Bungalow Clothing Gets Funding by Mixing E-Commerce with Old
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Student Uniform Policy
Student Uniform Policy This is an uncontrolled document when in hard copy. For the purposes of this document, ‘parent’ is defined as those being responsible for the student i.e. parents, carers, legal guardians. Title: Student Uniform Policy Policy Reference No: P034 Policy Implementation Date: Review Date and Frequency: Responsible for Review: 1 January 2007 January 2021 - Annually Principal Document Tracking Section Updated Date Updated Full Policy update for 2018 16.11.17 Section 4 10.04.18 Section 5.4 08.05.18 Section 4, 5.4, 5.6 24.05.18 Section 2, 4.1, 4.2, 4.4.1, 5.8 16.01.19 Section 4 02.05.19 Section 4.1, 4.2, 4.2.1, 4.2.2, 4.4, 4.4.1, 4.5, 21.05.20 4.6, 4.7, 5.2, 5.3, 5.4, 5.5, 5.6, 5.8, 5.10 Section 4.1, 4.2, 4.4, 4.5 24.06.20 P034 Page 2 Student Uniform Policy Contents Document Tracking ................................................................................................................... 2 1. Policy Statement ........................................................................................................... 4 2. The wearing of uniforms ............................................................................................... 4 3. Uniform Shop ................................................................................................................ 4 4. The School Uniform ....................................................................................................... 4 4.1 Years 3 – 12: Summer Uniform .............................................................................................. -
Blueprint Midtown 3. ACTION PLAN Introduction
Blueprint Midtown 3. ACTION PLAN Introduction This document identifies Midtown’s goals, implementation strategies and specific action items that will ensure a rich diversity of land uses, vibrant street-level activity, quality building design, multimodal transportation accessibility and mobility, and engaging public spaces. Blueprint Midtown 3.0 is the most recent evolution of Midtown Alliance’s community driven plan that builds on Midtown’s fundamental strengths and makes strategic improvements to move the District from great to exceptional. It identifies both high priority projects that will be advanced in the next 10 years, as well as longer-term projects and initiatives that may take decades to achieve but require exploration now. Since 1997, policies laid out in Blueprint Midtown have guided public and private investment to create a clean, safe, and vibrant urban environment. The original plan established a community vision for Midtown that largely remains the same: a livable, walkable district in the heart of Atlanta; a place where people, business and culture converge to create a live-work-play community with a distinctive personality and a premium quality of life. Blueprint Midtown 3.0 builds on recent successes, incorporates previously completed studies and corridor plans, draws inspiration from other places and refines site-specific recommendations to reflect the changes that have occurred in the community since the original unveiling of Blueprint Midtown. Extensive community input conducted in 2016 involving more than 6,000 Midtown employers, property owners, residents, workers, visitors, public-sector partners, and subject-matter experts validates the Blueprint Midtown vision for an authentic urban experience. The Action Plan lives with a family of Blueprint Midtown 3.0 documents which also includes: Overview: Moving Forward with Blueprint Midtown 3.0, Midtown Character Areas Concept Plans (coming soon), Appendices: Project Plans and 5-Year Work Plan (coming soon). -
Adidas' Bjorn Wiersma Talks Action Sports Selling
