The Playwright J.B

Total Page:16

File Type:pdf, Size:1020Kb

The Playwright J.B 1. The Playwright J.B. Priestley John Boynton Priestley grew up in the small, Northern industrial town of Bradford, England during the Late Victorian* and Edwardian Era*. He fought in France during WWI until he was exposed to a German gas attack and declared unfit for active service. After the war, Priestley studied at Cambridge, where he wrote articles for the Cambridge Review and completed a degree in Modern History and Political Science. His first job after college was writing theater reviews for the Daily News. Priestley soon established a reputation as commentator on literature when he published as series of books entitled, The English Comic Character, The English Novel, and The English Humor. He then went on to publish several popular novels including, The Good Companions, and Angel Pavement. Over the course of his life, Priestley also wrote more than fifty plays; the most famous of which are, Dangerous Corners, When We Are Married, and An Inspector Calls. During WWII, Priestley hosted a BBC radiobroadcast called “Postscripts” which followed the nine o’clock Sunday news. The show built up such a following that within a few months an estimated forty percent of the British population was tuning into the program. However, when some members of the Conservative Party* complained that Priestley was expressing “left-wing*” opinions during his talks, the show was cancelled. Despite this fact, Priestley continued to write and was an active commentator on current world affairs during WWII and throughout the rest of his life. He died on August 14, 1984. VICTORIAN ERA: From 1837-1901 during the reign of Queen Victoria. This era was marked by the industrial revolution and the rise of the British Empire. EDWARDIAN ERA: 1901 to 1910 during the reign of King Edward. This era was marked by a rigid class system and a growing appreciation for art. CONSERVATIVE PARTY: The right wing of the political spectrum. Conservatives tend to be opposed to fast moving change and prefer slow moving change over a long period of time. They defend capitalism, traditional values, and preservation of wealth and power. LEFT-WING POLITICS: On the political spectrum it coincides with socialism, liberalism and in extreme cases communism. Left-wing politicians fight for equality, civil rights, and labor rights. .
Recommended publications
  • Stage by Stage South Bank: 1988 – 1996
    Stage by Stage South Bank: 1988 – 1996 Stage by Stage The Development of the National Theatre from 1848 Designed by Michael Mayhew Compiled by Lyn Haill & Stephen Wood With thanks to Richard Mangan and The Mander & Mitchenson Theatre Collection, Monica Sollash and The Theatre Museum The majority of the photographs in the exhibition were commissioned by the National Theatre and are part of its archive The exhibition was funded by The Royal National Theatre Foundation Richard Eyre. Photograph by John Haynes. 1988 To mark the company’s 25th birthday in Peter Hall’s last year as Director of the National October, The Queen approves the title ‘Royal’ Theatre. He stages three late Shakespeare for the National Theatre, and attends an plays (The Tempest, The Winter’s Tale, and anniversary gala in the Olivier. Cymbeline) in the Cottesloe then in the Olivier, and leaves to start his own company in the The funds raised are to set up a National West End. Theatre Endowment Fund. Lord Rayne retires as Chairman of the Board and is succeeded ‘This building in solid concrete will be here by the Lady Soames, daughter of Winston for ever and ever, whatever successive Churchill. governments can do to muck it up. The place exists as a necessary part of the cultural scene Prince Charles, in a TV documentary on of this country.’ Peter Hall architecture, describes the National as ‘a way of building a nuclear power station in the September: Richard Eyre takes over as Director middle of London without anyone objecting’. of the National. 1989 Alan Bennett’s Single Spies, consisting of two A series of co-productions with regional short plays, contains the first representation on companies begins with Tony Harrison’s version the British stage of a living monarch, in a scene of Molière’s The Misanthrope, presented with in which Sir Anthony Blunt has a discussion Bristol Old Vic and directed by its artistic with ‘HMQ’.
