A Tentative Study of the English Tense from a Metaphorical Perspective
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The Interpretation of Tense — I Didn't Turn Off the Stove Toshiyuki Ogihara
The interpretation of tense — I didn’t turn off the stove Toshiyuki Ogihara — University of Washington [email protected] Kiyomi Kusumoto — Kwansei Gakuin University [email protected] Abstract This chapter examines Partee’s (1973) celeBrated claim that tenses are not existential quantifiers but pronouns. In the first half of the chapter, we show that this proposal successfully accounts for the Behavior of tense morphemes regarding deixis, anaphora, and presupposition. It is also compatiBle with cases where tense morphemes Behave like Bound variables. In the second half of the chapter, we turn to the syntax-semantics interface and propose some concrete implementations Based on three different assumptions aBout the semantics of tense: (i) quantificational; (ii) pronominal; (iii) relational. Finally, we touch on some tense-related issues involving temporal adverBials and cross-linguistic differences. Keywords tense, pronoun, quantification, Bound variaBle, referential, presupposition, temporal adverbial (7 key words) 1. Introduction This article discusses the question of whether the past tense morpheme is analogous to pronouns and if so how tense is encoded in the system of the interfaces between syntax and semantics. The languages we will deal with in this article have tense morphemes that are attached to verbs. We use 1 this type of language as our guide and model. Whether tense is part of natural language universals, at least in the area of semantic interpretation, is debatable.1 Montague’s PTQ (1973) introduces a formal semantic system that incorporates some tense and aspect forms in natural language and their model-theoretic interpretation. It introduces tense operators based on Prior’s (1957, 1967) work on tense logic. -
Waking up from «Conjecture» As Well As from «Dream»
DOSSIER WAKING UP FROM «CONJECTURE» AS WELL AS FROM «DREAM» A presentation of AIME Text: Bruno Latour GAD Distinguished Lecture, American Anthropology Association meeting, Chicago 21st of November 2013 1 Abstract As every ethnographer knows, in addition to the many blunders every one of us commits in the course of our feldwork, there exist also graver mistakes when we sense a mistaken regime of reality granted to an entity. It is at those moments, usually the most revealing in the course of our inquiries, when we try to repair broken relations by some innovative move to defne the status of the contrasting realities that have been open to misinterpretation. During the last quarter century I have attempted, quite systematically, to increase the number of templates by which the so-called Moderns account for themselves; not, to be sure, in their ofcial representation (they remain staunch adepts of the Object-Subject Operating System and will swear that they are obedient naturalists), but by looking for the many occasions where they express dissatisfaction with such an ofcial view of themselves. What I think I have documented are the protestations by many diferent people that a skewed template is being used to account for the mode of existence of the agencies that are most attached to them. Keywords: method; ontology; modernism; inquiry; physical anthropology; diplomacy «Thus there would be two natures, (the world is made of objects and subjects, period) with the one is the conJecture bewildering number of entities they have never ceased to and the other is the dream» encounter or to generate along their path. -
Narrative Genres Narrative Text 1
Moorgate Primary School English: INTENT Grammar, Punctuation and Writing Genres Criteria for Fiction and Non-Fiction Genres This is a suggested overview for each genre, giving a list of grammar and punctuation. It is not a definitive list. It will depend on the age group as to what you will include or exclude. For each genre you will work on vocabulary such as prefixes, suffixes, antonyms, synonyms, homonyms, etc. Where possible, different sentence structures should be taught. This will be developed through the year and throughout the Key Stage. Narrative Genres Narrative text 1. Adventure and mystery stories – past tense First or third person 2. Myths and legends – past tense Inverted commas 3. Stories with historical settings – past tense Personification 4. Stories set in imaginary worlds – past or future tense Similes 5. Stories with issues and dilemmas – past tense Metaphors 6. Flashback – past and present tense Onomatopoeia 7. Traditional fairy story – past tense Noun phrases 8. Ghost story – past tense Different sentence openers (prepositions, adverbs, connectives, “- ing” words, adverbs, “-ed” words, similes) Synonyms Antonyms Specific nouns (proper) Semicolons to separate two sentences Colons to separate two sentences of equal weighting Informal and formal language Lists of three – adjectives and actions Indefinite pronouns Emotive language Non-Fiction Genres Explanation text Recount text Persuasive text Report text Play scripts Poetry text Discussion text Present tense (This includes genres Present tense Formal language Exclamation -
