of representa- excellent orientation for beginning actors. Using profes- tion; reviewing contracts; understanding union issues; All of the Entertainment Certificates offer a broad overview sional acting techniques in a supportive environment, and selecting the best career services for actors. You experience the unfolding of your full potential for self- of the industry, as well as specialized skills, training, and the also create a personalized business plan. Industry guest expression and personal presentation. The training speakers, including casting directors, agents, and contacts you need for success. introduces new levels of relaxation, concentration, and personal managers, provide advice and networking focus, with the goal of helping you deepen sensory opportunities. Enrollment limited. Internet access awareness, heighten imagination, release spontaneity, Film & Television Certificates: required to retrieve course materials. and improvise in your performances. Enrollment limited. Reg# 264273CA Internet access required to retrieve course materials. • Directing • Entertainment: Through Feb 29: $635 / After: $695 Reg# 264571CA General Studies Westwood: 209 Extension Lindbrook Center • Acting Through Feb 29: $635 / After: $695 Tue 7-10pm, Mar 29-Jun 14, 12 mtgs Westwood: 202 Extension Lindbrook Center • The Business & Management Adam Lieblein, president for 16 years of Acme Talent • Development Wed 7-10pm, Mar 30-Jun 15, 12 mtgs & Literary, a bicoastal agency, who represented actors of Entertainment No refund after Apr 4. for film, television, commercials, print modeling, and • Producing Debra Magit, actor and performance coach voiceover work. After Acme’s several divisions were sold • Independent Producing at the end of 2008, Mr. Lieblein returned to producing • Cinematography Offered entirely online! and teaching across the country. Playing the American: An Acting and Music Certificates: Accent-Reduction Workshop X 419.3 Theater 4 units • Independent Music • Music Business Participants who are not native speakers of American Production English hone their craft and learn to perform credibly • Film Scoring in mainstream America. The ultimate objective is to achieve a seamless accent shift that does not call attention to itself or get in the way of the acting. Work- Plus, enjoy maximum flexibility—start anytime, with no ing in a safe, supportive environment, you learn to build confidence and trust in your creative process; modify ­admissions requirements. (Exceptions apply to the Film voice, speech, and delivery; break through acting blocks Scoring Certificate.) and limitations; and develop tools for dealing with performance anxiety. Throughout the course, you pre- Take the next step toward the career you’ve always wanted! form monologues, scenes, cold reading, and improvisa- tion. Prerequisite: All participants must speak English fluently. Enrollment limited. Required text: Mastering the American Accent, by Lisa Mojsin. Internet access m Online course required to retrieve course materials. & & Text required For More Information kkk (310) 825-9064 | entertainment.uclaextension.edu M Course held during daytime hours 102 Entertainment Studies Enroll at uclaextension.edu or call (800) 825-9971 Producing Visual Effects for Courses Now Offered Film and Television in Downtown L.A. Under the instruction of Peter Topics Include: If you live or work near Downtown Los Angeles, beat rush hour traffic Gend, CGI artist who has worked • Pre-visualization by attending one of our courses at UCLA Extension DTLA: on such films as The Simpsons • On-set/location supervision X 478.301 The Role of the Digital X 476.244 Story Development Movie, The Fantastic Four, Speed • Visual-effects production Imaging Technician in Workshop: Crafting Your Original Racer, Rush Hour 3, and Sex and • Emerging technologies in visual the City: The Movie, learn the effects, color correction, digital Cinematography Story process of creating and producing resolutions, and dirt removal Page 102. Page 102. visual effects for motion pictures • Digital painting X 408 Building an Online Audience X 484.31 Music Supervision for and television. • 3D techniques and rendering Page 105. Film and Television • 2D and 3D compositing Page 108. Page 105. X 476.22 Story Analysis for Film and Television Page 102.

Located conveniently at 261 S. Figueroa St. near the Bonaventure Hotel.

Cinematography The Role of the Digital Imaging coverage, and developing pitches and ideas. Upon Reg# 264569CA Technician in Cinematography completion of the course, you have gained an under- Through Feb 29: $635 / After: $695 (Hybrid) standing of the development process and the entry-level Downtown Los Angeles: Introduction to Cinematography jobs available in development, such as reader and 103 UCLA Extension DTLA, 261 S. Figueroa St. X 478.27A Film & Television 4 units X 478.301 Film & Television 4 units assistant to the producer, actor, or creative producer. For Wed 7-10pm, Mar 30-Jun 15, 12 mtgs An introduction to the fundamental tools and principles With the prevalence of HD, 4K, and digital cinema technical requirements see page 4. Prerequisite: Famil- Kathryn Miller Kelley, writer and development execu- used by the cinematographer to create digital or film technology, the position of digital imaging technician iarity with the production process for film and television tive who has worked for a variety of first rate companies images generated from the context of the story. Cur- (DIT) has become crucial in helping the director of through training and/or experience. Students interested including CBS Television, Anonymous Content, Bristol riculum covers visualization; the negative; digital photography achieve and maintain the desired look of in development are strongly encouraged to take this Bay Productions/Walden Media, The Kennedy-Marshall manipulation; sensitometry; filters and lenses; lighting; the picture. There are growing entry-level opportunities course first. Enrollment limited. Company, Beacon Pictures, Universal Studios, and color; laboratory procedures; camera systems; special in this field, and the DIT is becoming a vital part of the Participant Media. Most recently she has worked for effects; and image control—all illustrated through video camera department for all types of productions. The Reg# 264354CA Zanne Devine, the President of Miramax, and served as clips and other media. You gain a solid foundation for course is designed to train aspiring cinematographers Through Feb 29: $635 / After: $695 a staff writer on the CBS series Reckless. applying the concepts presented, as well as prepare for on the tasks of the DIT including workflow, color man- Mar 29-Jun 14 subsequent cinematography workshops. Students must agement, LUTs, ACES, data management, dailies gen- Joanne Moore, producer, entertainment executive who have access to a digital camera for assignments. Enroll- eration, and many other on-set tasks. The course also has developed and set up dozens of projects for film Story Development Workshop: ment limited. Required texts: Cinematography by Kris provides a basic introduction to the art and techniques studios: Warner Bros, Universal, Disney, Fox, and Para- Crafting Your Original Story Malkiewicz and Negative by Ansel Adams. Internet of color correction and the digital intermediate, includ- mount, and in television for USA Networks, ABC, NBC, X 476.244 Film & Television 4 units access required to retrieve course materials. & ing tutorials on industry-leading color and look manage- Nickelodeon, HBO, and Showtime. Ms. Moore was Producers, development executives, directors, and responsible for identifying, optioning, and developing writers gain practical experience adapting and develop- Reg# 263638CA ment software. For technical requirements, see page 4. material for Norman Jewison’s production company. She ing their own stories for motion pictures, movies-of-the- Through Feb 29: $635 / After: $695 Enrollment limited. This course includes both online also produced two shorts that aired on Showtime, and week, and miniseries. Emphasis is placed on studying UCLA: 161 Dodd Hall sessions and classroom meetings. Internet access the feature Swimming With Sharks starring Kevin Spacey. dramatic structure, learning techniques that strengthen Wed 7-10pm, Mar 30-Jun 15, 12 mtgs required to retrieve course materials. Required text: character development, and understanding the impor- Deland Nuse, cinematographer and director of inde- Digital Cinematography by David Stump. & tance of collaboration with writers. You write develop- pendent films whose credits include the indie feature Reg# 263642CA Story Analysis for Film and Television ment notes, compile directors/writers lists, and learn The Chilling and the documentary The Other Bridge; Through Mar 5: $635 / After: $695 X 476.22 Film & Television 4 units the difference between beat sheets, step outlines, and recipient, UCLA Extension Distinguished Instructor Classroom meetings: The story analyst or professional reader reads scripts story outlines. You also learn how to assess the mar- Award, 2007. Mr. Nuse won the Triple Play Award for Downtown Los Angeles: and writes coverage, either for a studio or for an inde- ketplace by determining what network and studio Cinematography at the 2006 Long Island Film/Video 101A UCLA Extension DTLA, pendent producer. Learn and practice coverage skills executives are looking for, as well as the best way to Expo for the film The Showdown. 261 S. Figueroa St. while gaining an understanding of the elements of story. ✷✷Tue 7am-10pm, Apr 5, 12, 19 & 26; Topics include various types of coverage, how to com- quickly and effectively pitch an idea. You are welcome to submit written works in progress for in-class cri- Becoming Camera-Savvy: May 3, 10, 17, 24 & 31; Jun 7 pose story notes, comparative coverage, and character Online sessions: breakdowns, treatments, and outlines. Through weekly tiques. At the end of the course, you have honed your A Workshop for Today’s Filmmakers assignments, you are required to practice reading and storytelling craft by writing original treatments based X 479.302 Film & Television 4 units May 2 & 9 Jason Knutzen, cinematographer on more than 30 writing for several formats and to deadline. In addition, on your story outline. Prerequisite: Good written com- This course is designed to give filmmakers experience the current job market for story analysts and the various munication skills. Previous training in story analysis is with each of the principal camera formats in use today. narrative and documentary projects, professional color- ist, and expert in post-production workflows. Mr. expectations of studios and independent producers are recommended but not required. Enrollment limited. The “how” and “why” of each format are discussed discussed. Upon completion of the course, you have Internet access required to retrieve course materials. through demonstration and lectures. The cost factor or Knutzen is currently an educational contributor to the written at least two pieces of full coverage that can be Reg# 264568CA budget versus image quality are examined to prepare Global Cinematography Institute in the areas of tradi- used as part of a professional portfolio, or to audition Through Feb 29: $635 / After: $695 you to be able to better select the appropriate format tional, virtual, and digital cinematography. for a job as a reader or assistant. Prerequisite: Strong Downtown Los Angeles: for your project. Enrollment limited. Mandatory daytime English composition skills. Enrollment limited. Internet 104 UCLA Extension DTLA, 261 S. Figueroa St. field trips to be announced in class. Internet access access required to retrieve course materials. & Tue 7-10pm, Mar 29-Jun 14, 12 mtgs required to retrieve course materials. Development Reg# 264357CA Joanne Moore, for credits see page 102. Reg# 263639CA Through Feb 29: $635 / After: $695 Reg# 264360CA Through Mar 2: $905 / After: $995 Introduction to Feature Film UCLA: 1234 School of Public Affairs Bldg. Through Feb 29: $635 / After: $695 Westwood: 202 Extension Lindbrook Center Development m Wed 7-10pm, Mar 30-Jun 15, 12 mtgs UCLA: 1209B Bunche Hall ✷✷Sat 10am-5pm, Apr 2-30, 5 mtgs X 476.894 Film & Television 4 units Peter Russell, story analyst, Imagine Films Entertainment, Tue 7-10pm, Mar 29-Jun 14, 12 mtgs Charles Rose, AIC, cinematographer who has received What happens to a script or novel when it is submitted CBS, Anschutz Film Group (AFG & Walden Films), and Beverly J. Graf, Vice President of Development, numerous international awards (Cannes, Venice, New to a buyer and what happens after it’s optioned or sold? Participant Productions; theater director whose credits Abilene Pictures (Primal Fear, Fallen, Frequency, Hart’s York, Tokyo Film Festivals) for his work in feature films, In this introductory course, students interested in a career include Malibu Stage Company and New York’s Public War, Fracture) commercials, documentaries, and music videos. Mr. in development, or filmmakers looking to guide their projects towards a green light learn the essential steps Theater (Shakespeare in the Park and Joe’s Pub). Mr. Rose received the Department of the Arts Outstanding Russell is a recipient of the Nick Adams Short Story Award, Instructor of the Year Award in 2008. in the development process. Sessions focus on the key positions and roles in that process, from the story depart- and he received the UCLA Extension Department of the ment and its readers, to studio and production company Arts Outstanding Instructor of the Year Award for 2009. executives. Topics include finding new talent and gener- kkk ating ideas; talent lists; networking and tracking; pitching; and moving up. Weekly assignments include reading screenplays, writing synopses, development notes, script Enroll at uclaextension.edu or call (800) 825-9971 Entertainment Studies 103