    [Show full text]
  • Tom Weston-Jones
    TOM WESTON-JONES Film includes: Captain America RAF Pilot Joe Johnston Marvel Enterprises Television includes: Warrior Richard Lee Jonathan Tropper Cinemax Troy Hector Owen Harris Kudos The Terror Lt Graham Gore Edward Berger AMC Dickensian Meriwether Harry Bradbeer Red Planet Not Safe For Work Anthony Kieron Hawke Quite Scary Films Copper Kevin Corcoran Tom Fontana Cineflix World Without End Merthin Michael Caton-Jones Tandem Productions Spooks Sasha Allrich Riley Kudos Nightwatch Jack Brown Richard Laxton BBC Theatre includes: Merchant of Venice Bassanio Rupert Goold Almeida Theatre Co Enlightenment Adam Ed Hall Hampstead Theatre Translations Doalty Roger Haines The Tobacco Factory Someone Who'll Watch Over Me Adam Hannah Drake Alma Theatre, Bristole The Country Wife Horner Jenny Stephens Old Vic Main Stage The Good Companions Inigo Jolifant Sue Wilson Bristol Old Vic Studio Theatre whilst in training includes: Pornography 4 Gemma Fairlie BOVTS The Beaux Stratagem Squire Sullen Andrew Hilton BOVTS Bluebird Richard Sonia Fraser BOVTS Measure for Measure Angelo Dick Tuckey BOVTS Three Sisters Vershinin Dan Bird BOVTS One Flew Over the Cuckoo's Nest R.P. McMurphy Poppy Corbett Royal Holloway Angels in America Joe Pitt Alistair Nargate Royal Holloway A Streetcar Named Desire Stanley Tom Pinam Royal Holloway Training: Bristol Old Vic Other Skills include: Stage Combat: BADC Level 1 (Distinction) BADC Level Advanced (Gold) Dance: Jazz, Tap, Basic ballet, Period Dance Sport: Basketball, iceskating, Roller blading, rugby, football, surfing, tennis. Singing: Baritone Music: Strong guitar, Bongo, Saxophone. Tom Weston-Jones 1 Markham Froggatt & Irwin Limited Registered Office: Bank Gallery, High Street, Kenilworth, Warwickshire, CV8 1LY Registered in England No.
    [Show full text]
  • Sample Assessment Materials NEW Issue 4
    GCSE (9-1) Drama Sample Assessment Materials Pearson Edexcel Level 1/Level 2 GCSE (9 - 1) in Drama (1DR0) First teaching from September 2016 First certification from June 2018 Issue 4 Edexcel, BTEC and LCCI qualifications Edexcel, BTEC and LCCI qualifications are awarded by Pearson, the UK’s largest awarding body offering academic and vocational qualifications that are globally recognised and benchmarked. For further information, please visit our qualification websites at www.edexcel.com, www.btec.co.uk or www.lcci.org.uk. Alternatively, you can get in touch with us using the details on our contact us page at qualifications.pearson.com/contactus About Pearson Pearson is the world's leading learning company, with 22,500 employees in more than 70 countries working to help people of all ages to make measurable progress in their lives through learning. We put the learner at the centre of everything we do, because wherever learning flourishes, so do people. Find out more about how we can help you and your learners at qualifications.pearson.com References to third party material made in these sample assessment materials are made in good faith. Pearson does not endorse, approve or accept responsibility for the content of materials, which may be subject to change, or any opinions expressed therein. (Material may include textbooks, journals, magazines and other publications and websites.) All information in this document is correct at time of publication. Original origami artwork: Mark Bolitho Origami photography: Pearson Education Ltd/Naki Kouyioumtzis ISBN 978 1 4469 2632 1 All the material in this publication is copyright © Pearson Education Limited 2021 Summary of Pearson Edexcel Level 1/Level 2 GCSE (9–1) Edexcel, BTEC and LCCI qualifications Edexcel, BTEC and LCCI qualifications are awarded by Pearson, the UK’s largest in Drama SAMs Issue 4 changes awarding body offering academic and vocational qualifications that are globally recognised and benchmarked.
