Dashiell Hammett's the Maltese Falcon: a Documentary Volume
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About the Centro Film Collection The Centro Library and Archives houses one of the most extensive collections of films documenting the Puerto Rican experience. The collection includes documentaries, public service news programs; Hollywood produced feature films, as well as cinema films produced by the film industry in Puerto Rico. Presently we house over 500 titles, both in DVD and VHS format. Films from the collection may be borrowed, and are available for teaching, study, as well as for entertainment purposes with due consideration for copyright and intellectual property laws. Film Lending Policy Our policy requires that films be picked-up at our facility, we do not mail out. Films maybe borrowed by college professors, as well as public school teachers for classroom presentations during the school year. We also lend to student clubs and community-based organizations. For individuals conducting personal research, or for students who need to view films for class assignments, we ask that they call and make an appointment for viewing the film(s) at our facilities. Overview of collections: 366 documentary/special programs 67 feature films 11 Banco Popular programs on Puerto Rican Music 2 films (rough-cut copies) Roz Payne Archives 95 copies of WNBC Visiones programs 20 titles of WNET Realidades programs Total # of titles=559 (As of 9/2019) 1 Procedures for Borrowing Films 1. Reserve films one week in advance. 2. A maximum of 2 FILMS may be borrowed at a time. 3. Pick-up film(s) at the Centro Library and Archives with proper ID, and sign contract which specifies obligations and responsibilities while the film(s) is in your possession. -
November 2019
MOVIES A TO Z NOVEMBER 2019 D 8 1/2 (1963) 11/13 P u Bluebeard’s Ten Honeymoons (1960) 11/21 o A Day in the Death of Donny B. (1969) 11/8 a ADVENTURE z 20,000 Years in Sing Sing (1932) 11/5 S Ho Booked for Safekeeping (1960) 11/1 u Dead Ringer (1964) 11/26 S 2001: A Space Odyssey (1968) 11/27 P D Bordertown (1935) 11/12 S D Death Watch (1945) 11/16 c COMEDY c Boys’ Night Out (1962) 11/17 D Deception (1946) 11/19 S –––––––––––––––––––––– A ––––––––––––––––––––––– z Breathless (1960) 11/13 P D Dinky (1935) 11/22 z CRIME c Abbott and Costello Meet Frankenstein (1948) 11/1 Bride of Frankenstein (1935) 11/16 w The Dirty Dozen (1967) 11/11 a Adventures of Don Juan (1948) 11/18 e The Bridge on the River Kwai (1957) 11/6 P D Dive Bomber (1941) 11/11 o DOCUMENTARY a The Adventures of Robin Hood (1938) 11/8 R Brief Encounter (1945) 11/15 Doctor X (1932) 11/25 Hz Alibi Racket (1935) 11/30 m Broadway Gondolier (1935) 11/14 e Doctor Zhivago (1965) 11/20 P D DRAMA c Alice Adams (1935) 11/24 D Bureau of Missing Persons (1933) 11/5 S y Dodge City (1939) 11/8 c Alice Doesn’t Live Here Any More (1974) 11/10 w Burn! (1969) 11/30 z Dog Day Afternoon (1975) 11/16 e EPIC D All About Eve (1950) 11/26 S m Bye Bye Birdie (1963) 11/9 z The Doorway to Hell (1930) 11/7 S P R All This, and Heaven Too (1940) 11/12 c Dr. -
THE DARK PAGES the Newsletter for Film Noir Lovers Vol
THE DARK PAGES The Newsletter for Film Noir Lovers Vol. 6, Number 1 SPECIAL SUPER-SIZED ISSUE!! January/February 2010 From Sheet to Celluloid: The Maltese Falcon by Karen Burroughs Hannsberry s I read The Maltese Falcon, by Dashiell Hammett, I decide on who will be the “fall guy” for the murders of Thursby Aactually found myself flipping more than once to check and Archer. As in the book, the film depicts Gutman giving Spade the copyright, certain that the book couldn’t have preceded the an envelope containing 10 one-thousand dollar bills as a payment 1941 film, so closely did the screenplay follow the words I was for the black bird, and Spade hands it over to Brigid for safe reading. But, to be sure, the Hammett novel was written in 1930, keeping. But when Brigid heads for the kitchen to make coffee and the 1941 film was the