Reg# 264352CA Directing Through Feb 29: $635 / After: $695 UCLA: 39 Haines Hall The Craft of the Director Thu 7-10pm, Mar 31-Jun 16, 12 mtgs Introduction to X 478.9 Film & Television 4 units Enrollment deadline: Apr 14 A director must have the ability to interpret and trans- Alessandro Pirolini, PhD in American Film History, late the written ideas of the screenplay into cinematic University of London; author of Rouben Mamoulian (Il Episodic TV Directing form. This overview lecture course gives the aspiring Castoro Cinema, Milan) and Preston Sturges (McFar- director a comprehensive practical understanding of the land, Jefferson, NC). Dr. Pirolini also has written numer- What are the differences film director’s craft—the language, grammar, and tools ous articles, essays, and film reviews for such between directing a pilot of the medium—from the first script reading to the last publications as Cineforum, Ottoemezzo.com, and Il day of principal photography and into post-production. Nuovo Spettatore. ­versus directing a TV Lectures, discussions, screenings, assignments, and ­episode? What makes a class projects guide you through the process of prepar- Directing Workshop I: pilot succeed? How can I ing a film for shooting. Topics include script analysis; Composition and Movement casting; directing the actor; acting for the camera; X 476.95 Film & Television 4 units translate my film directing collaborating with the creative team; camera blocking; As the first hands-on course in the directing series, you skills into TV directing? Get planning the shot list; photographing the subtext; film complete four short films using your own video camera. your questions answered as grammar; visual composition; the role of music; and Instruction focuses on the basic building blocks of nar- sound effects. Internet access required to retrieve rative filmmaking: the shot, mise-en-scène, concept, you study the process of course materials. the actor, environment, sound, and montage. Assign- directing an episode for a Reg# 263643CA ments explore aspects of visual expression through the television series. Instructor David Martin-Porras on a film set. Through Feb 28: $635 / After: $695 use of composition, rhythm, and point-of-view; moving UCLA: 39 Haines Hall from black and white/silent compositions to the use of Page 104. Mon 7-10pm, Mar 28-Jun 13, 12 mtgs color; non-sync sound; and editing. Your work is (no mtg 5/30; 1 mtg to be arranged) screened and critiqued by the instructor and class. Enrollment deadline: Apr 11 Participants must provide their own digital video cam- Instructor to be announced era, have access to editing equipment and software, and be able to output their assignments to various Making Your First Short Film media sources. Enrollment limited. Required text: On X 476.39 Film & Television 4 units Filmmaking by Alexander Mackendrick. Internet access you will have honed your idea and have a final short Reg# 263647CA Always wanted to make your own short film and required to retrieve course materials. & script or treatment ready for shooting. Please note: it is Through Feb 28: $635 / After: $695 recommended to come to class with an outline or first Westwood: 114A Extension Gayley Center, thought you had no experience and no money? In this Reg# 263652CA draft of a script. This course is a prerequisite for 1145 Gayley Ave. class for aspiring directors, writers and producers, you Through Feb 29: $635 / After: $695 X 476.128 Advanced Filmmaking Workshop. Enrollment Mon 7-10pm, Mar 28-Jun 13, 12 mtgs use your own camera to learn how to write, produce, Westwood: B05 1010 Westwood Center limited. Required text: Writing Short Films by Linda (no mtg 5/30; 1 mtg to be arranged) direct, and edit a three-to-five-minute short film. Wed 7-10pm, Mar 30-Jun 15, 12 mtgs Cowgill (Lone Eagle). Internet access required to Soraya Sélène, director and cinematographer in fea- Emphasis is placed on maximizing the on-screen value Dana Turken, filmmaker and recipient of several retrieve course materials. tures, short films, documentaries, music videos, and of the project using available resources. The first part awards including the Jack Oakie Award for Excellence & commercials. Ms. Sélène is the recipient of several of the class is devoted to the pre-production process, in Directing a Film Comedy, the Barbara Streisand/Sony Reg# 263644CA awards including a CINE Golden Eagle Special Jury highlighting the role of the story, and provides an Award, and the Hollywood Foreign Press Association Through Feb 29: $635 / After: $695 Award, the Mary Pickford Award for Excellence in Docu- overview of affordable shooting equipment and editing Award. Ms. Turken was selected to participate in Film UCLA: 1264 School of Public Affairs Bldg. mentary Filmmaking, a Motion Picture Association of technologies. You then develop and write your project, Independent’s Project Involve in 2012, Film Indepen- Wed 7-10pm, Mar 30-Jun 15, 12 mtgs America Award, and a Hollywood Foreign Press Award. which is filmed outside of class. Instruction includes a dent’s Screenwriting Lab in 2013, and the Berlin Talent Monique Sorgen, writer and director who has been She has studied under renowned ASC cinematogra- primer on the fundamentals of shooting and directing Campus in 2014. hired to write both scripted and unscripted television and film for independent productions, as well as major studios phers and has written, directed, and produced several actors, as well as the basics of editing and outputting Reg# 263653CA and networks, local and foreign. Ms. Sorgen has also award-winning shorts. assignments. The completed films are screened and Through Feb 29: $635 / After: $695 directed short films and music videos that have been Christina Carrea, award-winning cinematographer and discussed during the last class. Prerequisite: Students Westwood: 218 1010 Westwood Center picked up for distribution. Most recently, her romantic director whose credits include the comedy series Don’t must have access to a camera and editing equipment. Wed 7-10pm, Mar 30-Jun 15, 12 mtgs comedy novel, How Long You Should Wait to Have Sex, Tell My Mother, as well as many short films, web series Enrollment limited. Internet access required to retrieve Susana Casares, filmmaker and winner of the Emmy became available in several foreign languages. and commercials course materials. Foundation’s prestigious College Television Award in Reg# 263655CA Drama. Her narrative and documentary work has been Reg# 263645CA Reg# 263648CA Through Mar 3: $635 / After: $695 shown in festivals around the world, and she has Through Feb 29: $635 / After: $695 Through Feb 28: $635 / After: $695 Westwood: 114B Extension Gayley Center, Westwood: 416 1010 Westwood Center received both the Hollywood Foreign Press Association UCLA: 1278 School of Public Affairs Bldg. 1145 Gayley Ave. ✷✷Sun 10am-5pm, Apr 3-Jun 12, 6 mtgs Award and the Mary Pickford Award for two consecutive Wed 7-10pm, Mar 30-Jun 15, 12 mtgs Mon 7-10pm, Mar 28-Jun 13, 12 mtgs (no mtg 5/8, 5/15, 5/22, 5/29 & 6/5) years, as well as the support of institutions such as the Cynthia Riddle, writer and producer who has worked (no mtg 5/30; 1 mtg to be arranged) Matthew Harrison, director whose feature film credits Tribeca Film Institute and IDFA. Ms. Casares has been with CBS, Lifetime, Showtime, MGM, Starz, Disney , cinematographer on more than 30 include Rhythm Thief (Jury Prize, Sundance Film Festi- showcased in Variety’s Cannes edition as one of the 10 Channel, Hallmark Channel, Nickelodeon, and PBS. Ms. Jason Knutzen narrative and documentary projects, professional color- val), Kicked in the Head (executive producer Martin Spanish talents on the rise. Riddle penned the award-winning CBS/Hallmark Hall of Fame film Crossroads; the highly-rated movie Puppy ist, and expert in post-production workflows. Mr. Scorsese), Spare Me, and The Deep and Dreamless Reg# 263654CA Love for Hallmark Channel; and the celebrity biopic The Knutzen is currently an educational contributor to the Sleep, and whose television directing credits include Through Feb 29: $635 / After: $695 Sex and the City, Popular, and Dead Last. Mr. Harrison Brittany Murphy Story. She was a finalist in the Sun- Global Cinematography Institute in the areas of tradi- Westwood: 415 1010 Westwood Center tional, virtual, and digital cinematography. received the UCLA Extension Outstanding Instructor ✷✷Wed 3:15-6:15pm, Mar 30-Jun 15, 12 mtgs dance Episodic Story Lab 2015, and an honoree of the Award in 2008. 2014 WGA’s prestigious TV writing competition, the Dallas King, President of Red Rabbit Pictures; director, Samantha Rebillet, film director, actress, screenwriter, producer, and writer who specializes in creating sci-fi, producer, singer, and songwriter who has had guest Writer Access Project. The Language of Filmmaking action, horror, and fantasy projects. Mr. King is the roles in various Australian television series and films. Ms. winner of the Motion Picture Association of America X 476.581 Film & Television 4 units Director-Cinematographer Rebillet has written, directed, and produced several films Award (MPAA), the Caucus Foundation Award for Designed for filmmakers who need to develop the Collaboration Workshop and documentaries, including the documentary Butterfly Directing, a three-time award recipient of the National necessary skills to make better films and viewers who X 478.281 Film & Television 4 units Man, which won a Silver Cub Award at the International Hispanic Foundation of the Arts, and first place for the want to better understand and appreciate the com- One of the most important moments in the filmmaking Documentary Film Festival in Amsterdam. 