    [Show full text]
  • William and Mary Theatre Main Stage Productions
    WILLIAM AND MARY THEATRE MAIN STAGE PRODUCTIONS 1926-1927 1934-1935 1941-1942 The Goose Hangs High The Ghosts of Windsor Park Gas Light Arms and the Man Family Portrait 1927-1928 The Romantic Age The School for Husbands You and I The Jealous Wife Hedda Gabler Outward Bound 1935-1936 1942-1943 1928-1929 The Unattainable Thunder Rock The Enemy The Lying Valet The Male Animal The Taming of the Shrew The Cradle Song *Bach to Methuselah, Part I Candida Twelfth Night *Man of Destiny Squaring the Circle 1929-1930 1936-1937 The Mollusc Squaring the Circle 1943-1944 Anna Christie Death Takes a Holiday Papa is All Twelfth Night The Gondoliers The Patriots The Royal Family A Trip to Scarborough Tartuffe Noah Candida 1930-1931 Vergilian Pageant 1937-1938 1944-1945 The Importance of Being Earnest The Night of January Sixteenth Quality Street Just Suppose First Lady Juno and the Paycock The Merchant of Venice The Mikado Volpone Enter Madame Liliom Private Lives 1931-1932 1938-1939 1945-1946 Sun-Up Post Road Pygmalion Berkeley Square RUR Murder in the Cathedral John Ferguson The Pirates of Penzance Ladies in Retirement As You Like It Dear Brutus Too Many Husbands 1932-1933 1939-1940 1946-1947 Outward Bound The Inspector General Arsenic and Old Lace Holiday Kind Lady Arms and the Man The Recruiting Officer Our Town The Comedy of Errors Much Ado About Nothing Hay Fever Joan of Lorraine 1933-1934 1940-1941 1947-1948 Quality Street You Can’t Take It with You The Skin of Our Teeth Hotel Universe Night Must Fall Blithe Spirit The Swan Mary of Scotland MacBeth
    [Show full text]
  • Pearson Edexcel Level 1/Level 2 GCSE (9
    GCSE (9-1) English Literature Sample Assessment Materials Pearson Edexcel Level 1/Level 2 GCSE (9 - 1) in English Literature (1ET0) First teaching from September 2015 First certification from June 2017 Issue 2 Edexcel, BTEC and LCCI qualifications Edexcel, BTEC and LCCI qualifications are awarded by Pearson, the UK’s largest awarding body offering academic and vocational qualifications that are globally recognised and benchmarked. For further information, please visit our qualification websites at www.edexcel.com, www.btec.co.uk or www.lcci.org.uk. Alternatively, you can get in touch with us using the details on our contact us page at qualifications.pearson.com/contactus About Pearson Pearson is the world's leading learning company, with 22,500 employees in more than 70 countries working to help people of all ages to make measurable progress in their lives through learning. We put the learner at the centre of everything we do, because wherever learning flourishes, so do people. Find out more about how we can help you and your learners at qualifications.pearson.com References to third party material made in these sample assessment materials are made in good faith. Pearson does not endorse, approve or accept responsibility for the content of materials, which may be subject to change, or any opinions expressed therein. (Material may include textbooks, journals, magazines and other publications and websites.) All information in this document is correct at the time of publication. Original origami artwork: Mark Bolitho Origami photography: Pearson Education Ltd / Naki Kouyioumtzis ISBN 978 1 446 91438 0 All the material in this publication is copyright © Pearson Education Limited 2021 Summary of Pearson Edexcel Level 1/Level 2 GCSE (9-1) in English Edexcel, BTEC and LCCI qualifications Literature SAMs Issue 2 changes Edexcel, BTEC and LCCI qualifications are awarded by Pearson, the UK’s largest awarding body offering academic and vocational qualifications that are globally recognised and benchmarked.
    [Show full text]
  • AQA GCSE in English Literature – 'An Inspector Calls' – J. B. Priestley
    AQA GCSE in English Literature – ‘An Inspector Calls’ – J. B. Priestley Context: Setting: • The play was written in 1945 but set in 1912, this leads to lots of dramatic irony. • The play is set in the fictional town of ‘Brumley’, an industrial town in the • The play is set before WW1 which shows that Birling’s optimistic claims about war being unlikely are north of England. completely wrong. It was written at a time when many people would be recovering from the traumatic • All of the action takes place in the dining room of the Birling household. impact of WW2. They are a well off family and live in a comfortable house suited to their • Set at a time of great divisions between the upper and lower classes. wealth and status. • Women were seen as subservient and inferior to men – rich women had to marry well and poor women • The lighting should be ‘pink and intimate’ at the start of the play but when were seen as cheap labour. After WW2, women had a much more valued place in society. the Inspector arrives it should become ‘brighter and harder’ which reflects • In 1945 there was a great desire for change in society and J. B. Priestley wanted to make the most of this. the changing mood in the play. Plot Summary – Act One Plot Summary – Act Two Plot Summary – Act Three The Birling family are celebrating Sheila and Gerald’s engagement. Eric is revealed as the father. He stole money from Mr Birling's office Mr Arthur Birling, Sheila's father, is particular pleased since the to provide money to Eva.
    [Show full text]
  • HJR 23.1 Sadoff
    38 The Henry James Review Appeals to Incalculability: Sex, Costume Drama, and The Golden Bowl By Dianne F. Sadoff, Miami University Sex is the last taboo in film. —Catherine Breillat Today’s “meat movie” is tomorrow’s blockbuster. —Carol J. Clover When it was released in May 2001, James Ivory’s film of Henry James’s final masterpiece, The Golden Bowl, received decidedly mixed reviews. Kevin Thomas calls it a “triumph”; Stephen Holden, “handsome, faithful, and intelligent” yet “emotionally distanced.” Given the successful—if not blockbuster—run of 1990s James movies—Jane Campion’s The Portrait of a Lady (1996), Agniezka Holland’s Washington Square (1997), and Iain Softley’s The Wings of the Dove (1997)—the reviewers, as well as the fans, must have anticipated praising The Golden Bowl. Yet the film opened in “selected cities,” as the New York Times movie ads noted; after New York and Los Angeles, it showed in university towns and large urban areas but not “at a theater near you” or at “theaters everywhere.” Never mind, however, for the Merchant Ivory film never intended to be popular with the masses. Seeking a middlebrow audience of upper-middle-class spectators and generally intelligent filmgoers, The Golden Bowl aimed to portray an English cultural heritage attractive to Anglo-bibliophiles. James’s faux British novel, however, is paradoxically peopled with foreigners: American upwardly mobile usurpers, an impoverished Italian prince, and a social-climbing but shabby ex- New York yentl. Yet James’s ironic portrait of this expatriate culture, whose characters seek only to imitate their Brit betters—if not in terms of wealth and luxury, at least in social charm and importance—failed to seem relevant to viewers The Henry James Review 23 (2002): 38–52.
    [Show full text]
  • Patrick Deer, New York University British Cinema and Middlebrow Culture in the Interwar Years. by Lawrence Napper. Exeter: Un
    158 THE SPACE BETWEEN “violence” and “trauma” would have benefited from the kind of subheadings offered for “war.” The lack of index entries on “militarism,” “militarization,” and the “military industrial complex” reveals a need for greater clarity about the political economy of twentieth-century warfare, despite the editors’ and contributors’ references to the massive—and continuing—shadow cast by modern war economies on literature and culture. The omission of an index entry for “Anti-americanism” may also be revealing of Rawlinson and Pi- ette’s ambivalence towards the exact place of the US and its war machine in their transatlantic study. Given the sheer richness of the range of critics and theorists cited in the footnotes to the volume, the Companion would have benefited from their inclusion in the index, which tends to be tilted towards primary texts. This could, of course, be rectified in an expanded online index, had the editors world enough and time. Overall this is a superb and invaluable resource, which will repay repeated reading and consultation. ---Patrick Deer, New York University British Cinema and Middlebrow Culture in the Interwar Years. By Lawrence Napper. Exeter: University of Exeter Press, 2009. 250 pp. $85.00 cloth. As snapshots of Britain’s twentieth-century cultural history go, the image of the interwar petit-bourgeois commuter trundling home on the “tube” to the new suburbs on London’s periphery, nose in a Penguin paperback, conjures little that is malevolent or threatening. For the intelligentsia of the period, however, both the cultural tastes and modes of living of those in the ”middle” represented a minatory development: this was the wasteland of modernity manifest.
    [Show full text]
  • An Inspector Calls Is Recommended for the Artistic Team Students in Grade 8 Director……………………….JIM MEZON and Higher
    An Inspector by J.B. Priestley Calls ONNECTIONS Shaw Festival CStudy Guide The Shaw Story 2 The Players 3 The Story 4 Who’s Who 5 The Playwright 6-7 Director’s Notes 8 Designer’s Notes 9 Production History 10 World of the Play 11-15 Did You Know? 16 Say What? 17 Sources 18 Activities 18-29 Response Sheet 30 THE SHAW STORY MANDATE The Shaw Festival is the only theatre in the world which exclusively focuses on plays by Bernard Shaw and his contemporaries, including plays written or about the period of Shaw’s lifetime (1856 – 1950). The Shaw Festival’s mandate also includes: • Uncovered Gems – digging up undiscovered theatrical treasures, or plays which were considered major works when they were written but which have since been unjustly neglected • American Classics – we continue to celebrate the best of American theatre • Musicals – rarely-performed musical treats from the period of our mandate are re- discovered and returned to the stage WHAT MAKES • Canadian Work – to allow us to hear and promote our own stories, our own points SHAW SPECIAL of view about the mandate period. MEET THE COMPANY — OUR ENSEMBLE • Our Actors: All Shaw performers contribute to the sense of ensemble, much like the players in an orchestra. Often, smaller parts are played by actors who are leading performers in their own right, but in our “orchestra,” they support the central action helping to create a density of experiences that are both subtle and informative. • Our Designers: Every production that graces the Shaw Festival stages is built “from scratch,” from an original design.