third of three features based on the and Gutman suggests that she leave the cash-filled envelope, he book. (The first, released in 1931, starred Ricardo Cortez and announces that it now only contains $900. Spade immediately Bebe Daniels, and the second, the 1936 film, Satan Met a Lady, deduces that Gutman palmed one of the bills and threatens to was a light comedy with Warren William and Bette Davis.) “frisk” him until the fat man admits that Spade is correct. But For my money, and for most noirists, the 94 version is the a far different scene played out in the book where, when the definitive adaptation. missing bill is announced, Spade ushers Brigid The 1941 film starred Humphrey Bogart into the bathroom and orders her to strip naked as private detective Sam Spade, along with to prove her innocence. -
FOREST LAWN MEMORIAL PARK Hollywood Hills Orry George Kelly December 31, 1897 - February 27, 1964 Forest Lawn Memorial Park Hollywood Hills
Welcome to FOREST LAWN MEMORIAL PARK Hollywood Hills Orry George Kelly December 31, 1897 - February 27, 1964 Forest Lawn Memorial Park Hollywood Hills Order of Service Waltzing Matilda Played by the Forest Lawn Organist – Anthony Zediker Eulogy to be read by Jack. L. Warner Pall Bearers, To be Announced. Photo by Tony Duran Orry George Kelly December 31, 1897 - February 27, 1964 Forest Lawn Memorial Park Hollywood Hills Photo by Tony Duran Orry George Kelly December 31, 1897 - February 27, 1964 Forest Lawn Memorial Park Hollywood Hills Orry-Kelly Filmography 1963 Irma la Douce 1942 Always in My Heart (gowns) 1936 Isle of Fury (gowns) 1963 In the Cool of the Day 1942 Kings Row (gowns) 1936 Cain and Mabel (gowns) 1962 Gypsy (costumes designed by) 1942 Wild Bill Hickok Rides (gowns) 1936 Give Me Your Heart (gowns) 1962 The Chapman Report 1942 The Man Who Came to Dinner (gowns) 1936 Stage Struck (gowns) 1962 Five Finger Exercise 1941 The Maltese Falcon (gowns) 1936 China Clipper (gowns) (gowns: Miss Russell) 1941 The Little Foxes (costumes) 1936 Jailbreak (gowns) 1962 Sweet Bird of Youth (costumes by) 1941 The Bride Came C.O.D. (gowns) 1936 Satan Met a Lady (gowns) 1961 A Majority of One 1941 Throwing a Party (Short) 1936 Public Enemy’s Wife (gowns) 1959 Some Like It Hot 1941 Million Dollar Baby (gowns) 1936 The White Angel (gowns) 1958 Auntie Mame (costumes designed by) 1941 Affectionately Yours (gowns) 1936 Murder by an Aristocrat (gowns) 1958 Too Much, Too Soon (as Orry Kelly) 1941 The Great Lie (gowns) 1936 Hearts Divided (gowns) -
XXVI:7) John Huston, FAT CITY (1972, 100 Min.)
February 26, 2013 (XXVI:7) John Huston, FAT CITY (1972, 100 min.) Directed by John Huston Script by Leonard Gardner, based on his novel Produced by John Huston and Ray Stark Cinematography by Conrad L. Hall Edited by Walter Thompson Production Design by Richard Sylbert Set Decoration by Morris Hoffman Costume Design by Dorothy Jeakins Stunts: Nick Bullom and Rachel Schedler Music supervisor: Marvin Hamlisch Fight consultant: Al Silvani First aid: Brad Siniard Stacy Keach…Tully Jeff Bridges…Ernie Susan Tyrrell…Oma Candy Clark…Faye Nicholas Colasanto…Ruben Art Aragon…Babe Curtis Cokes…Earl Sixto Rodriguez…Lucero Billy Walker…Wes Freud, 1961 The Misfits, 1960 The Unforgiven, 1958 The Roots of Wayne Mahan…Buford Heaven, 1958 The Barbarian and the Geisha, 1957 A Farewell to Ruben Navarro…Fuentes Arms (uncredited), 1957 Heaven Knows, Mr. Allison, 1956 Moby Álvaro López…Rosales Dick, 1953 Beat the Devil, 1952 Moulin Rouge, 1951 The African Carl D. Parker…Paymaster Queen, 1951 The Red Badge of Courage, 1950 The Asphalt Jungle, Al Silvani…Referee at Tully-Lucero Fight 1949 We Were Strangers, 1948 Key Largo, 1948 On Our Merry Way (uncredited), 1948 The Treasure of the Sierra Madre, 1946 JOHN HUSTON (director) (b. John Marcellus Huston, August 5, Let There Be Light (documentary), 1945 San Pietro (documentary 1906, Nevada, Missouri – August 28, 1987, Middletown, Rhode short) (uncredited), 1944 Tunisian Victory (documentary) Island) won best screenplay and best director Oscars for The (replacement scenes), 1943 Report from the Aleutians Treasure of the Sierra Madre (1948). His other 48 films are: 1987 (documentary) (uncredited), 1942 Across the Pacific, 1942 The Dead, 1985 Prizzi's Honor, 1984 Under the Volcano, 1982 Winning Your Wings (short), 1942 In This Our Life, and 1941 The Annie, 1981 Victory, 1980 Phobia, 1979 Wise Blood (as Jhon Maltese Falcon. -