2012 Directors Guild of America Award for Outstanding plexity of the cinematic text, this course outlines the process is when the director and cinematographer, Directing of his film Most Wanted. many components of film language used by great Developing Your Short Film along with the actors, finally stand face-to-face and directors. Through a wide selection of multimedia X 476.243 Film & Television 4 units attempt to translate the written scene into an on-screen material, including film and sound clips, pictures, Learn the development process as it relates to short reality. How do you make sure your ideas for camera articles, and interviews, students analyze shooting and films with the focus on developing a short film treat- placement, actor movement, lighting, and dialogue are editing techniques employed by the greatest filmmak- ment. You gain an understanding of the basics of story clearly conveyed? How do you find time for everyone to ers. Topics range from functional usage of image structure and how the specific storytelling elements, express their thoughts on the scene and still stay on composition and lighting to camera movements, such as theme, plot, characters, and dialogue work in schedule? This course is ideal for directors, cinematog- editing, and sound. The purpose of this course is to synergy towards the goal of an effective short story. raphers, and filmmakers who want to work on the criti- give clarity to the filmmaking process and to enhance Topics include setting up a theme that serves the story; cal skill of preconceiving, blocking, and shooting scenes the enjoyment of film viewing. Internet access required character development; creating realistic dialogue; and in a creative and timely manner. During class, you work to retrieve course materials. planning the scenes with a limited budget in mind. in teams and take turns being the director, cinematog- rapher, and actor. Instruction covers the shot list, pre- kkk Lectures and exercises illustrated with film clips and readings emphasize the role of story, creating original visualization, blocking, lighting, and shot progression so characters, and developing plot points for different that when you are on set, you are able handle this deli- genres of films. You submit your work-in-progress cate creative process competently. Enrollment limited. throughout the quarter for evaluation and feedback by Internet access required to retrieve course materials. the instructor and the class. At the end of the course, kkk 104 Entertainment Studies Enroll at uclaextension.edu or call (800) 825-9971

Reg# 263657CA Reg# 263661CA Through Feb 29: $635 / After: $695 Through Feb 29: $635 / After: $695 UCLA: 162 Dodd Hall Mar 29-Jun 14 A New 3-Course Series Wed 7-10pm, Mar 30-Jun 15, 12 mtgs Robert Scheid, Apple-certified Final Cut Pro, Motion, David Martin-Porras, award-winning director and and DVD Studio Pro instructor; television producer; film writer whose credits include the shorts Inside the Box, and television editor and colorist. Mr. Scheid received in Editing La Viuda (The Widow) for which he won the DGA Stu- the UCLA Extension Department of the Arts Outstanding dent Film Award, and Ida y Vuelta (Round Trip) which Instructor of the Year Award in 2014. Editors have one of the most important roles in the filmmaking process, was a finalist for a Student Academy Award. He also and editing skills are applicable to a variety of entertainment projects directed the feature Stealing Summer. Mr. Martin- Adobe After Effects for Filmmakers: Porras was picked as one of the top ten Spanish film- An Introductory Workshop m ranging from movies, TV series, web series, to documentaries. Learn makers on the rise by Variety magazine in 2013. X 477.85 Film & Television 4 units the fundamentals of editing theory, or gain hands-on instruction and Using Adobe After Effects, learn to produce projects practice on the leading digital editing software with our new 3-course similar to those found in the real entertainment media Post-Production world of digital effects and animation. Topics include an series in editing. introduction to the interface; working with layers and Post-Production for Film masking; rotoscoping; motion graphics; tracking and The Art and Craft of Film Editing Adobe After Effects for Filmmakers: and Television stabilizing with mocha for After Effects (a plug-in that m Learn the elements of storytelling, An Introductory Workshop X 404A Film & Television 4 units is included with AE); creating set extensions; composit- performance, pace, emotion, Learn to produce digital effects Emphasizing how new technologies continue to impact ing computer-generated imagery over video footage; post-production, this course examines the post-pro- and color correction. Finally, put it all together with action, continuity, and time manip- and animation projects similar to duction process for film and television. Topics include practical projects where you will learn shortcuts, tips, ulation through the examination those found in the real entertain- picture and sound editing processes; non-linear edit- and tricks. For technical requirements see page 4. of different editing styles in this ment media world. ing of single and multi-camera programs; special Prerequisite: Familiarity with digital video and basic introductory course. visual effects; the impact of sound—from music Photoshop and Illustrator techniques. Enrollment lim- Page 104. scoring to effects design; budgeting, scheduling, and ited. You must have a computer with a minimum of Page 104. deliveries; and high-definition television and its impact 15GB of free space and Adobe Aftter Effects CC or CS6 on both feature and television post-production. installed and fully updated. Introduction to Includes guest speakers and field trips to post- Reg# 263663CA Avid Media Composer m production facilities. For technical requirements see Through Mar 3: $635 / After: $695 page 4. Internet access required to retrieve course Avid Media Composer is the lead- Apr 3-Jun 19 materials. Required text: Guide to Post Production by Luis Alberto Cayo, visual effects and 3D artist who has ing industry-wide nonlinear film/ Barbara Clark and Susan Spohr. & worked on features such as Green Lantern, G.I. Joe: video editing application. Gain Reg# 263660CA Retaliation, and I Am Number Four. Mr. Cayo has practice with the program’s Through Feb 29: $635 / After: $695 designed visual effects for television series including easy-to-use video editing tools. UCLA: 110 La Kretz Hall The Originals, Game of Thrones, and Vampire Diaries. Thu 7-10pm, Mar 31-Jun 16, 12 mtgs Page 104. Enrollment deadline: Apr 14 Introduction to Avid Media Ken Raich, Vice President, Domestic & International Composer m Sales, MSE Media Solutions, whose former positions X 479.28 Film & Television 4 units include director of marketing at Western Post and post- This course provides an introduction to Avid Media production supervisor on The ’60s (an NBC MOW). Mr. Composer 8, an industry-standard non-linear film/video Raich has edited several TV series, including Miami Vice editing application. The new version of this long- (nominated for an Emmy Award for the “Smuggler’s standing editing software is affordable, has easy-to-use Blues” episode) and Fantasy Island, and has directed Reg# 263649CA video editing tools, and streamlined HD, file-based, and Production Sound for Directors and produced five feature films. stereo 3D workflows. You learn to cut scenes from X 476.271 Film & Television 2 units Through Feb 29: $635 / After: $695 sample footage and gain an understanding of editorial The importance of quality sound in a movie cannot be UCLA: 2250 School of Public Affairs Bldg. processes and workflow. Instruction leads you through overstated. Of particular interest to directors and inde- Thu 7-10pm, Mar 31-Jun 16, 12 mtgs The Art and Craft of Film Editing X 479.613 Film & Television 4 units the interface and basic editing techniques before mov- pendent filmmakers who want to understand the pro- Enrollment deadline: Apr 14 Internet access required to retrieve course materials. ing on to trimming; fine-tuning the edit; adjusting audio; duction and post-production workflow, this overview Instructor to be announced For more information see page 104. handling multicamera editing; adding transitions; add- course covers such topics as the nature of sound and & ing titles; and outputting your finished project. For its aesthetics; microphone characteristics; the sound Introduction to Episodic TV Directing Reg# 263649CA technical requirements see page 4. You must have recording chain; budgeting and scheduling; what can X 476.37 Film & Television 4 units Through Feb 29: $635 / After: $695 access to your own computer, MAC or PC and Avid be fixed in post versus what can only be done during What are the differences between directing a pilot and UCLA: 2250 School of Public Affairs Bldg. Media Composer 8 (installed and fully updated). Pre- production; and editing and mixing the final track. directing a TV episode? What makes a pilot succeed? How Thu 7-10pm, Mar 31-Jun 16, 12 mtgs requisite: Working knowledge of the Macintosh operat- Instruction includes equipment and listening demon- can I translate my film directing skills into TV directing? Get Enrollment deadline: Apr 14 ing system; background in editing, production, or strations with the instructor and a sound mixer. Many your questions answered as you gain insight in the land- Instructor to be announced post-production is strongly suggested. Enrollment lim- of the practical techniques presented are suitable for scape of cable and network television and you study the ited. Required text: Avid Media Composer 6.x Cookbook student productions. Enrollment limited. Internet access process of directing an episode for a television series, from Editing with Final Cut Pro: by Benjamin Hershleder (Packt Publishing) must be required to retrieve course materials. the first draft to prep, production and editing. This class is An Introductory Workshop m purchased by the first class. & Reg# 263651CA primarily for directors who want to break into television, X 478.311 Film & Television 4 units Reg# 263662CA Through Mar 3: $455 / After: $495 but writers who want to get involved in the visual concept In this hands-on course, you will unlock the feature set Through Feb 29: $635 / After: $695 Westwood: 415 1010 Westwood Center of their teleplays will also benefit. You first learn how to of Final Cut Pro in the context of creating two real-world Mar 31-Jun 16 ✷✷Sun 10am-5pm, Apr 3 & 10 watch TV episodes critically and how to identify the lan- projects which will prepare you for the Apple Certifica- Julio O. Ramos, director and filmmaker who won ✷✷Sun 9am-12pm, Apr 17 guage of a TV series as it applies to TV directing. You gain tion exam in Final Cut Pro X, 10.2. Topics include student Emmy, BAFTA, and DGA awards for his films El Burbank: Location to be announced an understanding of basic directing techniques including project management and organization; capturing and Bolerito (The Shoe Shiner) and ¡Una Carrerita, Doctor! ✷✷Sun 2-5pm, Apr 17, 4 mtgs breaking down the script into storylines and beats, blocking editing techniques; audio editing and mixing; motion; (A Doctor’s Job). Besides earning numerous awards, No refund after Apr 1. and working with the actors, and designing an efficient and filter effects. You must have your own Mac com- his movies have screened in more than 300 venues William Barker, award-winning producer, director, and shotlist, and balancing teamwork with the director’s cre- puter with a minumum of 15 GB of free space and Final worldwide, including Telluride, Habana, Huesca, Van- writer on several short films ative vision. Class assignments require you to read and Cut Pro X (10.2) installed and fully updated. For techni- watch many teleplays and TV episodes. The ultimate goal cal requirements see page 4. Prerequisite: Basic couver, and Shanghai. His latest movie, Behind the of the course is to come up with an original visual lan- Macintosh skills; knowledge of editing very helpful. Mirror, world-premiered at the 2012 Guadalajara Film The Art and Craft of Film Editing Festival and picked up the Best of Fest Award at the X 479.613 Film & Television 4 units guage for a TV pilot that tells the story in your unique Enrollment limited. creative voice and can be efficiently replicated throughout 2012 Palm Springs ShortFest. Editing is storytelling. Throughout the process, from first kkk assembly to final delivery, editors are responsible for many episodes. Enrollment limited. Internet access fulfilling the film’s potential through a full command of required to retrieve course materials. craft, as