#82 JUNE / JULY 2016 €5 ADIDAS’ BJORN WIERSMA TALKS ACTION SPORTS SELLING TECHNICAL SKATE PRODUCTS EUROPEAN MARKET INTEL BRAND PROFILES, BUYER SCIENCE & MUCH MORE TREND REPORTS: BOARDSHORTS, CAMPING & OUTDOOR, SWIMWEAR, STREETWEAR, SKATE HARDWARE & PROTECTION 1 US Editor Harry Mitchell Thompson HELLO #82 [email protected] At the time of writing, Europe is finally protection and our Skateboard Editor, Dirk seeing some much needed signs of summer. Vogel looks at how the new technology skate Surf & French Editor Iker Aguirre April and May, on the whole, were wet brands are introducing into their decks, wheels [email protected] across the continent, spelling unseasonably and trucks gives retailers great sales arguments green countryside and poor spring sales for for selling high end products. We also have Senior Snowboard Contributor boardsports retail. However, now the sun our regular features; Corky from Stockholm’s shines bright and rumours are rife of El Niño’s Coyote Grind Lounge claims this issue’s Tom Wilson-North tail end heating both our oceans and air right Retailer Profile after their second place finish [email protected] the way through the summer. All is forgiven. at last year’s Vans Shop Riot series. Titus from Germany won the competition in 2015 and their Skate Editor Dirk Vogel Our business is entirely dependent on head of buying, PV Schulz gives us an insight [email protected] Mother Nature and with the Wanderlust trend into his buying tricks and tips. that’s sparked a heightened lust for travel in Millenials, spurred on by their need to document Our summer tradeshow edition is thoughtfully German Editor Anna Langer just how “at one” with nature they are, SOURCE put together to provide retailers with an [email protected] explores a new trend category in our Camping & extensive overview of SS17’s trends to assist Outdoor trend report. -
Sizing Chart
SIZING Size up for CHART the perfect ride. BE SURE TO MEASURE YOURSELF TO FIND THE RIGHT SIZE. PFDs WETSUITS RIDING SUIT / RASHGUARDS / BEACHWEAR MEN’S MOTION MEN’S MEN’S Size S M L XL 2XL 3XL 4XL Size S M L XL 2XL 3XL Size XS S M L XL 2XL 3XL Height 1.68-1.73 1.73-1.80 1.80-1.88 1.83-1.90 1.83-1.93 1.83-1.93 Chest (cm) 84-94 94-104 104-114 114-124 124-135 135-145 145-155 Boardshorts 28 30 32 34 36 38 40 42 Weight (kg) 59-68 68-79 79-91 88-100 98-107 107-116 HOW TO MEASURE Chest (cm) 84-89 89-91 89-94 91-97 94-102 97-99 99-104 102-112 104-109 109-114 112-122 114-119 119-124 122-132 132-142 For best results, have someone NAVIGATOR Waist (cm) 69-74 71-76 74-79 76-80 79-86 80-84 84-89 86-97 89-94 94-99 97-107 99-104 104-109 107-117 117-127 else take measurements. Low Hips (Seat) (cm) 84-89 89-91 89-94 91-97 94-102 97-99 99-104 102-112 104-109 109-114 112-122 114-119 119-124 122-132 132-142 Measure body in swimsuit Size XS S/M L/XL 2XL/3XL LADIES’ Arm Length (cm) 76-79 79-81 81-84 84-86 86-89 89 89-91 or undergarments. Tape Chest (cm) 71-81 81-102 102-122 127-152 Inseam 79-80 79 80-81 80 81 81 81 81 81 81 81 81 81 81-82 82-83 must be snug but not tight. -
Download Report (PDF)
Innovation We strive to create opportunities with new approaches and resources. Our Guiding Integrity Principles We do the right thing for the right reasons. Our culture is defined by six core values. They are the key to our storied legacy and the guide to our daily business decisions. Excellence We pride ourselves on the quality of our work, and we seek to exceed expectations. Entrepreneurship We believe that great organizations are built by employing and partnering with the best and brightest people. Talent We believe in fostering individual creativity and a sense of ownership. Stewardship We are dedicated to safeguarding the capital and trust of our clients, and advancing their best interests. A Letter From Managing Partner Peter Lawson-Johnston II At the time of writing this letter, the world is enduring a health crisis while the United States is undergoing a self-examination of societal inequities, both of which are challenging our preconceived notions of where and how we work, learn, worship, and most importantly, how we connect with each other as a community. This is our fourth annual Impact Report that documents our achievements and values as they relate to contributing to the communities where we live and work. But how do you assess your impact on the world, as a business, and as a corporate citizen, when the world seemingly has fundamentally changed? A crisis of this scale is remarkable in how it forces one to focus simultaneously on the uncertainty of today as well as the uncertainty of next year or future decades. Uncertainty can be insidious, and it is easy to withdraw or disengage. -