British Film Institute Report & Financial Statements 2006
British Film Institute Report & Financial Statements 2006 BECAUSE FILMS INSPIRE... WONDER There’s more to discover about film and television British Film Institute through the BFI. Our world-renowned archive, cinemas, festivals, films, publications and learning Report & Financial resources are here to inspire you. Statements 2006 Contents The mission about the BFI 3 Great expectations Governors’ report 5 Out of the past Archive strategy 7 Walkabout Cultural programme 9 Modern times Director’s report 17 The commitments key aims for 2005/06 19 Performance Financial report 23 Guys and dolls how the BFI is governed 29 Last orders Auditors’ report 37 The full monty appendices 57 The mission ABOUT THE BFI The BFI (British Film Institute) was established in 1933 to promote greater understanding, appreciation and access to fi lm and television culture in Britain. In 1983 The Institute was incorporated by Royal Charter, a copy of which is available on request. Our mission is ‘to champion moving image culture in all its richness and diversity, across the UK, for the benefi t of as wide an audience as possible, to create and encourage debate.’ SUMMARY OF ROYAL CHARTER OBJECTIVES: > To establish, care for and develop collections refl ecting the moving image history and heritage of the United Kingdom; > To encourage the development of the art of fi lm, television and the moving image throughout the United Kingdom; > To promote the use of fi lm and television culture as a record of contemporary life and manners; > To promote access to and appreciation of the widest possible range of British and world cinema; and > To promote education about fi lm, television and the moving image generally, and their impact on society. -
John Huston, the MALTESE FALCON (1941, 101 Min)
September 14, 2010 (XXI:3) John Huston, THE MALTESE FALCON (1941, 101 min) Directed by John Huston Based on the novel by Dashiell Hammett Screenplay by John Huston Original Music by Adolph Deutsch Cinematography by Arthur Edeson Film Editing by Thomas Richards Meta Carpenter....script supervisor Humphrey Bogart...Sam Spade Mary Astor...Brigid O'Shaughnessy Gladys George...Iva Archer Peter Lorre...Joel Cairo Barton MacLane...Det. Lt. Dundy Lee Patrick...Effie Perine Sydney Greenstreet...Kasper Gutman Ward Bond...Det. Tom Polhaus Jerome Cowan...Miles Archer during WW II. Another – Let There Be Light 1946 – so frightened Elisha Cook Jr....Wilmer Cook military officials they kept it under lock and key for 34 years James Burke...Luke because they were convinced that if the American public saw Murray Alper...Frank Richman Huston’s scenes of American soldiers crying and suffering what in John Hamilton...District Attorney Bryan those days was called “shellshock” and “battle fatigue” they would Walter Huston...Capt. Jacobi have an even more difficult time getting Americans to go off and get themselves killed in future wars. One military official accused Selected for the National Film Registry, 1989 Huston of being “anti-war,” to which he replied, “If I ever make a 3 Oscar nominations: best picture, best screenplay, best supporting pro-war film I hope they take me out and shoot me.” During his actor (Greenstreet) long career he made a number of real dogs, e.g. Annie 1982, Victory 1981, Phobia 1980, and The Macintosh Man 1973, part of the price JOHN HUSTON (John of being a director in the studio system. -
1 Exploring Detective Films in the 1930S and 1940S: Genre, Society and Hollywood