well as an aesthetic understanding of story, kkk character, and rhythm. By examining different editing styles, this course covers the elements of storytelling, performance, pace, emotion, action, continuity, and time manipulation. Instruction includes lectures, discussion, and viewing exercises. You also learn to select the most appropriate editing systems and technology by evaluat- m Online course ing the limitations of budgets and time. Internet access required to retrieve course materials. & & Text required kkk M Course held during daytime hours Enroll at uclaextension.edu or call (800) 825-9971 Entertainment Studies 105 Producing of Visual Effects for Reg# 264362CA Film and Television Through Feb 29: $635 / After: $695 X 477.241A Film & Television 4 units UCLA: 121 Dodd Hall Visual effects artists, producers, directors, art directors, Tue 7-10pm, Mar 29-Jun 14, 12 mtgs The Art and Business of and editors gain a thorough understanding of the process Enrollment deadline: Apr 12 of creating visual effects for motion pictures and televi- Paul Hellerman, award-winning independent producer, sion. Using recognizable examples from well-known production executive, and production manager who has Producing (Online) movies and shows, participants breakdown the process worked on such projects as Reservoir Dogs, My Own and analyze what it takes to produce and create visual Private Idaho, Pulp Fiction, From Dusk till Dawn, Jackie What does it take produce a film Topics Include: effects. Topics include script breakdown; pre-visualiza- Brown, The Mexican, and Black Snake Moan. Mr. Heller- from development through release? man produced Showtime’s Bang, Bang, You’re Dead • Strategies for financing and how tion; on-set/location supervision; visual-effect production; Under veteran producer Judith emerging technologies in visual effects; color correction; (Emmy Award and George Foster Peabody Award), and to relate them to your film digital resolutions dirt removal; digital painting; tracking; his most recent producing credits include Powder Blue, James, gain the step-by-step • Identifying and considering 3D techniques and rendering; 2D and 3D compositing; produced by and starring Forest Whitaker, Honey 2 for understanding you need to be your core audience when setting Universal Studios, and the indie film Gimme Shelter. and film output. The differences and the requirements for a great film producer. your budget motion pictures and television production also are exam- • ined. Instruction includes lectures, exercises, and industry Low-Budget Filmmaking m Working with talent agencies guests who discuss their work on specific effects-driven X 476.6 Film & Television 4 units • Going to film markets to movies. Enrollment limited. Internet access required to In this detailed exploration of low-budget filmmaking, find distribution you learn techniques and theories examining all retrieve course materials. • How foreign sales work Reg# 264573CA phases of the process from development to produc- tion to post-production. The focus is on translating a • Straddling the relationship of Through Feb 29: $635 / After: $695 art versus business Westwood: B15 1010 Westwood Center minimum budget into maximum quality on screen. Topics include the script, financing the production, Wed 7-10pm, Mar 30-Jun 15, 12 mtgs Page 105. Peter Gend, CGI artist who has worked on such movies evaluating the marketplace, analyzing and breaking as Sex and the City, Speed Racer, The Simpsons Movie down the screenplay, learning to apply creativity to a (as CGI lead), Rush Hour 3, and Hairspray; and such budgetary plan to maximize on-screen value, casting, television shows as The Simpsons and Law and Order: selecting key production personnel, production Criminal Intent. design, music, editing, sound design, marketing, and distribution. Throughout the class, you are able to apply concepts learned to your own projects. For Marketing and Distributing Building an Online Audience (Hybrid) Producing technical requirements see page 4. Required text: Independent Films Across X 408 Film & Television 4 units The Declaration of Independent Filmmaking: All Platforms In the Internet age, uploading your work to YouTube or An Insider’s Guide to Making Movies Outside of X 403.61 Management 4 units Vimeo is imperative, and successful producers/direc- Pre-Production and Production for Hollywood by Mark Polish. Enrollment limited. tors/actors can now demonstrate a growing online Film and Television (Hybrid) What are the considerations involved in financing, packag- Reg# 264368CA audience. This course shows you how to create a public X 404 Film & Television 4 units ing, selling, or acquiring a financially viable film? Producers, Through Feb 29: $635 / After: $695 face and promotional platform for your creative content. This survey course presents an overview of the real- filmmakers, and screenwriters learn what makes a project Mar 31-Jun 16 Using relevant video platforms, social media, and avail- world aspects of producing as practiced in the various attractive to potential buyers, study a variety of deal struc- Kim Adelman, filmmaker, began her career as a co- able website creation tools, you will learn to present and sectors of filmed entertainment from script development tures, and learn how to find domestic and overseas distri- producer of the independent feature Just Friends. Ms. promote your body of work. Instruction emphasizes through pre-production and production. Topics include bution for theatrical, television, DVD, and alternative Adelman then produced 19 shorts that have played group discussion and interaction as you are encouraged the producer’s interface with the writer, director, and markets. Participants gain knowledge on how to craft a more than 150 festivals, winning more than 30 awards. to use each other’s sites and platforms in various other key personnel; pitching and selling ideas; script distribution strategy from the earliest stages of project She has authored two film books, The Ultimate Film- assignments. Topics include identifying different audi- breakdown and scheduling; budgeting and all the criti- development. Topics include choosing material, budget, makers’ Guide to Short Films and The Ultimate Guide ences; basic video and audio production; mastering cal on-the-set issues facing the producer. For technical and casting; selling the film through festivals and markets; to Chick Flicks, and currently writes for Indiewire, the available video, audio, and review of social media requirements see page 4. Required text: So You Want key buyers; evolving distribution outlets, such as Internet, leading news source on independent film. Ms. Adelman branding sites; creating an individual brand and brand to Be a Producer by Lawrence Turman.This course cell phones, etc.; the roles of producer, marketing and received the UCLA Extension Department of the Arts messages; understanding design as it relates to pre- includes both online sessions and classroom meetings. sales executives, and executive producers; and an over- Outstanding Instructor of the Year Award in 2014. view of film financing models. Enrollment limited; early sentation; audience building tools, such as fan pages, Internet access required to retrieve course tweet marketing, cross-commenting strategies and materials. enrollment advised. Internet access required to retrieve & NEW COURSE course materials. “response-to” uploading; responding to audience; and Reg# 263659CA professional interaction. The course goal is to create an Reg# 264365CA Through Feb 29: $635 / After: $695 The Art and Business individual presentation plan, across chosen platforms, Classroom meetings: of Producing m Through Feb 29: $635 / After: $695 UCLA: 2214 School of Public Affairs Bldg. that is critiqued by your peers. For technical require- UCLA: 121 Dodd Hall X 476.022 Film & Television 4 units ments see page 4. Enrollment limited. Attendance at Thu 7-10pm, Mar 31; Apr 7, 14 & 28; This course is designed for those who want to fully Wed 7-10pm, Mar 30-Jun 15, 12 mtgs Enrollment deadline: Apr 13 the first class is mandatory. This course includes both May 5, 19 & 26; Jun 2 & 16 produce their movie through all of the six stages of a online sessions and classroom meetings. Internet Stephen Stanley, Head of Acquisitions and Distribu- Online sessions: film’s journey: buying/development; financing; pre-pro- access required to retrieve course materials. duction; production; post-production; and release/ tion, Ketchup Entertainment, where he oversees Thu Apr 21; May 12; Jun 9 Reg# 263664CA Enrollment deadline: Jun 16 marketing. While many of these stages are explored in Ketchup productions including the Samuel Jackson- depth in other courses, the focus of this course is to starring Big Game, and launched a digital output in Through Mar 2: $635 / After: $695 Jennie Lew Tugend, producer with more than three Classroom meeting: decades of expertise in the Hollywood motion picture explore the effect each stage has on the others, and how partnership with Hulu for emerging filmmakers. Previ- the producer guides their interdependency. You learn to ously, Mr. Stanley was a sales agent and department Downtown Los Angeles: business, including film and TV development, produc- 101B UCLA Extension DTLA, tion financing, marketing, and distribution. Ms. Tugend recognize and solve problems before they turn in a full- coordinator of the film finance and production division blown crisis and how to make good decisions that help of The Gersch Agency. 261 S. Figueroa St. has produced and co-produced some of the industry’s ✷✷Sat 10am-5pm, Apr 2 most memorable franchises: Free Willy, Lethal Weapon, drive your project forward. Topics include strategies for financing and how to relate them to your film; hiring and Marketing and Distributing Online sessions: and HBO’s Tales from the Crypt. She has teamed with Sat Apr 9, 16, 23 & 30; May 7, 14, 21 & 28; producer Lauren C. Weissman to form Kadokawa Pic- supporting your director after s/he is hired; identifying Independent Films Across and considering your core audience when setting your m Jun 4 tures USA (KPUSA), to exploit Japanese entertainment All Platforms Classroom meeting: library properties for adaptation and remakes. budget; how your budget impacts casting expectations; X 403.61 Management 4 units working with talent agencies; going to film markets to Downtown Los Angeles: Enrollment limited; early enrollment advised. Required 101B UCLA Extension DTLA, The Art of Line Producing find distribution; how foreign sales work; bonding and text: Think Outside the Box Office: The Ultimate Guide to learning from reputable bonding companies; and strad- 261 S. Figueroa St. X 478.13A Film & Television 4 units Film Distribution and Marketing for the Digital Era by Jon ✷✷Sat 10am-1pm, Jun 11, 11 mtgs This comprehensive step-by-step overview of physical dling the relationship of art versus business. By the end Reiss. For more information see page 105. & of the course, you have an understanding of a number No refund after Apr 1. production processes covers the tangible and intangible Reg# 264363CA Robert Scheid, for credits see page 104. aspects of line producing, including budget; breakdown of big issues apt to confront you as a producer and the Through Feb 29: $635 / After: $695 and scheduling; hiring and working with cast, director, ability to empower yourself throughout the filmmaking Mar 30-Jun 15 staff, crew, and outside vendors; choosing locations; process. For technical requirements see page 4. Kevin August Mardesich, who began his career run- equipment and music; how to deal with divergent Enrollment limited. ning the story department at Oscar-winner Oliver personalities and specific problem solving during pro- Reg# 264484CA Stone’s development company, Ixtlan. Mr. Mardesich duction; and the differences between producing a Through Feb 28: $635 / After: $695 also helped execute corporate communications for movie independently versus with a studio. Students are Mar 28-Jun 20 Fox’s sports/entertainment cable channels. He currently highly recommended