Mastering the Metaphor
Mastering the Metaphor ACBS World Conference IX Colleen Ehrnstrom, Ph.D. Boulder, Colorado, USA www.actskillsgroup.com Many thanks to Chad Emrick and Carl Baccellieri and the Boulder ACT consultation group for their advice and feedback regarding this workshop. We utter about one metaphor for every 10 to 25 words, or about six metaphors a minute (Geary, 2011). Metaphors are represented in this presentation in both written and visual form. Metaphor: Picture is worth a 1000 words (embedded in computer metaphor) 1. Learn where metaphors fit into the infrastructure of the ACT model 2. Understand the basic science of metaphors 3. Know and apply the guidelines for using metaphors in therapy 4. Watch therapists use metaphors in the therapeutic context 5. Practice using some ACT metaphors in the therapeutic context Mechanistic versus Contextual Metaphor: Bank of a stream– Where does the bank end and the water begin? Functional Contextualism – given the context, what is the function? Metaphor: Google maps v floorplan – do you want to drive there or live there? Suffering is related to language Metaphor: Your words slice through me like knives RFT is the science behind ACT Metaphor: Driving a car without knowing the mechanics of it Pliance (“plys”) – compliance with verbal rules that are socially supported. Plys are typically our first introduction to rules. Examples: Eat 5 servings of fruits and vegetables to stay healthy Wear a coat – it is cold outside Metaphor: Go the extra mile What are your plys about doing ACT in the therapy room?? Plys are more prevalent because they do not require direct experience. -
The Use of Metaphor in Poetry
THE USE OF METAPHOR IN POETRY structure 3.0 - Aims and Objectives 3.1 Introduction 3.2 Traditional definition of metaphor 3.3 Distinction between simile and metaphor 3.3.1 Changein the trditidndunof metaphor 3.3.2 Difference between traditional and modern uses of metaphor 3.4 Simile and metaphor in a chain 3.4.1 Comptex metaphors 3.4.2 Symbd and conceit 3.5 Varieties of metaphor 3.5.1 Contemporary concept ofmetaphor 3.5.2 USe of me!apbor in modern poetry 3.6 imageas metaphor 3.7 Analogical and contextual notions of metaphor 3.8 Summing up 3.9 Activities: aids to answers 3.10 Glossary 3.0 AIMS ANI) OBJECTIVES This Unit discusses the use of metaphor in poetry. After going through it, you wiU learn that metaphor, like simite, is based on comparison between two dissimjlar the; the language we use being metaphoric in origin, some of our expressions have lost their original metaphoric character and have become dead metaphors; the traditional definition of metaphor as shortened simile has become modified in that metaphors.are not &&ed tidm simple logical comparisons; 0 dilethe traditional use ofwetaphor is for bringing out the points of similarity between two things, the mderh use of it is to make it serve as a ceqtral concept of the poem; in many poems the simik and the metaphor are indeed combined as in a chain. This suggests that though a siml is at the root of every metaphor, it is metaphor that - makes the poem vivid and symbolical; if the suggestecf-resemblane of the things compared is far-fetched or arbitrary, the metaphor acquires the character of a symbol or a conceit; * poets no longer consider a wtaphor as a distinct rhetorical element but associate it with other stylistic elements as 'metaphors'; * metaphor has become a condition of poetry and a means for the evocathn of connota~imand assoeiationscentral to the poem; in mdmpoetry,metaphar implies a transaction between contexts and kelps the overt meanings of images toacquire metaphoric significance; and . -
Grammar for Academic Writing
GRAMMAR FOR ACADEMIC WRITING Tony Lynch and Kenneth Anderson (revised & updated by Anthony Elloway) © 2013 English Language Teaching Centre University of Edinburgh GRAMMAR FOR ACADEMIC WRITING Contents Unit 1 PACKAGING INFORMATION 1 Punctuation 1 Grammatical construction of the sentence 2 Types of clause 3 Grammar: rules and resources 4 Ways of packaging information in sentences 5 Linking markers 6 Relative clauses 8 Paragraphing 9 Extended Writing Task (Task 1.13 or 1.14) 11 Study Notes on Unit 12 Unit 2 INFORMATION SEQUENCE: Describing 16 Ordering the information 16 Describing a system 20 Describing procedures 21 A general procedure 22 Describing causal relationships 22 Extended Writing Task (Task 2.7 or 2.8 or 2.9 or 2.11) 24 Study Notes on Unit 25 Unit 3 INDIRECTNESS: Making requests 27 Written requests 28 Would 30 The language of requests 33 Expressing a problem 34 Extended Writing Task (Task 3.11 or 3.12) 35 Study Notes on Unit 36 Unit 4 THE FUTURE: Predicting and proposing 40 Verb forms 40 Will and Going to in speech and writing 43 Verbs of intention 44 Non-verb forms 45 Extended Writing Task (Task 4.10 or 4.11) 46 Study Notes on Unit 47 ii GRAMMAR FOR ACADEMIC WRITING Unit 5 THE PAST: Reporting 49 Past versus Present 50 Past versus Present Perfect 51 Past versus