Notes 1 Exploring Detective Films in the 1930s and 1940s: Genre, Society and Hollywood 1. For a discussion of Hollywood’s predilection for action in narratives, see Elsaesser (1981) and the analysis of this essay in Maltby (1995: 352−4). 2. An important strand of recent criticism of literary detective fiction has emphasised the widening of the genre to incorporate female and non-white protagonists (Munt, 1994; Pepper, 2000; Bertens and D’Haen, 2001; Knight, 2004: 162−94) but, despite Hollywood’s use of Asian detectives in the 1930s and 1940s, these accounts are more relevant to contemporary Hollywood crime films. 3. This was not only the case in B- Movies, however, as Warner’s films, includ- ing headliners, in the early 1930s generally came in at only about an hour and one- quarter due to budgetary restraints and pace was a similar neces- sity. See Miller (1973: 4−5). 4. See Palmer (1991: 124) for an alternative view which argues that ‘the crimi- nal mystery dominates each text to the extent that all the events in the narrative contribute to the enigma and its solution by the hero’. 5. Field (2009: 27−8), for example, takes the second position in order to create a binary opposition between the cerebral British whodunnit and the visceral American suspense thriller. 6. The Republic serials were: Dick Tracyy (1937), Dick Tracy Returns (1938), Dick Tracy’s G- Men (1939) and Dick Tracy vs Crime, Inc. (1941) (Langman and Finn, 1995b: 80). 7. The use of the series’ detectives in spy-hunter films after 1941, however, modifies this relationship by giving them at least an ideological affiliation with the discourses of freedom and democracy that Hollywood deploys in its propagandistic representation of the Allies in general and the United States in particular. -
Masaryk University Faculty of Arts
Masaryk University Faculty of Arts Department of English and American Studies Literatures in English Mgr. Veronika Pituková Murder Taken out of the Venetian Vase and Dropped into the Alley: Adapting Hard-boiled Masculinity and Femininity Dissertation Supervisor: doc. PhDr. Tomáš Pospíšil, Ph.D. 2016 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Author’s signature ii Acknowledgement I wish to thank the many people who supported and assisted me while I pursued this project. First and foremost, I extend my gratitude to my supervisor Tomáš Pospíšil for his time, invaluable suggestions, patience, and encouragement. In addition, I want to thank the faculty and staff at the Department of English and American Studies for their support, making me feel included and an opportunity to do research at the Michigan State University. Moreover, I would like to express my appreciation to Professors Justus Nieland and Patrick O’Donnell for fruitful consultations and suggestions. I would also like to thank Mary Chapman Cook for believing in me and encouraging me in my academic endeavors. Next, I want to thank my family and friends for saying the right thing at the right time whenever I grew discouraged. Most of all, I thank my soon-to-be-husband, Tomáš Vencúrik, for refusing to let me surrender to my frustrations. Without you I would not be where I am. iii You’re right on the money with that. We’re all like detectives in life. There’s something at the end of the trail that we’re all looking for. -
August 30, 2011 (XXIII:1) Mervyn Leroy, GOLD DIGGERS of 1933 (1933, 97 Min)
August 30, 2011 (XXIII:1) Mervyn LeRoy, GOLD DIGGERS OF 1933 (1933, 97 min) Directed by Mervyn LeRoy Written by Erwin Gelsey, James Seymour, David Boehm, Ben Markson, & Avery Hopwood (play) Produced by Robert Lord, Jack L. Warner Cinematography by Sol Polito Edited by George Amy Art Direction by Anton Grot Costume Design by Orry-Kelly Makeup by Perc Westmore Music & lyrics byAl Dubin, Harry Warren Conducted by Leo F. Forbstein Arranged by Ray Heindorf Numbers created and directed by Busby Berkeley Warren William...Lawrence 1935 Oil for the Lamps of China, 1933 Tugboat Annie, 1933 Gold Joan Blondell...Carol