but not required to have Movie Judith James, producer whose credits include Quiz runs KevinMardesich.com, a communications practice Magic Budgeting and Scheduling.This is not an intro- Show, directed by Robert Redford; Mr. Holland’s Opus, specializing in written communications for film, tele­ duction to production course. A basic knowledge of film starring Richard Dreyfuss; and Trigger Happy starring vision, and industry leaders. production and Movie Magic Budgeting and Scheduling Jeff Goldblum, Gabriel Byrne, Diane Lane, and Ellen software are highly recommended. Internet access Barkin. Ms. James has produced movies for HBO, TNT, required to retrieve course materials. ABC, and CBS. In addition she has served as consulting producer on many of Richard Dreyfuss’s films. kkk 106 Entertainment Studies Enroll at uclaextension.edu or call (800) 825-9971 Marketing Entertainment: Strategies a better position to avoid such problems. Topics include gifts and grants, active and passive investor financing, New This Quarter for the Global Marketplace X 476.99 Management 4 units federal and state securities law compliance, lender Today, marketing entertainment is a global enterprise, financing, studio/industry financing, and the broader and motion pictures are the assets that drive expand- film finance environment. For technical requirements see Inside the World of ing ancillary markets. How a movie is marketed page 4. Enrollment limited; early enrollment advised. determines its financial success and future. The Required text: 43 Ways to Finance Your Feature Film: A instructor and a select number of the industry’s top Comprehensive Analysis of Film Finance (3rd ed.) by Film Acquisitions marketing professionals address myriad issues on how John W. Cones. & feature films get marketed in today’s increasingly Reg# 264340CA So your script or film is ready. What’s next? competitive market. Topics include creating brand- Through Feb 29: $635 / After: $695 centric, franchise-driven strategies; positioning an Mar 31-Jun 16 Instructors Quinn Coleman, former Vice President of Acquisitions at entertainment property as a brand in popular culture; John W. Cones, securities/entertainment attorney who Regent Entertainment, and Monica Chuo, former Vice President of marketing and distribution strategies in a converging advises independent feature film producers and others marketplace; secrets to creating compelling film, video, on matters relating to investor financing of feature film Worldwide Acquisitions & Co-Productions at Paramount, take you web, and print advertising; the power of social media; and entertainment projects. During his 25-year career, through the process of selling your projects to studios, production and the influence and use of research; and leveraging Mr. Cones has prepared or participated in more than sales companies, and indie distributors. Learn how to pitch to buyers international strategies and new media promotional 250 business for feature films, television pilots, docu- and licensing strategies to create valuable partnerships mentaries, infomercials, live stage plays, and Internet effectively, determine if your project is budgeted for profitability, and and revenue streams. Internet access required to companies. He has authored 10 books on related topics much more! retrieve course materials. & on film business and legal affairs. Reg# 264267CA Page 106. Through Feb 29: $635 / After: $695 Legal Primer for the Entertainment UCLA: 1222 School of Public Affairs Bldg. Business m Tue 7-10pm, Mar 29-Jun 14, 12 mtgs X 403.01 Management 4 units Enrollment deadline: Apr 12 34 hours of MCLE credit available, including 1 hour of Stephan Manpearl, consultant on all aspects of mar- Legal Ethics. keting on more than 500 feature films, including The This unique course explores key legal principles and Karate Kid, Jacob’s Ladder, Star Trek, Flashdance, Out contractual relationships within the film and television of Africa, Airplane, Misery, and Revenge of the Nerds, industry through a dynamic assortment of lectures and Creating Reality and Non-Fiction The Business & Management as well as numerous television programs, for virtually hands-on workshops. You develop a core understanding Television: What Really Works all major studios, networks, and many independents. of subjects including idea protection, copyright, defama- X 477 Film & Television 4 units of Entertainment tion, privacy, and the right of publicity. In addition, you are Reality television is at the forefront of TV culture both exposed to key issues in manager agreements and in The Business of Entertainment Entertainment Financing: domestically and internationally. The objectives of the From First $ to Distribution of Profits standard film and television agreements, including literary course are to acquaint you with the various formats and X 403.31 Management 4 units option/purchase agreements, life rights agreements, 34 hours of MCLE credit available. X 403.34 Management 4 units to prepare you to conceptualize your own reality series 34 hours of MCLE and CPE credit available. collaboration agreements, and talent employment agree- for various television outlets including network, syndica- With the entertainment industry converging into a ments. The course concludes with exploring independent worldwide mass media, both business and operation This course covers the financial aspects of each step tion, cable, and Internet. The latest trends in the various of the motion picture value chain (from development film finance and distribution deals. Through learning digital media arenas as they relate to original non-fic- models continue to rapidly evolve. This introductory some essential “countermeasures” to use when review- course for producers, directors, development personnel, through profit participation) and considers the implica- tion programming and distribution are also explored, tions of financial choices. Designed to give participants ing such contracts, you are empowered in a way usually including interactivity, games, transmedia, webcasts, and aspiring media executives examines the business only reserved for elite talent lawyers—and have a lot of issues associated with the entertainment industry. a general understanding of how financial deals are ARGs, MMOGs, and VR. You first get under the hood of structured, topics include how film financing is secured; fun in the process. For technical requirements see the broad range of programs which claim to depict ‘real Through lectures, discussions with industry guests, and page 4. Required Text: Dealmaking in the Film and Televi- case studies, instruction focuses on current business connecting the production budget to the financing; life,’ from reality drama and comedy to talent competi- when a completion guarantor is required; and the vari- sion Industry (3rd ed.) by Mark Litwak. Enrollment lim- tions, hidden camera, docu-soaps, games, food, and production issues, and introduces new business ited; early enrollment advised. & models to navigate content onto new technology plat- ous types of domestic and international distribution adventure, travel and documentary. Topics include what arrangements. Participants also learn about third-party Reg# 264369CA makes a show a hit—or not; the art of interviewing; the forms. Some history is highlighted to provide a context for current practice. The course also features opportuni- profit participation agreements and the practical Through Feb 29: $635 / After: $695 role of scheduling, ratings, multi-platforming, and social aspects and procedures that underlie them; terms and Mar 30-Jun 15 media; and an overview of legal issues specific to real- ties to meet senior entertainment industry executives. Topics include financing; contracts; intellectual property definitions that impact bottom line considerations, David Wienir, talent lawyer and author; Business ity TV. Working both in teams and individually, you then including contingent compensation; distribution fees Affairs Executive, United Talent Agency. Before UTA, Mr. develop, prepare, and pitch an original idea for a non- issues; licensing; product placement; marketing and publicity; ratings; the impact of piracy; understanding and expenses; the producer’s share of profit; distinc- Wienir practiced law at two of the top talent boutiques, fiction television series. You prepare a series log line, a tions between production, distribution, and marketing where he represented Steven Spielberg and Madonna. one sheet description, and a “bible” with episodic and leveraging new technologies; and marketing and distribution. By the end of the course, students should costs; and how these costs may significantly impact He has been awarded the Outstanding Volunteer Award examples. Rehearse for a pitch meeting and then pitch recoupment and profits. Internet access required to from Volunteer Lawyers for the Arts, named a “Rising your ideas to industry guests that can include a net- have an understanding of the opportunities available in the business of entertainment. Required text: The Biz retrieve course materials. Star” in 2009 and 2010 by Super Lawyers Magazine, work, studio executive, or agent. Internet access and named to Variety’s 2014 Legal Impact Report. He required to retrieve course materials. (4th ed.) by Schuyler M. Moore. Internet access Reg# 263666CA required to retrieve course materials. & Through Feb 29: $635 / After: $695 is the author of several acclaimed books, including Reg# 264570CA Making It on Broadway. Reg# 264268CA UCLA: 1222 School of Public Affairs Bldg. Through Feb 29: $635 / After: $695 Wed 7-10pm, Mar 30-Jun 15, 12 mtgs UCLA: 1246 School of Public Affairs Bldg. Through Feb 29: $635 / After: $695 Richard E. Kiratsoulis, entertainment executive provid- NEW COURSE Thu 7-10pm, Mar 31-Jun 16, 12 mtgs UCLA: 1425 Physics & Astronomy Bldg. Thu 7-10pm, Mar 31-Jun 16, 12 mtgs ing consulting services for a group of independent film Inside the World of Film Acquisitions: No refund after Apr 13. companies in the areas of film financing, production, Enrollment deadline: Apr 13 Enrollment deadline: Apr 14 How to Sell Your Project to Hollywood Randy Greenberg, senior entertainment executive and and distribution; also serves as an advisor to several X 439 Film & Television 4 units James Coane, Emmy award-winning television producer, film financiers. From 1994-2005, Mr. Kiratsoulis was writer, director, and development executive. Mr. Coane is executive producer of MEG and Cowboys & Aliens; So your script or film is ready. What’s next? In this course, founder of The Greenberg Group, a consultancy whose the president and COO of Media 8 (Monster, The Upside learn the art of selling your project to studios, production credited as executive producer and director on many of Anger). During his tenure, Media 8 evolved from a network, syndication, and cable series, including Walking campaigns have produced more than $5 billion at the and sales companies, indie distributors and the like. But box office. Previously Mr. Greenberg was the Senior foreign sales company to a leading independent film first, you must learn how buyers, known as acquisitions the Bible, Totally Hidden Video, America’s Most Wanted, entertainment company. and Futurequest. He has executive produced hundreds Vice President/Head of International Theatrical Market- execs, evaluate the “worth” of your project. You gain the ing and Distribution for Universal Pictures, where he skills necessary to develop an in-depth knowledge of of series’ episodes, specials, and pilots for ABC, CBS, m NBC, Fox, USA Network, Turner Entertainment, Discovery created the overseas releases of such films as 8 Mile, Independent Film Financing buyers, agents, producer’s reps, festival programmers, Channel, TLC, PBS, FX, and other broadcasters. Intolerable Cruelty, The Mummy Returns, Jurassic Park X 403.33 Management 4 units and their respective tastes. You learn how to pitch buyers III, The Fast and the Furious, and American Pie. In today’s ever changing market, filmmakers need to effectively; how to analyze box office numbers and which have a working understanding of a wide variety of genres and ratings are the most profitable; how to financial models in order to successfully fund the dif- determine if your project is budgeted for profitability ferent phases of their entertainment projects. This through comp analysis; how to present your project to course explores film finance methods, discusses maximize profile and salability at festivals and markets; advantages and disadvantages of each and provides what it takes to attract domestic distributors, including sources for additional information. The goal is to ways to position and package for greatest interest; how become familiar with numerous ways to finance a to sell your project into international territories and how feature or documentary film; ways that may vary at to understand the major deal points so as to negotiate different stages of your career. In addition, you are the best terms. You also learn how digital players are exposed to many different sources of additional infor- changing the paradigm; to gain access to the gatekeep- mation regarding film financing so that you may be ers with insider tips and strategies for developing rela- confident with your choices relating to film finance. You tionships with key industry players. Internet access will also be made aware of the many film finance required to retrieve course materials. scams that exist in the marketplace so that you are in kkk Enroll at uclaextension.edu or call (800) 825-9971 Entertainment Studies 107