Past Perfect 54 Reported speech 56 Extended Writing Task (Task 5.11 or 5.12) 59 Study Notes on Unit 60 Unit 6 BEING CONCISE: Using nouns and adverbs 64 Packaging ideas: clauses and noun phrases 65 Compressing noun phrases 68 ‘Summarising’ nouns 71 Extended Writing Task (Task 6.13) 73 Study Notes on Unit 74 Unit 7 SPECULATING: Conditionals and modals 77 Drawing conclusions 77 Modal verbs 78 Would 79 Alternative conditionals 80 Speculating about the past 81 Would have 83 Making recommendations 84 Extended Writing Task (Task 7.13) 86 Study Notes on Unit 87 iii GRAMMAR FOR ACADEMIC WRITING Introduction Grammar for Academic Writing provides a selective overview of the key areas of English grammar that you need to master, in order to express yourself correctly and appropriately in academic writing. -
An Error Analysis on the Use of Simple Past Tense in Narrative Text Made by the Third Semester of English Department Students at Muhammadiyah University of Makassar
AN ERROR ANALYSIS ON THE USE OF SIMPLE PAST TENSE IN NARRATIVE TEXT MADE BY THE THIRD SEMESTER OF ENGLISH DEPARTMENT STUDENTS AT MUHAMMADIYAH UNIVERSITY OF MAKASSAR (A Descriptive Research) A THESIS Submitted to the Faculty of Teacher Training and Education Muhammadiyah University of Makassar in Partial Fulfillment of the Requirement for the Degree of Education in English Department WAHYUNI AMALIYYAH SETTI 10535609514 ENGLISH EDUCATION DEPARTMENT FACULTY OF TEACHER TRAINING AND EDUCATION MUHAMMADIYAH UNIVERSITY OF MAKASSAR 2018 SURAT PERNYATAAN Saya yang bertanda tangan di bawah ini: Nama : WAHYUNI AMALIYYAH SETTI Stambuk : 10535 6095 14 Jurusan : Pendidikan Bahasa Inggris Judul Skripsi : An Error Analysis on the Use of Simple Past Tense in Narrative Text Made by the Third Semester of English Department Students at Muhammadiyah University of Makassar Dengan ini menyatakan bahwa: Skripsi yang saya ajukan di depan Tim Penguji adalah asli hasil karya saya, bukan jiplakan dan tidak dibuatkan oleh siapapun. Demikian pernyataan ini saya buat dengan sebenarnya dan saya bersedia menerima sanksi apabila pernyataan ini tidak benar. Makassar, Januari 2019 Yang Membuat Pernyataan, Wahyuni Amaliyyah Setti SURAT PERJANJIAN Saya yang bertanda tangan di bawah ini: Nama : WAHYUNI AMALIYYAH SETTI NIM : 10535 6095 14 Jurusan : Pendidikan Bahasa Inggris Judul Skripsi : An Error Analysis on the Use of Simple Past Tense in Narrative Text Made by the Third Semester of English Department Students at Muhammadiyah University of Makassar Dengan ini menyatakan bahwa: 1. Mulai dari penyusunan proposal sampai selesainya skripsi saya. Saya akanmenyusun sendiri skripsi saya (tidak dibuat oleh siapapun). 2. Dalam penyusunan skripsi saya akan selalu melakukan konsultasi dengan pembimbing yang telah ditetapkan oleh pimpinan Fakultas. -
Variation and Change in Past Tense Negation in African American English
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2018 Variation And Change In Past Tense Negation In African American English Sabriya Fisher University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Linguistics Commons Recommended Citation Fisher, Sabriya, "Variation And Change In Past Tense Negation In African American English" (2018). Publicly Accessible Penn Dissertations. 2925. https://repository.upenn.edu/edissertations/2925 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/2925 For more information, please contact [email protected]. Variation And Change In Past Tense Negation In African American English Abstract This dissertation investigates the use of ain’t for negation in past tense contexts in Philadelphia African American English [PhAAE]. This use of ain’t, which varies with didn’t, is a unique feature of AAE (Labov et al. 1968) and has implications for the expression of tense/aspect in the language. First, it further levels tense/aspect cues from auxiliaries in negative contexts. Second, whereas verbal complements of didn’t are uninflected (1a), complements of ain’t may either be uninflected or in preterit form (1b). This asymmetry indicates potential structural differences between ain’t and didn’t. (1) a. They didn’t play yesterday. b. They ain’t play(ed) yesterday. Consequently, this dissertation joins a quantitative study of the social and linguistic factors conditioning use of ain’t with a distributional investigation of its syntax and interaction with tense morphology. Toward that end, I analyze naturalistic speech data from 42 speakers in a corpus of casual conversations collected in the early 1980s from African American Philadelphians. -
Tenses and Conjugation (Pdf)