    [Show full text]
  • William & Mary Theatre Main Stage Productions
    WILLIAM & MARY THEATRE MAIN STAGE PRODUCTIONS 1926-1927 1934-1935 1941-1942 The Goose Hangs High The Ghosts of Windsor Park Gas Light Arms and the Man Family Portrait 1927-1928 The Romantic Age The School for Husbands You and I The Jealous Wife Hedda Gabler Outward Bound 1935-1936 1942-1943 1928-1929 The Unattainable Thunder Rock The Enemy The Lying Valet The Male Animal The Taming of the Shrew The Cradle Song *Bach to Methuselah, Part I Candida Twelfth Night *Man of Destiny Squaring the Circle 1929-1930 1936-1937 The Mollusc Squaring the Circle 1943-1944 Anna Christie Death Takes a Holiday Papa is All Twelfth Night The Gondoliers The Patriots The Royal Family A Trip to Scarborough Tartuffe Noah Candida 1930-1931 Vergilian Pageant 1937-1938 1944-1945 The Importance of Being Earnest The Night of January Sixteenth Quality Street Just Suppose First Lady Juno and the Paycock The Merchant of Venice The Mikado Volpone Enter Madame Liliom Private Lives 1931-1932 1938-1939 1945-1946 Sun-Up Post Road Pygmalion Berkeley Square RUR Murder in the Cathedral John Ferguson The Pirates of Penzance Ladies in Retirement As You Like It Dear Brutus Too Many Husbands 1932-1933 1939-1940 1946-1947 Outward Bound The Inspector General Arsenic and Old Lace Holiday Kind Lady Arms and the Man The Recruiting Officer Our Town The Comedy of Errors Much Ado About Nothing Hay Fever Joan of Lorraine 1933-1934 1940-1941 1947-1948 Quality Street You Can’t Take It with You The Skin of Our Teeth Hotel Universe Night Must Fall Blithe Spirit The Swan Mary of Scotland MacBeth
    [Show full text]
  • An Inspector Calls
    Get hundreds more free LitCharts at LitCharts.com. An Inspector Calls BACKGROUND INFO EXTRA CREDIT Ghoulish Goole. Many interpretations of the text consider the Inspector’s AUTHOR BIO ghostly name to be symbolic of the mystery that surrounds his character. Full Name: J.B. Priestley PLOT OVERVIEW Date of Birth: September 13, 1894 Place of Birth: Bradford, West Riding of Yorkshire, England The play begins in a nice dining room, with the prosperous Birling family joyously celebrating the engagement of their daughter, Sheila, to Gerald Date of Death: August 14, 1984 Croft. Everybody is in good spirits. Mr. Birling gives a toast, and Gerald gives Brief Life Story: Priestley grew up in Manningham, England. His mother died Sheila her engagement ring, which she puts on her finger eryv excitedly. Mr. when he was two years old and, at the age of sixteen, he left school to work as Birling encourages Gerald and Sheila to ignore the pessimistic “silly talk” going a junior clerk at a wool firm. He served and was injured in World War I and around these days, and claims that fear of an inevitable war is “fiddlesticks.” then went to study at Trinity College. Priestley hosted a popular radio show, A Police Inspector arrives, and reports that he is investigating the suicide of a “Postscripts,” from the beginning of World War II until the show was cancelled young woman who recently swallowed disinfectant and died in the Infirmary. in 1940 after members of the Conservative Party—including Margaret When he mentions that her name was Eva Smith, Mr.
    [Show full text]
  • {PDF EPUB} the Good Companions by JB Priestley
    Read Ebook {PDF EPUB} The Good Companions by J.B. Priestley The Good Companions by J.B. Priestley. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 65682c596d4f8474 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. The Good Companions by J.B. Priestley. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store.
    [Show full text]