Reg# 264524CA Through Feb 28: $635 / After: $695 UCLA: 2214 School of Public Affairs Bldg. Art & Business Mon 7-10pm, Mar 28-Jun 13, 12 mtgs Your Career in Music (no mtg 5/30; 1 mtg to be arranged) of Music Enrollment deadline: Apr 11 For more information call (310) 825-9064, email Quinn Coleman, who previously served as vice presi- [email protected], or visit Begins Here! dent of Acquisitions at Regent Entertainment and entertainment.uclaextension.edu director of Worldwide Co-Productions and Acquisitions The Music Business & at Warner Bros. studio, where he was instrumental in Space is limited; early enrollment is highly negotiating and acquiring certain distribution rights to recommended. Visitors are not permitted at Independent Music Production Certificates more than 125 feature films, including such box office some courses. For online course technical hits as A Cinderella Story, My Dog Skip, and My Big Fat requirements see page 4. BMI Proudly Supports UCLA Extension Certificates Greek Wedding. Formerly, Mr. Coleman has worked for such leading companies as Turner Broadcasting, ­Disney, and Twentieth Century Fox. The Music Business Today, the music business—and Monica Chuo, who started her career in development independent music production— and acquisitions at The Samuel Goldwyn Company collaborating with internationally renowned directors Beyond the Creative: What You Need are complex, challenging, and such as Zhang Yimou. Her other positions include head to Know about the Business of Music changing constantly. of Business Development at DNA Studios, where she X 447.22 Music 4 units developed new media strategies for such companies In this nuts-and-bolts survey course, artists and aspir- Yet opportunities exist. Start your as Miramax Films, Focus Features, Elektra Records, and ing executives learn about the business side of music career, or move it to the next level, Atlantic Records. She also has worked at Artisan Enter- and how to use that knowledge in their careers and with our 2 certificates in these finances. Real-world examples of record and publishing tainment and Paramount as vice president of Worldwide exciting fields. Both are compre- Acquisitions & Co-Productions. royalties, touring, merchandise, and other forms of artist income show how the music business actually works hensive, nationally recognized Starting Your Own Entertainment from both artist and industry perspectives. Topics ­programs, taught by industry Production Company include how a song earns money; protecting your origi- professionals. nal songs; collecting money from your works; maximiz- bmi.com X 402.32 Management 4 units ing marketing and revenues in the new digital 34 hours of MCLE credit available. 36 hours of CP Advisors are available to provide landscape; the functions of the personal manager, guidance to students wishing to credit available. business manager, agent and attorney; record deals, A practical primer on starting a business, staying in getting signed, and 360 deals; touring, merchandising, meet particular career goals. business, and thriving, whether in motion pictures, and sales from a financial point of view; and the new television, or another entertainment industry venture. moneymaker: sync licensing your music to film, televi- This course addresses essential issues regarding the sion, commercials, and games. High-profile guests legal and business affairs basics, planning, implemen- augment lectures and discussions. Required text: All tation, and management. Guest speakers include You Need to Know about the Music Industry (9th ed.) industry experts in entertainment financing, intellectual by Donald S. Passman. Internet access required to property, union issues, distribution, film and television retrieve course materials. & production, and other matters relating to managing and For More Information Reg# 263914CA operating an independent production company. Internet (310) 825-9064 | entertainment.uclaextension.edu access required to retrieve course materials. Through Feb 28: $635 / After: $695 UCLA: 160 Royce Hall Reg# 263667CA Mon 7-10pm, Mar 28-Jun 13, 12 mtgs Through Feb 28: $635 / After: $695 (no mtg 5/30; 1 mtg to be arranged) Entrepreneurship for the Reg# 264338CA UCLA: 121 Dodd Hall Enrollment deadline: Apr 11 Mon 7-10pm, Mar 28-Jun 13, 12 mtgs Indie Artist m Through Feb 29: $635 / After: $695 Owen Husney, music manager and executive who Mar 31-Jun 16 (no mtg 5/30; 1 mtg to be arranged) X 451 Music 4 units discovered Prince, signed several up-and-coming art- , President of Rock ’n Retail, LLC; an Enrollment deadline: Apr 11 Record-low album sales, industry lay-offs and ever- Gale Rosenberg ists to various major record labels, and whose clients independent music marketing and PR firm, and Web ’n David Albert Pierce, attorney, Pierce Law Group, LLP, evolving changes in technology can be disheartening have garnered 10 gold- and platinum-certified albums. Retail, its online marketing and PR division. Ms. Rosen- who specializes in representing entertainment compa- for the aspiring artist looking to break into the busi- Mr. Husney has also done marketing and promotion for berg has more than 30 years of music marketing nies in corporate operations, intellectual property, and ness, but nothing could be further from the truth! such notable talents as Sonny and Cher, Alice Cooper, experience, including positions held at J. Walter Thomp- labor and employment issues. Mr. Pierce’s clients There’s never been a better time to be a do-it-yourself and the Rolling Stones. Currently, with his First Ameri- son Advertising, Billboard Magazine, Mix Magazine, include Lions Gate Entertainment, Earthview, Inc. (pro- artist and this course gives you the tools to assess can Entertainment Inc. company, he buys, sells, and Creem Magazine, ABC and MCA Records, PolyGram ducers of The Amazing Race), The Comedy Store, and what you can do yourself (and how), and when you brokers artist catalogs of music, and consults for major Distribution, and Wherehouse Entertainment Corpora- John Morrissey (producer of American History X). should bring in the professionals. Many musicians record labels and artists. tion. She has been president of her own company for Patrick J. Gorman, entertainment attorney in private record and market their own music, but only a handful more than 25 years. practice in Beverly Hills. Mr. Gorman represents both actually monetize those efforts. Learn the importance start-up and established entertainment companies, The Insider’s Guide to Music of establishing a brand and how to harness the power domestically and globally, in the motion picture, music, Management of the Internet to generate awareness and excitement and television industries, as well as producers, actors, X 447.31 Music 4 units around your music. Topics include setting yourself (or directors, screenwriters, and recording artists. The music manager’s role is crucial to a musician’s your artist ) up as a business; examining revenue career success. Yet very few people who enter the streams; digital distribution options; creating and entertainment industry have any idea what a manager maintaining your fan list; music licensing; performing does or how one can help their career. This course is rights and royalty organizations; social media use; designed to explain the management side of the music social media advertising; tax benefits; overall online business. Find out what music managers do, why they marketing strategy; record label “to do or not to do”; are important, and how to avoid management pitfalls. video marketing; traditional PR; online PR and radio Lectures, discussion, and industry guests address such promotion. The goal of the course is assist you in topics as when to get a manager, the role of the man- creating and arming yourself with the materials you ager in the indie world, and managing music in the will need to begin or enhance your career or your art- digital age. Enrollment limited. Internet access required ist’s career—all on a shoestring budget. Instruction to retrieve course materials. features guest speakers, who work in various facets of Reg# 263932CA the industry, to bring real-world perspective to the Course Icons Through Mar 2: $635 / After: $695 topics. For technical requirements see page 4. Enrollment Westwood: 217 Extension Lindbrook Center limited; early enrollment advised. ✷✷Sat 12:30-4:30pm, Apr 2-Jun 4, 9 mtgs Provide kkk (no mtg 5/28) John Hartmann, veteran music agent, manager, and Information record executive who has provided career direction for such artists as Chad and Jeremy, Sonny and Cher, At-a-Glance Buffalo Springfield, Neil Young, Jackson Browne, Joni Mitchell, America, Poco, and the Eagles. Mr. Hartmann m Online course regularly lectures on music management’s role in the industry. The Talent Manager’s Association presented & Textbook required him with the 2015 Heller Award for Lifetime Achieve- ment in Artist Management. M Meets during daytime hours 108 Entertainment Studies Enroll at uclaextension.edu or call (800) 825-9971 Do-It-Yourself Music Marketing Reg# 264132CA Reg# 264140CA first audio recording; making selections and playing (Hybrid) Through Feb 29: $635 / After: $695 Through Feb 29: $635 / After: $695 audio; using the editing modes and tools; importing X 448.80 Music 4 units Mar 31-Jun 16 UCLA: 2232 School of Public Affairs Bldg. audio and workign with video files; using fades; manag- Of interest to DIY musicians, producers, managers, Bobby Borg, for credits see page 108. Tue 7-10pm, Mar 29-Jun 14, 12 mtgs ing audio clips; elastic audio; basic mixing concepts; startup record label personnel, and anyone interested Enrollment deadline: Apr 12 introduction to Real Time plug-ins; and an introduction in learning fundamental marketing concepts used by Music Supervision for Film Michael Vail Blum, award-winning producer/engineer to MIDI within Pro Tools. This course prepares you for the most innovative companies today. Students learn and Television whose works have contributed to the combined sales the AVID certified Pro Tools 101 exam. Note: Students how to describe their vision; identify a market need X 484.31 Music 4 units of more than 100 million records. Mr. Blum has engi- must bring their own Mac or PC laptop with a minimum analyze their fans; learn from their competitors; demo Defining the role of the music supervisor by drawing neered several LPs for Madonna, and has worked with of 15 GB of free space, a power adapter, and Pro Tools their products and services; set their marketing plan on the combined resources of the film and