Diggers of 1933, 1932 I Am a Fugitive from a Chain Gang, 1932 Aline MacMahon...Trixie Three on a Match, 1932 Big City Blues, 1932 The Heart of New Ruby Keeler...Polly York, 1931 Five Star Final, 1931 Broadminded, 1931 Little Caesar, Dick Powell...Brad 1930 Show Girl in Hollywood, 1929 Broadway Babies, 1928 Flying Guy Kibbee...Peabody Romeos, and 1927 No Place to Go. Ned Sparks...Barney Ginger Rogers...Fay Jack L. Warner (August 2, 1892 in London, Ontario, Canada – Billy Barty...Baby in 'Pettin' in the Park' Number September 9, 1978, Los Angeles, California) was a prolific Busby Berkeley...Call Boy producer: he has almost 300 producing credits. He won two Oscars, Dennis O'Keefe...Chorus Boy the 1965 Irving G. Thalberg Memorial Award and the 1965 Best Jane Wyman...Gold Digger Picture Award for My Fair Lady (1964). Some of his other films are 1972 Dirty Little Billy, 1972 1776, 1967 Camelot, 1964 My Fair Awards Lady, 1949 Beyond the Forest, -
TFH Catalog 2017 03062017.Pdf
TFH # Trailer Guru Runtime Genre Release Year TFH-0001 The T.A.M.I. Show John Landis 4:05 Musical 1964 TFH-0002 House on Haunted Hill Mick Garris 2:53 Horror 1959 TFH-0003 The Terror Joe Dante 2:56 Drama 1959 TFH-0004 The Unearthly Joe Dante 2:36 Horror 1957 TFH-0005 The Incredible Petrified World Joe Dante 2:02 Science Fiction 1957 TFH-0006 Danger Diabolik Edgar Wright 2:39 Action 1968 TFH-0007 The Fiendish Ghouls Joe Dante 2:55 Horror 1965 TFH-0008 X - The Man with the X-Ray Eyes Mick Garris 2:34 Science Fiction 1963 TFH-0009 The Fall of the Roman Empire John Landis 4:34 Drama 1964 TFH-0010 The Vampire Lovers Mick Garris 2:33 Horror 1970 TFH-0011 Journey to the Lost City Sam Hamm 2:15 Western 1954 TFH-0012 Colossus: The Forbin Project John Landis 3:27 Science Fiction 1970 TFH-0013 Monster From Mars A.K.A. Robot Monster Joe Dante 2:00 Science Fiction 1953 TFH-0014 House of Usher Mary Lambert 2:49 Horror 1960 TFH-0015 Spartacus Larry Cohen 3:04 Adventure 1960 TFH-0016 These Are The Damned Joe Dante 4:14 Science Fiction 1962 TFH-0017 Attack of the 50 Foot Woman Joe Dante 2:33 Science Fiction 1958 TFH-0018 God Told Me To A.K.A. Demon Mick Garris 1:30 Horror 1976 TFH-0019 Kronos Sam Hamm 2:25 Science Fiction 1957 TFH-0020 Village of the Damned Mary Lambert 2:23 Science Fiction 1960 TFH-0021 Invaders From Mars Larry Cohen 2:40 Science Fiction 1953 TFH-0022 The Pit and the Pendulum Mary Lambert 2:43 Horror 1961 TFH-0023 The Cyclops Joe Dante 2:23 Science Fiction 1957 TFH-0024 She Demons Joe Dante 2:07 Horror 1958 TFH-0025 13 Ghosts Sam Hamm 2:49 Fantasy 1960 TFH-0026 Black Sunday AKA-Mask of the Demon Larry Cohen 2:15 Horror 1961 TFH-0027 Dr. -
Crime Wave for Clara CRIME WAVE
Crime Wave For Clara CRIME WAVE The Filmgoers’ Guide to the Great Crime Movies HOWARD HUGHES Disclaimer: Some images in the original version of this book are not available for inclusion in the eBook. Published in 2006 by I.B.Tauris & Co Ltd 6 Salem Road, London W2 4BU 175 Fifth Avenue, New York NY 10010 www.ibtauris.com In the United States and Canada distributed by Palgrave Macmillan, a division of St. Martin’s Press, 175 Fifth Avenue, New York NY 10010 Copyright © Howard Hughes, 2006 The right of Howard Hughes to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. Except for brief quotations in a review, this book, or any part thereof, may not be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publisher. The TCM logo and trademark and all related elements are trademarks of and © Turner Entertainment Networks International Limited. A Time Warner Company. All rights reserved. © and TM 2006 Turner Entertainment Networks International Limited. ISBN 10: 1 84511 219 9 EAN 13: 978 1 84511 219 6 A full CIP record for this book is available from the British Library A full CIP record for this book is available from the Library of Congress Library of Congress catalog card: available Typeset in Ehrhardt by Dexter Haven Associates Ltd, London Printed and bound in Great Britain by TJ International,