Historic Costuming Presented by Jill Harrison
Historic Southern Indiana Interpretation Workshop, March 2-4, 1998 Historic Costuming Presented By Jill Harrison IMPRESSIONS Each of us makes an impression before ever saying a word. We size up visitors all the time, anticipating behavior from their age, clothing, and demeanor. What do they think of interpreters, disguised as we are in the threads of another time? While stressing the importance of historically accurate costuming (outfits) and accoutrements for first- person interpreters, there are many reasons compromises are made - perhaps a tight budget or lack of skilled construction personnel. Items such as shoes and eyeglasses are usually a sticking point when assembling a truly accurate outfit. It has been suggested that when visitors spot inaccurate details, interpreter credibility is downgraded and visitors launch into a frame of mind to find other inaccuracies. This may be true of visitors who are historical reenactors, buffs, or other interpreters. Most visitors, though, lack the heightened awareness to recognize the difference between authentic period detailing and the less-than-perfect substitutions. But everyone will notice a wristwatch, sunglasses, or tennis shoes. We have a responsibility to the public not to misrepresent the past; otherwise we are not preserving history but instead creating our own fiction and calling it the truth. Realistically, the appearance of the interpreter, our information base, our techniques, and our environment all affect the first-person experience. Historically accurate costuming perfection is laudable and reinforces academic credence. The minute details can be a springboard to important educational concepts; but the outfit is not the linchpin on which successful interpretation hangs. -
Emerging Trends in Real Estate®
GREGG GALBRAITH, RED STUDIO GREGG GALBRAITH, NICO MARQUES Emerging Trends in Real Estate® United States and Canada 2017 Emerging Trends in Real Estate® 2017 A publication from: Emerging Trends in Real Estate® 2017 Contents 3 Chapter 1 Playing for Advantage, Guarding 68 Chapter 5 Emerging Trends in Canadian the Flank Real Estate 4 Context: A Kinder, Gentler Real Estate Cycle? 68 More Than Mixed Use, It’s about Building 5 Optionality Communities 6 Transformation through Location Choice 78 Affordability on the Decline 8 Recognizing the Role of the Small 98 Renting for the Long Term Entrepreneurial Developer 09 Technology Disruptors Hold a Competitive 9 Labor Scarcity in Construction Costs Advantage 1 1 Housing Affordability: Local Governments 09 Global Uncertainties Weigh on the Mind Step Up 09 Ongoing Oil and Gas Woes 3 1 Gaining Entry beyond the Velvet Rope 29 Waiting for Deals 4 1 The Connectedness of Cities 92 Economic Outlook 5 1 Ready for Augmented Reality? 93 Property Type Outlook 7 1 Blockchain for 21st-Century Real Estate 69 Markets to Watch in 2017 8 1 Expected Best Bets for 2017 102 Expected Best Bets for 2017 02 Chapter 2 Capital Markets 104 Interviewees 1 2 The Debt Sector 72 The Equity Sector 33 Summary 43 Chapter 3 Markets to Watch 43 2017 Market Rankings 43 Market Summaries 1 7 Chapter 4 Property Type Outlook 2 7 Industrial 74 Apartments 67 Single-Family Homes 77 Hotels 79 Office 81 Retail 38 Niche Sectors 85 Summary Emerging Trends in Real Estate® 2017 i Editorial Leadership Team Emerging Trends Chairs PwC Advisers and Contributing Researchers Mitchell M. -
Layers Component Detailed Information & Tutorial Layer 2 (Lite) & Layer 3 (Full Featured)