television such artists as Pink Floyd, Bryan Ferry, Kenny Loggins, 11 or 12 (installed and fully updated); external hard goals; and find the perfect mix of new marketing communities to marry music and moving images, this and Julian Lennon. Mr. Blum has designed more than drive/audio interface/mic/midi keyboard are optional. strategies ranging from branding, product, price, course is for anyone interested in the business and 60 recording studios in Los Angeles, and in his own Prerequisite: Basic computer skills and basic audio place, promotion, and marketing information systems. art of film and television music. Lectures and discus- Titan Recording Studio, has produced platinum artist technology concepts. Enrollment limited. Visitors not The Internet, word-of-mouth, guerrilla marketing sion with guest speakers present the principles and Anastacia, and discovered, recorded, and produced permitted. Required text: Pro Tools 101 Official Course- techniques, social media, mobile marketing, publicity, procedures of music supervision. Past guest speakers Kelly Clarkson, the first American Idol winner. ware Version 12 by Avid and Frank D. Cook. Internet music licensing, live performing and touring, mer- have included composers, music supervisors, film- access required to retrieve course materials. & chandising, face-to-face selling, sales promotions, makers, producers, music licensing representatives, Create and Produce Your Own Reg# 264136CA radio, and sponsorships are all addressed in course and executives. Internet access required to retrieve Music Project Through Mar 4: $635 / After: $695 lectures, reading assignments, and discussions with course materials. X 440 Music 4 units Westwood: B15 1010 Westwood Center industry guests. Online sessions provide students Reg# 263356CA Learn the ins-and-outs of the creative side of music Mon 6:30-10pm, Apr 4-Jun 13, 10 mtgs with the opportunity to craft a customized, low-bud- Through Feb 29: $635 / After: $695 production. Classes are hands-on, real-world, intensive, (no mtg 5/30) get marketing plan of attack using step-by-step Downtown Los Angeles: and cover such concepts as choosing musicians and Maurizio “Otto” De Togni, composer for commercials templates, and to receive constructive criticism from 102 UCLA Extension DTLA, 261 S. Figueroa St. finessing the best performance out of artists. In this and TV, music/sound editor and producer. With 48 the instructor and fellow students. At the end of the Wed 7-10pm, Mar 30-Jun 15, 12 mtgs workshop-style class, you are required to produce, mix, certifications, Mr. De Togni is one of the world’s first class, student teams are asked to solve real-world Enrollment deadline: Apr 13 and master one music project—either a live band or a Apple Certified Master Trainers in Logic Pro and an Avid marketing problems by presenting innovative solu- Alexandra Nickson, current Executive in Charge of solo artist. Both must incorporate live instruments, as Certified Pro Tools Expert instructor. His clients have tions before a small panel of guest judges. For techni- Music for Dreamworks Animation Television. She over- well as programmed instruments in the project. The included Paramount Pictures, James Valentine and cal requirements, see page 4. Enrollment limited. This sees the musical creative direction for the television course is personalized to help each student explore the Jesse Carmichael (Maroon 5), and the John Lennon course includes both online sessions and classroom studio and music supervises all of the shows in the full potential of creating and producing their music. Educational Tour Bus. He received the UCLA Extension meetings. Internet access required to retrieve course DWA-TV slate. In 2014, under her creative guidance, Topics include pre-production, recording using Pro Tools Department of the Arts Outstanding Instructor of the materials. Required text: Music Marketing for the DIY the theme song “Who Da King” from All Hail King Julien or Logic; getting great vocal performances through Year Award in 2012. Musician by Bobby Borg. & was nominated for an Emmy. Prior to joining DWA in microphone techniques; recording and mixing tech- Reg# 263358CA 2013, Ms. Nickson oversaw all of the music for ABC niques; mastering;, and budgeting. Near the end of the Introduction to Logic Pro m Through Mar 14: $635 / After: $695 Family’s television series and original movies, and was course, your projects are played and critiqued in class. X 480 Music 4 units Classroom meetings: head of A&R for Persimmon Grove Music. In 2012, she Prerequisite: X 441.3 Audio Recording Theory. Students Logic Pro is a professional music production program UCLA: A44 Haines Hall was chosen as one of the 10 recipients of the Game must have access to a Pro Tools or Logic system and that combines composition, notation, and audio produc- Thu 7-10pm, Apr 14-Jun 9 Changer Award for the ABC/Disney Television Group. must be proficient in either of these systems. Enroll- tion facilities. Of interest to songwriters, composers, Online sessions: ment limited; early enrollment advised. Internet access audio producers and audio engineers, this online course Sat Apr 30; May 21; Jun 4 Building an Online Audience (Hybrid) required to retrieve course materials. introduces you to the primary features and basic user Bobby Borg, major label, international, and DIY record- X 408 Film & Television 4 units Reg# 264249CA interface of Logic Pro X. Using your own Mac, you walk ing/touring artist with more than 25 years of experience Enrollment limited. Attendance at the first class is Through Feb 29: $635 / After: $695 through the process of creating an actual song, from in the music business. Mr. Borg is a music business mandatory. This course includes both online sessions Westwood: B15 1010 Westwood Center recording, producing a Virtual Drum track, editing audio consultant and A&R advisor to music supervisors and and classroom meetings. Internet access required to Tue 7-10pm, Mar 29-Jun 14, 12 mtgs with Flex Time and Pitch, and recording/editing/arrang- independent labels, best-selling author of numerous retrieve course materials. For more information see Adam Moseley, record producer, engineer, and mixer ing of MIDI sequences and Apple Loops, to digital music business books and articles, and the vice presi- page 105. who started his career at the legendary Trident studios effects processing using virtual amps and pedals, Logic remote on iPad, automation, and mixing. This course dent of Special Events for The American Marketing Reg# 263664CA in London, where he worked with Phil Ramone, Tom prepares you for the Apple Certfication exam. Note: Association. He received the UCLA Extension Depart- Through Mar 2: $635 / After: $695 Dowd, Mutt Lange, Steve Lillywhite, Tina Turner, The ment of the Arts Outstanding Instructor of the Year Classroom meeting: Cure, Wet Wet Wet, Roxette, Kiss, and Rush. Mr. Mose- Students must have access to a Mac computer with a Award in 2009. Downtown Los Angeles: ley has worked with the likes of Beck, Nikka Costa/ minimum of 15 GB of free space, a power adapter, and 101B UCLA Extension DTLA, Lenny Kravitz, Wolfmother, Spike Jonze, and many Logic Pro X (installed and fully updated); external hard Music Publishing: A Creative and 261 S. Figueroa St. more. Recently, he has recorded and mixed new albums drive/audio interface/mic/midi keyboard are optional. Business Perspective m ✷✷Sat 10am-5pm, Apr 2 with John Cale, the score for The Big Wedding featuring Prerequisite: Basic computer skills, and basic audio X 448.81 Music 4 units Online sessions: Robert De Niro, and other TV and film music. technology concepts. For technical requirements see 34 hours of MCLE credit available. Sat Apr 9, 16, 23 & 30; May 7, 14, 21 & 28; page 4. Enrollment limited. Required text: Apple Pro This entry-level course is of interest to songwriters, Jun 4 The Art and Craft of Music Mixing Training Series: Logic Pro X, 10.1 by David Nahmani bands, and producers, but applicable to anyone who Classroom meeting: X 448.14B Music 4 units (Peachpit Press). & wants to learn both the creative and business basics of Downtown Los Angeles: Learn the art and craft of mixing music as it applies to Reg# 264139CA music publishing from A-Z. Working online via keynote 101B UCLA Extension DTLA, the many creative and technical considerations involved Through Mar 4: $635 / After: $695 slides, podcasts, and live tele-conferences, you learn 261 S. Figueroa St. in “record-mixing.” Each week, a new genre of music Apr 4-Jun 13 how to improve your chances for getting seen, heard, ✷✷Sat 10am-1pm, Jun 11, 11 mtgs is mixed in class from start to finish. All aspects of Maurizio “Otto” De Togni, for credits see page 108. and signed. Topics include effective songs, broadcast No refund after Apr 1. mixing are covered, from root principles to specialized quality recordings, and brand equity; how to ensure that Robert Scheid, for credits see page 104. techniques of veteran mixers. Also covered are in-depth Crafting Great Lyrics: you’re not getting ripped off: United States copyright explorations of a myriad of plug-ins and outboard gear; A Songwriting Workshop basics, copyright registration in Washington D.C., and sound-replacing, when and when not to replace sound; X 404.4 Music 4 units co-writer and producer splits; what music publishing Music Production summing amps; tuning, tweaking and nudging ele- Of interest to beginning, as well as more experienced companies can do for your career: song-plugging, ments when needed; printing to analog vs. digital; and songwriters, this course offers a supportive and inspi- advances, and copyright administration; how to make Audio Recording Theory stem-mixing. Instruction also includes a field-trip to a rational writing workshop environment. Instruction sense of publishing deals and copyright assignment: X 441.3 Music 4 units world-class mixing studio. Enrollment limited. focuses on three equally important and interrelated exclusive songwriter agreements, co-publishing deals, Specifically tailored to independent artists, this course Reg# 264185CA aspects of songwriting: form, theme, and content. Each and administration agreements; how to get paid for presents a practical and effective introduction to the Through Feb 29: $635 / After: $695 week, students perform practical exercises and write your music and master recordings: mechanical royal- theory, art, and craft of sound recording. Instruction Westwood: B15 1010 Westwood Center lyrics to strengthen their songwriting skills. Exercises ties, performance royalties, synch fees, master-use covers the basics of audio, acoustics, and electronics, Thu 7-10pm, Mar 31-Jun 16, 12 mtgs are designed to focus story telling, and tp expand on fees, print royalties, new electronic transmissions, and as well as the theory and operation of the most com- Darryl Swann, Grammy Award-winning independent rhyming while adding specificity and color to songs. Hit foreign sub-publishing monies. You also learn how and monly used signal processors, audio consoles, monitor record producer and audio engineer who has worked songs, by such writers as The Beatles, Ed Sheeran, when to join important music organizations and societ- loudspeakers, and microphones, and their application with such artists as Macy Gray, producer Rick Rubin, Bruno Mars, and Joni Mitchell provide templates for ies: ASCAP, BMI, SESAC, Sound Exchange, and The to the digital audio workstation production process. Mos-Def, John Frichante of Red Hot Chili Peppers, commercial lyric writing. Ultimately, each participant’s Harry Fox Agency; and how to start your own publishing Internet access required to retrieve course materials. Erykah Badu, and the Black Eyed Peas lyrics are evaluated by the hit song formula: to enter- company: self-publishing, music libraries, resource tain, to tell the truth, and to connect with your audience. guides, and pitching your own music in film, TV, games, kkk Introduction to Pro Tools Enrollment limited. Internet access required to retrieve advertising, corporate videos, movie trailers, and DVD X 479.12 Music 4 