Harrison Discusses New LP, Beatles, Personal Philosophy Lamont
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Steve Cropper | Primary Wave Music
STEVE CROPPER facebook.com/stevecropper twitter.com/officialcropper Image not found or type unknown youtube.com/channel/UCQk6gXkhbUNnhgXHaARGskg playitsteve.com en.wikipedia.org/wiki/Steve_Cropper open.spotify.com/artist/1gLCO8HDtmhp1eWmGcPl8S If Yankee Stadium is “the house that Babe Ruth built,” Stax Records is “the house that Booker T, and the MG’s built.” Integral to that potent combination is MG rhythm guitarist extraordinaire Steve Cropper. As a guitarist, A & R man, engineer, producer, songwriting partner of Otis Redding, Eddie Floyd and a dozen others and founding member of both Booker T. and the MG’s and The Mar-Keys, Cropper was literally involved in virtually every record issued by Stax from the fall of 1961 through year end 1970.Such credits assure Cropper of an honored place in the soul music hall of fame. As co-writer of (Sittin’ On) The Dock Of The Bay, Knock On Wood and In The Midnight Hour, Cropper is in line for immortality. Born on October 21, 1941 on a farm near Dora, Missouri, Steve Cropper moved with his family to Memphis at the age of nine. In Missouri he had been exposed to a wealth of country music and little else. In his adopted home, his thirsty ears amply drank of the fountain of Gospel, R & B and nascent Rock and Roll that thundered over the airwaves of both black and white Memphis radio. Bit by the music bug, Cropper acquired his first mail order guitar at the age of 14. Personal guitar heroes included Tal Farlow, Chuck Berry, Jimmy Reed, Chet Atkins, Lowman Pauling of the Five Royales and Billy Butler of the Bill Doggett band. -
COMMENCEMENT 2008 L-L Mir F 11 T .AJ R C Cetnen , Rs C 11 University
MARSHALL UNIVERSITY COMMENCEMENT 2008 l-l m Ir F 11 t .AJ r c cetnen , rs c 11 University Alma Mater Marshall Gracious Alma Mater, May the years be kind to Marshall; We thy name revere: May she growin fame; May each noble son and daughter May her children fail her never Cherish thine honor dear. True to her beacon flame. May thy lamp be ever bright May her spirit brave and strong Guiding us to truth and light; Honor right and conquer wrong; As a beacon o'er dark water This the burden of our song This is for thee our prayer. Ever her truth proclaim. C. E. and James Haworth Today's Ceremony Welcome to Marshall University on this day of special recognition of our candidates for graduation. We hope you will find these ceremonies - a culmination of the efforts of faculty, staff, our students and their families - both meaningful and impressive. While awaiting the start of the ceremonies, you may wish to read the historical notes on West Virginia's oldest university on the followingpages. There is also a brief descrip tion and picture of The Grand Mace. The narration on academic heraldry will detail the significance of the costumes worn by the participants in today's ceremony. The exercises begin with the traditional entry procession of the candidates for degrees. The degree candidates will be followed by representatives of the faculty and administra tion. The platform party consisting of the Academic Deans, Honorary Degree recipients, special guests of the President and the President of the University are led to the platform by the Chief Faculty Marshal, a distinguished member of the faculty,bearing The Grand Mace. -
The Twenty Greatest Music Concerts I've Ever Seen
THE TWENTY GREATEST MUSIC CONCERTS I'VE EVER SEEN Whew, I'm done. Let me remind everyone how this worked. I would go through my Ipod in that weird Ipod alphabetical order and when I would come upon an artist that I have seen live, I would replay that concert in my head. (BTW, since this segment started I no longer even have an ipod. All my music is on my laptop and phone now.) The number you see at the end of the concert description is the number of times I have seen that artist live. If it was multiple times, I would do my best to describe the one concert that I considered to be their best. If no number appears, it means I only saw that artist once. Mind you, I have seen many artists live that I do not have a song by on my Ipod. That artist is not represented here. So although the final number of concerts I have seen came to 828 concerts (wow, 828!), the number is actually higher. And there are "bar" bands and artists (like LeCompt and Sam Butera, for example) where I have seen them perform hundreds of sets, but I counted those as "one," although I have seen Lecompt in "concert" also. Any show you see with the four stars (****) means they came damn close to being one of the Top Twenty, but they fell just short. So here's the Twenty. Enjoy and thanks so much for all of your input. And don't sue me if I have a date wrong here and there. -
Gary Wright's New Album Disappoints Gary Wright/Extraction A&M Records SP4277 BARRY WHITNEY Better
April 16, 1971 Page 5 JESSICA ZUEHLKE Fine Arts Editor MUSICAL MADMAN couldn't help it with an exciting personality like On Monday, April 7, Don Ellis and his 20- Don Ellis for a leader. Let's get them to Concordia. piece band appeared at Bemidji State College. * The audience was more than receptive to this DIRT BAND RETURNS rock-jazz outfit which has been making it big Most of you are aware that the Nitty Gritty since the 1967 Monterey Jazz Festival. Dirt Band will be back for another concert, April The band performs what might be called acid 28. Just recently released by the Dirt Band is or psychedelic jazz. They play exciting concerto- "House at Pooh Corner." Along with the NGDB like things in a dizzying number of different will be Brewer and Shipley. The light, country- meters: 9/4, 11/4, 9/8. Don said, "It's difficult for folk music of this duo is their selling point. High- the band to play in 4/4. So we play in 5/4 and re- lights from their latest album are: "One Toke member to leave off the last beat." The instru- Over the Line," "The Light," "Oh, Mommy," and mentation of this group is rather unique: a string "Seems Like a Long Time." quartet, trumpets, french horn, trombone, bass, * saxes, flutes, electric piano, bass guitar, conga, Beginning next Tuesday evening will be a drummer, and percussionist. series of one-act plays as part of the Fine Arts The most talented member of the group is week. -
Amii Stewart
Amii Stewart Ha iniziato le lezioni di ballo quando aveva 9 anni. Dopo 8 anni ha vinto una borsa di studi presso la prima scuola delle belle arte a Washington D.C. “Workshops For Careers In The Arts”, perfezionando il suo talento naturale per il ballo, recitazione ed il canto sotto la tutela di Mike Malone, Lewis Johnson, Debbie Allen, Charles Augins, Robert Hooks e Bernice Regan. Dal 1975 al 1978 Musicals “Bubbling Brown Sugar”: come ballerina nelle Compagnie di Miami e Broadway. Poi nella Compagnia di Londra come Interprete, Assistente della Coreografia e della Regia. “Toby Time”: Interprete, New York. “All God’s Children”: Assistente Coreografa, Prima Ballerina nello Special televisivo per il canale londinese BBC. Discografia: L.P. “Knock On Wood”, (otto millioni di dischi venduti, n°1 in tutte le classifiche mondiali.) Video: “Knock On Wood”, “Light My Fire” Premi: “Migliore artista europea per il Disco Music”, Nomina alla Grammy Awards, “Migliore esibizione” nel “Tokyo Music Festival””. Dal 1979 al 1981 Discografia: L.p.:“Paradise Bird”, (più di 500.000 copie vendute,) prodotto da Barry Lang 45 giri: “Jealousy “- “Light My Fire” (premiati con dischi d’oro) prodotto da Barry Lang L.p.: “I’m Gonna Get Your Love”, prodotto da Narada Michael Walden. Tour Promozionale: U.S., Europa, Messico, Sud America, Japone, Canada. Televisione: U.S.: “The Merv Griffin Show”, “The Dinah Shore Show” e “Soul Train”, Presentatrice dello spettacolo “Midnight Special”. U.K.: “The Terry Woogan Show”, “Top Of The Pops”, e “The Royal Command Performance” per la Regina D’Ingilterra. Video : “Paradise Bird”,”Jealousy’‘, My Girl My Guy’ (duetto con Johnny Bristol). -
Tony Bird Bird of Paradise Mp3, Flac, Wma
Tony Bird Bird Of Paradise mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Bird Of Paradise Country: Canada Released: 1978 Style: Contemporary Jazz MP3 version RAR size: 1427 mb FLAC version RAR size: 1791 mb WMA version RAR size: 1780 mb Rating: 4.6 Votes: 187 Other Formats: AHX FLAC MOD WMA MOD WMA MP1 Tracklist A1 Bird Of Paradise 4:01 A2 Zambezi Zimbabwe 3:16 A3 Nothing But Time 4:25 A4 Black Brother 3:34 A5 There's A Bright Dawn 2:32 B1 She Loves Someone 2:14 B2 The Cape Of Flowers 3:57 B3 Won't Be Travelin' On 2:10 B4 The Mynah Birds 3:26 B5 How Much More Do You Want 5:06 Credits Accordion – Dominic Cortese Acoustic Guitar – Tony Bird Bass – Joel Reiff Bass [Fender] – Frank Centeino, John Siegler, Stu Woods Drums – Christopher Parks, Richard Crooks Drums [Snare] – Barry Lazarowitz Guitar, Banjo – Arlen Roth Keyboards, Percussion, Producer – John Lissauer Percussion – "Crusher" Bennett*, Falumi Prince Saxophone, Clarinet – Morris Goldberg Other versions Category Artist Title (Format) Label Category Country Year JC 34988 Tony Bird Bird Of Paradise (LP, Album) Columbia JC 34988 US 1978 Bird Of Paradise (LP, Album, CBS S 82498 Tony Bird CBS CBS S 82498 UK Unknown W/Lbl) Bird Of Paradise (LP, Album, JC 34988 Tony Bird Columbia JC 34988 US 1978 Promo) PC 34988 Tony Bird Bird Of Paradise (LP, Album) Columbia PC 34988 Canada 1978 Related Music albums to Bird Of Paradise by Tony Bird Big Bird - Don't Cry Big Bird Amii Stewart - Paradise Bird Gunslinging Bird - Bird Streets - Bird Streets Panchito And His Orchestra - Roman Guitar / The Bird Pachanga Tom Morris - Love Is a Bird To Carry Us Johnny Bass - the bird Pete Donnelly - Face The Bird Snowy White - Bird Of Paradise Bird Of Paradise - Pom Fritz Choke Bird Of Paradise - Fundamentals Of Movement Roger Williams - Yellow Bird / Almost Paradise. -
FM STATION REPORTS - NEW ADDS/HOT ROTATION KRST-FM - ALBUQUERQUE - BOB SHULMAN ADDS: George Harrison
I'/jJ<LJjjI(JN 0 TW '1W WKS TITLE ARTIST LABEL T POP PRIME CUTS 1 1 16 Dire Straits Dire Straits WB 4' Sultans Of Swing, Waterline 2 3 8 Life For The Taking Eddie Money Columbia 14 Can't Keep, Some Water, I'm A Fool 3 4 13 Minute By Minute Doobie Bros. WB 2* What A Fool, Here To Love, Steamer, Title 4 2 13 Blondes Have More Fun Rod Stewart WB 3 Da Ya Think, Attractive, Shadows Of Love, Title 5 5 8 Armed Forces Elvis Costello Columbia 10 Oliver's Army, Accidents, Green Shirt, Goon Squad 6 10 3 Three Hearts Bob Welch Capitol 48* Little Star, I Saw Her, Devil Wind, Precious 7 9 3 George Harrison George Harrison Dark Horse 35* Blow Away, Not Guilty, Faster, Soft Touch 8. 20 2 Enlightened Rogues Allman Bros. Capricorn 58* Crazy Love, Need Your Love 9 6 13 Briefcase Full Of Blues Blues Bros. Atlantic 6 Soul Man, Messin', "B" Movie, Rubber Biscuit 10 11 5 McGuinn, Clark & Hillman McGuinn,Clark & Hillman Capitol 43* Surrender To Me, Don't You Write, Traffic 11 7 21 52nd Street Billy Joel Columbia 5 Big Shot, My Life, Title 12 8 14 Legend Poco MCA 27* Boomerang, Crazy Love, Title 13 14 4 Outlandos d'Amour The Police A&M 73* Roxanne, Next To You, Can't Stand Losing 14 12 19 Toto Toto Columbia 16 Hold The Line, I'll Supply The Love 15 13 7 Head First The Babys Chrysalis 30* Every Time I Think Of You, White Lightning, Title 16 16 3 AtBudokan Cheap Trick Epic 18* A Shame, Big Eyes, Want Me, Clock, Surrender 17 18 16 Sanctuary J. -
IPG Spring 2020 Rock Pop and Jazz Titles
Rock, Pop, and Jazz Titles Spring 2020 {IPG} That Thin, Wild Mercury Sound Dylan, Nashville, and the Making of Blonde on Blonde Daryl Sanders Summary That Thin, Wild Mercury Sound is the definitive treatment of Bob Dylan’s magnum opus, Blonde on Blonde , not only providing the most extensive account of the sessions that produced the trailblazing album, but also setting the record straight on much of the misinformation that has surrounded the story of how the masterpiece came to be made. Including many new details and eyewitness accounts never before published, as well as keen insight into the Nashville cats who helped Dylan reach rare artistic heights, it explores the lasting impact of rock’s first double album. Based on exhaustive research and in-depth interviews with the producer, the session musicians, studio personnel, management personnel, and others, Daryl Sanders Chicago Review Press chronicles the road that took Dylan from New York to Nashville in search of “that thin, wild mercury sound.” 9781641602730 As Dylan told Playboy in 1978, the closest he ever came to capturing that sound was during the Blonde on Pub Date: 5/5/20 On Sale Date: 5/5/20 Blonde sessions, where the voice of a generation was backed by musicians of the highest order. $18.99 USD Discount Code: LON Contributor Bio Trade Paperback Daryl Sanders is a music journalist who has worked for music publications covering Nashville since 1976, 256 Pages including Hank , the Metro, Bone and the Nashville Musician . He has written about music for the Tennessean , 15 B&W Photos Insert Nashville Scene , City Paper (Nashville), and the East Nashvillian . -
Through the Iris TH Wasteland SC Because the Night MM PS SC
10 Years 18 Days Through The Iris TH Saving Abel CB Wasteland SC 1910 Fruitgum Co. 10,000 Maniacs 1,2,3 Redlight SC Because The Night MM PS Simon Says DK SF SC 1975 Candy Everybody Wants DK Chocolate SF Like The Weather MM City MR More Than This MM PH Robbers SF SC 1975, The These Are The Days PI Chocolate MR Trouble Me SC 2 Chainz And Drake 100 Proof Aged In Soul No Lie (Clean) SB Somebody's Been Sleeping SC 2 Evisa 10CC Oh La La La SF Don't Turn Me Away G0 2 Live Crew Dreadlock Holiday KD SF ZM Do Wah Diddy SC Feel The Love G0 Me So Horny SC Food For Thought G0 We Want Some Pussy SC Good Morning Judge G0 2 Pac And Eminem I'm Mandy SF One Day At A Time PH I'm Not In Love DK EK 2 Pac And Eric Will MM SC Do For Love MM SF 2 Play, Thomas Jules And Jucxi D Life Is A Minestrone G0 Careless Whisper MR One Two Five G0 2 Unlimited People In Love G0 No Limits SF Rubber Bullets SF 20 Fingers Silly Love G0 Short Dick Man SC TU Things We Do For Love SC 21St Century Girls Things We Do For Love, The SF ZM 21St Century Girls SF Woman In Love G0 2Pac 112 California Love MM SF Come See Me SC California Love (Original Version) SC Cupid DI Changes SC Dance With Me CB SC Dear Mama DK SF It's Over Now DI SC How Do You Want It MM Only You SC I Get Around AX Peaches And Cream PH SC So Many Tears SB SG Thugz Mansion PH SC Right Here For You PH Until The End Of Time SC U Already Know SC Until The End Of Time (Radio Version) SC 112 And Ludacris 2PAC And Notorious B.I.G. -
KLOS Harrisongs B'day 2015
1 Three hours of GEORGE HARRISONGS – With and without the Beatles to celebrate his birth which took place this week 72 years ago. PLAYLIST Feb.22nd 2015 2 OPEN/9am George Harrison – Apple Scruffs - All Things Must Pass ‘70 This was a salute to the girls (and sometimes boys) who stood vigil at Apple, Abbey Road and anyplace a Fab was to likely to be. Upon recording the tune, George invited the “Apple Scruffs,” into the studio to have a listen. The Beatles - I Want To Tell You - Revolver (Harrison) Lead vocal: George The backing track was recorded in five takes on June 2, 1966. George Harrison's third song on “Revolver,” was, he later said, "about the avalanche of thoughts that are so hard to write down or say or transmit." Once again Harrison had no idea what to call his composition. The band briefly kicked around random ideas, and the song was recorded under the working title “Laxton's Superb,” a type of apple. It later became known as “I Don't Know,” which was