The Viva Mesh System Master HUD: Layers Component Detailed Information & Tutorial Layer 2 (Lite) & Layer 3 (Full Featured) Reminder: The Viva System sends most of its help and informational messages to the Second Life chat window. In most cases, the messages are accompanied by an audible sound to alert you to their presence. The messages are very helpful and you’ll want to keep your chat window open as you use Viva’s Master HUD. Table of Contents - Click the links, below, to go to the topic Introduction & The Three Layers (Tattoo, Underwear, Clothing) Background on Appliers Preparing for the Tutorial Using the MP Applier with Layers (Example: Tights) Coloring & Color Boxes (Example: Sports Bra) Potential Appearance Problems (Example: Sports Bra) Adding Shininess & Specular Maps (Example: Tights) Applying Texture to Underwear Layer (Example: Leotards) Problems That Can Arise & Use of Cutoff to Fix Them (Example: Leotards) Color, Use of Reset, Saving Color & Shininess (Example: Leotards) More About Adding Shininess (Example: Leotards) Reflective Tint / Specular Color (Example: Leotards) Applying to the Clothing Layer (Example: Leg Warmers) Normal Maps, Using “List to Chat” (Example: Cropped Shirt Top) Icons: Showing What Layers Are On Entering Vectors and Numeric Amounts Combining Layers Layers - Information & Tutorial hen it comes to wearing tattoos and underclothing, you have two ways to go. Bakes on Mesh (BoM) is one of Wthe two. With BoM, you “wear” various clothing items found in your inventory. BoM clothing items are indi- cated by small icons depicting tattoos, underwear, shirts, pants, etc. You can find out more in theBoM chapter. The other method is to use layers of mesh. -
CO Guide to Judging Clothing
Colorado 4-H Guide for Clothing Judges Standards of Quality Clothing Construction Introduction One of our basic tasks in evaluating or judging is to be able to recognize and identify the standards that give a garment a finished, professional look. There are many techniques that can be used to accomplish the same end product. Each of us has techniques that we like and techniques that we dislike. In an objective evaluation it is essential to play down our personal preferences and to build upon identified and accepted standards. In general, there are some standards that apply to almost all techniques. Almost all construction techniques should result in an area, finish or detail that is: • Inconspicuous o Flat and smooth o Free from bulk o Stitching a uniform distance from an edge or fold • Functional • Durable –stitching uniform and secure Specific standards that can be expected in good construction are listed on the following pages. They are organized by techniques and/or areas, and the techniques are presented in alphabetical order. Overall Appearance Be objective when considering the overall appearance and appeal of a garment. It may be helpful to think about there being at least one especially pleasing feature about this garment, reflecting the many hours of though, effort and creativity that went into its construction. It may be the design, fabric, use of unusual technique or detail. Particularly neat and well-done machine or handstitching, etc. o Overall neatness and cleanliness o Plaids, stripes, checks and other designs matched at seams o Fabric with a direction in design or nap issued in garment in one direction unless garment design requires variation. -
If the Ip Fits, Wear It: Ip Protection for Footwear--A U.S
IF THE IP FITS, WEAR IT: IP PROTECTION FOR FOOTWEAR--A U.S. PERSPECTIVE Jonathan Hyman , Charlene Azema , Loni Morrow | The Trademark Reporter Document Details All Citations: 108 Trademark Rep. 645 Search Details Jurisdiction: National Delivery Details Date: November 5, 2018 at 1:16 AM Delivered By: kiip kiip Client ID: KIIPLIB Status Icons: © 2018 Thomson Reuters. No claim to original U.S. Government Works. IF THE IP FITS, WEAR IT: IP PROTECTION FOR..., 108 Trademark Rep. 645 108 Trademark Rep. 645 The Trademark Reporter May-June, 2018 Article Jonathan Hyman aa1 Charlene Azema aaa1 Loni Morrow aaaa1 Copyright © 2018 by the International Trademark Association; Jonathan Hyman, Charlene Azema, Loni Morrow IF THE IP FITS, WEAR IT: IP PROTECTION FOR FOOTWEAR-- A U.S. PERSPECTIVE a1 Table of Contents I. Introduction 647 A. Why IP Is Important in the Shoe Industry 648 B. Examples of Footwear Enforcement Efforts 650 II. What Types of IP Rights Are Available 658 A. Trademarks and Trade Dress 658 1. Trademarks for Footwear 658 2. Key Traits of Trademark Protection 659 3. Remedies Available Against Infringers 660 4. Duration of Protection 661 5. Trade Dress as a Category of Trademarks 662 a. Securing Trade Dress Protection 672 6. Summary of the Benefits and Limitations of Trademarks as an IP Right 680 B. Copyrights 680 1. Copyrights for Footwear 680 2. Key Traits of Copyright Protection 689 3. Duration of Protection and Copyright Ownership 691 4. Remedies Available Against Infringers 692 5. Summary of the Benefits and Limitations of Copyrights as an IP Right 693 C. -
Chapter 7 APPLICATIONS of COMPRESSION SPORTSWEAR
Chapter 7 APPLICATIONS OF COMPRESSION SPORTSWEAR Praburaj Venkatraman and David Tyler Table of contents 1. Introduction 2. Background and rationale 3. Compression and its influence on physiology 4. Compression for medical uses 5. Evaluation of compression for sportswear 5.1 Effects of using compression garments 6. Application of compression sportswear 6.1Cycling 6.2 Skiing 6.3 Rugby 7 Market trends in compression sportswear 8 Contextual factors affecting compression garment performance 1. Garment sizing 2. Body shape 3. Sizing and designing with stretch fabrics 4. Fabric panels 9 Summary and conclusions 10 References 1.0 INTRODUCTION Sport and exercise involves physical movement of the body (torso, upper and lower limbs) and, in some cases, amateurs and professionals alike endure soft tissue injury. At the elite level, improved individual performance during a tournament or a game is vital. Many athletes consider that compression of muscles to support, enhance muscle alignment and improve the efficiency of muscle movements is essential. They also adopt the adage of strapping the injured part to assist recovery from injury. In recent years, there has been an increase in usage and demand for compression garments for a 1 number of sportswear applications and recreational activities due to their ability to offer functional support to the wearer. The main aim of this chapter is to present research relating to compression garments and highlight the recent developments relating to specific sports such as cycling, skiing and rugby. The benefits of compression garments were documented in various settings (sports, clinical and non-clinical), although convincing evidence remains elusive. The reported benefits of using compression garments were mainly in enhancing blood circulation, reducing the recurrence of injury, aiding recovery, providing muscle support and reducing muscle soreness. -
Design Iterations Through Fusion of Additive and Subtractive Design
DESIGN ITERATIONS THROUGH FUSION OF ADDITIVE AND SUBTRACTIVE DESIGN A thesis submitted to the College of the Arts of Kent State University in partial fulfillment of the requirements for the degree of Master of Arts by Gordon Stumpo May 2016 i Thesis written by Gordon Stumpo B.A., Washington State University, 2014 M.A., Kent State University, 2016 Approved by Vince Quevedo, Thesis Supervisor Brian Peters, Committee Member Margarita Benitez, Committee Member Dr. Catherine Amoroso Leslie, Graduate Studies Coordinator, The Fashion School Dr. Linda Hoeptner Poling, Graduate Studies Coordinator, The School of Art Mr. J.R. Campbell, Director, The Fashion School Dr. Christine Havice, Director, The School of Art Dr. John Crawford-Spinelli, Dean, College of the Arts ii TABLE OF CONTENTS Page LIST OF FIGURES ……………………………………………………………………………………….……….…….….vi LIST OF TABLES………………………………………………………………………………………...……….………..xi ACKNOWLEDGMENTS……………………………………………………………………………...………..………..xii CHAPTER I. INTRODUCTION…………………………………………………………………………………………..………….13 Concept……………………………………………………………………………………...................................13 Design Framework…………………………………………………………………………………………..…13 Surface and Structure Frameworks…………………………………………………………….….……14 Additive Design…………………………………………………………………………………………..…..….18 Subtractive Design……………………………………………………….……………………………....….…18 Tension…………….……………………………………………………………………………….…………..…..18 Price Point…………….…………………………….………………………………………………………...…..19 Personal Skills & Background…………….……………………………………………………….…..…..19 Problem Statement &