units course materials. featurettes. No prior understanding of music publishing Ideal for those who have recently purchased Pro Tools kkk is needed, but some online-distance learning experi- and have been working with the system for less than ence is recommended. For technical requirements see one year, use your own laptop to learn the foundational page 4. Enrollment limited. Required text: Business skills and working knowledge needed to perform basic Basics for Musicians by Bobby Borg; read Chapter One Pro Tools operations, and begin your own projects or before the first class. & interface with others using Pro Tools. Topics include kkk system capabilities; navigation and display basics; understanding the edit and mix windows; making your Enroll at uclaextension.edu or call (800) 825-9971 Entertainment Studies 109 Film Scoring III: Advanced Techniques Reg# 263923CA in Composing to Picture Through Mar 2: $635 / After: $695 X 498 Music 4 units Westwood: B15 1010 Westwood Center Film Scoring Certificate Gain an understanding of the key techniques to function ✷✷Sat 12-4pm, Apr 2-Jun 4, 9 mtgs effectively in both an acoustic scoring environment and (no mtg 5/28) Endorsed by the Society of Composers & Lyricists by incorporating electronic pre-records into the acoustic Brian Ralston, award-winning film/television composer environment. You also learn the technical aspects of film whose credits include the 20th Century Fox lacrosse scoring, including spotting, SMPTE, timing, and working film Crooked Arrows (2012) starring Brandon Routh, the with limited budgets. Instruction includes several scoring action thriller Awaken (2015) starring Daryl Hannah, sessions with a small acoustic ensemble where you Vinnie Jones, and Natalie Burn, the Magnolia Pictures practice using click tracks, pre-records, and free-timing. bank heist film Graduation (2008) and additional music Prerequisite: X 483.3 Film Scoring II: Current Composi- in season four of the WB Television production Angel tional Techniques or consent of instructor. Enrollment (2004). Mr. Ralston is also a long-time co-host of the limited; early enrollment advised. Visitors not permitted. SCOREcast podcast, a popular industry-insider radio Internet access required to retrieve course materials. show for film and television composers. Reg# 264233CA Through Feb 29: $1,815 / After: $1,995 Fundamentals of Conducting: From Westwood: 217 Extension Lindbrook Center the Symphony to the Scoring Stage Wed 7-10pm, Mar 30-Jun 15, 12 mtgs X 498.3 Music 4 units (3 mtgs at a recording studio TBD) Learn the fundamentals of conducting taught by a pro- No refund after April 5. fessional film and concert conductor. You practice basic Charles Fernandez, Emmy- and Annie-nominated techniques employable in a variety of venues, including composer who has worked for most of the major stu- beat patterns; breaking beat patterns; irregular meters; dios as a composer on such animated series as Casper, contrasting articulations and strokes; podium presence; 101 Dalmations, Doug, Aladdin, Mermaid, and Robot conducting to picture; and conducting to a click track. Chicken as well as many live and animated features. You work with live professional musicians, as well as Take advantage of UCLA Extension’s Film Scoring Certificate, where you conducting recordings. Attendance is strongly suggested can compose and conduct your own scores under the direction of talented Advanced Orchestration: Applied for the first class meeting, during which important foun- industry professionals. Techniques for the Studio and dations are established. Conducting begins at the second Scoring Stage meeting, and attendance is mandatory. Prerequisite: The The 50-unit program also helps you produce pieces that can be used for equivalent of two years of training in music at the college X 483.2 Music 4 units level, or consent of instructor. Enrollment limited; early your professional reels. Write short orchestrations that are performed and enrollment advised. Visitors not permitted. Internet recorded by professional studio musicians, for the four access required to retrieve course materials. Flexible evening and weekend scheduling allows for completion of the program instrument families of the orchestra: strings, woodwinds, in as little as 1 year. brass, and percussion. Detailed lectures cover the most Reg# 264188CA effective use of each instrument of each family in solo, Through Feb 28: $1,815 / After: $1,995 Advisors are available to provide guidance to students wishing to meet soli, and ensemble situations. Voicing, texture, balance, Hollywood: Local 47 Musicians Union, career goals. blend, highlighting, and the use of orchestral effects are 817 Vine St thoroughly discussed and then demonstrated in student Mon 7-10pm, Mar 28-Jun 13 ✷✷Sat 10am-1pm, May 28, 12 mtgs For More Information assignments. Models from masterworks are assigned for your orchestrations when applicable. The evolution of the (no mtg 5/30) (310) 825-9064 | entertainment.uclaextension.edu orchestration over the course of a piece is given special No refund after Apr 1. consideration in lectures and demonstrations. For the Jonathan Merrill, award-winning composer, conductor, final assignment, you must compose, arrange, and and producer whose vocal and instrumental music has orchestrate a one-minute piece of music for a full cham- appeared in hundreds of commercials and television Reg# 264184CA Reg# 263359CA episodes Through Feb 28: $635 / After: $695 Through Feb 29: $635 / After: $695 ber orchestra. Prerequisite: Knowledge of music notation and theory, experience in music composition, and Westwood: 217 Extension Lindbrook Center Westwood: 217 Extension Lindbrook Center m Mon 7-10pm, Mar 28-Jun 13 Tue 7-10pm, Mar 29-Jun 14, 12 mtgs X 483.43 Introduction to Orchestration, or consent of Composing Music for Video Games X 478.52 Music 4 units ✷✷Sat 9am-12pm, Jun 4, 12 mtgs Steve Rothstein, PhD, composer of numerous orches- instructor. Visitors not permitted. Internet access required (no mtg 5/30) tral, choral, and chamber works. Mr. Rothstein received to retrieve course materials. Through weekly writing assignments, online lectures, and audio-visual demonstrations, you gain an understanding Mark Winkler, platinum-selling lyricist and songwriter the UCLA Extension Distinguished Instructor Award Reg# 264187CA of the composition techniques, organization, and delivery who has written for such artists as Dianne Reeves, in 2013. Through Feb 29: $1,815 / After: $1,995 formats unique to the video game industry. Topics include Nancy Wilson, Dee Dee Bridgewater, and Liza Minnelli, Hollywood: Local 47 Musicians Union, in-game versus cinematic scoring; budgeting and project and has written or co-written songs for five musicals, 817 Vine St Film Scoring I: Form and Function management; contracts; technology tools for asset cre- including Naked Boys Singing!, Bark!, Too Old for the Thu 7-10pm, Mar 31-Jun 16, 12 mtgs X 483.1 Music 4 units ation and processing; music engines and compositional Chorus, and Play It Cool. Mr. Winkler just produced a No refund after April 6. This introduction to the role of music in film examines techniques specific to video game music; electronic CD for legendary artists Houston Person and Barbara Jon Kull, film orchestrator who has worked on more how to achieve an effective score. Topics include spot- music creation versus using live musicians; mixing; Morrison. His last CD of mostly original tunes, Sweet than 175 films with many of the top composers in ting: the practical and psychological considerations of composing for different game genres and audio formats, Spot, was voted one of the Top 5 Vocal CDs by Jazz Hollywood, including James Horner (Avatar, Troy), music placement; methods of synchronizing score to delivery of assets for different console formats, such as Times magazine. James Newton Howard (Maleficent, King Kong), and picture; and the dramatic utilization of melody, harmony, Xbox 360, PS3, PC, and handheld devices (PSP, Nintendo Elmer Bernstein (The Deep End of the Ocean, Twilight). rhythm, and orchestral texture. You write and record DS). Weekly composition assignments focus on writing His composition credits include a large catalog of cues played by professional musicians. Prerequisite: original adaptive music similar to works created for cur- production music that is heard daily in theatrical trailers Film Scoring Knowledge of music notation and theory, experience in rent games. Prerequisite: Some composition background. and network promos in the U.S. and worldwide. Mr. Kull music composition, and X 483.43 Introduction to Students must create final mixes outside of class with has also written music for commercials, and is currently The Film Scoring Certificate is endorsed by Orchestration, or consent of instructor. Enrollment their own composition tools such as: Pro Tools, Logic, working on a stage musical, Plug. The Society of Composers & Lyricists (SCL), limited; early enrollment advised. Visitors not permitted. Digital Performer, Cubase SX, Nuendo, Sonar, or Reason. the nonprofit and primary organization for Internet access required to retrieve course materials. For technical requirements see page 4. Enrollment limited; professional film/TV/multimedia music com- Reg# 264186CA MIDI II: Electronic Composition for early enrollment advised. Film and Television posers, songwriters, and lyricists. SCL is Through Mar 3: $1,815 / After: $1,995 Reg# 264231CA Westwood: B15 1010 Westwood Center X 482.4 Music 4 units committed to advancing the interests of the Through Feb 29: $635 / After: $695 ✷✷ This course is designed for aspiring and working com- film and television music community. Sun 1-4:30pm, Apr 3-Jun 12, 10 mtgs Mar 31-Jun 16 (no mtg 5/29; 3 mtgs at a recording studio posers who wish to gain an understanding of the cre- Lennie Moore, composer of music for Watchmen: The ative and technical practices that constitute professional Anatomy of a Film Score TBD) Motion Comic (2009 G.A.N.G. Awards winner) and video scoring, specifically for electronic equipment and X 482.8 Music 4 units No refund after April 8. games Halo Master Chief Collection; Halo 2 Anniver- instruments. Cues are scored at home using a personal Aspiring film composers, producers, and directors gain Thom Sharp, Emmy Award-winning composer, sary; Fighter Within; Red Orchestra 2: Rising Storm; workstation and critiqued in class. Participants acquire an understanding of what makes an effective and memo- arranger, orchestrator, and conductor whose composi- Kinect Disneyland Adventures; Star Wars: The Old practical skills and experience, as well as a deeper rable film score and how it is assembled. Weekly in-depth tion credits include the television series Casper, Toon- Republic; Dirty Harry; Dragonshard; The Lord of the understanding of aesthetic choices by studying the film score analyses are illustrated with recordings, film sylvania, The New Adventures of Winnie the Pooh, Rings: The War of the Ring; Plague of Darkness; and various stages of cues from recent films and television clips, documentary footage, and discussion. Film selec- Aladdin, The Little Mermaid, and Bonkers, as well Outcast (Infogrames, AIAS Best Music Nominee 2000). shows—before and after the addition of original score. tions cover a broad range of styles moving from Holly- as such films as Return of Jafar and The Land Mr. Moore also has composed and orchestrated music Prerequisite: X 449.91 MIDI I: Synthestration or an wood classics to recently released films. The ability to Before Time. for feature films, television movies, and commercials. read music is not required. Film scores by John Williams, intermediate understanding and proficiency in MIDI/ Bernard Herrmann, Max Steiner, Miklos Rozsa, Jerry sequencing. Students must have access to a MIDI/ Goldsmith, Michael Giacchino, James Newton Howard, sequencing project studio. Enrollment limited; early among others, are discussed. Enrollment limited. Internet enrollment advised. Internet access required to retrieve access required to retrieve course materials. course materials. kkk kkk