George’s answer when producer George Martin asked whether Harrison had come up with a title. By the day of the final mix (June 6, 1966), Harrison had settled on the title “I Want To Tell You.” Contains the first bass overdub on a Beatles record. Paul had his bass recorded on a different track really allowed for more options when it came time to mix the song. On U.S. album: Revolver - Capitol LP 3 The Beatles - Blue Jay Way - Magical Mystery Tour (EP) (Harrison) Lead vocal: George Written by George Harrison on August 1, 1967 while vacationing in a rented house in the Hollywood Hills above Los Angeles. -
WATEMMRK ~ 5L5L79 10700 Ventura Blvd
WATEMMRK ~ 5L5L79 10700 Ventura Blvd. FOR WEEK ENDING: No. Hollywood, Ca. 91604 CYCLE NO. 792 PROGRAM 5 OF 13 Phone: (213) 980-9490 SIDES: lA & JB PAGE NO. 1 SCHEDULED ACTUAL RUNNING START TIME TIME ELEMENT TIME 00:00 THEME & OPENING OF PART I THEME: "SHUCKATOOM" THEME FROM AMERICAN TOP FORTY (MARKWATER MUSICbBMI) RECAP #3 - KNOCK ON WOO - Amii Stewart (A) RECAP #2 - REUNITED - Peaches & Herb (A) RECAP #1 - HEART OF GLASS - Blondie (A) 11:07 11:05 LOGO: CASEY'S COAST TO COAST LOCAL INSERT : 11 l • ()7 C-1 2:00 13:07 LOGO: AMERICAN TOP 410 #40 - I (WHO HAVE NOTHING) - Sylvester (A) #39 - OLD TIME ROCK & ROLL - Bob Seger & The Silver Bullet Band (B) 7:13 20:18 LOGO: HITS FROM COAST TO COAST \ 20:20 LOCAL INSERT: C-2 2:00 22:20 LOGO: AMERICAN TOP 40 II #38 - GET USED TO IT - Roger Voudouris (Al&B) EXTRA: EVERYTHING I OWN - Bread (B) 7:33 29:51 LOGO: CASEY'S COAST TO COAST II 29:53 LOCAL INSERT: C-3 2:00 32:03 LOGO: AMERICAN TOP 40 #37 - DON'T WRITE HER OFF - McQuinn, Clark & Hillman (B) #36 - SWEET LUI-LOUISE - Ironhorse (B) 6:43 38:44 LOGO: HITS FROM COAST TO COAST 38:46 LOCAL INSERT: C-4 2:00 40:46 LOGO: AMERICAN TOP 40 #35 - DEEPER THAN THE NIGHT - Olivia Newton-John (B) #34 - ROLLER - April Wine (B) 7:59 48:43 LOGO: CASEY'S COAST TO COAST ~8:45 LOCAL INSERT: C-5 2:00 50:45 LOGO: AMERICAN TOP 40 #33 - SUCH A WOMAN - Tycoon (A&B) ARCHIVES: TOP OF THE WORLD - The Carpenters r,_ A) 6:44 07:29 THEME UP & UNDER W/TALK UNIT ENDING AT: 57:38 THEME TO: 57:50 LOCAL INSERT: 2:00 57:50 C-6 11:;Q • !;() STATION I.D.: :10 WATEMMRK ~ 5 5 79 FOR WEEK ENDING: _ .:...../_.:...../_____ _ 10700 Ventura Blvd. -
Ing the Needs O/ the 960.05 Music & Record Jl -1Yz Gî01axiï0h Industry Oair 13Sní1s CIL7.: D102 S3lbs C,Ft1io$ K.'J O-Z- I
Dedicated To Serving The Needs O/ The 960.05 Music & Record jl -1yZ GÎ01Axiï0H Industry OAIr 13SNí1S CIL7.: d102 S3lbS C,ft1iO$ k.'J o-z- I August 23, 1969 60c In the opinion of the editors, this week the following records are the SINGLE 1'1('It-.%" OE 111/î 11'1î1îA MY BALLOON'S GOING UP (AssortedBMI), 411) Atlantic WHO 2336 ARCHIE BELL AND WE CAN MAKE IT THE DRELLS IN THE RAY CHARLES The Isley Brotiers do more Dorothy Morrison, who led Archie Bell and the Drells Ray Charles should stride of their commercial thing the shouting on "0h Happy will watch "My Balloon's back to chart heights with on "Black Berries Part I" Day," steps out on her Going Up" (Assorted, BMI) Jimmy Lewis' "We Can (Triple 3, BMI) and will own with "All God's Chil- go right up the chart. A Make It" (Tangerine -blew, WORLD pick the coin well (T Neck dren Got (East Soul" -Mem- dancing entry for the fans BMI), a Tangerine produc- 906). phis, BMI) (Elektra 45671). (Atlantic 2663). tion (ABC 11239). PHA'S' 111' THE U lî lî /í The Hardy Boys, who will The Glass House is the Up 'n Adam found that it Wind, a new group with a he supplying the singing first group from Holland - was time to get it together. Wind is a new group with a for TV's animated Hardy Dozier - Holland's Invictus They do with "Time to Get Believe" (Peanut Butter, Boys, sing "Love and Let label. "Crumbs Off the It Together" (Peanut But- BMI), and they'll make it Love" (Fox Fanfare, BMI) Table" (Gold Forever, BMI( ter, BMI(, a together hit way up the list on the new (RCA 74-0228).