Created by the Evergreen Writing Center Library 3407 867-6420 Tenses and Conjugation Using correct verb forms is crucial to communicating coherently. Understanding how to apply different tenses and properly conjugate verbs will give you the tools with which to craft clear, effective sentences. Conjugations A conjugation is a list of verb forms. It catalogues the person, number, tense, voice, and mood of a verb. Knowing how to conjugate verbs correctly will help you match verbs with their subjects, and give you a firmer grasp on how verbs function in different sentences. Here is a sample conjugation table: Present Tense, Active Voice, Indicative Mood: Jump Person Singular Plural 1st Person I jump we jump 2nd Person you jump you jump 3rd Person he/she/it jumps they jump Person: Person is divided into three categories (first, second, and third person), and tells the reader whether the subject is speaking, is spoken to, or is spoken about. Each person is expressed using different subjects: first person uses I or we; second person uses you; and third person uses he/she/it or they. Keep in mind that these words are not the only indicators of person; for example in the sentence “Shakespeare uses images of the divine in his sonnets to represent his own delusions of grandeur”, the verb uses is in the third person because Shakespeare could be replaced by he, an indicator of the third person. Number: Number refers to whether the verb is singular or plural. Tense: Tense tells the reader when the action of a verb takes place. -
Enhancing the Students' Rhetoric Attainments in Teaching of College
Sino-US English Teaching, July 2019, Vol. 16, No. 7, 300-305 doi:10.17265/1539-8072/2019.07.003 D DAVID PUBLISHING Enhancing the Students’ Rhetoric Attainments in Teaching of College English Intensive Reading ZHANG Rong-gen Shanghai Publishing and Printing College, Shanghai, China Beginning with various definitions of rhetoric, the paper gives a survey of some common English rhetoric figures found in College English intensive reading, such as metaphor, simile, transferred epithet, allusion, hyperbole, personification, metonymy, antithesis, onomatopoeia, double negative, inversion, rhetoric question, parady, transferred negation, and the like. By elaborating the functions of those rhetoric figures, the paper attempts to enhance the students’ rhetoric attainments and arouse their interest in learning English. Keywords: rhetoric attainments, rhetoric figures, College English teaching Introduction Some students often complain that the teaching of College English intensive reading course is so monotonous. It is really the case. How can a tasteless person feel his delicious food? And a certain rhetoric attainment is the prerequisite for the student to enjoy this “delicious food” of College English intensive reading course. The category of rhetoric is quite broad, one of which definitions is given by Aristotle as the art of public speaking by means of persuasion (Aristotle, 1954, pp. 2-12); and Hartwell extends the definition of rhetoric as the art of using words in speaking or writing (Hartwell & Bentley, 1982, pp. 1-15). That is to say, rhetoric contains both the art of public speaking and the method of composition. According to Chen Wangdao, a modern Chinese rhetorician, rhetoric includes both active rhetoric and passive rhetoric. -
In Formal Contexts: the Paratextual Features of Historiographic Metafiction
In Formal Contexts: The Paratextual Features of Historiographic Metafiction By Keith Kirouac, B.A. A Thesis submitted to the Department of English California State University Bakersfield In Partial Fulfillment for the Degree of Masters of English Fall 2015 Copyright By Keith Laurien Kirouac 2015 In Formal Contexts: The Paratextual Features of Historiographic Metafiction By Keith Kirouac This thesis or project has been accepted on behalf of the Department of English by their supervisory committee: D~:*~~Commt ee Chair 16(~~ Dr. Carol Dell'Amico Acknowledgements Upon the completion of this thesis project (my death as an author if for no cause other than exhaustion) I would like to thank my readers, Dr. Monica Ayuso and Dr. Carol Dell'Amico, for taking time out of their busy schedules to examine this relatively insignificant work. I am also grateful to Dr. Kim Flachmann, Dr. Charles MacQuarrie, Dr. Susan Stafinbil, Dr. Andrew Troup, and Christy Gavin for helping to guide me through the research which led to this paper. Abstract The Introduction to this thesis defines a number of key terms and concepts related to the study of paratexts in historiographic metafiction. The chapters that follow describe how paratextual forms operate within specific historiographic metafictional novels. The first of these chapters covers the footnotes in The Brief Wondrous Life of Oscar Wao, painting the novel's narrator as a fairly typical historiographer. The second chapter delves into the metafictional elements tied to the appendices which conclude The Lord of the Rings and argues that J.R.R. Tolkien's reputation as an author and scholar may have influenced the development of that novel. -
A Rhetorical Model for Homiletics. Rodney Kennedy Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1990 The piE stemic Power of Metaphor: A Rhetorical Model for Homiletics. Rodney Kennedy Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Kennedy, Rodney, "The pE istemic Power of Metaphor: A Rhetorical Model for Homiletics." (1990). LSU Historical Dissertations and Theses. 5063. https://digitalcommons.lsu.edu/gradschool_disstheses/5063 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps.